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Brian Phillips (b. 1939) industrial scene, pastel, signed 33.5cm x 30cm in glazed frame

Joan Bell (21st century Contemporary): pastel, still life of fish and fruit, signed and dated lower left, 34x24cm

P.Bowser: pastel on board, still life of flowers, 36x29cm

Olive M Grieve (Contemporary): oil and pastel, still life of Wallflowers, 34x44.5cm

Keith Jansz MFPA (b.1961)Studio Still Life with RosesSigned with initials CKJ (lower left)Oil on canvas47 x 37cm (framed) Horatio's garden will receive 100% of the hammer price on this lot. Two months after running the London Marathon for Barnardo’s in 1995, Keith Jansz broke his neck in a car accident which left him paralysed from the chest down. He spent six months in Stoke Mandeville Hospital, coming home to adjust to a new way of life. The gift of a book about the Mouth and Foot Painting Artists inspired him to start learning to paint by mouth and Keith progressed rapidly, surprising himself, painting in oils and sketching in pastel and charcoal. His style is influenced by his heroes the Impressionists, his work being reproduced around the world, and his paintings have been exhibited from Shanghai to Vienna, Mexico City to Copenhagen.

This stunning porcelain figure depicts a lady as a depiction of Rain with a pastel blue-sky dress and fantastic rainbow shawl. This figurine is part of the Millennium Ball collection. Coalport backstamp. Issued: 1999Dimensions: 8.5"L x 7.5"W x 10.25"HEdition Number: 380/2500 Manufacturer: CoalportCountry of Origin: EnglandCondition: Age related wear.

Draped nude figure in soft pastel colorations with two frosted lamps in relief attached to base. Marked F. Rozet lower left.Maker's markings to bottom base. Fanny Rozet (French, 1881-1958) In 1896, she was the first female sculptor to be accepted into the Ecole des Beaux-Arts in Paris, which was reserved for male artists. In 1904, Rozet began exhibiting at the at the salons of the Societe des Artistes Francais in Paris. She received Honorable Mentions and was awarded bronze and silver medals for applied art in 1924 and 1926. Rozet worked in bronze, ivory, terracotta and other ceramics, producing decorative objects and Art Deco style lighting. Dimensions: 22"L x 6"W x 20"HCondition: Age related wear. Lighting tested but functionality not guaranteed.

Glazed ceramic double handled vase with finely painted scene of woman in a garden landscape. Crafted with soft pastel coloration; gilded accents to handles and rim. Signed Arthur Leslie to body. Royal Doulton backstamp. #vase Dimensions: 4.25"L x 4"W x 10"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

A precious slumbering tabby cat, artfully adorned with lifelike pastel hues and a glossy sheen. Royal Copenhagen figurine #422. Royal Copenhagen backstamp. Artist: Erik NielsenIssued: 20th CenturyDimensions: 5.25"L x 4.5"W x 3"HManufacturer: Royal CopenhagenCountry of Origin: DenmarkCondition: Age related wear.

TWO YVES SALOMON FUR COWLS Comprising of a silver fox fur cowl and a pastel pink rabbit fur cowl. YVES SALOMON Pink rabbit fur 72cm, Silver fox fur 88cm Condition:  Both fur cowls appear to be in excellent condition with no signs of fraying or damage. The fur on both cowls is clean and does not exhibit any signs of damage, such as fraying, tears, or snags. Furthermore, there are no noticeable signs of discoloration or odour present.   Black Silk Tie (Silver Fox Cowl): The black silk tie on the silver fox fur cowl is also in excellent condition. It exhibits no signs of tears or snags.   This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

John Piper pastel Chapel Aix en Province dated 1958 - Approx image size: 18cm x 27cm

LENA M. ALEXANDER (SCOTTISH 1899-1983), BOWL OF ROSES. pastel, signed lower left and dated 1952, framed under glass, 49 x 39cm.   Note: this lot may be subject to ARR.

