Ann Christopher RA One Stripe 2022 Pastel, Crayon and Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Primarily a non-figurative sculptor working with cast metal, but drawing is an equally important part of my work. The sculptures range in size from 10 - 600 cm, the largest usually being commissioned and can be seen in the USA, France and the UK. Fellow of the Ballinglen Arts Foundation 2012 and elected member of the Royal Academy in 1980. Education Harrow School of Art and West of England College of Art Select Exhibitions/Awards Recent solo exhibitions include - 'Drawing - the Lines of Time' Royal Academy. 'Edge and Line' Rosenberg & Co, New York. 'If You Stop Asking Questions - - - ' Pangolin London The next solo exhibition will be at Pangolin London in late 2022 Gallery Representation Pangolin London, London and Rosenberg & Co, New York Statement about AOAP Submitted Artwork The two drawings donated to AOAP follow on from a series of drawings titled 'Broken Time' made during lockdown - the central graphite shapes suspended over mists of pastel being symbolic of our halted lives.
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Ann Christopher RA Two Stripes 2022 Pastel, Crayon and Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Primarily a non-figurative sculptor working with cast metal, but drawing is an equally important part of my work. The sculptures range in size from 10 - 600 cm, the largest usually being commissioned and can be seen in the USA, France and the UK. Fellow of the Ballinglen Arts Foundation 2012 and elected member of the Royal Academy in 1980. Education Harrow School of Art and West of England College of Art Select Exhibitions/Awards Recent solo exhibitions include - 'Drawing - the Lines of Time' Royal Academy. 'Edge and Line' Rosenberg & Co, New York. 'If You Stop Asking Questions - - - ' Pangolin London The next solo exhibition will be at Pangolin London in late 2022 Gallery Representation Pangolin London, London and Rosenberg & Co, New York Statement about AOAP Submitted Artwork The two drawings donated to AOAP follow on from a series of drawings titled 'Broken Time' made during lockdown - the central graphite shapes suspended over mists of pastel being symbolic of our halted lives.
Alice Neave The Birds Pastel and Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Themes deriving from the natural world, grief, and fertility have dominated Neave's work in recent years. Like most artists, Neave is very affected by her environment and these ruminations on grief, especially, have led to a preoccupation with place and limbo; a depiction of an environment that one recognises but cannot name. Neave sees painting as a language to get to the crux of the matter, communicating common human emotion & sentiments, whilst simultaneously managing to subvert the obvious. Alice Neave was born & educated in the UK, completing a BA in Fine Art from the university of Leeds in 2010. Since then, she has exhibited consistently including a solo show at Public Gallery in London in 2018. Having spent a lot of time living & painting in the Poitou Charente region of France, she now works from her studio in South East London on the Thames and completed the Turps Banana correspondence course in 2021. Education Turps Correspondence Course, 20/21 BA Fine Art, University of Leeds, 2010 Foundation Diploma, Arts Institute at Bournemouth, 2007 Select Exhibitions/Awards Long listed for the Jacksons Painting prize 2020 Neave works with many galleries and curators on a show-by-show basis. Statement about AOAP Submitted Artwork These pieces were all made with the idea of space and place in mind. Juxtaposing themes consisting of cocooning, open space and contiguity run throughout all 4 works.
