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Lot 571
FOUR BOXES AND LOOSE CERAMICS, GLASSWARES, PICTURES AND SUNDRY ITEMS, to include a small Wemyss pot painted with yellow fruit (sd) height 5cm, diameter 5cm, a Caithness Pastel paperweight, a Perthshire millefiori scent bottle with initialled central cane, a Stuart crystal candlestick height 22.5cm, seven pieces of Royal Doulton Meadow Glow D6443 dinnerware including two tureens and a meat plate, etc (sd) (4 BOXES + LOOSE)
Lot 610
20TH CENTURY PAINTINGS AND PRINTS, comprising Edwin Grieg Hall 'Blea Tarn', signed bottom left, artist label verso dated 1967, watercolour on paper, approximate size 27cm x 37cm, John Morland river landscape, watercolour on paper, David Ireland 'Allport Dale' watercolour on paper, David Farnsworth 'Hedge Windmill', watercolour on paper, three John D Peck landscape watercolours, Jeremy King limited edition canal landscape print, Peggy Hinaekian 'La Tapis Volant' limited edition print, indistinctly signed silk screen print of fishing trawlers, Dorothy Smith 'Boats near Havant' pastel on paper and an unsigned coastal watercolour landscape (12)
Lot 730
20TH CENTURY PAINTINGS ETC, comprising Garman Morris watercolour 'Off Yarmouth' fishing boats on the water, initaled bottom right, approximate size 13cm x 38cm, two Harris Brett Egyptian watercolours, signed and dated 1906, approximate sizes 22cm x 59cm, W.S. Ball squared rigged sailing ship, oil on board, approximate size 61cm x 45cm, Ken Brown watercolour of the Household Cavalry and pastel of Monnow bridge, a continental street scene signed Autiero, oil on canvas and a Manet Print 'Le Bar Aux Folies Bergere'
Lot 741
PAINTINGS AND PRINTS ETC, to include a watercolour of R65 HMS St James, monogram botom right, approximate size 19cm x 26cm, landscape watercolours by Tom Jacobs, Peter Wooley and Lily Thomas, Gerry Vaughan abstract flower still life, pastel on paper, two mixed media works by Lydia Solomon, Judy Brown ceramic owl plaque, Isabel Brent limited edition print, Indo Persian book page with text and watercolour depicting a hunting scene with deer, crocodiles and a tiger, Joseph Pickett print 'Manchester Valley', African batik picture attributed to Mutyaba verso, modern maps etc
Lot 763
ARTIST: Christine Macarthur (Scotland, British, born 1953)NAME: Cockerel and ParrotYEAR: 1991MEDIUM: oil and pastel on paperCONDITION: Very good. Framed under glass.SIGHT SIZE: 36 x 29 inches / 91 x 73 cmFRAME SIZE: 43 x 36 inches / 109 x 91 cmSIGNATURE: lower rightPROVENANCE: Sue Rankin Gallery, London UK (has gallery label on verso)CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120795US Shipping $149 + insurance.BIOGRAPHY:Christine McArthur was born in Kirkintilloch, near Glasgow in 1953 and studied at The Glasgow School of Art between 1971 and 1976, which included a post-diploma year. After graduating she taught and produced book illustrations until the demand for her work enabled her to paint full time. Her early work was primarily in oil and she became well known for her large scale still life paintings on canvas. In the late 1980s she began to work in oil pastel and watercolour but more recently she has reverted to oil, as well as acrylic and collage.Christine McArthur was awarded Scottish Education Department travelling scholarships in 1975 and 1976 and was elected a member of the Royal Glasgow Institute of the Fine Arts in 1990. In 1995 she was elected a member of the Royal Scottish Society of Painters in Watercolour. In 1997 John Lewis commissioned four large murals each 6ft x 15ft - for the Glasgow store in 1999. In 2002 she received a commission from John Lewis for murals for the extension to their Peter Jones store, Sloane Square, London. In 2009 she resigned from the RGI and the RSW.Christine last exhibition at The Scottish Gallery took place in April 2021 called Notes to Self.
