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Will Fice Walking, Not Talking, 2023 Oil paint, oil pastel and coloured pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Will Fice (b.1999) is a British artist based between Leeds and Surrey, UK. His work deals with themes surrounding self and manhood, working from found images to piece together semi-autobiographical and social narratives. After graduating from Leeds Arts University in 2020 with a BA in Fine Art, Will had a solo presentation with Patrick Davies Contemporary Art and has since exhibited online over the pandemic, and in the United States. In 2023; he had his first solo gallery exhibition with Monti8, Italy. Education BA Fine Art Leeds Arts University (2017-2020) Select Exhibitions/Awards 2023 Monti8 at Artsy Foundations 2023 Nashville Hot Summer, Red Arrow Gallery, Nashville, US (group) 2023 Beautiful losers, Monti8, Latina, Italy (solo) 2022 Transference: A Study of Space, KO Arts & Antiques, UK (Artsy online presentation) 2022 Exit 26, Monti8, Latina, Italy (group) 2022 #1 Exhibition, Artsinsquare, US (Artsy online presentation) 2021 Waiting room, Patrick Davies Contemporary Art (solo) Statement about AOAP Submitted Artwork These works aim not to take themselves too seriously. Each postcard demonstrates a fleeting, disregarded moment, translated in a playfully loose painting style as something rich with purpose.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Scarlett Bowman Coconuts and Coffee Acrylic and pastel on canvas Signed on Verso 19 x 11.4cm (7¼ x 4¼ in.) This lot has been curated by Millie Foster About Scarlett Bowman, b. 1985, London, UK. Lives and works in London. Graduated from Chelsea College of Art, London, in 2014. Education 2014 Chelsea College of Art Select Exhibitions/Awards SELECT EXHIBITIONS 2023 Holding Space, Bonhams in collaboration with Hospital Rooms x Hauser & Wirth 2022 New Mythologies, OHSH Projects, London Gallery Representation COLLECTIONS Soho House Group You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Scarlett Bowman Le Turtle Oil, oil pastel on canvas Signed on Verso 14.1 x 17.4cm (5½ x 6¾ in.) This lot has been curated by Millie Foster About Scarlett Bowman, b. 1985, London, UK. Lives and works in London. Graduated from Chelsea College of Art, London, in 2014. Education 2014 Chelsea College of Art Select Exhibitions/Awards SELECT EXHIBITIONS 2023 Holding Space, Bonhams in collaboration with Hospital Rooms x Hauser & Wirth 2022 New Mythologies, OHSH Projects, London Gallery Representation COLLECTIONS Soho House Group You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Cherry Aribisala Sour (The Lemon Farmer) Acrylic, ink, oil, oil paint collage and oil pastel on paper Signed on Verso 17 x 11.8cm (6½ x 4½ in.) This lot has been curated by Millie Foster About Cherry Aribisala (b.2000, Lagos Nigerian) is an artist currently based in London. She is known for her innovative and vibrant artwork that combines elements of comic book aesthetics, contemporary figuration, and expressive brushwork. Her art explores themes such as mental well-being, escapism, vulnerability, and emotional landscapes while incorporating contemporary pop sensibilities. Cherry's work invites viewers to delve into intricate relationships among figures and their surroundings, reflecting her personal growth and a desire for experimental artistry. Her art touches upon themes of order, mystery, and sanctuary, offering a universal language that transcends borders and encourages introspection. Education - BA Fine Art, Goldsmiths University of London, UK Select Exhibitions/Awards SELECTED SOLO EXHIBITIONS/PRESENTATIONS 2023 - Art Saloon, The Vault Residency, Lagos, Nigeria DUO EXHIBITIONS 2023 -TETE A TETE, Pi Artworks Gallery, London, UK SELECTED GROUP EXHIBITIONS 2023 - Hari Art Prize Exhibition, Hari, London UK - YOU CAN'T ALWAYS GET WHAT YOU WANT, Haricot Gallery, London, UK - FELT Vol 04, Felt Collection, London, UK - 'Art on a Postcard' Autumn Auction for Hepatitis C Trust - ABOUT DAMN TIME, SABO ART Gallery, Lagos, Nigeria - DADA Residency Exhibition, DADA Gallery, London, UK 2022 - FACE TO FACE, Gillian Jason Gallery, London, UK - 50x50, The Auction Collective, London, UK - TRANSFORMATION, Saatchi Gallery, London, UK - FRAGMENTS, Omer Tiroche Gallery, London, UK - IF WORDS WERE FLOWERS, London, UK - JINX, Amersham Gallery, London, UK AWARDS & RESIDENCIES - The Hari Art Prize UK 2023 - The Vault Residency, Lagos, Nigeria 2022-2023 SELECTED FAIRS - START ART Fair, Saatchi Gallery, London, UK COLLECTIONS 2022 - Private Collections in United Kingdom, Nigeria, Los Angeles, New York, and Canada.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Tyga Helme After Turner Watercolour and chalk pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Born in 1990, Tyga lives and works in the UK. She is a painter and printmaker with drawing lying at the heart of her practice. She uses the directness and urgency of drawing from life as a springboard for all her work, finding her subjects in nature's edgelands; where trees and mountains meet the sky, where sea meets rock or tangled in undergrowth. In working from life, she celebrates the spontaneity of the moment whilst also building on memory and feeling by returning to places over and over again. Education Edinburgh College of Art, Royal Drawing School Select Exhibitions/Awards In the Wings' Messums London 2023 'Ground' Messums Wiltshire 2022 'Forces of Nature' Glyndbourne 2021 'Urgent is the Rhythm' Messums London 2021 'Sky so Close' Blueshop Cottage' 2020 Gallery Representation MESSUMS LONDON Statement about AOAP Submitted Artwork This drawing was made looking Turner's painting 'Sunrise, a Castle on a Bay: 'Solitude'' in Tate Britain.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Rebecca Hardaker Appreciate me no.1, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Rebecca Hardaker Appreciate me no.2, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Rebecca Hardaker Appreciate me no.3, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Rebecca Hardaker Appreciate me no.4, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Neville Le Ray (Guernsey, b.1939) 'Yacht approaching Castle Cornet in a storm' pastel, signed and dated 'Le Ray 93' bottom left 11½ x 16½in. (29.3 x 42cm.)