Mandy Franca Dusk I Textile, Oil Pastel and C Type on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About As a multidisciplinary artist Mandy Franca researches the influence of the digital realm on artefacts, mundanity and the influence of migration. Franca's work is an ongoing investigation into the notion of interconnectedness, drawing from life experiences which are informed by growing up in a cross-cultural environment and her personal archive. Mandy actively researches and observes the meaning of mundanity to give eternal value to seemingly insignificant places and objects. As a result, the notion of preserving languages, traditions, domestic settings and everyday objects in a state of flux - meaning - digital and physical due to digitalization and globalization, takes precedence in her work. Franca's priority is to bring the individual experience into a broader communal context and show the parallels between our common needs, objects and experiences with the notion of care as a fundamental aspect of being. As an artist she subverts and challenges the traditional application of printmaking by experimenting with a range of artistic mediums which intersect at painting, photography, print, drawing, collage, video, sculpture and installation using the photographic image and mark-making as a recurring element. With these techniques Franca wants to challenge ideas of digital materiality, painting and the reproductive image. Education 2018 - 2020: Master of Arts (Distinction) | Print | Royal College of Art | London, UK 2011 - 2016: Bachelor of Arts | Fashion | Willem de Kooning Academy | Rotterdam, NL 2005 - 2009: Vocational Education | Media Design | Graphic Lyceum | Rotterdam, NL Select Exhibitions/Awards 2021: Sequences 05 | Group Exhibition | The Who Gallery 2021: Warm Vessels in Search at Sunset | Group Exhibition | Harlesden High School 2021: Hotsheet 2020 | Group Exhibition | Downstairs Brixton 2021: Holding Space | Group Exhibition | Subject Matter 2020: Lick the Future | Collection/Group Exhibition | Where's the Frame 2020: London Grads Now - Royal College of Art | Group Exhibition | Saatchi Gallery 2020: Royal College of Art & Slade External Degree Show | Group Exhibition | Kristin Hjellegjerde Gallery 2020: In Touch | Virtual Group Show | Danielle Arnaud Gallery 2020: Final, Not Over: Session 3 | Group Exhibition | Unit 1 Gallery Workshop 2020: Against the Grain | Group Exhibition | Southwark Park Galleries 2019: 20:20 Insight | Group Exhibition | Soho Revue Gallery GRANTS/AWARDS 2020 - Augustus Martin Prize 2020 - HIGH prize for Creative Excellence (shortlisted) 2019 - Koningin Sophiafonds 2019 - Fundatie van de Vrijvrouwe van Renswoude 2018 - Prins Bernhard Cultuurfonds Statement about AOAP Submitted Artwork For Art on a Postcard, Mandy Franca made a series of 3 cards with the title Dusk. Different shades of the sun going down, when the sky is filled with shades of red, yellow and orange just before the sky turns dark. Reminding her of warm summer nights, waiting to see shimmering stars. Dusk consists of a mixture of glossy and matt photographs showing fractions of the sky in contrast with oil pastels on textile.
Eliza Downes Pineapple Table Oil Pastel and Pen on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eliza Downes is a London based artist (b.1998) Through her work, she aims to excite and uplift the viewer by capturing the essence of her environment using bright colours, bold patterns and texture. Eliza's inspiration is drawn from her surroundings, she interprets what she sees, playing with natural forms to celebrate their beauty. Her work is conveyed through a variety of mediums including oil painting, decorative painting, mixed media and printmaking. Select Exhibitions Summer Exhibition, Royal Academy. Solo Exhibition, Anglesea Arms. Contemporary Painting Exhibition, The Brick Lane Gallery
Bunmi Agusto Aruaro (In Blue and Green) Pastel Pencil on Sandpaper, Ink and Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bunmi Agusto's practice follows the inhabitants of a surrealist wonderland in her mind called Within. The indigenous inhabitants of this world are hybrids whose human form is combined with elements she finds integral to her sense of self and cultural consciousness. Non-Hybrid humans are also present in Within as family members, friends and passersby in the artist's waking life are subsumed into the world through encounters and begin to occupy the role of immigrants into her mind. Her works therefore explore cultural theory and the evolution of selfhood through the lens of fantasy. She cites stories such as Amos Tutuola's The Palm Wine Drinkard, Lewis Carroll's Alice In Wonderland and the Marvel Cinematic Universe as major influences. She also works predominantly with pastel pencils and mixed media. Education MA History of Art & Archaeology, SOAS University BA Fine Art, Central Saint Martins Erasmus Exchange, Royal Academy of Art, The Hague Select Exhibitions/Awards Solo Exhibitions: Kenneth Ize SS22, Palais de Tokyo, Paris (2021) Escape To Within, DADA Gallery, London (2021) Group Exhibitions: 1-54 Contemporary African Art Fair, DADA Gallery, London (2021) Art X Lagos, DADA Gallery, Lagos (2021) Redefining The Trend- Histories In The Making, Christie's, London (2021) Now, Now, TAFETA, London (2021) London Grads Now, Saatchi Gallery, London (2020) Awards: Cass Art Prize, UAL Graduate Showcase (2020) Cass Art Prize, Xhibit (2019) Gallery Representation DADA Gallery Statement about AOAP Submitted Artwork This artwork features a member of Agusto's fictional Aruaro clan. This clan is known for their unique tribal marks in which lie a second set of eyes that allows them to tap into a more insightful ancestral perspective. However, in this piece, the Aruaro hides all four of their eyes as they engage in conversation leisurely.
