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A LARGE PAIR OF FRENCH PORCELAIN GARNITURE VASES, late 19th century, of baluster form, painted in pastel colours with vignettes of cupids playing, doves, musical instruments and garden implements below gilded pendant husks, with gilt brass mounts, caryatid handles and acanthus stems, fixed onto onyx bases with gilt metal scroll feet, 23 1/4" high (Est. plus 21% premium inc. VAT)
Anonymer Portraitist des 18. Jh., Bildnis eines Mannes im Oval, Pastellkreide auf Papier, unsign., ber., 49 x 39 cm, hinter Glas ger. 68 x 57 cmAnonymous portraitist of the 18th century, portrait of a man in an oval, pastel on paper, unsigned, rubbed, 49 x 39 cm, framed behind glass 68 x 57 cm
Friedrich Carl Gröger (1766-1838) Umkreis, wohl Brustbildnis des preußischen Generalfeldmarschalls Gebhard Leberecht von Blücher (1742-1819), mit Orden Pour le Mérite (verliehen 1789) und schwarzer Adlerorden Bruststern (verliehen 1807), Pastellkreide auf Papier (?) über Karton, unsign., 38 x 35 cm, hinter Glas in Berliner Leiste 44,5 x 41,5 cm.Friedrich Carl Gröger (1766-1838) circle, probably bust portrait of the Prussian Field Marshal Gebhard Leberecht von Blücher (1742-1819), with Order Pour le Mérite (awarded 1789) and Black Eagle Order Breast Star (awarded 1807), pastel chalk on paper (?) over cardboard, unsigned, 38 x 35 cm, behind glass in Berlin moulding 44.5 x 41.5 cm.
Isaak Il'ich Levitan (1860-1900), Kopie nach, Herbstlandschaft am Seeufer, Pastellkreide auf festem Papier, auf dem Pp. kyrill. bez. ''nach Levitan'', u. li. signiert und dat. durch den bulgarischen Maler Ivan Tadev (19)89, 24 x 32 cm, hinter Glas u. Pp. ger. 42 x 48 cmIsaak Il'ich Levitan (1860-1900), copy after, autumn landscape at the lakeside, pastel chalk on strong paper, on the passepartout Cyrill. inscribed ''after Levitan'', u. li. signed and dated by the Bulgarian painter Ivan Tadev (19)89, 24 x 32 cm, behind glass u. passepartout framed 42 x 48 cm
Otto Karl Welbers (1930-2009), niederrheinischer Maler, der ab 1987 im ostfriesischen Pilsum arbeitete. ''Morgenstimmung am Niederrhein'', Pastellkreide auf Karton, u. re. mit Bleistift sign. u. dat. (19)83, 36 x 50 cm, hinter Glas ger. 57 x 70 cmOtto Karl Welbers (1930-2009), Lower Rhine painter who worked from 1987 in the East Frisian Pilsum. ''Morgenstimmung am Niederrhein'', pastel chalk on cardboard, u. r. signed and dated in pencil (19)83, 36 x 50 cm, framed behind glass 57 x 70 cm
Lazar Rosenberg (1862-?), Maler aus Kowno in Litauen, ansässig in Berlin. Kleines Mädchen an der Wiege. Pastellkreide auf sandfarbenem Papier, u. re. signiert und datiert ''LRosenberg Holland 1912'', 46 x 61 cm, hinter Glas ger. 60 x 74 cmLazar Rosenberg (1862-?), painter from Kowno in Lithuania, resident in Berlin. Little girl at the cradle. Pastel chalk on sand-colored paper, signed and dated ''LRosenberg Holland 1912'' on the lower right, 46 x 61 cm, framed behind glass 60 x 74 cm.
