Mokkaservice "Mandelbäumchen". Meissen. Schwertermarke, Jahreszeichen 1980er Jahre, 1. Wahl, Dekor Nr. 1486.b/700110. Polychrom bemalt, goldstaffiert. 22 Teile. Form "Großer Ausschnitt". Mokkakanne (H 19,5 cm), Sahnegießer, Zuckerschale, 6 Mokkatassen, 6 Untertassen und 7 Kuchenteller. Der Dekor "Mandelbäumchen", eine landschaftliche Idylle, wurde speziell für die Serviceform "Großer Ausschnitt" ca. 1975 geschaffen. Dem Künstler Heinz Werner gelingt es, Form und Dekor auf unvergleichliche Art in harmonischen Einklang zu bringen. Er gehört in seiner zurückhaltenden Farbgebung, der feinen, pastelligen und luftigen Ausführung zu den "leisen" Dekoren moderner Meissener Kunstfertigkeit. "Mandelbäumchen" steht nicht zuletzt in der Tradition, europäisches und asiatisches Naturempfinden zu verschmelzen: ein einzigartiger Glanzpunkt Meissener Tafelkultur. (vgl. Meissener Konturen 1960 - 1990, S. 88f und S. 256 f). Aufrufzeit 27. | Okt 2023 | voraussichtlich 19:54 Uhr (CET)Mocha service "Almond Tree". Meissen. Sword mark, year mark 1980s, 1st choice, decor no. 1486.b/700110. Polychrome painted, gold trim. 22 pieces. Shape "Large cutout". Mocha pot (h 19.5 cm), cream jug, sugar bowl, 6 demitasse cups, 6 saucers and 7 cake plates. The decor "Mandelbäumchen", a scenic idyll, was created especially for the service form "Großer Ausschnitt" ca. 1975. The artist Heinz Werner succeeds in bringing form and decor in harmony in an incomparable way. With its restrained color scheme, fine, pastel and airy finish, it is one of the "quiet" decorations of modern Meissen craftsmanship. "Almond Tree" is not least in the tradition of merging European and Asian sensibilities of nature: a unique highlight of Meissen table culture. (cf. Meissen Contours 1960 - 1990, p. 88f and p. 256 f). Call time 27 | Oct 2023 | expected 19:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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Porträtmaler: Bildnis eines jungen MannesPastell. Unsigniert, verso Wappen des Geschlechts Kratzsch. Um 1820/30. 61 x 48 cm. Gerahmt : 73 x 59 cm. Porträt des Mannes im schwarzen Gehrock vor wolkigem Himmel. Ein kleiner Riss am Rand. Aufrufzeit 28. | Okt 2023 | voraussichtlich 11:56 Uhr (CET) Portrait painter: Portrait of a young manPastel. Unsigned, verso coat of arms of the Kratzsch family. Circa 1820/30. 61 x 48 cm. Framed : 73 x 59 cm. Portrait of man in black frock coat against cloudy sky. A small tear at the edge. Call time 28th | Oct 2023 | expected 11:56 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HENNIG, Carl(* 1806 Dresden) Ovales GeschwisterbildnisMischtechnik aus Gouache und Pastell. Rechts unten signiert. 1849. Passepartoutausschnitt 35,5 x 30,5 cm. Gerahmt & hinter Glas : 49 x 43,5 cm. Die vier Schwestern im Garten an einem Tischchen mit Obst. Ein kleiner Knick. Porträt- und Landschaftsmaler, studierte in Dresden. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 11:57 Uhr (CET) HENNIG, Carl(* 1806 Dresden) Oval sibling portraitMixed media of gouache and pastel. Signed lower right. 1849. Passepartout cutout 35.5 x 30.5 cm. Framed & behind glass : 49 x 43.5 cm. The four sisters in the garden at a small table with fruit. A small bend. Portrait and landscape painter, studied in Dresden. Literature : Thieme/Becker. Call time 28th | Oct 2023 | probably 11:57 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Porträtmaler: FrauenbildnisPastell. Unsigniert. 20. Jh. 31 x 23 cm. Gerahmt & hinter Glas : 38,5 x 30,5 cm. Porträt einer jungen Frau in der Mode des späten 18. Jahrhunderts mit grauer Perücke. Aufrufzeit 28. | Okt 2023 | voraussichtlich 12:01 Uhr (CET) Portrait Painter: Portrait of a WomanPastel. Unsigned. 