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Lot 1
James Longueville - Worthenbury, oilJames Longueville (1942 - ), "Flooded pastures, Worthenbury", signed, label dated 1977 on verso, oil on board, 18.5 x 24cm.; 7.25 x 9.5in. * He was made a member of the Pastel Society in 1983 and Royal Birmingham Society of Artists in 1989, also showing with the Royal Institute of Oil Painters, Royal Institute of Painters in Watercolours and elsewhere. Later solo shows included Ringstead Gallery, Hunstanton, 1990; Omell Gallery, Windsor and at Sarah Samuels, Chester, both 1991.
Lot 1
Ralph Sweeney, Alex Ferguson, pastelRalph Sweeney (1956-), Sir Alex Ferguson with the Champions League trophy, signed and dated 1999, pastel, 50 x 37cm.; 19.75 x 14.5in. * This painting was drawn to commemorate the unique treble achieved by Manchester United in 1999. They became the first English club to gain the 'treble' completed by a stunning victory in the European Cup against Bayern Munich thanks to injury-time goals from Teddy Sheringham and Ole Gunnar Solskjaer.
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Dame Laura Knight R.A 1877-1970 the crazy gang signed pastel ink charcoal and watercolour 59x44cm.; 23.25x17.25in. Provenance Acquired by the late Jack Hylton producer of The Crazy Gang shows in the 1950s and thence by descent to the present owner Exhibited London The Royal Watercolour Society Galleries Britain in Watercolours Festival of Britain Exhibition 1951 details untraced
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Erik (designers) mid 20th century- Woman standing full length in ceremonial dress; Original artwork possibly for a fashion house, gouache and pastel, signed and with printed signature, 47x31cm: together with a similar signed gouache and pastel of a Woman modeling a gown, by the same hand, 46x35cm: British school late 20th century- Alpine view, watercolour, 20x32cm. (3)
Lot 1
*Nicholson (Winifred, 1893-1981). Bee-Orchids, pastel, approx. 345 x 495 mm (13.5 x 19.5 ins), framed and glazed Winifred Nicholson, the granddaughter of George Howard, Earl of Carlisle and associate of the Pre-Raphaelites, was closely involved with the avant-garde in her early years, having married Ben Nicholson in 1920, and becoming a member of the 7 and 5 Society, where she exhibited between 1926 and 1935, alongside Piper, Moore, Hitchens, Hepworth, Christopher Wood, David Jones, and others. In the 1930s Winifred lived in Paris where she encountered many important modern painters, including Brancusi, Arp, Mondrian, Kandinsky, Giacometti, Calder, etc. Her later work, of which Bee-Orchids is an example, shows her deepening interest in the nature of prismatic colour, and the attempt to "unweave the rainbow". (1)
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