Lot 767
ARTIST: Clarence La Verne Butler (New York, Massachusetts, 1850 - 1924)NAME: Still Life with RosesMEDIUM: oil on canvas. Canvas applied to board.CONDITION: Some paint losses mostly along left edge. Some craquelure. No visible inpaint under UV light. AS IS (see pictures carefully).SIGHT SIZE: 18 x 21 inches / 45 x 53 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower right illegible - probably C L V BolletCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 121511US Shipping $60 + insurance.BIOGRAPHY:Clarence La Verne Butler was born in 1850 to Oscar and Hannah Butler of Harmony, New York. As a young man, Butler enrolled in the Academy of Design in New York City, studying under Samuel Frost Johnson. Upon graduation from the academy, Butler taught at the Ladies' Seminary in Hamilton, New York for several years (approx. 1875 to1885). During this period, he also attended "special courses" at Colgate University. The artist left Hamilton to teach at the Osgood Art School in New York City. He subsequently established his own upstate studio in Utica, New York. However, after two years as a studio painter, Butler returned to his teaching post at Osgood. In 1892, the artist emigrated to Paris to study at the renowned Academie Julian. Among his instructors were the French masters, Bougereau, Ferrier, Bramtot and Doucet. Once he completed his studies, Butler opened a Paris studio at the Ville Du Pont which he later relocated to the Rue Chateau Brient. Butler was best known for his bucolic landscapes which were often executed in soft pastel colors. The artist's work in this time period was widely exhibited and well-received by the critics. Below are selected references to his paintings found in historical archives:Per a New York Times article dated April 8, 1895: The Academy of Design, Second Notice: "…and well-painted, if conventional, is The Shepherdess by La Verne Butler…."Per a New York Times article dated December 24, 1898: Art Topics of the Week: "The American Art Association of Paris has recently held an extremely interesting little exhibition of works in the gallery No. 2, Impasse de Conti. There were eighty-one pictures hung, and among the artists represented were F. A. Bicknell, C. L. V. Butler, F. A. Bridgman, Dagnan-Bouveret, L. R. Garrido, Albert Humphreys, George Inness, A. B. Koopman, A. A. Lewis, F. D. Marsh, L. S. Parker, Louis Potter, W. W. Stewart, E. L. Weeks, an A. C. Whiting.""In 1904, while in Holland, Mr. Butler made many very interesting studies of Dutch interiors and landscapes. His work has been exhibited at the Paris Salon for a number of years, an honor that will be better appreciated when it is understood that of about eight thousand subjects offered, only three hundred are selected for the exhibition. Landscape painting is his specialty." Source: Historic Homes and Places and Genealogical and Personal Memoirs (1908), Volume 1 edited by William Richard CutterButler painted in France and other parts of Europe for several years before permanently relocating to the United States. He initially set up a studio in Boston when he returned to America. In 1905, Butler and his wife moved to nearby Framingham, Massachusetts where they purchased an old Colonial homestead. Their historical home was remodeled by the prominent architect, Frank Chouteau Brown. Federal census records report the Butlers as residing in Framingham through 1910 & 1920. Not much is known about the artist's life and work during and after this time period.The artist typically signed his work as "C. L. V. Butler." As a result, his paintings are sometimes confused with those of the contemporaneous artist, Courtland L. Butler (1871-1952).Referenced exhibitions of the artists work include the Academy of Design (1895), the Paris Salon (1897, 1898), and the Art Institute of Chicago (1898). In 1895, Butler married Hattie E. Wells of Madison County, New York. The couple did not have any children. Butler was a member of the Free Masons in Hamilton, New York; of the D. K. E. fraternity of Colgate University; and of the New York State National Guard.
Lot 161
ARTIST: Frank T M Beatty (Illinois, Canadian, 1899 - 1984)NAME: Rockport HarborMEDIUM: oil on boardCONDITION: Minor paint losses along edges. No visible inpaint under UV light.SIGHT SIZE: 9 x 12 inches / 22 x 30 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: unsignedSKU#: 120244US Shipping $42 + insurance.BIOGRAPHY:Artist Frank T M Beatty had a long and varied career. He received his art training in Winnipeg, Canada, and then in Chicago, Illinois, the latter becoming his home base. Joining the Art Staff of the publication Popular Mechanics in 1931, he led the group as Art Director for twenty years. Upon his retirement in 1961, he devoted full time to his painting and sketching in oil, pastel and pencil, with occasional commercial art commissions. In Chicago his studio address was 6017 N. Nassau Avenue.Beatty exhibited at the Art Institute of Chicago and Winnipeg Galleries, had solo shows at many galleries in and around Chicago and won many awards. His work is included in a number of private collections.He was a member of the Artists Guild of Chicago, the Salmagundi Club in New York City, the North Shore Art Group of East Gloucester, the Canadian Club, the Chicago Art Club, the Northwest Art League, and a member and President of the Palette and Chisel Academy.He loved to travel throughout the sixties and nearly every year achieved prolific trips to paint "on the spot" (plein air) in farflung locations including New York, London, Paris, Rome and Lucerne, northeast to Cape Ann, Bar Harbor and Quebec, northwest to San Francisco, Seattle, Vancouver and Victoria, southwest to Texas, Acapulco and Mexico City, and south to Bermuda, Nassau, Palm Beach, Key West and Jupiter, Florida.