20th c. 31 x 23 cm. Framed & behind glass : 38.5 x 30.5 cm. Portrait of a young woman in late 18th century fashion with gray wig. Call time 28th | Oct 2023 | expected 12:01 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Undeutlich signiert: MädchenbildnisPastell. Rechts unten undeutlich signiert. 1900-1910. Passepartoutausschnitt 37 x 28 cm. Gerahmt & hinter Glas : 53 x 43 cm. Nachdenklich nach unten blickendes Kind in rosafarbener Kleidung. Ein Knick. Aufrufzeit 28. | Okt 2023 | voraussichtlich 12:39 Uhr (CET) Indistinctly signed: Portrait of a girlPastel. Indistinctly signed lower right. 1900-1910. Passepartout cutout 37 x 28 cm. Framed & behind glass : 53 x 43 cm. Pensive downward looking child in pink clothes. A crease. Call time 28th | Oct 2023 | expected 12:39 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
AHNER, Alfred(1890 Wintersdorf - 1973 Weimar) Bauern bei der Rast mit PferdenPastell. Rechts unten signiert. 1920. Passepartoutausschnitt 38 x 48 cm. Gerahmt & hinter Glas : 58 x 67 cm. Schemenhaft erkennbare Personen und Pferde auf einer Lichtung. Deutscher Maler, ansässig in Weimar. Ausbildung zum Lithografen in Gera. Bekannt mit Otto Dix und Kurt Günther. Studierte später an den Akademien in München und Stuttgart. Vertreten u.a. im Lindenau-Museum Altenburg sowie im Angermuseum Erfurt. Literatur : Vollmer. Aufrufzeit 28. | Okt 2023 | voraussichtlich 13:59 Uhr (CET) AHNER, Alfred(1890 Wintersdorf - 1973 Weimar) Farmers at rest with horsesPastel. Signed lower right. 1920. Passepartout cut 38 x 48 cm. Framed & behind glass : 58 x 67 cm. Shadowy recognizable people and horses in a clearing. German painter, based in Weimar. Trained as a lithographer in Gera. Known with Otto Dix and Kurt Günther. Later studied at the academies in Munich and Stuttgart. Represented in the Lindenau Museum Altenburg and the Angermuseum Erfurt, among others. Literature : Vollmer. Call time 28 | Oct 2023 | expected 13:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HUTH, Franz(1876 Pößneck - 1970 Weimar) BlumenstilllebenPastell. Links unten signiert. (19)49. 51 x 41,5 cm. Gerahmt & hinter Glas : 59 x 51 cm. Großer Strauß mit verschiedenen Blumen neben Porzellantasse. Nadellöcher in den Ecken. Maler und Professor in Heidelberg und Weimar, Lehre als Porzellan- und Glasmaler, Studium an der Kunstgewerbeschule Dresden, seit 1922 in Weimar tätig. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:04 Uhr (CET) HUTH, Franz(1876 Pößneck - 1970 Weimar) Still life of flowersPastel. Signed lower left. (19)49. 51 x 41.5 cm. Framed & behind glass : 59 x 51 cm. Large bouquet with various flowers next to porcelain cup. Pinholes in the corners. Painter and professor in Heidelberg and Weimar, apprenticeship as a porcelain and glass painter, studied at the Dresden School of Applied Arts, active in Weimar since 1922. Literature : Thieme/Becker. Call time 28 | Oct 2023 | probably 15:04 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HUTH, Franz(1876 Pößneck - 1970 Weimar) InterieurPastell. Links unten signiert. (18)61. Passepartoutausschnitt 38 x 32 cm. Gerahmt : 71 x 61 cm. Stube mit Armlehnstuhl und Aufsatzvitrine an einem hohen Fenster. Ein kleines Loch. Maler und Professor in Heidelberg und Weimar, Lehre als Porzellan- und Glasmaler, Studium an der Kunstgewerbeschule Dresden, seit 1922 in Weimar tätig. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:06 Uhr (CET) HUTH, Franz(1876 Pößneck - 1970 Weimar) InteriorPastel. Signed lower left. (18)61. Passepartout cut 38 x 32 cm. Framed : 71 x 61 cm. Parlor with armchair and attachment showcase at a high window. A small hole. Painter and professor in Heidelberg and Weimar, apprenticeship as a porcelain and glass painter, studied at the Dresden School of Applied Arts, active in Weimar since 1922. Literature : Thieme/Becker. Call time 28 | Oct 2023 | expected 15:06 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HUTH, Franz(1876 Pößneck - 1970 Weimar) "Ordenskirche in Bayreuth"Pastell. Rechts unten signiert, links unten betitelt. 68 x 53 cm. Gerahmt & hinter Glas : 74 x 59 cm. Blick vom Mittelgang zum Altar vorbei an goldenem Kronleuchter und einfallendem Licht. Nadellöcher in den Ecken. Maler und Professor in Heidelberg und Weimar, Lehre als Porzellan- und Glasmaler, Studium an der Kunstgewerbeschule Dresden, seit 1922 in Weimar tätig. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:06 Uhr (CET) HUTH, Franz(1876 Pößneck - 1970 Weimar) "Order Church in Bayreuth"Pastel. Signed lower right, titled lower left. 68 x 53 cm. Framed & behind glass : 74 x 59 cm. View from the center aisle to the altar past golden chandelier and incident light. Needle holes in the corners. Painter and professor in Heidelberg and Weimar, apprenticeship as a porcelain and glass painter, studied at the Dresden School of Applied Arts, active in Weimar since 1922. Literature : Thieme/Becker. Call time 28 | Oct 2023 | expected 15:06 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HUTH, Franz(1876 Pößneck - 1970 Weimar) Stadtansicht mit KastaniePastell. Rechts unten signiert. Passepartoutausschnitt 23,5 x 33 cm. Gerahmt & hinter Glas : 36 x 45,5 cm. Wenige Personen auf dem Platz im Sonnenschein nahe dem Baum. Kleine Nadellöcher in den Ecken. Maler und Professor in Heidelberg und Weimar, Lehre als Porzellan- und Glasmaler, Studium an der Kunstgewerbeschule Dresden, seit 1922 in Weimar tätig. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:07 Uhr (CET) HUTH, Franz(1876 Pößneck - 1970 Weimar) City View with ChestnutPastel. Signed lower right. Passepartout cut 23.5 x 33 cm. Framed & behind glass : 36 x 45.5 cm. Few people on the square in the sunshine near the tree. Small pinholes in the corners. Painter and professor in Heidelberg and Weimar, apprenticeship as a porcelain and glass painter, studied at the Dresden School of Applied Arts, active in Weimar since 1922. Literature : Thieme/Becker. Call time 28 | Oct 2023 | expected 15:07 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HUTH, Franz(1876 Pößneck - 1970 Weimar) Efeu bewachsener SchlosshofPastell. Links unten signiert. Passepartoutausschnitt 29 x 21,5 cm. Gerahmt & hinter Glas : 44,5 x 36 cm. Innenhof mit Treppenturm im Sonnenschein unter blauem Himmel. Zwei kleine Risse am unteren linken Rand. Maler und Professor in Heidelberg und Weimar, Lehre als Porzellan- und Glasmaler, Studium an der Kunstgewerbeschule Dresden, seit 1922 in Weimar tätig. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:07 Uhr (CET) HUTH, Franz(1876 Pößneck - 1970 Weimar) Ivy-covered castle courtyardPastel. Signed lower left. Passepartout cut 29 x 21.5 cm. Framed & behind glass : 44.5 x 36 cm. Courtyard with stair tower in the sunshine under a blue sky. Two small tears at the lower left edge. Painter and professor in Heidelberg and Weimar, apprenticeship as a porcelain and glass painter, studied at the Dresden School of Applied Arts, active in Weimar since 1922. Literature : Thieme/Becker. Call time 28 | Oct 2023 | expected 15:07 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HAGEMEISTER, Karl(1848 Werder a.d. Havel - 1933) "Seeufer"Pastell. Links unten signiert. Um 1900. Passepartoutausschnitt 60 x 94 cm. Gerahmt & hinter Glas : 95 x 127 cm. Hohes Gras und Schilf vor dem spiegelnden Wasser unter blauem Himmel. Anbei Expertise von Dr. Wieland Barthelmess, Galerie Tableau Berlin, von 1988. Deutscher Maler, Schüler von Friedrich Preller d.