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Harold Yates (1916-2000) - Le Camping-La Fumee, watercolour, signed lower right and dated '72, with United Society of Artists label verso, 35 x 50cm; with two others by the artist - View from Cleeve Hill, pastel and watercolour wash, signed and dated '61 lower right, 34.5 x 52cm; and A27 below Caburn, watercolour, signed lower right, 22 x 29cm (3)
ALEXANDER BROWNLIE DOCHARTY (SCOTTISH 1862 - 1940) MOONRISE ON THE NILE; HIGH MILE; FISHING BOATS ON THE NILE Charcoal and pastel, signed, 20 x 36.5cm (7 3/4 x 14 1/4"), 20 x 36cm (7 3/4 x 14"), 21 x 35cm (8 1/4 x 13 3/4") (3) 'Moonrise on the Nile' and 'High Mile' inscribed with titles verso
A Late XX Century Perthshire Cartwheel Paperweight, with sections of millefiore canes between thirteen radial twist spokes to central cluster, set in a blue ground, 7.5cm diameter; Another, in pastel shades on a pale green ground, 6cm diameter and a further paperweight in shades of green with twelve twist spokes, 6cm diameter, all with paper labels. (3)
Michael Coote pastel Titled ' Laura ' of a semi clad female, signed to corner. Measures 72cm high x 56cm wide, with another pastel and watercolour study of a naked female. Michael Coote studied as a photo lithographer, and is often credited as 'colour illustrator' on contemporary Sherlock Holmes publications being well renowned and a listed artist of some repute.
Daniel Gardner R. A. (1750-1805) - 'Portrait of Lady Augusta Corbett and her young son' (Daughter of John 3rd Earl of Bute) married 1773, died 1778, inscribed on label verso, also inscribed on the original frame, gouache and pastel, oval 23" x 18.25" - ** Provenance, The Ruskin Gallery Ltd., 11 Chapel Street, Stratford on Avon, Warwickshire, prior to 1800 as The Palser Gallery, King Street, St. James's, London. SW1, and ex.collection, Dr J. F. Wallace and Mrs M.E.Wallace, Alcester, Warwickshire
A Chinese blue and white porcelain vase, probably 19th century, bearing four character Chenghua mark to base within double concentric circles, the squat ovoid body decorated with three panels of interiors with precious objects, within prunus and cracked ice borders, below a short, everted rim, 6½in. (16.5cm.) high; together with a Chinese porcelain cylindrical jar and cover, Guangxu iron red mark to base and of the period, painted in pastel tones with scholars in a garden, also with vertical black painted six character mark and red printed mark to side, with twin gilt bamboo and twisted wire swing handles, the domed cover similarly decorated, 8½in. (21.5cm.) high. (2)* Condition: - Vase: Good condition, with no faults. - Jar & cover:
T. Van Ewyk 'Bridge Over the Stour at Baythorne Park, Essex signed lower right, charcoal and pastel; Frederick Richard Fitzgerald (British, 1868 - 1944) 'Continental river landscape', signed, watercolour, 26 x 36cm; H. Williamson 'Moonlit river landscape', watercolour, signed, 38 x 56cm; Edwin Robert Beattie (British, 1844 - 1914) 'Market Town Centre, watercolour, signed, 28 x 42cm (4)
1969 Land Rover 88 Series IIA- One of two Land Rovers used in the forthcoming movie 'Peter Rabbit'- Beautifully finished in Pastel Green with refurbished Tan seats- 2250cc petrol engineA sympathetic update of its much-loved predecessor, the Land Rover Series II was introduced in April 1958. Available with a choice of 2.25-litre petrol or 2-litre diesel engines, the Series II accounted for some 62,000 sales in its first two years of production. In 1961, the subtly upgraded Series IIA benefited from an improved cooling system and is thought to have been the most successful variant, with sales around 1969/70 believed to have reached 60,000 units a year.The vendor advises this lovely-looking 88-inch Series IIA is something of a movie star; being one of two used in the forthcoming 3D live-action animated comedy film Peter Rabbit based around the famous characters created by Beatrix Potter. We are informed it was used for location shots in the Lake District wearing a false registration. Mr McGregor is played here by Domhnall Gleeson and his feud with the famous rabbit voiced by James Corden will be released in UK cinemas shortly having been on worldwide release since February.Acquired from film vehicle suppliers Action 99 Cars, HJM 774H is powered by a 2.25-litre petrol engine and was manufactured in 1969. Finished in a most attractive shade of Pastel Green with Tan interior, it is said to drive as good as it looks and will be accompanied by a fresh MoT in time for the sale. The seats have been refurbished and the Landie is described as being in "excellent" condition regarding its bodywork, paintwork, engine and transmission with "very good" interior, the vendor noting it would however now benefit from new door window rubbers.With values of Series One Land Rovers reaching giddying heights it cannot be long before the Series Twos follow and such a fine example with the added bonus of movie stardom is a very attractive proposition.