Stuart Atkinson, British, (b. 1940), Guernsey view from St Sampson towards St Peter Port, pastel on toned paper, signed lower right, framed, 9¾ x 17 1/8 in.(24.7 x 43.1cm.).

Gwilym John Blockley (British, 1921-2002) "A Mixed Bunch of Flowers", pastel, signed lower left, framed, 14 x 12½in. (35.6 x 31.7cm.). *Provenance: Label on reverse for Brian Sinfield Fine Paintings & Watercolours, Grafton House Gallery, Burford, Oxfordshire.*Good condition.

Peter Layton (British, 20th / 21st Century) Yachts off the Coast, pastel, framed 16½in x 42in. (42cm x 106.6cm.).

Gabrielle Bellocq (French, 1920-1999) Coastal Landscape, pastel, signed lower right, cornered frame, 25¼ x 19¼. (64.1 x 48.9cm.). *Gallery label on reverse for David Messum, Beaconsfield.

Gabrielle Bellocq (French, 1920-1999) Coastal Landscape with Lighthouse, pastel, signed lower right, cornered frame, 19¼ x 25½in. (48.9 x 64.8cm.). *Gallery label on reverse for David Messum, Beaconsfield.

Circle of Henry Bright, Peirhead in a storm pastel on paper, unsigned, modern reproduction frame, 12½ x 24½ in. (31.7 x 62.2cm.).