Ä. in Weimar. Reiste mit Trübner und Schuch nach Holland und Italien. Später ansässig in Ferch am Schwielowsee. Machte später Bekanntschaft mit Manet und anderen Impressionisten in Paris. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:37 Uhr (CET) HAGEMEISTER, Karl(1848 Werder a.d. Havel - 1933) "Lakeside"Pastel. Signed lower left. Circa 1900. Passepartout cut 60 x 94 cm. Framed & behind glass : 95 x 127 cm. High grass and reeds before the reflecting water under blue sky. Enclosed expertise of Dr. Wieland Barthelmess, Gallery Tableau Berlin, from 1988. German painter, student of Friedrich Preller the Elder in Weimar. Traveled with Trübner and Schuch to Holland and Italy. Later settled in Ferch on the Schwielowsee. Later made acquaintance with Manet and other Impressionists in Paris. Literature : Thieme/Becker. Call time 28 | Oct 2023 | probably 15:37 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KÜGELE, Felix(* 1886) WaldstückPastell. Unsigniert, verso bezeichnet. Passepartoutausschnitt 47 x 33 cm. Gerahmt & hinter Glas : 73,5 x 58 cm. Waldinneres mit einfallendem Sonnenlicht auf einem Hügel mit dicht stehenden Tannen. Nadellöcher in einer Ecke. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:39 Uhr (CET) KÜGELE, Felix(* 1886) WaldstückPastel. Unsigned, inscribed on verso. Passepartout cut 47 x 33 cm. Framed & behind glass : 73.5 x 58 cm. Interior forest with incident sunlight on a hill with densely standing firs. Needle holes in one corner. Call time 28th | Oct 2023 | expected 15:39 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
NEROSLOW, Alexander(1891 St. Petersburg - 1971 Leipzig) Gehöft im WinterPastell. Rechts unten monogrammiert, verso Nachlass-Stempel des Künstlers. Passepartoutausschnitt. Gerahmt & hinter Glas : 62 x 82 cm. Bauer mit Pferd auf dem Weg zum Hof an einem Winterabend. Deutsch-russischer Maler, studierte Architektur in Dresden, später Werkstudent bei Arthur Lewin-Funcke, dort unter anderem auch unter Lovis Corinth. Danach Schüler von Edmund Kesting. Engagierte sich gegen die Nationalsozialisten und kam von 1942 bis 1945 als politischer Gefangener ins Zuchthaus Waldheim. Nach 1945 als freischaffender Künstler tätig, daneben auch in Leipzig als Lehrer an der Hochschule für Grafik und Buchkunst tätig. Literatur : Vollmer. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:47 Uhr (CET) NEROSLOW, Alexander(1891 St. Petersburg - 1971 Leipzig) Farmstead in WinterPastel. Monogrammed lower right, verso estate stamp of the artist. Passepartout cutout. Framed & behind glass : 62 x 82 cm. Farmer with horse on the way to the farm on a winter evening. German-Russian painter, studied architecture in Dresden, later working student of Arthur Lewin-Funcke, there among others also under Lovis Corinth. Afterwards student of Edmund Kesting. Was active against the National Socialists and was a political prisoner in the Waldheim penitentiary from 1942 to 1945. After 1945, active as a freelance artist, besides also in Leipzig as a teacher at the Academy of Visual Arts. Literature : Vollmer. Call time 28 | Oct 2023 | expected 15:47 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BÜCHSEL, Elisabeth(1867 Stralsund - 1957 ebd.) Mädchen mit BlumenPastell. Rechts signiert. 49 x 50 cm. Gerahmt : 59 x 60 cm. Porträt eines Kindes mit Blumenstrauß vor neutralem Hintergrund. Kleiner Riss am Rand. Malerin in Stralsund und auf Hiddensee, studierte in Berlin bei Flickel und Leistikow sowie in Dresden, Paris bei Simon und in München bei Landenberger. Literatur : Vollmer. Aufrufzeit 28. | Okt 2023 | voraussichtlich 16:30 Uhr (CET) BÜCHSEL, Elisabeth(1867 Stralsund - 1957 ibid.) Girl with FlowersPastel. Signed on the right. 