Lot 302
ARTIST: Laurie Harden (New Jersey, 20/21st century)NAME: Feminist Fairy TalesMEDIUM: oil on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 32 x 24 inches / 81 x 60 cmFRAME SIZE: 34 x 26 inches / 86 x 66 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120037US Shipping $90 + insurance.BIOGRAPHY:Laurie Harden is an illustrator and painter, and has been, it seems, all her life. It is her first love and abiding passion. She works in Oils, Gouche, Pastels, Charcoal & Pencil.Laurie studied at Kansas City Art Institute and Rhode Island School of Design where she graduated with a BFA in Illustration. Laurie has worked as a free-lance illustrator for over 30 years (see client list below).Laurie now spends most of her time teaching art classes to adults, teens and children at several art associations. She specializes in Oil Painting Classes, Drawing Fundamentals, Figure Drawing & Portraits, and Pastel Classes. She also gives private lessons.Harden's work is widely exhibited, awarded, commissioned and collected. An artist with a international clientele, she has received many portrait commissions, including former NJ governor, Brendan Bryne, and former Prime Minister of Japan, Keizo Obuchi.Laurie has exhibited her fine art at the Salmagundi Art Club, The National Arts Club, the Pen & Brush Club in NYC, as well as many venues in NJ. She is a member of the Catherine Lorillard Wolfe Art Club, the Allied Artists, the American Artists Professional League, the Pastel Society of America, the Pastel Society of NJ, and the Art Centre of NJ to mention a few.Ms. Harden resides in Northern New Jersey.
Lot 455
ARTIST: Otto Antoine (Germany, 1865 - 1951)NAME: Reihn River Landscape with Laundring WomanYEAR: 1935MEDIUM: oil on boardCONDITION: Missing few flakes of paint. No visible inpaint under UV light.SIGHT SIZE: 9 1/2 x 12 1/2 inches / 25 x 33 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower rightNOTE: has artist's stamp on versoSKU#: 119807US Shipping $42 + insurance.BIOGRAPHY:After attending high school, he was sent for an apprenticeship to a master painter. At the age of 18, he chose the career of mail clerk at the post office of Lutzel. After hours, he drew and painted motifs of his hometown of Koblenz, applying his self-taught skills and knowledge. After the "assistant's exam" in 1887 and voluntary military service for the term of one year, he was transferred to a pioneer battalion for a short time in Hamburg. Antoine went to Berlin in 1891 and studied at the Berlin Academy of Arts (Akademie der Kunste) under Franz Skarbina. He became a member of the Association of Berlin Artists and participated regularly in the major art exhibitions in Berlin. In 1942, he was bombed-out in Berlin and spent a short time in Silesia.Immediately after moving from Koblenz to Berlin in 1891, Antoine contacted local artists in Berlin. He studied part-time at the Academy of Fine Arts (Hochschule fur Bildende Kunste) and attended courses in landscape and nude painting. In Professor Franz Skarbina (1849-1910), he found an artist who recognized his talent and encouraged and taught him what he, the self-taught artist, had yet to learn. Initially, Antoine mainly painted landscapes and mostly used watercolors. After his training under Skarbina, he preferred oil paint for larger images, because it was more expressive, and mostly painted city-themed motifs. He created many oil, pastel, and watercolor paintings as well as etchings of motifs of Berlin. Horse-drawn carriages on rain-soaked roads, the hustle and bustle on Leipziger Strasse or passers-by at the Brandenburg Gate - these are impressions the artist captured in their randomness and instantaneousness. The Cathedral, The Castle and Bridge (Kaiser-Friedrich-Bridge), Unter den Linden, Brandenburg Gate, Leipziger Platz, with the Wertheim Department Store, Potsdamer Platz, Alexanderplatz with Berolina and Police Headquarters, Reichstag, Tiergarten, Kurfurstendamm, Kaiser-Wilhelm Memorial Church and Tauentzienstrasse, as well as the City Hall and Altes Museum are naturally included in the list of his paintings of Berlin. It is the representative Berlin; the Berlin of monumental buildings. All paintings are atmospheric and were completed using a virtuous impressionistic technique. The hues of the era and its transformations are easily perceptible by looking at the means of transportation, hackney coaches, the electrical and open top buses as well as the clothing of the pedestrians.Otto Antoine was a member of the Association of Berlin Artists, which was founded in 1841. Later, he represented his fellow artists as a member of the association's board and was repeatedly involved in the setting up of the Greater Berlin Art Exhibition. Eventually, he became an honorary member and honorary president of the association.Fortunately, a large amount of his work had been preserved. However, a complete overview of the locations of Antoine's works does not currently exist. At best, the following information may be a reference point. A large number of his works is currently kept by the family and other private collectors.