Attributed to Kari Lehr (20th/21st century) - "Wet Bear", inscribed with the name Pat Crowther together with a further later label verso with the inscription Wet Bear original by Kari Lehr also inscribed Pat Crowther "A Cool Dip", pastel drawing, 13.25" x 10.5" together with five further contemporary works including two indistinctly signed watercolours of coastal scenes the picture depicting a seated Chinese Scribe seated at a desk, a small picture of Venice and a Dale Klee print 'Junk Pile Ford Version' (6)

Marjorie Best (1903-1997) - A still life of pink roses in a pottery jug, signed, pastel drawing on tinted paper, 11.25" x 14.5"

Leon Sprinck?, pastel, portrait of a young girl seated, 29ins x 24ins

A SELECTION OF PICTURES, PRINTS AND MIRRORS TO INCLUDE A SIGNED PASTEL PORTRAIT OF A LADY

A FRAMED AND GLAZED PASTEL PORTRAIT OF A GENTLEMAN SIGNED AND DATED LOWER LEFT "VERSO STICKERED WITH A PASTEL SOCIETY STICKER DETAILING SUBJECT SIGNOR PIETRO ANNIGINI BY MR ANDRIAN BERRY PRICE 25 GUINEAS PLUS ACCOMPANYING CORRESPONDENCE AND PASTEL SOCIETY CATALOGUE OF THE 51ST EXHIBITION 1957- NEXT TO ROSTRUM

A GILT RECTANGULAR MIRROR WITH PAINTED PASTEL LADY PORTRAIT ABOVE - 116 X 36 CM

A FRAMED AND GLAZED PASTEL STUDY OF TIBETAN WOMAN BY J A HULBERT

Georges Rouault, French 1871-1958,Christ et Chemineaux, 1929;lithograph with pastel hand-colouring on wove, monogrammed and dated in the plate, monogrammed and dated in pen and ink, drawn at the studio of Duchatel and coloured, Paris, 1929,image: 24 x 17 cm, (framed)(ARR)Provenance: with a William Weston Gallery label on the reverse.Note: this very rare hand-coloured lithograph was drawn for the series 'Paysages Legendaires' .

Gilles Sacksick (French, b.1942), 'Vegennes, 1995', pastel on paper, signed, 52x62cmBear's label to verso for The Bruton Gallery

A row of baroque Tahitian pearls, thirty three baroque cultured Tahitian pearls, in a variation of pastel shades, approximate diameter from 12 to 14mm, strung knotted to a push-in clasp stamped '750', length 55cm, weight 102.2g

*MARY GILLIES (BRITISH, CONTEMPORARY), HOPING FOR PURGATORY oil pastel with sgraffito on board, signed with monogram and dated '94framed and under glassimage size 30cm x 30cm, overall size 42cm x 42cm