A. Stagner (?), süddt. Künstler 1. H. 20. Jh., Fischer am Ufer des Chiemsees, Pastellkreide auf Papier über Karton, u. re. undeutlich sign. u. dat. ''A. Stag... (19)42'', 73 x 83 cm, hinter Glas ger. 89 x 99 cmA. Stagner (?), southern artist 1st half 20th century, fisherman on the shore of the Chiemsee, pastel chalk on paper over cardboard, lower right indistinctly signed and dated ''A. Stag... (19)42'', 73 x 83 cm, framed behind glass 89 x 99 cm
Ernst Müller-Gräfe (1879-1954), spielende Geschwisterkinder, Pastellkreide auf Papier, o. li. monogrammiert, o. re. undeutlich bez., 82 x 53 cm, hinter Glas u. Pp. ger. 97 x 68 cmErnst Müller-Gräfe (1879-1954), playing siblings, pastel chalk on paper, monogrammed on the left, indistinctly inscribed on the right, 82 x 53 cm, framed behind glass and mount 97 x 68 cm
Dänischer Bildnismaler um 1820, Portrait des Zollbeamten Hans Peter Grönbeck aus Nordskov (1796-1858), Pastellkreide auf Papier, fleckig, verso auf Etikett bez., 19 x 15 cm, hinter Glas ger. 28 x 24 cmDanish portrait painter c. 1820, portrait of customs official Hans Peter Grönbeck from Nordskov (1796-1858), pastel chalk on paper, stained, inscribed on label verso, 19 x 15 cm, framed behind glass 28 x 24 cm
Albert Stagura (1866-1947), Voralpenlandschaft. Impressionistische Landschaft Staguras, der seit 1904 in Diessen bzw. München ansässig war und zum bedeutendsten Pastellmaler der Münchener Schule wurde. Pastell/Papier oder Karton, u. li. sign. u. dat. 1929, 73 x 81 cm, hinter Glas ger. 78 x 86 cmAlbert Stagura (1866-1947), Alpine foothills landscape. Impressionist landscape of Stagura, who was resident in Diessen and Munich respectively since 1904 and became the most important pastel painter of the Munich School. Pastel / paper or cardboard, signed u. li. and dated 1929, 73 x 81 cm, framed behind glass 78 x 86 cm
Reinhard Hohrmann, Berliner Maler Mitte 20. Jh., Konvolut von ca. 130 Papierarbeiten, abstrakte und vereinzelt gegenständliche Arbeiten in Aquarell, Pastell, Tusche und Bleistift auf versch. Papieren, teils bez., Lagerspuren, bis 42 x 30 cmReinhard Hohrmann, Berlin painter mid-20th century, collection of about 130 works on paper, abstract and occasionally representational works in watercolor, pastel, ink and pencil on versch. Papers, partly inscribed, storage traces, to 42 x 30 cm
Kani Alavi (*1955), persischer Maler, lebt seit 1980 in Berlin, Meisterschüler bei Klaus Fußmann, Blumenstück, Pastellkreide auf Büttenpapier, u. re. sign. u. dat. 2002, 36 x 38 cm, hinter Glas u. Pp. ger. 56 x 59 cmKani Alavi (*1955), Persian painter, lives in Berlin since 1980, master student of Klaus Fußmann, flower piece, pastel chalk on handmade paper, u. r. signed u. dated 2002, 36 x 38 cm, framed behind glass u. Passepartout 56 x 59 cm
Norbert Prangenberg (1949-2012), deutscher Maler, Grafiker, Bildhauer und Glasdesigner aus Nettesheim bei Köln, seit 1993 hatte Prangenberg eine Professur für Keramik und Glasmalerei an der Akademie der Bildenden Künste in München inne. ''Star'', monumentale Arbeit in Aquarell und Pastell auf Lwd., verso handsign. u. bez., sowie dat. 1992, Etikett der Galerie Karsten Greve Köln, 180 x 180 cmNorbert Prangenberg (1949-2012), German painter, graphic artist, sculptor and glass designer from Nettesheim near Cologne, since 1993 Prangenberg held a professorship for ceramics and glass painting at the Academy of Fine Arts in Munich. ''Star'', monumental work in watercolor and pastel on canvas, verso signed and inscribed, as well as dated 1992, label of the gallery Karsten Greve Cologne, 180 x 180 cm
Paco Knöller (*1950), dt. Künstler und ehemaliger Professor an der Hochschule für Künste Bremen. Große Komposition o.T., Ölkreide und Pigment auf Holz, 1991, verso signiert und dat. sowie Etikett der Galerie Karsten Greve Köln, 153 x 107 cmPaco Knöller (*1950), German artist and former professor at the Hochschule für Künste Bremen. Large composition o.T., oil pastel and pigment on wood, 1991, verso signed and dated and label of the gallery Karsten Greve Cologne, 153 x 107 cm