Lot 456
ARTIST: Otto Antoine (Germany, 1865 - 1951)NAME: Mountain Village LandscapeMEDIUM: oil on canvas. Canvas applied to board.CONDITION: Minor inpainting in upper left corner.SIGHT SIZE: 12 x 9 inches / 30 x 22 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftSKU#: 119816US Shipping $42 + insurance.BIOGRAPHY:After attending high school, he was sent for an apprenticeship to a master painter. At the age of 18, he chose the career of mail clerk at the post office of Lutzel. After hours, he drew and painted motifs of his hometown of Koblenz, applying his self-taught skills and knowledge. After the "assistant's exam" in 1887 and voluntary military service for the term of one year, he was transferred to a pioneer battalion for a short time in Hamburg. Antoine went to Berlin in 1891 and studied at the Berlin Academy of Arts (Akademie der Kunste) under Franz Skarbina. He became a member of the Association of Berlin Artists and participated regularly in the major art exhibitions in Berlin. In 1942, he was bombed-out in Berlin and spent a short time in Silesia.Immediately after moving from Koblenz to Berlin in 1891, Antoine contacted local artists in Berlin. He studied part-time at the Academy of Fine Arts (Hochschule fur Bildende Kunste) and attended courses in landscape and nude painting. In Professor Franz Skarbina (1849-1910), he found an artist who recognized his talent and encouraged and taught him what he, the self-taught artist, had yet to learn. Initially, Antoine mainly painted landscapes and mostly used watercolors. After his training under Skarbina, he preferred oil paint for larger images, because it was more expressive, and mostly painted city-themed motifs. He created many oil, pastel, and watercolor paintings as well as etchings of motifs of Berlin. Horse-drawn carriages on rain-soaked roads, the hustle and bustle on Leipziger Strasse or passers-by at the Brandenburg Gate - these are impressions the artist captured in their randomness and instantaneousness. The Cathedral, The Castle and Bridge (Kaiser-Friedrich-Bridge), Unter den Linden, Brandenburg Gate, Leipziger Platz, with the Wertheim Department Store, Potsdamer Platz, Alexanderplatz with Berolina and Police Headquarters, Reichstag, Tiergarten, Kurfurstendamm, Kaiser-Wilhelm Memorial Church and Tauentzienstrasse, as well as the City Hall and Altes Museum are naturally included in the list of his paintings of Berlin. It is the representative Berlin; the Berlin of monumental buildings. All paintings are atmospheric and were completed using a virtuous impressionistic technique. The hues of the era and its transformations are easily perceptible by looking at the means of transportation, hackney coaches, the electrical and open top buses as well as the clothing of the pedestrians.Otto Antoine was a member of the Association of Berlin Artists, which was founded in 1841. Later, he represented his fellow artists as a member of the association's board and was repeatedly involved in the setting up of the Greater Berlin Art Exhibition. Eventually, he became an honorary member and honorary president of the association.Fortunately, a large amount of his work had been preserved. However, a complete overview of the locations of Antoine's works does not currently exist. At best, the following information may be a reference point. A large number of his works is currently kept by the family and other private collectors.
Lot 457
ARTIST: Otto Antoine (Germany, 1865 - 1951)NAME: Landscape with FigureYEAR: 1926MEDIUM: oil on heavy paperCONDITION: Minor damages to edges and corners. Few scattered inpainted areas.SIGHT SIZE: 14 1/2 x 11 inches / 38 x 27 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftSKU#: 119817US Shipping $49 + insurance.BIOGRAPHY:After attending high school, he was sent for an apprenticeship to a master painter. At the age of 18, he chose the career of mail clerk at the post office of Lutzel. After hours, he drew and painted motifs of his hometown of Koblenz, applying his self-taught skills and knowledge. After the "assistant's exam" in 1887 and voluntary military service for the term of one year, he was transferred to a pioneer battalion for a short time in Hamburg. Antoine went to Berlin in 1891 and studied at the Berlin Academy of Arts (Akademie der Kunste) under Franz Skarbina. He became a member of the Association of Berlin Artists and participated regularly in the major art exhibitions in Berlin. In 1942, he was bombed-out in Berlin and spent a short time in Silesia.Immediately after moving from Koblenz to Berlin in 1891, Antoine contacted local artists in Berlin. He studied part-time at the Academy of Fine Arts (Hochschule fur Bildende Kunste) and attended courses in landscape and nude painting. In Professor Franz Skarbina (1849-1910), he found an artist who recognized his talent and encouraged and taught him what he, the self-taught artist, had yet to learn. Initially, Antoine mainly painted landscapes and mostly used watercolors. After his training under Skarbina, he preferred oil paint for larger images, because it was more expressive, and mostly painted city-themed motifs. He created many oil, pastel, and watercolor paintings as well as etchings of motifs of Berlin. Horse-drawn carriages on rain-soaked roads, the hustle and bustle on Leipziger Strasse or passers-by at the Brandenburg Gate - these are impressions the artist captured in their randomness and instantaneousness. The Cathedral, The Castle and Bridge (Kaiser-Friedrich-Bridge), Unter den Linden, Brandenburg Gate, Leipziger Platz, with the Wertheim Department Store, Potsdamer Platz, Alexanderplatz with Berolina and Police Headquarters, Reichstag, Tiergarten, Kurfurstendamm, Kaiser-Wilhelm Memorial Church and Tauentzienstrasse, as well as the City Hall and Altes Museum are naturally included in the list of his paintings of Berlin. It is the representative Berlin; the Berlin of monumental buildings. All paintings are atmospheric and were completed using a virtuous impressionistic technique. The hues of the era and its transformations are easily perceptible by looking at the means of transportation, hackney coaches, the electrical and open top buses as well as the clothing of the pedestrians.Otto Antoine was a member of the Association of Berlin Artists, which was founded in 1841. Later, he represented his fellow artists as a member of the association's board and was repeatedly involved in the setting up of the Greater Berlin Art Exhibition. Eventually, he became an honorary member and honorary president of the association.Fortunately, a large amount of his work had been preserved. However, a complete overview of the locations of Antoine's works does not currently exist. At best, the following information may be a reference point. A large number of his works is currently kept by the family and other private collectors.