Nikos Hadjikyriakos-Ghika (Greek, 1906-1994)Personnages signé et daté 'Ghika/69' (en bas à droite)crayons, pastel et encre sur papier22 x 31.5cm (8 11/16 x 12 3/8in).Peint en 1969.signed and dated (lower right)pencils, pastel and ink on paperThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Yiannis Tsarouchis (Greek, 1910-1989)Dominique jouant le bouzouki signé en grec et daté '73' (en bas à droite)pastel et fusain sur papier marouflé sur toile70.5 x 118.5cm (27 3/4 x 46 5/8in).Peint en 1973.signed in Greek and dated (lower right)pastel and charcoal on paper laid on canvasFootnotes:ProvenancePrivate collection, London. ExpositionsRome, Il Gabbiano Art Gallery, Yannis Tsarouchis, May 29 -June 30, 1974, no.34 (illustrated in the exhibition catalogue).Bologna, Forni Gallery, Yannis Tsarouchis, 1975.Athens, Kalfayan Galleries, Yannis Tsarouchis (1910-1989), December 14, 2007 - January 26, 2008 (illustrated in the exhibition catalogue, p. 42).When I feel like a westerner,Vermeer is to me the greatest painter.Y. Tsarouchis1Inspired by Jan Vermeer's Love letter, c. 1669-1670 (Ritzmuseum, Amsterdam), this captivating work features Dominique, Tsarouchis's most characteristic sitter. 'The model I chose was a youngster from Chartres, Dominique, who showed skills in painting, poetry and music. At that time [1973], I was engrossed in that new type of youth with long hair and clothes usually bought in flea markets, embodying the traditional French with a touch of revolution.'2 As noted by A. Szymczyk who co-cutated the artist's 2021 retrospective in Chicago, 'the negotiation and transgression of limits between art and the everyday were central to Tsarouchis's work and philosophy. Many of his later works enter into erudite dialogue with the old masters revered and studied by Tsarouchis. Appropriating compositional schemes from Vermeer van Delft and other Dutch Golden Age painters (The letter, The painter and the model) or portraying himself copying Titian, Tsarouchis ignored artistic fashions of his day, keeping at a distance from his contemporaries and instead creating a world of thoughts, emotions, and imagery that was unmistakably his own. He dodged expectations and was a true postmodern artist avant la lettre, constantly brushing up against the grain of his time, fully aware of the fact that his work would only be appreciated in the future.'3 1 Yannis Tsarouchis Painting, Comments [in Greek], Yannis Tsarouchis Foundation, Athens 1990, p. viii.2 Y. Tsarouchis, 'The Four Seasons' [in Greek] in Stone Rejected by the Builders, Kastaniotis editions, Athens 1989, p. 151.3A. Szymczyk, 'The Entrance for Yannis Tsarouchis' in N. Gripari and A. Szymczyk ed., Yannis Tsarouchis, Dancing in Real Life, exhibition catalogue, Wrightwood 659, Chicago 2021, pp. 302-303. This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Yiannis Tsarouchis (Greek, 1910-1989)Jeune homme avec une girlande sur la tête signé en grec (en bas à droite)pastel sur papier49 x 31cm (19 5/16 x 12 3/16in).signed in Greek (lower right)pastel on paperThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Attributed to Barbizon School (French,19th century), Portrait of a young lady cradling a birds nest with eggs, pastel in oval, unsigned, Paul Durand-Ruel, Paris stamp on canvas verso, Papier Cartons & Toiles, Anti-Ponce pour le Pastel P.L.B. a Bolbec Depot a Paris stamped on canvas verso, 35x43cm, framed and glazed.An approx. 3cm closed tear to the left side on the hair of the sitter.

Leslie Marr (British,1922-2021), Binham Priory, Norfolk, 1971, signed lower right 'Marr 11 May 71', pastel, mounted, unframed, 56.5x77.5cm.

Leslie Marr (British,1922-2021), Burnham Norton Church, Norfolk, 1976, signed lower left 'Marr 4/3/76', pastel, mounted, unframed, 54.5x73.5cm

English School (19th century)Gentleman Reading,indistinctly signed with initials, dates 1891, pastel, 38.5cm x 54cm

Glen Sujo (Bn. 1952)Study for Nemon Isigned, dated June 1983, pastel and charcoal, 58.5cm x 76cm

Pastel of Disney Pluto and cat signed Olly Art '04 50x43cm in pine frame

M Murphy (mid 20th Century), Chinese objects and sunflowers, signed pastel drawing, 50cm x 43cm; and another of a bowl of anemones and a Chinese plate, pastel, signed, 44cm x 39cm (2) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Sanderson (late 20th Century), Still life with champagne bottle and fruit, pastel, indistinctly signed, 46cm x 38cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Charles Buchel,  British 1872-1950- Portrait of a lady in profile, bust-length, wearing a beaded necklace; charcoal and pastel heightened with scratching out on paper, signed and dated 'CHAS . A . BUCHEL / 1907' (lower left), 42.2 x 31.8 cm. Provenance:  Private Collection, UK. Note:  Buchel studied at the Royal Academy Schools, before being hired by the actor-manager Sir Herbert Beerbohm Tree (1852-1917), with whom he worked for sixteen years, in 1898. In this role, Buchel produced a number of theatrical programmes and posters, alongside painting portraits of some of the most important performers of the day, including Lillie Langtry (1853-1929) and Henry Irving (1838-1905).  The present work is a striking example of Buchel's highly sensitive portraits, powerfully conveying a sense of a the sitter's character and presence, whilst also suggesting that her attention is elsewhere, as she gazes absent-mindedly away from the viewer. 