English School, study of flowers, berries and foliage, pastel, indistinctly signed lower left Margot La..., 39 x 49cm, framed and glazed

1937 Signed Pastel Still Life Study of Fruit, Walnuts and Fauna contained in a Verre Angomise mount, 26.5cm x 34.5cm

HÖLZEL, ADOLF (1853-1934), "Die Geburt Christi", abstrakte Darstellung von Maria und den Heiligen drei Königen, Pastell/Papier, HxB: Blatt ca. 11,5x14,5 cm (ca. 41x31,5 cm mit Rahmen). Altersspuren. Im Passepartout hinter Glas grahmt. VERSO Etikett mit Beurkundung der Echtheit des Bildes durch D. Dieckmann-Hölzel.| HÖLZEL, ADOLF (1853-1934), "The Nativity", abstract depiction of Mary and the Magi, pastel/paper, hxw: sheet approx. 11,5x14,5 cm (approx. 41x31,5 cm with frame). Signs of age. Framed in passepartout behind glass. VERSO label with certification by D. Dieckmann-Hölzel of the authenticity of the picture.

MEISSEN große Figurengruppe 'Mädchen mit Ziegen', 1924-1934, 1. Wahl. Entwurf Otto Pilz 1906, auf ovalem Landschaftssockel stehende junge Ziegenhirtin mit zwei störrischen Ziegen, zart pastelltonig staffiert. Schwertermarke der Pfeifferzeit sowie Künstlersigné „O. Pilz“ auf der Plinthe, us. Modellnummer „W200“. H x L: 25x 38. Guter Zustand mit leichten Altersspuren. Drahtstricke der Ziegen wohl original.| MEISSEN large group of figures 'Girls with goats', 1924-1934, 1st choice. Designed by Otto Pilz in 1906, a young goatherd woman standing on an oval landscape base with two stubborn goats, decorated in delicate pastel tones. Sword mark from the Pfeiffer period and artist's signé “O. Pilz” on the plinth, underside with Model number “W200”. H x L: 25x 38. Good condition with slight signs of age. Wire ropes from the goats are probably original.

A good pastel painting of a young lady, COLLECT ONLY.

A 20th century pastel work of a race horse & jockey scene signed but indistinct. Frame size 31 x 24 inches.

József Rippl-Rónai (Hungarian 1861-1927) Portrait of a Young Man Wearing a Cap signed (lower right), pastel on paper Dimensions:43cm x 31.5cm (17in x 12 3/8in) Provenance:ProvenancePrivate Collection, London. Note: ‘The Hungarian Nabi’: József Rippl-Rónai (1861–1927)József Rippl-Rónai’s lifetime work can be seen as an important articulation of a pan-European approach that incorporated elements of Art Nouveau, Fauvism, Expressionism and in particular the Post-Impressionist painters known as Les Nabis. Born in Kaposvár, Hungary in 1861, he studied at the Akademie der Bildenden Künste in Munich in 1884, before moving to Paris in 1887. There he continued his studies under the Hungarian Realist painter Mihaly Munkácsy then living in the French capital. By 1889 Rippl-Rónai made a brief visit to Pont Aven and soon cut ties with his earlier style embracing a new aesthetic buoyed by Paul Gauguin and his circle. He became friends with artists such as Aristide Maillol, Pierre Bonnard and in particular Édouard Vuillard whom he met at the Académie Julian in Paris. He joined the Nabis, whose influence can clearly be felt in his work.Rippl-Rónai returned to Hungary in 1902 and the current work dates from this early period back in his homeland, but continues to bear the impression of the Nabis, with a gentle intimacy and a fondness for decoration. Possibly a self-portrait, the painting is dated to 1905 and communicates his interest in materials and clothing. He believed that not only was the artist’s full body of work of importance, but also his public persona and mode of living, including the way he dressed. Rippl-Rónai’s Post-Impressionist tendencies, including his use of two-dimensional representation and contouring, continues with this portrait, as well as his playful use of a painting within a painting motif, a technique that can be seen in a number of his important works.The artist took part in public life throughout his career, including designing posters and tapestries and contributing to many successful exhibitions both at home and abroad, including those mounted in his home town of Kaposvár. Indeed, the current work bears the remains of a label which suggests an exhibition held there, which might relate to his solo shows of 1905 or 1913. After the World War One, Rippl-Rónai gave up oil painting in favour of pastels and his mastery of this medium reached its pinnacle with a series of portraits of literary friends. Rippl-Rónai’s continuing importance is that he succeeded in remaining a Hungarian artist who was faithful to his historical roots, whilst embracing modern art tendencies from his close associations with French artists linked to Paris at the turn of the century.

§ John Melville (British 1902-1986) Reclining Figure signed (lower left), charcoal and pastel on paperDimensions:30cm x 45cm (11 3/4in x 17 1/2in)

§ Celia Paul (British 1959-) Back View of My Mother, 1991 ink, wash and pastel on paper Dimensions:77.5cm x 57.2cm (30 1/2in x 22 1/2in) Provenance:ProvenanceMarlborough Fine Art, London;Private Collection, London.