Lot 459
ARTIST: Otto Antoine (Germany, 1865 - 1951)NAME: River Landscape with CottagesMEDIUM: oil on canvasCONDITION: Canvas is unmounted. Two crtease lines in lower right corner. Few small paint losses. No visible inpaint under UV light.SIGHT SIZE: 12 x 9 inches / 30 x 22 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftSKU#: 119820US Shipping $42 + insurance.BIOGRAPHY:After attending high school, he was sent for an apprenticeship to a master painter. At the age of 18, he chose the career of mail clerk at the post office of Lutzel. After hours, he drew and painted motifs of his hometown of Koblenz, applying his self-taught skills and knowledge. After the "assistant's exam" in 1887 and voluntary military service for the term of one year, he was transferred to a pioneer battalion for a short time in Hamburg. Antoine went to Berlin in 1891 and studied at the Berlin Academy of Arts (Akademie der Kunste) under Franz Skarbina. He became a member of the Association of Berlin Artists and participated regularly in the major art exhibitions in Berlin. In 1942, he was bombed-out in Berlin and spent a short time in Silesia.Immediately after moving from Koblenz to Berlin in 1891, Antoine contacted local artists in Berlin. He studied part-time at the Academy of Fine Arts (Hochschule fur Bildende Kunste) and attended courses in landscape and nude painting. In Professor Franz Skarbina (1849-1910), he found an artist who recognized his talent and encouraged and taught him what he, the self-taught artist, had yet to learn. Initially, Antoine mainly painted landscapes and mostly used watercolors. After his training under Skarbina, he preferred oil paint for larger images, because it was more expressive, and mostly painted city-themed motifs. He created many oil, pastel, and watercolor paintings as well as etchings of motifs of Berlin. Horse-drawn carriages on rain-soaked roads, the hustle and bustle on Leipziger Strasse or passers-by at the Brandenburg Gate - these are impressions the artist captured in their randomness and instantaneousness. The Cathedral, The Castle and Bridge (Kaiser-Friedrich-Bridge), Unter den Linden, Brandenburg Gate, Leipziger Platz, with the Wertheim Department Store, Potsdamer Platz, Alexanderplatz with Berolina and Police Headquarters, Reichstag, Tiergarten, Kurfurstendamm, Kaiser-Wilhelm Memorial Church and Tauentzienstrasse, as well as the City Hall and Altes Museum are naturally included in the list of his paintings of Berlin. It is the representative Berlin; the Berlin of monumental buildings. All paintings are atmospheric and were completed using a virtuous impressionistic technique. The hues of the era and its transformations are easily perceptible by looking at the means of transportation, hackney coaches, the electrical and open top buses as well as the clothing of the pedestrians.Otto Antoine was a member of the Association of Berlin Artists, which was founded in 1841. Later, he represented his fellow artists as a member of the association's board and was repeatedly involved in the setting up of the Greater Berlin Art Exhibition. Eventually, he became an honorary member and honorary president of the association.Fortunately, a large amount of his work had been preserved. However, a complete overview of the locations of Antoine's works does not currently exist. At best, the following information may be a reference point. A large number of his works is currently kept by the family and other private collectors.
Lot 356
Ludwig von Hofmann 1861 Darmstadt - 1945 Pillnitz Frühlingsidylle mit Badender und Blumenkindern. Um 1900. Pastell. Rechts unten signiert. Auf chamoisfarbenem Velin. 26 x 20 cm (10,2 x 7,8 in), blattgroß. Wir danken Frau Dr. Verena Senti-Schmidlin, Zürich, für die freundliche wissenschaftliche Unterstützung. PROVENIENZ: Sammlung Dr. Gotthold Findeisen, Dresden (direkt vom Künstler erhalten). Privatsammlung Norddeutschland (vom Vorgenannten durch Erbschaft erhalten). Ludwig von Hofmanns Pastelle sind in ihrer intensiven Farbigkeit der konzentrierten Pigmente und des pudrigen Materials der Inbegriff seiner dekorativen, ornamental und linienhaft gedachten Kunst. Nicht erst bei seinem Aufenthalt in Paris 1889 dürfte er auf diese Technik aufmerksam geworden sein, wenngleich diese sich dort mit Edgar Degas, Albert Besnard und gewissermaßen auch in den matten, pastellenen Stimmungsbildern Pierre Puvis de Chavannes