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FOUR DOULTON LAMBETH 'CROWN' POTTERY VASES, comprising pair pear shaped vases, 29cms h, and two trumpet vases with wavy rims on pierced bases,21cms h, all painted with summer flowers in pastel shades, printed marks (4)Provenance: collection of the late Dr Ronald Austin of SwanseaComments: wavy rim vases restored rims.
George Browning (19th Century)Head and shoulders portrait of gentleman, in blue silk bow tieHead and shoulders portrait of a ladyIndistinctly signed in pencil, pencil and pastel, 39.5cm by 30cm; together with a British School portrait of Mrs H. Douglas Boswell, crayon, labelled verso, 60cm by 48cm (3) (oval)
A set of 6 plates of the Georgian design which features a magenta border and pink roses throughout the plates and 1 covered dish with the melody design which is painted green and is decorated with different pastel flowers. Shelley backstamp. Manufacturer: ShelleyCountry of Origin: EnglandCondition: Age related wear. Covered Dish has a chip on the lid.
Elegant dinnerware set with pastel flowers and blue scrolls framed with gold: 7 cups with matching saucers, 7 large plates, 6 small salad plates, and 5 bread plates. Minton backstamp. Largest piece measures 0.75"H x 10.5"dia. Issued: 20th CenturyManufacturer: MintonCountry of Origin: EnglandCondition: Age related wear.
JEAN-CHARLES BLAIS (Né en 1956)« Gardien de nuit » 1982 Signé, titré et daté nov 82 ; signé, daté et titré au dosFusain, pastel et gouache sur papierH: 41,7cm.(16 7/16in.); L: 29,8cm.(11 3/4 in.).A charcoal, pastel and gouache on paper « Gardien de nuit » by Jean-Charles Blais, signed and dated 1982.Footnotes:Provenance : Galerie Yvon Lambert, Paris Vente : Artcurial, Paris, Art Abstrait et Contemporain, 26 mars 2013, lot 356 Collection particulière, Bruxelles (acquis lors de la vente précitée)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
HERVÉ DI ROSA (Né en 1959)« Invasion » 1981 Signé et daté 81 Pastel, collage et acrylique sur cartonH: 123cm.(48 7/16in.); L: 82,8cm.(32 5/16in.)L'authenticité de cette Å“uvre nous a été aimablement confirmée par l'artiste. Un certificat de la galerie AD, Montpellier et signé par l'artiste sera par ailleurs remis à l'acquéreur. A mixed media on cardboard « Invasion » by Hervé di Rosa, signed and dated 81.Footnotes:Provenance :Galerie AD, Montpellier Collection Particulière, FranceFonds de la Holly Solomon Gallery – New York CityVente : Bonhams & Butterfields, Los Angeles, The Estate of Holly Solomon 6 novembre 2005, lot 710Acquis dans cette vente par le propriétaire actuelExposition :Musée Paul Valéry, Sète, La Figuration Libre – Historique d'une aventure, sans pagination, 2015, reproduit en couleurs au catalogue d'expositionThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Flora Lion (1876 - 1958), portrait of a woman with an infant, pastel/charcoal on brown paper, signed and dated '05, 40cm x 30cm, framedGood original condition, the spot in the background to the right of the woman's head appears to be an ink splash rather than a fox mark, no paper damage, original frame
An assorted collection of contemporary Lola Rose London stone jewellery. The lot consisting of three statement necklaces in purple white, clear and pastel tone semi precious stones such as agate, rutilated inclusions, quartz, mottled stones and more. Total weight approx 756g. Largest measures approx 70cm. All in pink suede style material pouches with gold tone button, some having authenticity booklet for Lola Rose London by Nikki Gewirtz.