A collection of framed art by local artist Sue Warren. A watercolour "The Green Chair", a handmade embroidered felt "Blue Flowers", a watercolour "The Garden seat", a mixed media piece "Moonlight Walker", and an oil pastel "The Lane to Wick Court"

A collection of antique Staffordshire figures and pastel burners including King William, Welsh couple etc.

This delightful grouping features a gold-gilded wall plate adorned with a hand-painted cherry motif, signed by A. Broussillon. Additionally, there's a nappy candy dish with a gilded handle and cherry blossom motif, an Old Ivory VII platter with a hand-painted raised floral design, a large square bowl decorated with pastel-colored seashells and gold gilt accents, and a blue and white teacup with a saucer embellished with a butterfly handle and further gold gilt detailing. Haviland Limoges backstamp. Largest piece measures 1.75"H x 11.25"dia. Condition: Age related wear. Large Cherry plate and seashell bowl have hairline cracks.

§ Colette Morey de Morand (Canadian/British 1934-2022) Stunning Streak, 1986 acrylic polymer and Caran D'Ache Neocolor oil pastel on paper Dimensions:76cm x 56.5cm (30in x 22 1/4in) Provenance:Provenance The Estate of the Artist Note: Colette Morey de Morand was born in Paris in 1934, to a French father and Ukrainian mother. Whilst she was an infant her family moved to Canada, where she was to spend her formative years. Whilst she always had designs on being an artist, her mother made her take a science degree at the University of Toronto as a more ‘sensible’ option. Morey de Morand, however, was not to be deterred and not long after graduating she moved to New Zealand, first studying at Wellington University and later establishing a reputation for herself as a landscape painter. Whilst in New Zealand she met Clement Greenberg, the high priest of Abstract Expressionism, an encounter that could well have been significant in her shift in direction towards abstraction, which she was to explore for the rest of her career.On separating from her first husband, Morey de Morand travelled overland through India and the Far East with her two young children, arriving in London in 1975, where she was to stay for the rest of her life – although she carried on showing in New Zealand, where her work continued to be highly regarded. She was soon ensconced in the London art scene – albeit the part of the scene that set itself against the prevailing fashion for Minimalism and Conceptualism. She had met Anthony Caro and his wife, the painter Sheila Girling, in New Zealand and they were to remain close friends throughout their lives. Both artists’ approaches at that time – loose, lyrical (even for Caro when working in heavy slabs of metal) – were to find confluences in her painting of the same period.

Patricia Frost, pastel on paper, 'Five race horses at the start line'. Signed and dated 1996 lower right, 38cm x 49cm, framed and glazed.

Patricia Frost, pastel on paper, 'Four race horses in full flight'. Signed and dated 93 lower right, 47cm x 40cm, framed and glazed.

Ben Holgate (Northern British Contemporary), Evening Mooring pastel, signed and titled verso with biographical detail from the Thornthwaite Galleries, 32 x 40cm.

Julian Bailey (British b. 1963), Street Trader, Venice, pastel, signed with initials lower left, 27.5 x 29.5cm.Condition Report: Picture has lost its frame, so mount is grubby, but picture is in good order.

Franco Matania (1922-2006), Portrait of a young woman with urn. Pastel, signed in pencil lower right, Image size 57 x 41cm. Unframed

Follower of George Richmond (1809-1896) - Pastel - Portrait of a gentleman, 47cm x 36.5cm, framed under glass

Original pastel drawing of 2 horses by Pru Hilditch - frame 35.5cm x 72cm

Antique framed original pencil & pastel sketch of a young girl with devoted dog - 70cm x 49cm ~ original frame has some losses

Mollie Mervyn-Mills original pastel drawing of 4 ballet dancers 'Interval' - frame 48cm x 38cm

Gerald Gardiner - pastel"South Woold Sands", labelled to verso, 12" x 19½"

Brian Denington - pastelA study of a sleeping nude female, signed, 17" x 24" and one other pastel of a saxophone player 17" x 17" (2)

Eric Roberts - watercolourA study of a female nude in a chair, signed and dated 2010, 20" x 16" and one other pastel study of a nude female (2)

Julia Farmer - pastelA study of a boat, signed, 18" x 13" and one other pastel by Julia Farmer - garden scene (2)