großer Beliebtheit erfreute. Zwischen Zeichnung und Gemälde erlaubt das Pastell einen geschwungenen, dynamisch-tänzerischen Strich und eröffnet vielfältige Farbwelten, die durch neu hergestellte synthetische Pigmente am Ende des 19. Jahrhunderts in allen Facetten zu schillern beginnen. Vor allem in der Weimarer Zeit ab 1903 werden die Pastelle Hofmanns zu kleinen Preziosen, mit denen die Sehnsucht nach einem idyllischen, elysischen Reich der Harmonie, der Farbe und des Lichts gestillt werden kann. Hofmanns Gleichgesinnte wie Harry Graf Kessler, Stefan George, Julius Meier-Graefe, Gerhart Hauptmann oder Thomas Mann sehen in ihnen den Ausdruck einer südlich-idealen Utopie. 'Farbigkeit, sprühendes Licht, freudige Bewegung, dekorativer Reiz oder unmittelbarste Gestaltung eines als Duft und Farbe empfundenen landschaftlichen Eindrucks geben diesen Werken einen Zauber, der in der Geschichte der deutschen Kunst ohne Beispiel ist', so Dr. Edwin Redslob, Museumsdirektor in Erfurt, anlässlich der Ausstellung 1917 in der Galerie Ernst Arnold. Schon 1899 kauft bereits Hugo von Tschudi Pastelle für die Berliner Nationalgalerie. Die ohne Zeit und Ort in einem ewigen Frühling mythologisch-paradiesischer Anmutung gezeigten Szenen verzaubern mit ihren träumerischen, oftmals ungreifbaren Motiven und transportieren die Betrachtenden in ein von Ruhe und Schönheit durchdrungenes Land der Fantasie. [KT] Aufrufzeit: 11.06.2022 - ca. 16.14 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONLudwig von Hofmann 1861 Darmstadt - 1945 Pillnitz Frühlingsidylle mit Badender und Blumenkindern. Um 1900. Pastel. Lower right signed. On creme wove paper. 26 x 20 cm (10.2 x 7.8 in), the full sheet. We are grateful to Dr. Verena Senti-Schmidlin, Zürich, for her kind expert advice. PROVENANCE: Collection Dr. Gotthold Findeisen, Dresden (obtained directly from the artist). Private collection Northern Germany (inherited from the above). Called up: June 11, 2022 - ca. 16.14 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Lot 355
Ludwig von Hofmann 1861 Darmstadt - 1945 Pillnitz Frühlingslandschaft mit Paar am Froschteich. Um 1900. Pastell über Bleistift. Links unten monogrammiert. Auf Velin. 22,5 x 23,5 cm (8,8 x 9,2 in), blattgroß. Wir danken Frau Dr. Verena Senti-Schmidlin, Zürich, für die freundliche wissenschaftliche Unterstützung. PROVENIENZ: Sammlung Dr. Gotthold Findeisen, Dresden (direkt vom Künstler erhalten). Privatsammlung Norddeutschland (vom Vorgenannten durch Erbschaft erhalten). Ludwig von Hofmanns Pastelle sind in ihrer intensiven Farbigkeit der konzentrierten Pigmente und des pudrigen Materials der Inbegriff seiner dekorativen, ornamental und linienhaft gedachten Kunst. Nicht erst bei seinem Aufenthalt in Paris 1889 dürfte er auf diese Technik aufmerksam geworden sein, wenngleich diese sich dort mit Edgar Degas, Albert Besnard und gewissermaßen auch in den matten, pastellenen Stimmungsbildern Pierre Puvis de Chavannes großer Beliebtheit erfreute. Zwischen Zeichnung und Gemälde erlaubt das Pastell einen geschwungenen, dynamisch-tänzerischen Strich und eröffnet vielfältige Farbwelten, die durch neu hergestellte synthetische Pigmente am Ende des 19. Jahrhunderts in allen Facetten zu schillern beginnen. Vor allem in der Weimarer Zeit ab 1903 werden die Pastelle Hofmanns zu kleinen Preziosen, mit denen die Sehnsucht nach einem idyllischen, elysischen Reich der Harmonie, der Farbe und des Lichts gestillt werden kann. Hofmanns Gleichgesinnte wie Harry Graf Kessler, Stefan George, Julius Meier-Graefe, Gerhart Hauptmann oder Thomas Mann sehen in ihnen den Ausdruck einer südlich-idealen Utopie. „Farbigkeit, sprühendes Licht, freudige Bewegung, dekorativer Reiz oder unmittelbarste Gestaltung eines als Duft und Farbe empfundenen landschaftlichen Eindrucks geben diesen Werken einen Zauber, der in der Geschichte der deutschen Kunst ohne Beispiel ist“, so Dr. Edwin Redslob, Museumsdirektor in Erfurt, anlässlich der Ausstellung 1917 in der Galerie Ernst Arnold. Schon 1899 kauft bereits Hugo von Tschudi Pastelle für die Berliner Nationalgalerie. Die ohne Zeit und Ort in einem ewigen Frühling mythologisch-paradiesischer Anmutung gezeigten Szenen verzaubern mit ihren träumerischen, oftmals ungreifbaren Motiven und transportieren die Betrachtenden in ein von Ruhe und Schönheit durchdrungenes Land der Fantasie. [KT] Aufrufzeit: 11.06.2022 - ca. 16.13 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONLudwig von Hofmann 1861 Darmstadt - 1945 Pillnitz Frühlingslandschaft mit Paar am Froschteich. Um 1900. Pastel over pencil. Lower left monogrammed. On wove paper. 22.5 x 23.5 cm (8.8 x 9.2 in), the full sheet. We are grateful to Dr. Verena Senti-Schmidlin, Zürich, for her kind expert advice. PROVENANCE: Collection Dr. Gotthold Findeisen, Dresden (obtained directly from the artist). Private collection Northern Germany (inherited from the above). Called up: June 11, 2022 - ca. 16.13 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Lot 357
