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§ PAUL LUCIEN MAZE (FRENCH 1887-1979) GARDENING Signed lower right, pastel on buff paper(26cm x 36.5cm (10.25in x 14.25in))Provenance: Artist's studio sale.Footnote: Note: Sold without reserve. Paul Maze was born in Normandy, the birthplace of impressionism. Fittingly, his biography is titled ‘The Lost Impressionist’, although he is also frequently described as a Post-Impressionist. His immersion in both movements is unsurprising. He knew Monet and Renoir, and Pisarro was an early teacher. He friends included Derain and Bonnard and he sketched with Raoul Dufy. George Braque was a lifelong friend and he was particularly close to Vuillard who encouraged his use of pastel. Maze had a strong Scottish connection; his first army post was as a volunteer interpreter with the Scots Greys. He served in both world wars and was a much-decorated hero who was awarded the Croix de Guerre, Legion D’honneur, the Military Medal and the Distinguished Conduct Medal. He developed a close friendship with Winston Churchill, whom he taught. He was a frequent visitor to Chartwell. Churchill wrote the preface to Maze’s autobiography and the forward to his 1939 New York exhibition. Then, he wrote “with the fewest of strokes, he can create an impression at once true and beautiful” His work was in the collection of the late Queen Mother and is held in many public collections, including the Tate and at Glasgow. This collection came from the artist’s family. It includes his favourite subjects, Trooping the Colour, still life, yachting, the Sussex landscape of his adopted country and, especially, his beloved wife, Jessie.
HERCULES BRABAZON BRABAZON (BRITISH 1821-1906) THE PILGRIM, AND TWO FURTHER COMPOSITIONS Pastel and watercolour on buff paper, initialled lower right; and a companion, 'Boating on the Lake', watercolour and pastel on buff paper; and a companion, 'Chiavenna, Italy', signed lower left, inscribed lower right, pencil sketch(14cm x 21cm (5.5in x 8.25in); 24.5cm x 33.5cm (9.75in x 13.25in); 17.75cm x 24cm (7in x 9.5in))
A pair of Nao geese models; an Aynsley Cottage Garden vase, rabbit and tortoise trinket pots, others ; a Royal Crown Derby Posie pattern trinket dish, others; a set of six Wedgwood collector's plates, Life On The farm; a Masons Empress jug and dish; a Caithness Pastel paperweight; other glass vases; qty
William Thomas Tattersall,The Old Weir Bridge, Killarney National Park in County Kerry, Ireland, 1909,watercolour,29x40cm;and by the same hand,Sea Waves, 1909,watercolour,29x40cm;Ken J Messer, Langstone Mill,gouache/watercolour,37x55cm,Provenance: Guildhall Art Gallery 1970s;Michael J Mercer,The Broads,pastel on paper,52x71cm; andM Bailey,Fleet Street,watercolour,25.5x17.5cm.
* SHEENA BEGG (SCOTTISH b. 1921), SUMMER BOUQUET oil on canvas, signed, titled verso image size 48cm x 43.5cm, overall size 61.5cm x 56.5cm Framed and under glass. Note: Born in 1921 in Glasgow, Sheena Margaret Begg was a flowers, still-life, landscape and wildlife painter who exhibited at the Royal Scottish Academy and at the Royal Scottish Society of Painters in Watercolours. She worked in oils, gouache and pastel.
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46300 item(s)/page