PASTEL OF RACE HORSES AND JOCKEY, INSCRIBED JOHN FRENCH AND INDISTINCTLY SIGNED. 49 x 64CMS

SEIJA WENTWORTH (20th CENTURY) WATERCOLOUR GARDENERS DELIGHT. 31 x 50cms TOGETHER WITH A PASTEL NUDE STUDY BY THE SAME HAND. (2)

A CHARCOAL STUDY OF PONIES AND PIDGEONS, UNSIGNED. 36 x 54cms TOGETHER WITH A PASTEL PORTRAIT OF A GIRL, INDISTINCTLY SIGNED. 38 x 30cms (2)

TWO 20th CENTURY PASTEL STILL LIFE STUDIES TOGETHER WITH A QUANTITY OF OILS, PRINTS AND OTHERS BY VARIOUS HANDS (2)

Hyman SEGAL (1914-2004) Tiny - St Ives Pastel on paper, signed and inscribed, 27 x 22cm. Frame size 40.5 x 35.5cm.

Dora HOLZHANDLER (1928-2015) Man in the snow, 1998 Pastel on paper, signed and dated '98, 23 x 22cm, framed 32 x 32cmThis attractive and seasonally-accurate painting is in good condition with no discolouration or loss of paint.

Terry FROST (1915-2003) Untitled  Graphite and pastel on card, signed, 17 x 17cm, framed size 30 x 30cmJonothan Grimble - Market House Gallery, Marazion (stamp verso)

Mary STORK (1938-2007) Cape Cornwall Pastel on paper, signed and dated '86, 20 x 31cm. Frame size 36 x 47cm.

Box of Staffordshire pastel burners, money box and Wade blow up whimsies including Humpty Dumpty

Two framed oil paintings and pastel picture of horse on country lane by Catherine Wiles

Theatre interest, an archive of costume designs and ephemera, to include works by Maria Björnson (1949-2002), Bob Crowley RDI (1952-), Abd'Elkader Farrah (1926-2005), Ralph Koltai CBE, RDI (1924-2018), Voytek (1925-2014), Alexander Reid (1929-2002), Ann Curtis (act.1965-2007) and Michael Stennett (1946-2020) (qty) Provenance: Collection of Norma Whittard to include, Maria Björnson (1949-2002), a sketch for Virginia McKenna as Gertrude in Hamlet, 1984-85, pencil and collage, signed 'Maria Björnson' (lower left), 41 x 51cm; Bob Crowley RDI (1952-), a sketch for Sarah Berger as Juliette in Measure for Measure, 1983, pencil, 39.5 x 30.5cm; Abd'Elkader Farrah (1926-2005), a design for Dr Faustus, ink and watercolour, 25.5 x 19cm; Ralph Koltai CBE, RDI (1924-2018), an untitled sketch of a young man in Shakespearian dress, signed and dated 'Koltai 80' (lower right); charcoal, 54.5 x 24.5cm; Voytek (1925-2014), designs for Much Ado About Nothing, pastel and pencil on tracing paper, 24.5 x 42cm; Alexander Reid (1929-2002), a design for Portia and Caesar in Julius Caesar, ink and watercolour on envelope with fabric swatch, 23 x 32cm, and a design for Perdita in The Winter's Tale, pencil and wash, 30 x 41cm; Ann Curtis (act.1965-2007), four designs for The Merchant of Venice, ink on tracing paper, 30 x 21cm, designs for Estelle Kohler and Diana Bishop in The Government Inspector, felt tip and watercolour with annotations, 25.5 x 26.5cm, a framed design for Antony and Cleopatra, ink and watercolour, 30 x 21.5cm; and Michael Stennett (1946-2020), a group of six ink drawings, two small gouaches, and a postcard from Richard Pearson (1918-2011) (qty)

§ William Black (20th century) A group of three unframed pastel and watercolourstwo signed and dated 'William Black 68' (lower right); the other 'William Black 69' (lower right)each 20 x 25cm

§ Jo Brocklehurst (1935-2006) Fight Warssigned and dated 'BROCKLEHURST / 1982' (lower right) pastel and crayon83 x 59cmProvenance: With the Francis Kyle Gallery, LondonNot examined out of the frame, edges are obscured by the frame so not available for inspection. Also some deep creasing throughout, mostly localised to the outer arms of the figures. Paper support appears slightly dirty in places, but this appears to be as a result of the medium and not a result of any damage. Colours appear strong throughout. The lower left corner with one very light foxing spot, otherwise no other foxing is present.