Ludwig von Hofmann 1861 Darmstadt - 1945 Pillnitz Grotte mit badenden Frauen. Um 1900. Pastell. Links unten monogrammiert. Auf Velin. 23,5 x 17,5 cm (9,2 x 6,8 in), blattgroß. Wir danken Frau Dr. Verena Senti-Schmidlin, Zürich, für die freundliche wissenschaftliche Unterstützung. PROVENIENZ: Sammlung Dr. Gotthold Findeisen, Dresden (direkt vom Künstler erhalten). Privatsammlung Norddeutschland (vom Vorgenannten durch Erbschaft erhalten). Ludwig von Hofmanns Pastelle sind in ihrer intensiven Farbigkeit der konzentrierten Pigmente und des pudrigen Materials der Inbegriff seiner dekorativen, ornamental und linienhaft gedachten Kunst. Nicht erst bei seinem Aufenthalt in Paris 1889 dürfte er auf diese Technik aufmerksam geworden sein, wenngleich diese sich dort mit Edgar Degas, Albert Besnard und gewissermaßen auch in den matten, pastellenen Stimmungsbildern Pierre Puvis de Chavannes großer Beliebtheit erfreute. Zwischen Zeichnung und Gemälde erlaubt das Pastell einen geschwungenen, dynamisch-tänzerischen Strich und eröffnet vielfältige Farbwelten, die durch neu hergestellte synthetische Pigmente am Ende des 19. Jahrhunderts in allen Facetten zu schillern beginnen. Vor allem in der Weimarer Zeit ab 1903 werden die Pastelle Hofmanns zu kleinen Preziosen, mit denen die Sehnsucht nach einem idyllischen, elysischen Reich der Harmonie, der Farbe und des Lichts gestillt werden kann. Hofmanns Gleichgesinnte wie Harry Graf Kessler, Stefan George, Julius Meier-Graefe, Gerhart Hauptmann oder Thomas Mann sehen in ihnen den Ausdruck einer südlich-idealen Utopie. „Farbigkeit, sprühendes Licht, freudige Bewegung, dekorativer Reiz oder unmittelbarste Gestaltung eines als Duft und Farbe empfundenen landschaftlichen Eindrucks geben diesen Werken einen Zauber, der in der Geschichte der deutschen Kunst ohne Beispiel ist“, so Dr. Edwin Redslob, Museumsdirektor in Erfurt, anlässlich der Ausstellung 1917 in der Galerie Ernst Arnold. Schon 1899 kauft bereits Hugo von Tschudi Pastelle für die Berliner Nationalgalerie. Die ohne Zeit und Ort in einem ewigen Frühling mythologisch-paradiesischer Anmutung gezeigten Szenen verzaubern mit ihren träumerischen, oftmals ungreifbaren Motiven und transportieren die Betrachtenden in ein von Ruhe und Schönheit durchdrungenes Land der Fantasie. [KT] Aufrufzeit: 11.06.2022 - ca. 16.16 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONLudwig von Hofmann 1861 Darmstadt - 1945 Pillnitz Grotte mit badenden Frauen. Um 1900. Pastel. Lower left monogrammed. On wove paper. 23.5 x 17.5 cm (9.2 x 6.8 in), the full sheet. We are grateful to Dr. Verena Senti-Schmidlin, Zürich, for her kind expert advice. PROVENANCE: Collection Dr. Gotthold Findeisen, Dresden (obtained directly from the artist). Private collection Northern Germany (inherited from the above). Called up: June 11, 2022 - ca. 16.16 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Lot 358
Ludwig von Hofmann 1861 Darmstadt - 1945 Pillnitz Frauen mit Kind in arkadischer Landschaft. Um 1900. Pastell. Links unten mit dem Künstlermonogramm. Auf bräunlichem Velin. 31 x 22,3 cm (12,2 x 8,7 in), blattgroß. Wir danken Frau Dr. Verena Senti-Schmidlin, Zürich, für die freundliche wissenschaftliche Unterstützung. PROVENIENZ: Sammlung Dr. Gotthold Findeisen, Dresden (direkt vom Künstler erhalten). Privatsammlung Norddeutschland (vom Vorgenannten durch Erbschaft erhalten). Ludwig von Hofmanns Pastelle sind in ihrer intensiven Farbigkeit der konzentrierten Pigmente und des pudrigen Materials der Inbegriff seiner dekorativen, ornamental und linienhaft gedachten Kunst. Nicht erst bei seinem Aufenthalt in Paris 1889 dürfte er auf diese Technik aufmerksam geworden sein, wenngleich diese sich dort mit Edgar Degas, Albert Besnard und gewissermaßen auch in den matten, pastellenen Stimmungsbildern Pierre Puvis de Chavannes großer Beliebtheit