49 x 50 cm. Framed : 59 x 60 cm. Portrait of a child with bouquet of flowers against a neutral background. Small tear at the edge. Painter in Stralsund and on Hiddensee, studied in Berlin with Flickel and Leistikow and in Dresden, Paris with Simon and in Munich with Landenberger. Literature : Vollmer. Call time 28 | Oct 2023 | expected 16:30 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KÖTSCHAU, Georg(1889 Magdeburg - 1976) Thüringer Landschaft mit Blick auf JenaPastell. Rechts unten signiert. (19)45. 58 x 46 cm. Gerahmt & hinter Glas : 61 x 49 cm. Flussbiegung an einem Hang mit dahinter liegender Ortschaft. Maler in Jena. Literatur : Vollmer. Aufrufzeit 28. | Okt 2023 | voraussichtlich 17:21 Uhr (CET) KÖTSCHAU, Georg(1889 Magdeburg - 1976) Thuringian landscape with a view of JenaPastel. Signed lower right. (19)45. 58 x 46 cm. Framed & behind glass : 61 x 49 cm. River bend on a slope with village. Painter in Jena. Literature : Vollmer. Call time 28th | Oct 2023 | expected 17:21 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SCHMIDT-FRANKEN, Maria(1888 Nürnberg - 1967 Ilfeld) "Dammschenke in Hildesheim"Pastell. Rechts unten signiert, verso signiert/betitelt. 55 x 32 cm. Gerahmt & hinter Glas : 59 x 36 cm. Stadtszene mit Fachwerkhäusern und Staffagefiguren. Deutscher Malerin und Grafikerin, wuchs in München auf und studierte dort. Später ansässig in Nordhausen, wo sie eine eigene, private Kunstschule eröffnete. War ebenso tätig in Hamburg, der Lüneburger Heide oder im Harz. Literatur : https://nordhausen-wiki.de/wiki/Maria_Schmidt-Franken. Aufrufzeit 28. | Okt 2023 | voraussichtlich 17:36 Uhr (CET) SCHMIDT-FRANKEN, Maria(1888 Nuremberg - 1967 Ilfeld) "Dammschenke in Hildesheim"Pastel. Signed lower right, signed/titled on verso. 55 x 32 cm. Framed & behind glass : 59 x 36 cm. City scene with half-timbered houses and staffage figures. German painter and graphic artist, grew up in Munich and studied there. Later based in Nordhausen, where she opened her own private art school. Was equally active in Hamburg, the Lüneburg Heath or the Harz Mountains. Literature : https://nordhausen-wiki.de/wiki/Maria_Schmidt-Franken. Call time 28 | Oct 2023 | expected 17:36 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
VOIGT, Bruno(1912 Gotha - 1988 Ost-Berlin) Drei Frauen zusammen stehendPastell. Rechts oben monogrammiert mit Ortsangabe "Fleury sur Orne". (19)47. 59 x 42 cm. Knicke an einer Ecke. Deutscher Maler, Grafiker und Museumsdirektor, studierte in Weimar bei Klemm. Im Dritten Reich wurde seine Kunst als "entartet" eingestuft. 1951 war er Museumsdirektor der Staatlichen Museen in Gotha, ab 1954 Direktor der Ostasiatischen Sammlung der Staatlichen Museen zu Berlin. Literatur : Eisold. Aufrufzeit 28. | Okt 2023 | voraussichtlich 20:02 Uhr (CET) VOIGT, Bruno(1912 Gotha - 1988 East Berlin) Three women standing togetherPastel. Monogrammed in the upper right corner with place "Fleury sur Orne". (19)47. 59 x 42 cm. Kinks at one corner. German painter, graphic artist and museum director, studied in Weimar with Klemm. In the Third Reich his art was classified as "degenerate". In 1951 he was museum director of the State Museums in Gotha, from 1954 director of the East Asian Collection of the State Museums in Berlin. Literature : Eisold. Call time 28 | Oct 2023 | expected 20:02 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