Mandy Franca Dusk II Textile, Oil Pastel and C Type on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About As a multidisciplinary artist Mandy Franca researches the influence of the digital realm on artefacts, mundanity and the influence of migration. Franca's work is an ongoing investigation into the notion of interconnectedness, drawing from life experiences which are informed by growing up in a cross-cultural environment and her personal archive. Mandy actively researches and observes the meaning of mundanity to give eternal value to seemingly insignificant places and objects. As a result, the notion of preserving languages, traditions, domestic settings and everyday objects in a state of flux - meaning - digital and physical due to digitalization and globalization, takes precedence in her work. Franca's priority is to bring the individual experience into a broader communal context and show the parallels between our common needs, objects and experiences with the notion of care as a fundamental aspect of being. As an artist she subverts and challenges the traditional application of printmaking by experimenting with a range of artistic mediums which intersect at painting, photography, print, drawing, collage, video, sculpture and installation using the photographic image and mark-making as a recurring element. With these techniques Franca wants to challenge ideas of digital materiality, painting and the reproductive image. Education 2018 - 2020: Master of Arts (Distinction) | Print | Royal College of Art | London, UK 2011 - 2016: Bachelor of Arts | Fashion | Willem de Kooning Academy | Rotterdam, NL 2005 - 2009: Vocational Education | Media Design | Graphic Lyceum | Rotterdam, NL Select Exhibitions/Awards 2021: Sequences 05 | Group Exhibition | The Who Gallery 2021: Warm Vessels in Search at Sunset | Group Exhibition | Harlesden High School 2021: Hotsheet 2020 | Group Exhibition | Downstairs Brixton 2021: Holding Space | Group Exhibition | Subject Matter 2020: Lick the Future | Collection/Group Exhibition | Where's the Frame 2020: London Grads Now - Royal College of Art | Group Exhibition | Saatchi Gallery 2020: Royal College of Art & Slade External Degree Show | Group Exhibition | Kristin Hjellegjerde Gallery 2020: In Touch | Virtual Group Show | Danielle Arnaud Gallery 2020: Final, Not Over: Session 3 | Group Exhibition | Unit 1 Gallery Workshop 2020: Against the Grain | Group Exhibition | Southwark Park Galleries 2019: 20:20 Insight | Group Exhibition | Soho Revue Gallery GRANTS/AWARDS 2020 - Augustus Martin Prize 2020 - HIGH prize for Creative Excellence (shortlisted) 2019 - Koningin Sophiafonds 2019 - Fundatie van de Vrijvrouwe van Renswoude 2018 - Prins Bernhard Cultuurfonds Statement about AOAP Submitted Artwork For Art on a Postcard, Mandy Franca made a series of 3 cards with the title Dusk. Different shades of the sun going down, when the sky is filled with shades of red, yellow and orange just before the sky turns dark. Reminding her of warm summer nights, waiting to see shimmering stars. Dusk consists of a mixture of glossy and matt photographs showing fractions of the sky in contrast with oil pastels on textile.
Phoebe J Martin Woman in Flowery Dress Oil Pastel and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About London based illustrator, Phoebe's work is a celebration of women, female sexuality and empowerment. She works with traditional mediums and through bold lines and organic shapes her work forces you to see the sensuality she wants you to see. Education Bristol UWE Select Exhibitions/Awards Phoebe's work has been featured on international television and it is available to buy in East London store, ATIKA and Folkestone fabric shop by the sea Miss Gingers. Gallery Representation Self-represented Statement about AOAP Submitted Artwork Women provide a constant stream of inspiration to me, the 4 pieces submitted are an exploration of the women I have been influenced by or spent time with over the previous year.