erfreute. Zwischen Zeichnung und Gemälde erlaubt das Pastell einen geschwungenen, dynamisch-tänzerischen Strich und eröffnet vielfältige Farbwelten, die durch neu hergestellte synthetische Pigmente am Ende des 19. Jahrhunderts in allen Facetten zu schillern beginnen. Vor allem in der Weimarer Zeit ab 1903 werden die Pastelle Hofmanns zu kleinen Preziosen, mit denen die Sehnsucht nach einem idyllischen, elysischen Reich der Harmonie, der Farbe und des Lichts gestillt werden kann. Hofmanns Gleichgesinnte wie Harry Graf Kessler, Stefan George, Julius Meier-Graefe, Gerhart Hauptmann oder Thomas Mann sehen in ihnen den Ausdruck einer südlich-idealen Utopie. „Farbigkeit, sprühendes Licht, freudige Bewegung, dekorativer Reiz oder unmittelbarste Gestaltung eines als Duft und Farbe empfundenen landschaftlichen Eindrucks geben diesen Werken einen Zauber, der in der Geschichte der deutschen Kunst ohne Beispiel ist“, so Dr. Edwin Redslob, Museumsdirektor in Erfurt, anlässlich der Ausstellung 1917 in der Galerie Ernst Arnold. Schon 1899 kauft bereits Hugo von Tschudi Pastelle für die Berliner Nationalgalerie. Die ohne Zeit und Ort in einem ewigen Frühling mythologisch-paradiesischer Anmutung gezeigten Szenen verzaubern mit ihren träumerischen, oftmals ungreifbaren Motiven und transportieren die Betrachtenden in ein von Ruhe und Schönheit durchdrungenes Land der Fantasie. [KT] Aufrufzeit: 11.06.2022 - ca. 16.17 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONLudwig von Hofmann 1861 Darmstadt - 1945 Pillnitz Frauen mit Kind in arkadischer Landschaft. Um 1900. Pastel. With the artist's monogram in lower left. On brownish wove paper. 31 x 22.3 cm (12.2 x 8.7 in), the full sheet. We are grateful to Dr. Verena Senti-Schmidlin, Zürich, for her kind expert advice. PROVENANCE: Collection Dr. Gotthold Findeisen, Dresden (obtained directly from the artist). Private collection Northern Germany (inherited from the above). Called up: June 11, 2022 - ca. 16.17 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Lot 152
AUFLÖSUNG EINER SAMMLUNG. HERMÈS Seidencarré "LE TAROT", by Annie Faivre, Entwurf erstmals erschienen 1991. Akt. NP.: 410,-€. 100% Seide. Tarot Motiv in Pastelltönen. Handrollierte Säume. 90 x 90cm. Gebrauchsspuren vorhanden. | HERMÈS silk scarf "LE TAROT", by Annie Faivre, design first published 1991. Retail price: 410,-€. 100% silk. Tarot motif in pastel shades. Handrolled hems. 90 x 90cm. Signs of wear present.
Lot 57
LOUIS VUITTON Umhängetasche "MULTI POCHETTE", Koll. 2021. SUMMER BY THE POOL Kollektion (Resort 2021). Ausverkauft und nicht mehr erhältlich. Pastellfarbenes Monogram Giant Canvas in Weiß auf hellblauem Grund mit Farbverlauf. Box anbei. Sehr guter Erhalt, bis auf kleine Tragespuren am Trageriemen.| LOUIS VUITTON "MULTI POCHETTE" crossbody bag, coll. 2021. SUMMER BY THE POOL Collection (Resort 2021). Sold out and no longer available. Pastel Monogram Giant Canvas in white on a light blue gradient background. Box attached. Very good condition except for small wear marks on strap.
Lot 797
A Early to Mid 20th Century Shivan Rug and One Other of Kazak Design, the Shivan woven in colours of navy blue, burnt orange and fawn, with a bold stepped stylised floral medallion on a navy blue ground, the field filled with stylised geometric motifs within conforming seven stripe borders, 85ins x 43ins, and the Kazak woven in pastel shades, field filled with jagged stepped medallion on a navy blue ground, the field filled with stylised geometric and floral motifs within four stripe borders filled with barber pole and meandering vine pattern, 48ins x 31ins
Lot 1130
British School (19th century)Portrait of a young Queen Victoria Oil on tile; together with three pastel portraits of elegant ladies, and a watercolour after Charles Edward Wilson (5)Queen Victoria - frame with losses and re-gilded, otherwise OK. Girl in white bonnet - dirty. Mary Daugther of William Moore - with worm holes and dirt. Pastel by V Kenler is a little dirty but OK. Remaining picture also in need of cleaning.
Lot 90
LEON AUGUSTIN LHERMITTE (Belgian, 1844-1925) pastel - female gathering firewood in woodland, signed, 31 x 25cmsProvenance: private collection North Wales, consigned via our Colwyn Bay officeAuctioneer's Note: the artist was apparently a Belgian emigre who settled in WalesComments: no problems, neatly framed and glazed
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