ERNEST LEOPOLD SICHEL (BRITISH 1862-1941), 'Study of Drapery', a pastel sketch of pink fabric, signed lower right, bears label verso for The Pastel Society Royal Institute Galleries, Piccadilly, London, titled, named and artist's address, approximately 30cm x 20cm, mounted, framed and glazed
JOHN DA COSTA (1876-1931)Portrait of the artist's wife Lilliequarter-length, wearing a dark dress and feathered hatpastel26 x 22 in (66.1 x 55.8cm)Provenance: The artist's family, by descent thence to the present vendor Another portrait of the artist's wife, (dateable to 1897) is illustrated in the John Da Costa Memorial exhibition catalogue, Leighton House, London Nov-Dec 1974, no 109 ill p.11
BEESTON COYTE (1711-1775)Portrait of a young Girl holding flowers, believed to be Sarah Rowning (1740-1776), daughter of Robert Rowning of Sproughton Hall, Suffolk; and Portrait of a Lady, believed to be Mary, Mrs J. Sewell of Alton Hall, Suffolkboth half-length,pastel on paper, unframed, unglazed, 24 x 18 1/2 in (60.9 x 46.9cm); a pair (2) A/FBoth portraits bear late 19th/early 20th century inscriptions on the reverse erroneously speculating the sitters to be Mary and Elizabeth RowningBoth these previously unattributed portraits would appear to date from circa 1752. They can be compared on stylistic grounds with a series of portraits painted by Beeston Coyte between 1752-1754 which depict members of the Alston Family and their housekeeper at the Ipswich Museum (Christchurch Mansion)Beeston Coyte of Nayland was the younger son of the Rev. William Coyte (1680-1745), rector of Hintlesham, Suffolk. He was educated in Ipswich and later at Peterhouse Cambridge. He remained in Suffolk until 1754 before settling in Kingston, Jamaica. He appears to have continued painting portraits there, including one of the Scottish Attorney General in JamaicaWe are grateful to Neil Jeffares for his help in the cataloguing of this lot
A collection of ladies costume, to include a 1970s Kate Beaver green and blue hand-printed top, a 1970s purple corduroy Laura Ashley dress, a 1980s floral Laura Ashley dress with a lace collar, a Laura Ashley green and white striped dress, a cream Edwardian style Laura Ashley blouse, an Origin Liberty print viyella dress, a pale blue cotton Laura Ashley summer dress, a pale blue and white cotton Laura Ashley dress, a Liberty print pink floral cotton dress by Origin, a blue floral Laura Ashley cotton dress, a 1980s tartan check Laura Ashley dress, a late 1980s plum coloured paisley and floral patterned needlecord Laura Ashley dress, a pastel floral Origin summer dress and three other floral cotton Laura Ashley dresses. UK size range 10 to 14 approx
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