Phoebe J Martin Clementine Oil Pastel and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About London based illustrator, Phoebe's work is a celebration of women, female sexuality and empowerment. She works with traditional mediums and through bold lines and organic shapes her work forces you to see the sensuality she wants you to see. Education Bristol UWE Select Exhibitions/Awards Phoebe's work has been featured on international television and it is available to buy in East London store, ATIKA and Folkestone fabric shop by the sea Miss Gingers. Gallery Representation Self-represented Statement about AOAP Submitted Artwork Women provide a constant stream of inspiration to me, the 4 pieces submitted are an exploration of the women I have been influenced by or spent time with over the previous year.
Mandy Franca Dusk III Textile, Oil Pastel and C Type on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About As a multidisciplinary artist Mandy Franca researches the influence of the digital realm on artefacts, mundanity and the influence of migration. Franca's work is an ongoing investigation into the notion of interconnectedness, drawing from life experiences which are informed by growing up in a cross-cultural environment and her personal archive. Mandy actively researches and observes the meaning of mundanity to give eternal value to seemingly insignificant places and objects. As a result, the notion of preserving languages, traditions, domestic settings and everyday objects in a state of flux - meaning - digital and physical due to digitalization and globalization, takes precedence in her work. Franca's priority is to bring the individual experience into a broader communal context and show the parallels between our common needs, objects and experiences with the notion of care as a fundamental aspect of being. As an artist she subverts and challenges the traditional application of printmaking by experimenting with a range of artistic mediums which intersect at painting, photography, print, drawing, collage, video, sculpture and installation using the photographic image and mark-making as a recurring element. With these techniques Franca wants to challenge ideas of digital materiality, painting and the reproductive image. Education 2018 - 2020: Master of Arts (Distinction) | Print | Royal College of Art | London, UK 2011 - 2016: Bachelor of Arts | Fashion | Willem de Kooning Academy | Rotterdam, NL 2005 - 2009: Vocational Education | Media Design | Graphic Lyceum | Rotterdam, NL Select Exhibitions/Awards 2021: Sequences 05 | Group Exhibition | The Who Gallery 2021: Warm Vessels in Search at Sunset | Group Exhibition | Harlesden High School 2021: Hotsheet 2020 | Group Exhibition | Downstairs Brixton 2021: Holding Space | Group Exhibition | Subject Matter 2020: Lick the Future | Collection/Group Exhibition | Where's the Frame 2020: London Grads Now - Royal College of Art | Group Exhibition | Saatchi Gallery 2020: Royal College of Art & Slade External Degree Show | Group Exhibition | Kristin Hjellegjerde Gallery 2020: In Touch | Virtual Group Show | Danielle Arnaud Gallery 2020: Final, Not Over: Session 3 | Group Exhibition | Unit 1 Gallery Workshop 2020: Against the Grain | Group Exhibition | Southwark Park Galleries 2019: 20:20 Insight | Group Exhibition | Soho Revue Gallery GRANTS/AWARDS 2020 - Augustus Martin Prize 2020 - HIGH prize for Creative Excellence (shortlisted) 2019 - Koningin Sophiafonds 2019 - Fundatie van de Vrijvrouwe van Renswoude 2018 - Prins Bernhard Cultuurfonds Statement about AOAP Submitted Artwork For Art on a Postcard, Mandy Franca made a series of 3 cards with the title Dusk. Different shades of the sun going down, when the sky is filled with shades of red, yellow and orange just before the sky turns dark. Reminding her of warm summer nights, waiting to see shimmering stars. Dusk consists of a mixture of glossy and matt photographs showing fractions of the sky in contrast with oil pastels on textile.
Polly Luce Morning Light Acrylic, Charcoal and Oil Pastel on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Polly is an abstract expressive artist living in the South West (UK). Passionate about colour, light, texture and mark making, Polly draws inspiration predominantly from landscapes and the elements. Using a variety of mixed media, her paintings seek to capture a fleeting moment or emotion while celebrating the joy of gestural mark making. Education Polly studied at the University of St Andrews (Art History, 2012) Select Exhibitions/Awards The Other Art Fair, October 2021 The Art Cohort, September 2021, solo show Statement about AOAP Submitted Artwork These mixed media sketches are both acrylic, charcoal and oil pastel on paper. Signed on verso.