†ADHAM WANLY (EGYPTIAN 1908-1959) NUBIANS READING THE NEWSPAPERsigned W. lower leftcharcoal and crayon on paper14.5 x 21cm; 5 3/4 x 8 1/4in27 x 34cm; 10 1/2 x 13 1/2in (framed)together with a pastel drawing of Felouk on the Nile by the same artist(2)ProvenanceCollection of Dr Mohammed Said FarsiThence by descent
RHYS BROWN, DEBUT ALBUM ink and oil pastel on card album cover, signed verso31cm x 31cm Rhys Brown b:1993 is a young Urban Contemporary artist who produces work from pre loved soft toys. Nostalgia is very prominent within Rhys’ work as he captures characters and memories from his childhood within his relief print paintings. Instagram: rhysmbrown
TESS HOARE, CROC pastel, charcoal and spray paint on album cover, signed, along with Croc Plate, stainless steel platter with welded Croc using nuts, bolts, bike chain and found metal, stamped to tail31cm x 31cm Tess Hoare is a UK based artist who creates welded sculpture from unused and found metal as well as pieces in mixed media. Instagram: artess1974
SKUBALISTO, MADE IN THE LIGHT mixed media on paper, signed and datedimage size 35cm x 50.5cm Skumbuzo Vabaza professionally known as Skubalisto was born in Harare, Zimbabwe (1987) where his parents spent their twenties in political exile. He is a respected Cape Town-based, South African artist. The painter, muralist and portraitist is active and engaged in social and cultural awareness raising in his country and community. His work addresses pertinent issues around social justice, identity and belonging. He is particularly passionate and vocal about young people ​on the African continent ​and their futures. Having completed his studies in visual and fine art he has over the last ten years built an acumen and practice that is distinctive and exciting. The artist’s preferred mediums for creating his work range from spray paint, acrylic, oil pastel, charcoal to ink. Instagram: skubalisto
λ CHRISTO (AMERICAN/BULGARIAN 1935-2020) OVER THE RIVER, PROJECT FOR ARKANSAS RIVER, STATE OF COLORADO Pencil, charcoal, wax crayon and pastel Signed and dated 2010 (verso) 35 x 38.5cm (13¾ x 15¼ in.)Provenance: Acquired directly from the artist by the present owner in January 2012 Lots 177 and 178 relate to the Over the River project, an example of the kind of large scale, environmental installation synonymous with Christo and Jeanne-Claude. The project was to be constructed along a 42 mile stretch of the Arkansas River between Salida and Canon City to the east of the Rocky Mountains in south-central Colorado. The concept was to suspend multiple fabric panels high above the river creating a continuous impression of silvery, translucent material billowing over the water. The original inspiration for the design came in 1985 when Christo and Jeanne-Claude were working on one of their most iconic projects, the wrapping of the Pont Neuf in Paris. One of the fabric panels was suspended above the Seine as it was moved into place, planting the seed of inspiration in the artists' minds for Over the River. The search for an appropriate site began in 1992, with the artists prospecting eighty-nine rivers across seven states before narrowing the search down to six possible locations. In 1996, Arkansas River was chosen as the best site, its high banks allowing for the greatest elevation. By 2011, Christo had received all the necessary federal and local government permits, however, public reaction to the project was divided and a local campaign group launched lawsuit opposing the work on environmental grounds. The ensuing legal battle waged for five years without resolution. Tiring of the battle, Christo decided to devote his energies to other projects and this truly monumental feat of artistic and logistical endeavour was never realised.
