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Edmund Pick-Morino, attributed to (Austrian, 1877-1958) Artist Self Portrait Pastel on Board Board: 17 1/4 in. x 14 1/2 in.; Frame: 24 in. x 21 1/4 in. Condition: Fair condition. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: Purchased from Kunsthandlung Karl Loescher, Anton Jancsy, Wien, Austria on July 25th, 1966; John and Johanna Bass Collection; Bass Museum of Art after 1979. Literature: The John and Johanna Bass Collection, Miami Beach, FL, 1973, no. 213. Museum Inventory No. 1979.213 Collection of the Bass Museum of Art - Miami Beach, Florida. Proceeds to benefit the John and Johanna Bass Acquisitions Fund. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Michael Leonard (British, born 1933)Zephyr the Pekingese in a ruff signed and dated 'ML + AD 1985 +' (upper centre) and inscribed 'Hope you like it!/ All the best,/ Michael' (on a label on the reverse)black and white chalk on paper18.5 x 14cm (7 5/16 x 5 1/2in).together with a pastel portrait of a Pekingese (2)This lot is subject to the following lot symbols: AR
George Thompson (1934-2019), "Albert Square, Manchester", signed, titled and dated '97 on verso, pastel, 34.5 x 50.5cm, 13.5 x 19.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has the odd minor dint and scuff commensurate with age.
Harold Riley (1934-), Female portrait, signed and dated '69, pastel, 38.5 x 23.5cm, 15.25 x 9.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has the odd knock and scuff commensurate with age.
Brian Nolan (1931-), "Sir Galahad" - Jane's Hole, Collyhurst, Manchester, signed, titled and dated 'Feb 10th, 1963', pastel, 26.5 x 32.5cm, 10.5 x 12.75in. Artists' Resale Right (droit de suite) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed.
E. Anthony Orme (1945-), Seated female nude, signed, pastel, 42 x 29.5cm, 16.5 x 11.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has scuffs and losses.
E. Anthony Orme (1945-), Pole dancing female nude, signed, pastel. 47.5 x 34.5cm, 18.75 x 13.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor knocks and scuffs.
Bob Richardson (1938-), "Evening Light, Pickmere", signed and dated '76, titled on verso, pastel, 43 x 54.5cm, 17 x 21.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed.
E. Anthony Orme (1945-), Standing female nude, signed, pastel. 47.5 x 34.5cm, 18.75 x 13.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks.
A matched pair of early Derby Patch Mark cartouche-shaped floral cornucopias, painted in polychrome enamels with country flowers, each painted in polychrome enamels with country flowers, each reservoir moulded in relief with feathered scrolls, picked out in tones of pastel turquoise and gilt, the whole surmounted by a profusion of modelled flowers, shaped bases, 19cm and 17cm high, c.1765; another, similar, Dry Edge, 13cm high, c.1755 (3) Provenance: earlier manuscript collector's note to base of Dry Edge cornucopia; all, The Wilders Collection, labelled. Condition Report: The pair with some losses and repairs, one of them restored from the neck upwards and with expected spitting from re-firing. The smaller one with losses. Each with some pitting and expected wear to decoration too.
Judith Rothschild (American 1921-1993)/Palazzo Lechi, Montirone I/pastel, 30.5cm x 25cm; John Fisher (b.1938)/Market near the Piazza Michelangelo, Florence/signed and dated '88/oil on paper, 33cm x 22cm and Tour of the Palazzo Vecchio from the Roboli Gardens/signed and dated '88/oil on paper, 21.5cm x 32.5cm (3)
Original vintage advertising poster: T.E.C. – Travail et Culture – Picasso. Lithograph printed by Mourlot Paris, edition size: 500 copies.French poster advertising a Picasso conference at the Sorbonne in Paris on 15 March 1946 organised by the T.E.C (Travail et Culture / Work and Culture) featuring a cubic sketch and collage by the notable Spanish artist and sculptor, Pablo Picasso (1881-1973), of a glass and some fruit on a pastel background within a border above text: Picasso – Repetition de la conference avec projections par L’Abbe Morel et lecture d’un poème par Paul Eluard with the venue, date and price of tickets. The poster has French tax stamps in the bottom right corner. Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.Year of printing: 1946, country of printing: France, designer: Pablo Picasso, dimensions (cm): 74x51.5. Good condition, central horizontal and vertical folding marks, repaired cracks, minor tears on the right margin, backed on old linen.
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46080 item(s)/page