Nathalie Brough This Is Not An Exit Gouache and Soft Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Nathalie Brough is a London-based surrealist artist. With painting and drawing at the forefront of her practice, Nathalie draws from influences such as German expressionist films and Andalusian architecture. Nathalie sees the process of paint-making intrinsic to her finished pieces, making gouache paint from dry pigment and often restricting herself to a palette of two colours. Education Foundation Diploma in Art and Design from Kingston University and Degree in Illustration from University of Brighton. Select Exhibitions/Awards Nathalie has previously exhibited at the Design Museum and has had work exhibited by Tate as part of Tate Collective's 2.0 Collection. Statement about AOAP Submitted Artwork Interested in the idea of prohibited spaces, Nathalie introduces animal-like creatures into settings usually inhabited by humans, allowing for chaos and mischief.
Nathalie Brough Curtains Up Gouache and Soft Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Nathalie Brough is a London-based surrealist artist. With painting and drawing at the forefront of her practice, Nathalie draws from influences such as German expressionist films and Andalusian architecture. Nathalie sees the process of paint-making intrinsic to her finished pieces, making gouache paint from dry pigment and often restricting herself to a palette of two colours. Education Foundation Diploma in Art and Design from Kingston University and Degree in Illustration from University of Brighton. Select Exhibitions/Awards Nathalie has previously exhibited at the Design Museum and has had work exhibited by Tate as part of Tate Collective's 2.0 Collection. Statement about AOAP Submitted Artwork Interested in the idea of prohibited spaces, Nathalie introduces animal-like creatures into settings usually inhabited by humans, allowing for chaos and mischief.
Natsko Seki Great Wheel Mixed Media, Photoshop, Found Papers, Threads, Oil Pastel, Colour Pencils on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in 1976, Natsko grew up in Tokyo, and studied educational psychology at Keio University in Tokyo before moving to England. She graduated with a B.A. Illustration (Hons) from University of Brighton in 2005, and made her way to London where she now works on an increasing number of worldwide commissions. Her illustrated book, Last Paper Crane, received the UK Literacy Association Book Award in 2021. Broadway Market, another book she illustrated, was shortlisted at World illustration Awards 2021. Her works have been published by Louis Vuitton and Phaidon Press. She is also an author of two children's books. Her Illustrations are permanently displayed at the City of Bath World Heritage Centre, Guy's and St Thomas' NHS Foundation Trust, and Whittington Health NHS Trust in London. Her limited edition prints have been sold at the shops at Victoria and Albert Museum, London Transport Museum, Tate Gallery, and Dulwich Picture Gallery. Education B.A. Illustration (Hons) from University of Brighton Select Exhibitions/Awards Her illustrated book, Last Paper Crane, received the UK Literacy Association Book Award in 2021 Statement about AOAP Submitted Artwork I normally work digitally, so it was a great opportunity to work with real collage, which I enjoyed very much! I hope my cards will find lovely home and very best of luck with a huge success in AOAP International Women's Day 2022!
Rebecca Sammon Mountainous Pencil and Wax Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Rebecca Sammon (b.1984, Wigan, UK) lives and works in London. Rebecca's bold, poetic pieces pulse with vibrant immediacy. Often Rebecca's pieces are inspired by nature and the human form within abstracted landscapes, moving from themes of mythical narrative into the more ambiguous, fluid space of uncertainty. The balance of delicate figures is often layered with varied marks where shapes, florals and imagined landscapes emerge. Education Rebecca studied Fine Art at the University of Brighton, Painting at Kansas City Art Institute and Drawing Intensive at The Royal Drawing School, London. Select Exhibitions/Awards Rebecca's works are collected privately internationally and her work has been acquired by Soho House, UK. She was recently one of the winners of the Delphian Open Call in the past year showed work with Wilder Gallery, Purslane, Daniel Raphael and Partnership Editions. Statement about AOAP Submitted Artwork This piece was part of a further exploration of imagined characters, otherworldly dreamers, mythological dancers and allegorical lovers interact.