λ JOHN SKEAPING (BRITISH 1901-1980) TRAVELLER FEEDING HIS HORSE Watercolour, ink and pastel Signed and dated 36 (lower right) 32.5 x 38cm (12¾ x 14¾ in.)Provenance: The Canon Gallery, Petworth Condition Report: Executed on cream wove paper. There are a couple of very faint spots of foxing to the background upper right and lower right. Otherwise, appears to be in good original condition. Under glass and unexamined out of frame.Condition Report Disclaimer
Robert Sonneman Style 1980s Table Lamp, 61cm including shade A playful table lamp in pastel hues, very much in the manner of Robert Sonneman’s work for George Kovacs, and imported from France in the 1980s. From the base of this lamp - hammered glass moulded into a spiral - protrudes a brass rod, adorned with hand-blown pink glass details. Atop the lamp sits a folded acrylic conical shade, with organic wavy edges. This is held in place by three acrylic ball studs. This Memphis-inspired lamp is currently wired for an EU plug, but we can change this depending on the buyers location. French Period 1980 - 1989 (Apt 10)
John Graham (1927–2021)Skanör Beach Huts,1983; Hill Town in Provence,1993,pastel, watercolour gouache, signed and dated, 25 x 25cm and 22 x 22cm (2)John Graham Collection,162 and 450.Provenance: The Estate of John Graham (1927-2021), Harlow.Condition ReportFramed, with labels to the backs.
DARIO CATERINA (born 1955)Mère et enfant, nativité 1985Signé en bas à gauche Fusain, tempera et pastel sur papierGetekend linksonderHoutskool, tempera en pastel op papierSigned lower leftCharcoal, tempera and pastel on paper180 x 150 cm'Footnotes:Provenance/herkomstGalerie Fred Lanzenberg, BruxellesThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
FERNAND KHNOPFF (1858-1921)Fore Aeternum, Futur 1909Monogrammé, titré en bas au centrePastel et crayon de couleur sur papier Gemonogrammeerd, getiteld middenonderPastel en kleur op papier Monogrammed, titled lower centrePastel and coloured pencil on paper28 x 28 cmFootnotes:Provenance / HerkomstAdolphe Stoclet Collection, acquired in the early 20th century Ce tableau est inscrit dans les archives de Fernand Khnoppf sous le numéro d'inventaire au catalogue raisonné 464 bis. L'authenticité a été confirmée par Madame Gisèle Ollinger-Zinque. Reconnu à juste titre comme le représentant le plus subtil, le plus raffiné mais aussi le plus ambigu et le plus mystique de l'esprit symboliste qui fleurit dans les milieux littéraires et artistiques en Belgique à la fin du XIXème siècle, Fernand Khnopff est à lui seul une énigme. A la fois peintre, dessinateur, sculpteur, et graveur, il pratique également la photographie, réalise des costumes et des décors pour le Théâtre de la Monnaie, et s'adonne à l'illustration de livres et à la création d'ex-Libris. Metteur en scène de sa propre œuvre, il conçoit à Bruxelles une maison-atelier, comme un sanctuaire voué à son ego, « un temple du moi » dans lequel il trouve un refuge au bruissement du monde extérieur. Car ce touche-à-tout est un solitaire, méfiant et peu expansif, un Narcisse qui s'est construit avec soin son propre mythe, imposant une certaine lecture de lui-même. Né en 1858 dans un milieu bourgeois, Fernand Khnopff passe sa petite enfance à Bruges. L'atmosphère de la ville le marque profondément et lui inspire quelques très belles vues de la cité, mélancoliques et silencieuses, vidées de toute présence humaine. La famille déménage en 1865 à Bruxelles où son père est nommé Substitut du Procureur du Roi. Après une année de droit à l'université, le jeune Fernand s'oriente vers une carrière artistique et suit des cours auprès de Xavier Mellery. Il parfait ensuite son apprentissage à Paris à l'Académie libre de Jules Lefèbvre, auprès de Gustave Moreau, et à l'atelier Julian. Pétri de littérature, Fernand Khnopff se nourrit d'elle : Flaubert, Rodenbach, Grégoire Leroy lui inspirent, entre autres, des univers intimes et intérieurs dont son art porte les stigmates. Il