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Lot 549
Jocelyn Galsworthy, church by a river, pastel, signed in pencil lower left, 27.5 x 40cm, Abstract School, landscape scene, watercolour, 26 x 34cm, English School, street scene, watercolour, indistinctly signed and inscribed 24-12, 53 x 42.5cm, English School, beach scene, watercolour, signed lower left xxx Smith 1921, 24.5 x 33cm, and Chateau d'Yquem, colour print, 29 x 43cm, all framed and glazed
![William Melrose B.A. [Active 2000-2005]Mixed media using watercolour and pastel titled '' Fishing Boats- Port Seton'', signed](https://cdn.globalauctionplatform.com/c4751238-5d2c-4ca4-b8c3-b0e000b2965f/2119ebf5-0961-45ab-a967-b0e000c6bd27/468x382.jpg)
Lot 9084
Margot Lawson (British 20th Century): 'Edith's Lilies', watercolour signed, titled and dated 2001 verso 28cm x 41cm; Alexandra Rendle-Short (British Contemporary): 'The Cross', watercolour and pastel signed, titled verso 34cm x 26cm; together with a selection of variously signed watercolours max 41cm x 51cm (5)
Lot 9092
Rosemary Stubbs (British 20th Century): 'White House in Salford', watercolour and pastel signed, titled and dated '83 verso 33cm x 51cm; Peter Wetherill (British 20th Century): 'Staithes Beck - North Yorks', gouache signed with monogram and dated '98, 22cm x 26cm; together with two original watercolours, one signed 'Butler', max 30cm x 38cm (4)
Lot 62
Calon TV Collection - Under Milk Wood (1992) - a piece of original production used oil and pastel artwork by Lloyd Sutton for the animated TV special 'Under Milk Wood' (1992), directed by Les Orton and originally a radio play by Dylan Thomas in 1954. Framed. Measuring approximately 37 cm x 45 cm.
Lot 1262
Cecil Aldin, a hunting scene, the mount signed in pencil, and with small pastel sketch of hound's head, I.33 x 68.5cm; together with another similar colour print of a huntsman, the mount similarly decorated and signed, further blindstamped, I.28 x 37.5cm; and a further pair of prints by the same. (4)
Lot 106
Kerstin McGregor (1962-2012) Wolves Abstract oil on canvas painting Unsigned 188 x 145 cm (74" x 57") Kerstin McGregor was a resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986. Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties. Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media. Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 107
Franco Fusari (Italian, b 1945) Nude #A685 Pastel on watercolour paper Signed bottom left Comes with Certificate of Authenticity issued by Saatchi Art 50 x 35cm (19.5" x 14") Gianfranco Fusari (Italian, b 1945) has been living in Venice and Verona (the town of Juliet and Romeo). His father was a sculptor who specialized in marble. On his mother's side of the family are many ancestors who were painters and sculptors. Notable among them was Angelo Pizzi, a particular favorite with Napoleon who, after conquering Venice in 1797, nominated him to the post of Director of Accademia di Belle Arti ((Fine Art Academy) and contracted him to create the Napoleonic Aisle in Piazza San Marco (St. Marks square), in front of San Marco Cathedral in Venice. The human figure is fundamental to his work, which is grounded in the grand classical tradition of superb draughtsmanship. At the same time, his sense of composition, design, delicacy and keen sensitivity are uniquely his own. Many of his drawings feature his three favorite models: Chiara, his loved wife; Olga, from St. Petersburg, Russia; and Daniela, from Venice. The particularity of his models is very important to him and fundamental to his creative process, the model being, in a sense, the co-author of the art. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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