Sasha Ferré Pervasiveness Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sasha Ferré is a visual artist working and living between London and Paris. She has exhibited in the US and Europe and is the recipient of the Hine Painting Prize in 2020. Recently she was featured in the New American Painting Pacific Coast edition, and was selected for exhibitions in London at Saatchi Gallery, Fold Gallery, Unit London Gallery, Daniel Benjamin Gallery and Josh Lilley Gallery. She holds an MA in Painting from the Royal College of Art (London). Education 2018 to 2020 - MA Painting, Royal College of Art, London, United Kingdom 2016 - BFA, Integrated Studio Art program, Magna Cum Laude, Cornish College of the Arts, Seattle, USA Select Exhibitions/Awards 2022 Solo exhibition, TBA, Tokyo, Japan 2021 Rites of Passage, Group Exhibition, Unit London Gallery, London, United Kingdom Kensington and Chelsea Art Week, London, United Kingdom Ones to Watch, online exhibition curated by Natasha Arselan, AucArt.com Quartet, a series of online solo shows curated by Maria Valeria Biondo, Daniel Benjamin Gallery, London, United Kingdom 2020 Goose Summer, Group Exhibition, Virtual Show curated by Hannah Murgatroyd and Martyn Cross Wintergreen Boxwood, Group Exhibition, No20 Arts, London, United Kingdom London Grads Now, Group Exhibition, Saatchi Gallery, London, United Kingdom 50/50, Group Exhibition, Fold Gallery, London, United Kingdom Beacon, Virtual Group Exhibition, Josh Lilley Gallery, London, United Kingdom RCA2020, MA Virtual Degree Show, Royal College of Art, London, United Kingdom Final, not Over: Session 1, Open Fields, Unit 1 Gallery, London, United Kingdom Her Space, The Pillar Hotel, curator Nir Segal, London, United Kingdom Snapshot, Hockney Gallery, curator Emily Moore, London, United Kingdom 2019 Work-in-Progress Show, Royal College of Art, London, United Kingdom 2018 While Supplies Last, Studio e Gallery, curator Anthony White, Seattle, USA 2016 American Painting Today, curator Matthew Offenbacher, V2, Seattle, USA Out of Sight, A Survey of Contemporary Art in the Pacific Northwest, King Street Station, Seattle, USA 12th Annual Hutch Exhibition 2016, Fred Hutch Research Institute, curator Bonnie Biggs, Seattle, USA Self-Reflections, solo exhibition, Studio B1, Seattle, USA BFA Expo 2016, Cornish College of the Arts, Seattle, USA 2015 The Expanse of all Human Knowledge, Platforms of Exchanges, Cornish College of the Arts, Seattle, USA Do It Yourself, Cornish College of the Arts, Seattle, USA Changing our Stripes, curator Melissa Feldman, Main Gallery, Cornish College of the Arts, Seattle, USA 2014 Open Studio, Cornish College of the Arts, Seattle, USA We're watching you, Platforms of Exchanges, Cornish College of the Arts, Seattle, USA 2013 I Am Nobody, Who Are You? solo exhibition, Spark, Paris, France
Pippa Blake Little Amal: The Walk I Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction) Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006. Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.
Anastasia Lopoukhine Someone's Hands Pen on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anastasia Lopoukhine is a French-Russian artist educated in the UK, the US and Russia. Anastasia makes large scale pen and ink drawings, sometimes adding watercolour and oil pastel to build a sense of tactility. The detailed nature of the process gives Anastasia's work an intensity, often lifted with a hint of wry humour. Her approach is that of a narrator inspired by events in history or by personal experiences in different corners of the world. Anastasia holds an MAScot from the University of Edinburgh in History and Russian studies and an MFA from the New York Academy of Art, where she majored in Drawing and Printmaking. Over the past decade Anastasia has participated in group exhibitions and auctions in London, Moscow and New York. Education Stowe School, UK: 2009-2014 The University of Edinburgh, UK: MAScot, 2015-2019 The New York Academy of Art, US: MFA, 2019-2021. Select Exhibitions/Awards TriBeCa Ball, New York, 2020/2021 Réaction Exhibition, London, 2020 Susan Eley Fine Art, Online Show 'Ghost of Presence', New York, September 2021 The Russian Artist Fund, Group Show at the Museum of Applied Arts, Moscow, October 2021 The Christmas Group Show, A3 Gallery, Moscow 17 December 2021 - 17 January 2022 Statement about AOAP Submitted Artwork I wanted to draw what was around me when I opened the envelope with the cards: my favorite chair at my friend's house and my boyfriend's hands. I drew both in pen for that is my medium of choice.