Sophie Ryder (British, born 1963)Lady-Hare with Dog signed and dated 'Ryder 98' (lower left)pastel and charcoal on paper laid on card120.6 x 77 cm. (47 1/2 x 30 1/4 in.)Footnotes:ProvenanceThe Artist, from whom acquired by the present ownerPrivate Collection, U.K.We are grateful to the Artist for her assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Winifred Nicholson (British, 1893-1981)Wild Flowers, Greece pastel and watercolour29.5 x 41 cm. (11 5/8 x 16 1/8 in.)Footnotes:ProvenanceThe Artist, from whom acquired directly by the family of the present ownerPrivate Collection, U.K.We are grateful to Jovan Nicholson for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Gillian Ayres C.B.E., R.A. (British, 1930-2018)Untitled signed and dated 'Gillian Ayres 87' (lower centre)pastel and gouache77.9 x 51.8 cm. (30 5/8 x 20 3/8 in.)Footnotes:ProvenanceThe Artist, by whom gifted to the present ownerPrivate Collection, U.K.The present work depicts a bird's eye view of the garden of Shirley Conran in the south of France, a life-long friend of Gillian Ayres.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Margaret Mellis (British, 1914-2009)Margot's Red Lilies signed, titled and stamped with estate stamp 'Margaret Mellis/Margots Red Lillys' [sic.] (on mount reverse)pastel and crayon on an envelope24.6 x 37.7 cm. (9 5/8 x 14 3/4 in.)Executed in 1989Footnotes:ProvenanceThe Artist, thence by descent to the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Eileen Agar (British, 1899-1991)Sunburst titled and dated 'SUNBURST/1950's.' (verso)gouache, oil pastel and pencil on inside of book cover40 x 28.7 cm. (15 3/4 x 11 1/4 in.)Footnotes:ProvenanceSale; Sotheby's, London, 22 July 1987, lot 357Sale; Sotheby's, Olympia, 19 May 2004, lot 306, where acquired by the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ann Forbes (1745–1834) Portrait of a lady believed to be Elizabeth, Duchess of Hamilton (1733-1790) bust length in blue with a black lace shawl pastel on paper53.5 x 42cmProvenance:F. A. H. Pitman by 1957,by whom given to Sir Christopher ChancellorThe sitter, born Elizabeth Gunning, a celebrated society beauty from Ireland, married as his first wife James, 6th Duke of Hamilton and 3rd Duke of Brandon who commissioned, to celebrate this marriage, a magnificent portrait of his wife by Gavin Hamilton (now in the National Portrait Gallery, Scotland). When Gavin Hamilton was in Rome, Ann Forbes is known to have studied with him from 1768. An oil portrait by her of the present sitter's daughter, Lady Elizabeth Hamilton, Countess of Derby (1753-1797) was sold at Christie's, London on 4th June 2019, lot 54 for £50,000. It is presumed on her return to England in 1772 that Ann Forbes, having painted Lady Elizabeth in Rome in 1771 (see above) then portrayed her mother in pastel.Framed 63 x 52cm
Ann Forbes (1745-1834) Self Portrait with a portfolio and porte-crayon pastel on paper 52.5 x 41cm Provenance: F. A. H. Pitman by 1957, By whom given to Sir Christopher Chancellor Literature: Neil Jeffares, Dictionary of Pastellists before 1800, online edition 2008, no. J.3196.101 Ann Forbes was born in Inveresk, East Lothian, the daughter of Hew Forbes, Principal Clerk of Session in Edinburgh from 1744, and his wife Margaret, daughter of the Scottish portraitist, William Aikman (1682-1731). One of her uncles was General John Forbes (1707-1759) who led the attack on Fort Duquesne in 1758 during the French and Indian War (1754-1763). She worked in both oil and pastel as a portraitist and copyist, but only a handful of her pastel portraits are recorded. A family friend, Robert Chalmers (1727-1802) who was a Comptroller-General, initially recognised her talent in drawing in crayon and arranged for her to receive a stipend of £200 a year for three years. Ann subsequently left for Rome where she is known to have trained with Gavin Hamilton (1723-1798) and James Nevay (c.1730 - after 1811) from 1768. She had great ambition to become a renowned and sought-after portraitist and whilst in Rome, she increasingly turned to oils. Amongst her clients in Rome was Sir William Hamilton (1730-1803) who asked her to copy a portrait of George III. She returned to London due to poor health and exhibited four paintings at the Royal Academy in 1772, two of which were engraved by John Raphael Smith, including one of Lord Polwarth in van Dyck costume. Soon after, Ann retired to Edinburgh where she made a living as a drawing teacher and portraitist. A painting of her holding a portfolio and porte-crayon by David Allen (1744-1796) is in the Scottish National Portrait Gallery. Scattered spotting, some minor abrasions, possibly some bloom. There appears to be some skinning to the paper in the sitter's face and in her left shoulder. Staining under the portfolio. There appears to be some minor paper debris to the reverse which can be observed from the front. Surface dirt under glass. Not examined out of frame. Framed 59.5 x 48cm
An off-white cup and saucer with pastel orange and blue floral designs and iridescent orange border. Copeland Spode backstamp. Dimensions of the cup: 3"L x 2.25"W x 2.25"H. Dimensions of the saucer: 0.25"H x 4.75" dia. Manufacturer: Copeland SpodeCountry of Origin: EnglandCondition: Age related wear.
David Howe (British, 20th Century) Divided Circle, abstract Signed D Howe, oil on canvas, 75cm x 105cm. David Howe was born in Rothbury, Northumberland. He grew up in the mining town of Ashington. Formerly an art teacher, he now pursues an art career. He often paints in rich, pastel colours. He has exhibited mainly in the north east of England and other parts of the country, including London.
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46298 item(s)/page