Norbert Prangenberg (1949-2012), deutscher Maler, Grafiker, Bildhauer und Glasdesigner aus Nettesheim bei Köln, seit 1993 hatte Prangenberg eine Professur für Keramik und Glasmalerei an der Akademie der Bildenden Künste in München inne. Große Arbeit in Aquarell und Pastell auf Lwd., verso handsign. u. bez., sowie dat. 1990, Etikett der Galerie Karsten Greve Köln, 130 x 150 cmNorbert Prangenberg (1949-2012), German painter, graphic artist, sculptor and glass designer from Nettesheim near Cologne, since 1993 Prangenberg held a professorship for ceramics and glass painting at the Academy of Fine Arts in Munich. Large work in watercolor and pastel on canvas, verso signed and inscribed, as well as dated 1990, label of the gallery Karsten Greve Cologne, 130 x 150 cm
Tabatiére wohl England um 1710, Schildpatt mit Goldpiqué point, Messingmontierung, passige Grundform mit leicht gewölbtem Scharnierdeckel, rest., 1,7 x 8 x 6 cmTabatiére probably England c. 1710, tortoiseshell with gold piqué point, brass mount, of pastel form with slightly domed hinged lid, restored, 1.7 x 8 x 6 cm
* JOHN AUSTIN-WILLIAMS, KERRY LANDSCAPE I pastel on paper, signed 55cm x 75cm Mounted, framed and under glass Note: John Austin-Williams was born in Kew, Surrey but has lived in Dorset for most of his life - a county for which he feels a great attachment because of the beauty and variety of its landscape. After graduating from university, he studied with Cecil Waller where he gained strict discipline in drawing and the techniques of oil painting. Later his studies took him to the Polish School of Art, London where he studied under Professor Marian Bohusz-Szyszko, and from where he was awarded a distinction. In 1992 he was granted recognition by the Revenue Commissioners, Dublin as having “produced original and creative work - generally recognised as having cultural or artistic merit”. More recently he was listed as one of Dorset’s nationally and internationally recognised artists, being invited to take part in Dorset Art Weeks’ flagship exhibition “Trig Point”. His work is to be found in both public and private collections in the UK and abroad and he has shown widely in solo and group exhibitions both in London and beyond.
Signed and dated 1845, titled on label verso, pastel and coloured chalks.70cm x 49.5cm (27.5in x 19.5in)Condition report: The drawing is in good, original condition with strong colours. The paper has browned universally and there is some foxing across the drawing. The drawing is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.
Signed and dated 1857, oval, pastel.52.5cm x 42.5cm (20.75in x 16.75in)Condition report: The drawing is in fair, original condition. The paper has browned universally across the sheet and there are some minor spots of foxing across the drawing. The painting is ornately framed and glazed. The frame has numerous knocks and losses.
C. AD 618-907. Tang Dynasty. Two full-figured court attendant terracottas. Both of these court attendant ladies are posed with both hands held up in front of the torso, one bare and one covered by a long sleeve. Both figures figure are presented wearing a long vest, tied to the waist, and an under layer with long sleeves. Each lady is highly detailed with her robes picked out in pastel tones, her upturned shoes a deep black and her hair arranged in an elaborate double bun updo. Court attendants served an inportant role in the management of the imperial palace’s private quarters. During the Tang period service as a court attendant conveyed high status to the women who had served and increased their marriage prospects. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Good condition.Size: L:Set of 2: 490mm / W:190mm ; 7.25kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
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46298 item(s)/page