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Lot 1132
Theodore Zimmerman (20th/21st century contemporary) "A Beautiful Day with the Family on the Beach at Le Touquet” Signed, inscribed and stamped with the artist's atelier studio stamp, also extensively inscribed verso in the artist's own hand "Drawing from my memories of my time at Le Touquet", pastel drawing, oval, 19cm by 14cm (7 1/2in by 4 1/2in) Provenance: The artist's family See illustration
Lot 1133
Josephine Graham (20th/21st century contemporary) Portrait of the Artist's Daughter, seated, wearing a floral dress and holding a bowl of strawberries Signed "Graham", also partially inscribed on the remains of a label verso, pastel drawing, 118.5cm by 77.5cm (42 3/4in by 30 1/2in) Provenance: With Duncalfe Fine Art, Harrogate (New Glasgow School) See illustration
Lot 1134
David Allen A.R.S.M.A. (b.1945) "Beach Café, Port Erin, Isle of Man” Signed, also extensively inscribed on an exhibition label verso, exhibition no. 7, stock no.11457, with the original price of £1250, also inscribed on the backing board verso, pastel drawing, 46cm by 49.5cm (18in by 19 1/2in)
Lot 1
Margo Bourne, 'Global Summer', pastel, 47cm x 57cm. Exhibited: Shropshire Open, Shrewsbury. Retired from teaching to Mid Wales and more recently relocated to Shrewsbury where she continues to paint and draw; has a preference for the soft tones and harmonious colours achieved through the use of pastels in depicting the countryside
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Arturo Ciacelli (1883-1966), "Stockholm", signed, dated 1910 and inscribed, pastel, 47.5 x 62cm.; 18.75 x 24.5in. * From 1910, he spent much of his time in the Scandinavian countries, teaching and giving lectures on Futurism in Stockholm, Copenhagen, Oslo and Goteborg. In Stockholm he was the director of the first gallery of modern art and of the periodical Nykonst (1915) and did decorative work for a number of public venues, including the Grand Hotel Royal and the Artists' Circle.
Lot 1
Theodore Major (1908-1999), Canal scene with telegraph poles, pastel, 25 x 36.5cm.; 9.75 x 14.5in. * Born in Lancashire, Major's work is often compared stylistically to L. S. Lowry, in particular for his representations of sombre cityscapes and his handling of the human form. His paintings vary from brooding industrial scenes and dark-hued images of the often elongated human figure, to vibrant and brightly coloured pictures of flowers and figures. Major was an intensely private individual, describing painting as his life and art as his religion. His paintings reflect the difficult and uneven life of the artist and John Berger described his work as 'among the best English paintings of our time'.
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Nikolai Alexandrovich Benois, 1901-1988 two set designs for a production of Sadko both signed in Cyrillic and dated 1937 l.r., titled and inscribed La Scala 1937 in Cyrillic on the surround pastel on paper each 26 by 33cm., 10.25 by 13in. (3) Provenance Sotheby's London, Ballet and Theatre Material, 4 March 1982, lot 58 and 59 To be sold together with a costume design by the same hand.
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Konstantin Ivanovich Gorbatov, 1876-1945 italian landscape signed in Cyrillic l.r. and dated 1924 and further inscribed in Latin; stamped with collector's stamp l.r. pastel on paper sheet size: 34.25 by 25cm., 13.5 by 9.75in. Provenance The Collection of art gallery owner Johann Gottfried Tenzer (1858-1942), The Hague
Lot 1
A group of sixteen Easter eggs, 19th century comprising: two eggs with the images of the Virgin Mary and Christ Pantocrator both within a gilt burnished border on a cobalt blue ground, one egg painted with pan-slavic motif together with eleven pastel eggs of various sizes decorated with gilt sprays and flowers and two red lacquer eggs (16) height of largest: 12.5cm., 5in.; height of smallest: 5.5cm., 2.25in.
Lot 1
W Clarkson early 20th Century- Designs for an evening gown; gouache, bears studio stamp for 'W Clarkson Costumier, Wardour Street, London', set of four, 43x30cm each: John Donsfield mid 20th Century- Designs for pantomime costumes; gouache, signed, set of three: Henry Richard Bird 1909-2000- Portrait of a young woman, pastel on paper, signed, together with one other portrait study by the same hand, (9) (may be subject to Droit de Suite)
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