se lie à la bohême littéraire belge qui se regroupe autour de la revue et du mouvement « Jeune Belgique » et participe au groupe artistique des XX dont il est un membre fondateur. Proche des Préraphaélites anglais dont il partage le goût pour un art sincère et nostalgique, il prend part aux salons de la Rose-Croix sous l'égide du Sâr Péladan. L'art de Fernand Khnopff est un « art de patience, de précision et de raisonnement » comme le décrit Emile Verhaeren dans son éloge à l'artiste. Et de poursuivre, « Minutieux, à petits coups brefs, avec une lenteur à peine inquiète, sa pointe, brosse ou crayon, griffe le panneau ou le papier. Mais son regard est aigu à l'extrême, on sent un vouloir cruel, on y surprend toute une observation tendue vers les choses, implacable et incessante. La main ne fait aucun mouvement que n'ait déterminé et contrôlé la pensée. Elle n'hésite point, toutefois elle n'a aucun entrain, aucune folie, elle est d'une réserve et d'une prudence nettes. Point de belle liberté de dessin, point de facture forte et caractérisante, mais des traits minces, sévères, décisifs, presque de l'écriture ». Ce dessin délicatement nuancé est subtilement rehaussé de pastel. Il évoque un être au visage androgyne angélique et impassible. L'androgynie a émergé dans le milieu symboliste et décadent comme le nouvel idéal. Elle trouve un écho particulier dans l'œuvre de Khnopff dont l'idéal féminin est tout sauf univoque. Dans ce dessin, la figure est frontale, dans la lignée des portraits en buste florentins. Le visage garde ses secrets, emprisonne ses sentiments. Il est découpé au niveau du front. Un voile transparent estompe légèrement le bas du visage et se déploie sur le haut de la poitrine, accentuant encore l'aspect hiératique de la figure, enserrée dans un cercle. Khnopff considère en effet le cercle comme un symbole de la perfection. Sur le sol de son atelier, il a fait tracer un cercle d'or au milieu duquel il pose son chevalet avant d'entamer toute création. Le passe-partout entoure le dessin et en limite la perception, comme si les formes et les volumes continuaient au-delà des limites proposées. Khnopff impose cette mise-en-scène, tout comme il se permet de décentrer ses figures dans ses œuvres : « on m'a souvent reproché de couper les têtes de mes personnages par le cadre qui les entoure..., mais agissant ainsi, j'avais chaque fois un but bien précis ». Il accentue ainsi le regard de la femme mystérieuse et le texte énigmatique qui l'accompagne : « Fore Aeternum » ou « ce serait pour toujours », un hymne à l'intemporalité. Il n'est pas étonnant que ce dessin ait trouvé sa place au sein du Palais Stoclet, bijou par excellence de la Sécession Viennoise à Bruxelles, qui plus est dans la chambre à coucher des maîtres de maison, Adolphe et Suzanne Stoclet. Encensé, adulé par le public lors de la première Sécession en 1898, Khnopff connaît en cette fin de siècle une notoriété internationale, inspirant des générations d'artistes en quête d'imaginaire, de rêve et d'irréel. Fernand Khnopff wordt terecht erkend als de meest subtiele, verfijnde, dubbelzinnige en mystieke vertegenwoordiger van de symbolistische geest die aan het einde van de 19e eeuw opbloeide in de Belgische literaire en artistieke kringen. Hij was schilder, tekenaar, beeldhouwer en graveur, maar hij fotografeerde ook, ontwierp kostuums en decors voor het Munttheater, illustreerde boeken en creëerde ex-Libris. Als regisseur van zijn eigen werk heeft hij een atelierwoning in Brussel ontworpen, als een heiligdom gewijd aan zijn ego, een 'tempel van het zelf' waarin hij een toevluchtsoord vindt voor het lawaai van de buitenwereld.
DARIO CATERINA (born 1955)Femme assise accoudée Huile et pastel sur panneauOlieverf en pastel op paneelOil and pastel on panel 135 x 147 cmFootnotes:Provenance/Herkomst Galerie Bastien Art, BruxellesThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
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