Follower of Maurice-Quentin de la Tour,  French 1704-1788- Portrait of Marie Leczinska, Queen of France, seated half-length; oil on canvas, bears old inscribed label 'Marie Leckzynska / Reine de France et de / Navarre' verso, bears later inscription 'FROM HENGRAVE HALL / SUFFOLK' on the upper horizontal stretcher bar, 81 X 65 cm., (unframed). Provenance:  Private Collection, Warsaw.  Hengrave Hall, Suffolk (according to an inscription on the reverse of the stretcher).  Private Collection, UK. Note:  De la Tour was a prominent pastellist of the French Rococo, producing portraits of some of the most significant figures of the 18th-century Age of Enlightenment, including Voltaire (1694-1778), Madame de Pompadour (1721-1764), and Jean-Jacques Rousseau (1712-1778). He also depicted Louis XV (1710-1774) and his wife, Marie Leczinska (1703-1768), both now held in the collection of the Louvre [no.27618 and no.27618]. The present work clearly draws heavily on de la Tour's original 1748 pastel of Marie Leczinska, although it reverses the composition and depicts the sitter in a cloak of ermine and blue velvet, embroidered with fleur-de-lis, definitively asserting her identity. Marie Leczinska was immensely popular as Queen of France, known for her piety and philanthropy. She was also Queen for over 42 years, making her the longest-serving Queen in French history. 

Circle of Jean-Étienne Liotard,  Swiss 1702-1789- Portrait of a man, head and shoulders, wearing a turban; pastel on paper, bears an old inscribed label 'This pair of pictures is the / property of Mrs Adelaide Gabriel / c/o ...' attached to the backing paper, 44.8 x 36.2 cm. Provenance:  Mrs Adelaide Gabriel (according to an old label attached to the backing paper).  Private Collection, UK. 

Annette Hankin (British, 20thC). Going Bait Digging, Brancaster, pastel, signed, dated '89, 26cm x 51cm.

John Heu (Austrian, b.1928). Marley's Ghost, pastel, 49cm x 74.5cm.

French School (19thC). Portraits of a gentleman and lady, half length, pastel, signed indistinctly and dated 1888, 68cm x 56cm.

‡ HAROLD RILEY DLitt FRCS DFA ATC (1934-2023) pastel - Stockport Parish Church, a lamplighter below steps leading to the church, signed and dated (7?)8, 38 x 24cmsProvenance: private collection North Wales by descent; Collection of D.C.I. Tony Fletcher, Greater Manchester Police, who was good friends with Riley and Lowry. Riley gifted several works to Tony, of which this is one. Seven others from the collection were sold at our Colwyn Bay saleroom in 29 August 2023. Riley also agreed to illustrate Tony's book 'Cobbled Beat'.Comment: framed and glazed ready to hang.

PAUL FOLLOT (French, 1877-1941) rare art deco floral rug, c. 1930, woven in typical pastel shades, signed in the weave 'PAUL FOLLOT', 300 x 206cmsProvenance: private collection South Wales Auctioneer's Note: Cf. Christies lot 32, 3.11.15 for a circular rug similarly signed. Paul Follot was one of a just a few Art Nouveau designers who made the transition to Art Deco. He was a French interior decorator, as well as a designer of furniture, silver, ceramics, wallpaper and textiles. His first designs were inspired by the Neo-Gothic school. At the beginning of the 20th Century, Follot co-founded “L’Art dans Tout”, a little known group of artists who fought fiercely for the French crafts tradition. His designs ranged from distinctly traditional to high Art Deco, and always exhibit a high level of craftsmanship in both construction and decoration. Other top French designers who were commissioned to produce rugs in this period, include Jacques-Emile Ruhlmann, Jules Leleu and the firm of Sue et Mare.Comments: moderate fading, some moth damage, some glued repairs to borders visible verso

‡ STEPHEN WILTSHIRE MBE (b. 1974) pen, ink & pastel on paper - entitled 'St Paul's and London Skyline', signed and dated 14th July 2008, 23 x 47.5cmsProvenance: private collection West WalesComments: Certificate of Authenticity from The Stephen Wiltshire Gallery, framed and glazed, ready to hang

ROBERT DUFLOS (FRENCH, 1898-C.1929)Model reading signed 'Robert Duflos' (lower right) pastel 44 x 36cm Provenance Gladwell & Company, from whom acquired by the present owner in 1994Condition Report The sheet is sound and the pastel surface in good clean condition throughout.  Under glass and held in a  plaster gilt frame in good condition; unexamined out of frame.