§ William Black (20th century) A group of four unframed pastel and watercolourstwo signed and dated 'William Black 68' (lower right); two signed 'William Black 68' (lower right)each 20 x 25cm

David Nash (b. 1945), 'Shrine', signed and dated '90, pastel, 84 x 51.5 cm, float mounted, framed and glazed, frame 91.5 x 58 cmLabels verso for Annely Juda, London; Gerald Peters Gallery, Dallas; and L.A. Louver, Venice

A large 'Mid-Century Vintage' style needlework rug in geometric patterns with muted tones of ochre and pastel blue. 267 cm x 184 cm

An old pastel pink ground possibly Turkish carpet with a central boss with hanging lanterns within weeping willow borders, 300 cm x 210 cmA private country houseSome wear down to the foundation

Rei D. Carlos (1863-1908)"A resposta do Inquisidor"Pastel on paperSigned and dated 1894Provenance: Private collection, gifted by King Carlos I to Maria Amália Vaz de CarvalhoLiterature: Raquel Henriques da Silva, "El-Rei D. Carlos, Pintor", Fundação da Casa de Bragança, p.73 cm96x68 cm

Louis Montagné (1879-1960)The church of Saint Peter of Avignon's portalPastel and watercolour on paper80x65 cm

Jean Pillement Attrib. (1728-1808)A landscape with figuresTwo pastel drawings on paper applied onto canvas40,5x61 cm

Edward Lear (British, 1812-1888)View of Janina watercolour and pastel29 x 45.5cm (11 7/16 x 17 15/16in).Footnotes:ProvenanceWith J. Leger & Son, London, 1959 (as Janina, Turkey). Private collection, UK.Ioannina (or Janina) which lies on Lake Pamvotis is part of modern day Greece, the major city of the province of Epirus. When Lear visited in 1848 it formed part of Albania but the area had been surrendered to the Ottomans in 1430 and remained under their rule until the early 20th century. One of the most recognisable landmarks of the town is the minaret and dome of the Fethiye Mosque which houses the tomb of Ali Pasha (1740-1822), ruler of the Pashlik of Ioannina. When in his 80s, his views and actions brought growing disapproval from the Ottomans who arrested him in 1822 at the St Panteleimon monastery on Lake Pamvotis, and killed him (see lot 11 for a portrait of Ali Pasha). The mosque and minaret, silhouetted on a promontory that extends into the lake, are at the very centre of Lear's composition in this watercolour.In 1848 Lear embarked on an impromptu sketching tour of Albania and Greece which took him from Salonica in the north, westwards to Corfu and down to Mount Olympus. He travelled very much off the beaten track with his manservant Giorgio, staying mostly at simple roadside khans where he regularly shared his quarters with farm animals. In luckier moments he enjoyed the hospitality of Turkish pashas or Greek dragomen. In his diary for 5 November 1848 he describes his dramatic approach to Ioannina: '..amid rolling thunder and flashing lightning did I gallop on, across the treeless level, till the sky cleared suddenly, and ... I saw from a slight eminence the lake of Yannina [sic] unexpectedly spread below me......There lay the peninsula stretching far into the dark grey water, with its mosque, its cypress tufts, and fortress walls; there was the city stretching far and wide along the water's edge; there was the fatal island, the closing scene of the history of the once all-powerful Ali.' He stayed in unaccustomed luxury at the British Consulate, remarking 'After the khans and horrors of upper Albania, the spacious and clean rooms at the Vice-Consulate were delightful to repose in; and newspapers, letters, joined with all kinds of comfort, suddenly and amply atoned for all by-gone toils and disagreeables.'A similar view by Lear, taken from a point closer to the town, is in the Derby Collection at Knowsley.For further information on this lot please visit Bonhams.com

Brunnen mit Figurenpaar. Ungemarkt. Ende 19. Jh. Modell-Nr. 3290. Steingut, in Pastelltönen staffiert. H 49 cm. Großer Brunnen mit blütenbesetzter Astkonstruktion und Eimern an einer Umlenkrolle, am Brunnenrand ein junges Liebespaar stehend. Einige Blütenblätter bestoßen. Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:14 Uhr (CET)Fountain with pair of figures. Unmarket. Late 19th c. Model no. 3290. Stoneware, painted in pastel tones. H 49 cm. Large fountain with flowered branch construction and buckets on a pulley, at the edge of the fountain a young lovers standing. Some petals bumped. Call time 26th | Oct 2023 | expected 15:14 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.