Anastasia Shimshilashvili Oxford Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I was born in Moscow in 1987. I started my art education in 1998 at the Moscow State Academy Art Lyceum of The Russian Academy of Arts. I believe that a large part of my knowledge and skill was developed at the lyceum. The Surikov Art Institute was a logical progression of my academic training. I got admitted into the Faculty of Painting and after my 2nd year, I got accepted into the Department of Monumental Art. There, I learnt various techniques such as making church frescos, mosaics, breadboarding etc. Following graduation, I have focused a substantial amount of my time on teaching fine art to eager students, running a YouTube Art Channel, and recently publishing a 'self-teach' art book based on my teaching methods in Russia. The most important aspect is the character of each personage and tone. I like to work on different pieces with different technologies simultaneously. This way I never get tired of one particular work and I can enjoy diversity during my work. Education MA in Fine Art Faculty of Painting, Surikov Academic Institute of Art, Moscow at 2011 BA Monumental Art Workshop of Monumental Art, Faculty of Painting, V. Surikov Moscow State Academy Art Institute, Moscow, Russian Federation 2009 Architectural Graphics and Drawing Introduction to Architecture and Design. Moscow Architectural Institute, Moscow, Russian Federation 2004-2005 Secondary, Higher Secondary Education Specialisation in Painting and Graphic Art - Studio No.1 under V.E. Elizarov, Moscow State Academy Art Lyceum, Moscow, Russian Federation 1998-2005 Select Exhibitions/Awards Royal Society of British Artists Royal Institute of Painters in Water Colours Saatchi The Other Art Fair The Sunday Times Watercolour Competition The Biennial Ruth Borchard Self-Portrait Prize Figurative ART now New English Art Club Society of Women Artists The Pastel Society Sky Portrait Artist of the Year Sky Landscape Artist of the Year Young Artists of Russia Exhibitions of Moscow Union of Artists
Pippa Blake Little Amal: The Walk II Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction) Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006. Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.
Pippa Blake Little Amal: The Walk III Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction) Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006. Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.
Helen Walsh Blue Shimmer Pen, Pastel and Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am fascinated by the natural world, our connection to it and our place within it. I am interested in our desire to transcend, to move beyond what we know. The cycle of the seasons and of life change accordingly and I am interested in moving my practice forward through exploring this dichotomy. Birds and feathers are an important element in my creative practice. I'm inspired by the way they move, their plumage, their otherness. They are freer; their ability to fly suggests a means of escape, implying there is something to escape from. They are symbols of transcendence, linking the physical to the spiritual world. This theme occurs in myths and stories across cultures and throughout history. In my practice they represent us, our spirits and a desire to transcend and change. Drawing is a central element of my practice, it is the starting point and a means of creation in itself. I use drawing to research, explore and explain. Drawing is an excellent method of communication and I use a variety of drawing techniques in my participatory practice to support participants to explore and develop ideas. Increasing awareness of our impact on the environment and our responsibilities draws me to work more with natural materials. Creating my own dyes from responsibly foraged materials connects my work to the land; adding another layer to the spiral of connection. Education BA (Hons) Embroidery, Manchester Metropolitan University Select Exhibitions/Awards Scottish Drawing Competition Exhibition 2021 (Paisley Art Institute) Whither Shall I Wander? 2020-21 (Wildfowl and Wetlands Trust Caerlaverock) Stitched Art is Art 2019 (Society for Embroidered Work, London) Draw the Line 2017 (Surface Gallery, Nottingham) Wingspan 2017 (Farfield Mill, Sedbergh) Statement about AOAP Submitted Artwork Feathers (and birds) fascinate me; intricate, beautiful and so seemingly delicate yet incredibly strong. Drawing feathers allows me to explore this dichotomy and our relationship with the natural world.
Spanish School, 20th century,Bullfightindistinctly signed and inscribed 'Madrid' l.r., watercolour, pastel and charcoal59 x 82.5cmCondition report: Not viewed out of glazed frame, some rippling to the sheet, but generally in good condition. The glaze is slipping in the frame and the frame has some losses and damages, please see images.
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