JOHN TUNNARD (BRITISH, 1900-1971)Meteorite (c. 1950) pastel 51 x 37.5cm ARR Provenance Sale, David Lay Auctions, Penzance, 27th October 2016, lot 345 (part lot); Liss Llewellyn

RENZO VESPIGNANI (ITALIAN, 1924-2001)Female nude signed and dated 'Vespignani 53' (lower centre) ink and pastel 51 x 39.5cm ARR Provenance Private collection, UK

MERVYN PEAKE (BRITISH, 1911-1968)One of the Artist's Sons signed 'Peake' (lower left) pastel 27 x 29.5cm ARR Provenance John Brophy; Alan Rowe Works of Art, Sherwood Close, Barnes, London; Private collection, UKCondition reportAcidic mount.A horizontal pale brown line visible running across the work just above the signature, possibly from where it might have been earlier mounted.A few small spots of foxing in places.A circular discoloured mark near signature, possibly an old repair but not obvious what has caused it.Under glass and unexamined out of frame.

Jay Boyd Kirkman (American, b. 1958)Portrait of a horse Pastel charcoal on blue paper30 x 14cmSigned lower left

Jay Boyd Kirkman (American, b. 1958)Portrait of a bay horseCharcoal, pastel, oil and gold dust on paper49 x 35.5cmSigned lower left

ARR Richard Adams (born 1957)Climbing the Ladderoil pastel on paper 55cm x 49cm John Davies Gallery

Second World War – Charles “Charlie” Whitcomb – Second World War medal group consisting; 1939-1945 War Medal, The 1939-1949 Star & The Italy Star, housed in shield shape display case. Also included is silver coloured shield cartouche. Plus, interesting and eclectic range of Second World War period paper ephemera, to include; range of twenty black and white photographs mostly depicting soldiers, dedication to the life of Charles John Whitcomb, theatre programmes, Services Guide to Cairo, Release and Resettlement: An Explanation of Your Position and Rights, A Catholic Prayer Book: For the use of Catholics Serving in the Defence Forces of the Crown in the Time of War’ (x2, different colours), ‘Notes for Troops Proceeding to North Africa 1943’, Chas Weston & Co Ltd Employees Sick Fund Rules, The Royal Artillery Association Membership Card, Soldier’s Service and Pay Book, Supplementary Clothing Book, Military Personnel Railway Ticket from London to Leicester (8.10.1945), Palestine Railways 3rd Class Ticket Receipt, Inspection, Maintenance and Care of Army Vehicles, Motor Fuel Ration Book, Supplementary Clothing Book, Soldier’s Release Book, various other cuttings, passes, envelopes, letters etc and pastel portrait dated 1944. Superbly interesting lot, viewing very recommended.

Debbie Harris, oil pastel on paper, 'Beeni'. Signed and dated 93 lower left, 39cm x 29cm, framed and glazed.

Debbie Harris, oil pastel on paper, 'Rangehill Rebecca'. Signed and dated '93 lower left, 39cm x 29cm, framed and glazed.

John Trivett Nettleship (1841-1902), pastel on paper, 'Imperial Eagle Stooping for Flight'. Framed and glazed. Old gallery label to reverse. Frame: 71cm x 59cm, visible image: 47cm x 34cm.

Henri Fantin-Latour (1836-1904)-attributed, lying girl, pastel on paper, signed bottom right, framed, 34 x 42 cm

Julius Jakoby ( 1903-1985 )-attributed., workers on a site, pastel on paper, both signed and dated, framed under glass, each 48 x 33 cm