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Lot 28
NEMUKHIN, VLADIMIR (1925–2016) Still Life with the "Russkaya Mysl" Newspaper, signed, titled in Cyrillic and dated 1992.Oil, pastel, pencil and collage with newspaper and playing cards on card, 79.5 by 60 cm.Provenance: Collection of Alexander Glezer.Private collection, USA.Important private collection, UK.Exhibited: Hudson Valley Museum of Contemporary Art, New York, 1997.
Lot 1096
A small Chinese ivory fan, most likely early 20th century, the guards quite deeply carved with flowers and foliage, the plain gorge sticks quite unusually painted in bright gold and green, with a bird perched on a bough. The cream gauze leaf is embroidered with a peacock, tail outspread, a smaller bird to the right, a butterfly to the left, all centred onto a floral display in pastel silks, with varied flowers. The gorge to the verso is painted in similar fashion to the recto. Slim cream silk tassel. Contained in a wood fan box, lacquered in black with gold decoration, the lid exterior showing a bird. Guard length 8 inches or 20.5cm. The fan is in good clean order. The box has suffered with scuffing and grazing to the lid and the corners and part box end missing.
Lot 1085
An early 20th century bone fan, the monture gently painted with small flowers in pastel colours in 1920's form. The cream gauze leaf, mounted à l'Anglaise, is embroidered with gold sequins and cream ribbon. A central cartouche is painted with an 18th century lady with extravagant hairstyle, wearing pearls, possibly Marie Antoinette. The verso is plain. Guard length 8.5 inches or 21.5 cm. Together with an 1860's or later bone fan, the cream silk painted with pink roses and lily of the valley. The verso is plain. Fitted with a cream silk tassel. Guard length 10.5 inches or 26.5cm. Together with a third bone fan, early 20th century, the monture lightly incised and clouté with steel. The cream silk gauze is bordered with machine lace in a floral design, and embroidered with silver spangles in various shapes and forms. Guard length 8.5 inches or 21.5cm. Accompanied by one card fan box covered in blue paper. Fan 1, the gauze leaf is splitting in several places. The second fan is sound with some foxing to the silk. Fan 3 lacks a few steel dots. The gauze appears undamaged, the sequins shiny. From the verso, the glue holding the gauze to the guard is dark brown.
Lot 1105
Two mid-18th century folding fans, both French and mounted on ivory. The first, with carved, silvered and gilded sticks, shows a lady in fine 18th century costume, her striking pink gown complemented by a straw hat with silk ribbon perched jauntily atop her towering hairstyle. Seated on a see-saw, a small child to her left, she captures the attention of two gentlemen. To each side of the main cartouche, a smaller vignette painted with scenes of sailing boats on water close to towers or harbour buildings. The three scenes are bordered with embroidered, tiny sequins, and the reserves are filled with further sequins of differing colours and paintings of flowers. The verso is plain. Guard length 10.75 inches or27.5cm. T/w a further French fan, the leaf with a central scene of a gentleman playing music to his lady, who holds the sheets of music. Elsewhere, the reserves are painted with pale pastel flowers, the sticks are gently silvered, which complements the sequins around the central cartouche. The verso is plain. Guard length 10.75 inches or 27.5cm (2). First fan, some splitting to upper folds, some light soiling. Repairs seen from the verso, some crude. Much of the silvering is still quite bright. The second fan is quite stained and the leaf dry. Some loss to sequins. Repairs to the leaf as seen from the verso.
Lot 1079
A Mid-19th Century Ivory Fan, the carved and well-shaped monture gilded in two shades of gold. The guards, shaped to fit a rather narrow lithographed leaf, feature a roundel and a further panel containing a cornucopia. The gorge sticks continue the bold construction, each being pierced to accommodate a band of roundels which give an almost cabriolet effect. The gorge, sticks, in pairs, feature cornucopia and flowers. The double paper leaf shows a group of ladies in Arcadian style, pastel colours being enlivened by splashes of blue, and featuring a fountain with cherubs and grand buildings in the background. Shaped gold metal loop. Mounted in a fan shaped wood case, and glazed. Guard length approx. 10.25 inches or 26cm. On the verso of the fan case, various notes track the fan's recent history, from a purchase in 1994 in auction in Crewkerne, to further auction in Leyburn in 2005. Not removed from the frame. Fan not fitting the frame too well, so not displayed fully open, but appears crisp and clean, and no actual damage or other issues noted. Gilding bright.
Lot 164
Edmund Pick-Morino, attributed to (Austrian, 1877-1958) Artist Self Portrait Pastel on Board Board: 17 1/4 in. x 14 1/2 in.; Frame: 24 in. x 21 1/4 in. Condition: Fair condition. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: Purchased from Kunsthandlung Karl Loescher, Anton Jancsy, Wien, Austria on July 25th, 1966; John and Johanna Bass Collection; Bass Museum of Art after 1979. Literature: The John and Johanna Bass Collection, Miami Beach, FL, 1973, no. 213. Museum Inventory No. 1979.213 Collection of the Bass Museum of Art - Miami Beach, Florida. Proceeds to benefit the John and Johanna Bass Acquisitions Fund. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.
Lot 36
Michael Leonard (British, born 1933)Zephyr the Pekingese in a ruff signed and dated 'ML + AD 1985 +' (upper centre) and inscribed 'Hope you like it!/ All the best,/ Michael' (on a label on the reverse)black and white chalk on paper18.5 x 14cm (7 5/16 x 5 1/2in).together with a pastel portrait of a Pekingese (2)This lot is subject to the following lot symbols: AR
Lot 527
George Thompson (1934-2019), "Albert Square, Manchester", signed, titled and dated '97 on verso, pastel, 34.5 x 50.5cm, 13.5 x 19.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has the odd minor dint and scuff commensurate with age.
Lot 537
Harold Riley (1934-), Female portrait, signed and dated '69, pastel, 38.5 x 23.5cm, 15.25 x 9.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has the odd knock and scuff commensurate with age.
Lot 524
Brian Nolan (1931-), "Sir Galahad" - Jane's Hole, Collyhurst, Manchester, signed, titled and dated 'Feb 10th, 1963', pastel, 26.5 x 32.5cm, 10.5 x 12.75in. Artists' Resale Right (droit de suite) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed.
Lot 526
E. Anthony Orme (1945-), Seated female nude, signed, pastel, 42 x 29.5cm, 16.5 x 11.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has scuffs and losses.
Lot 517
E. Anthony Orme (1945-), Pole dancing female nude, signed, pastel. 47.5 x 34.5cm, 18.75 x 13.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor knocks and scuffs.
Lot 535
Bob Richardson (1938-), "Evening Light, Pickmere", signed and dated '76, titled on verso, pastel, 43 x 54.5cm, 17 x 21.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed.
Lot 528
E. Anthony Orme (1945-), Standing female nude, signed, pastel. 47.5 x 34.5cm, 18.75 x 13.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks.
Lot 70
A matched pair of early Derby Patch Mark cartouche-shaped floral cornucopias, painted in polychrome enamels with country flowers, each painted in polychrome enamels with country flowers, each reservoir moulded in relief with feathered scrolls, picked out in tones of pastel turquoise and gilt, the whole surmounted by a profusion of modelled flowers, shaped bases, 19cm and 17cm high, c.1765; another, similar, Dry Edge, 13cm high, c.1755 (3) Provenance: earlier manuscript collector's note to base of Dry Edge cornucopia; all, The Wilders Collection, labelled. Condition Report: The pair with some losses and repairs, one of them restored from the neck upwards and with expected spitting from re-firing. The smaller one with losses. Each with some pitting and expected wear to decoration too.
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