We found 46298 price guide item(s) matching your search

Rose HILTON (British 1931-2019) Standing Nude, Pastel on maroon paper, Signed in pencil lower right, 15.75" x 9.5" (40cm x 24cm).Qty: 1

British, contemporary, a seated female nude study from behind, graphite and pastel, indistinctly signed, dated 2012, 17x21.5ins, framed and glazed.

Danka Napiorkowska (British, Contemporary), Still Life: mussels and sliced lemon on a blue platter, pastel, signed.

Pastel and chalk depicting various women, Signed SP.[45x49cm]

Angus RandsFramed pastel titled ''September Evening, Minskip''[50x60cm]

M F Walker (20th century school) - Portrait of a Woman - signed lower left, pastel, framed & glazed, 37 by 50cms.

Hesta Warren (20th century school) - Patch - study of a fox terrier, signed lower right, pastel, framed & glazed, 25 by 28cms.

Gerald S Pitchforth (1901-2005) - The Cul-de-Sac - signed lower left, pastel, framed & glazed, 66 by 25cms.

A. Smyth, lakescene, pastel together with other pictures

George Fanshawe, Tower Bridge and The City From Butlers Wharf, lithograph hand coloured in pastel, 38cm by 50cm, together with a watercolour of Langstone Mill and an oil painting by George Carter and two prints by Jack Vettriano

European School, 'The Apparition', pastel, 37 x 28cm. 

Mary Macleod (1899-1978) ScottishPortrait of a young lady, head and shouldersInitialled, inscribed to label verso, pastel, 43.5cm by 38cm

S* W* Starling (20th century)Continental street sceneSigned and dated, (19)63, pastel, together with a small group of works by the same artist, including a sketchbook (6)

A Pastel Mink Jacket

STRUAN ROBERTSON DUTCH CHILD pastelframed and under glassimage 34cm x 29cm, overall 40cm x 34cm

A 'EUROPEAN SUBJECT' REVERSE GLASS PAINTING, 18TH CENTURYChina. Of rectangular form, depicting a figural scene of a small town with ladies, gentlemen, and children engaged in their daily pursuits, two large trees at the center, and buildings in the background. The gentlemen dressed in red and blue robes with black hats and white stockings, the ladies wearing fine dresses in pastel colors. Provenance: British trade. Condition: Very good condition with minor wear, few light scratches, minor stains, and little rubbing to the colors. The wood frame with old wear, traces of use, few nicks, and shallow scratches. The colors of the paint still quite crisp, and thus displaying remarkably well.Dimensions: Size incl. frame 44.3 x 38.7 cm, Image size 37.5 x 31.8 cmFramed behind glass, the hardwood frame with a ruyi-shaped metal mount for suspension.Auction result comparison:Type: RelatedAuction: Christie's London, 5 April 2001, lot 206Price: GBP 7,638 or approx. EUR 14,000 converted and adjusted for inflation at the time of writingDescription: A Chinese-export reverse painting-on-glass, after George Stubbs, last quarter 18th centuryExpert remark: Compare the related motif and colors. Note the size (63 x 49.5 cm).Auction result comparison:Type: RelatedAuction: Christie's London, 28 April 1999, lot 56Price: GBP 2,760 or approx. EUR 5,300 converted and adjusted for inflation at the time of writingDescription: A reverse painting on glass, late 18th centuryExpert remark: Compare the related motif and colors. Note the size (25 x 19 cm).十八世紀《歐洲人物》鏡畫中國。描繪了一個小鎮的人物活動場景，歐洲人物正在房前林中戲耍；中心有兩棵大樹，背景是建築物。男士們身著紅藍相間的長袍，頭戴黑色帽子，腳穿白色長襪，女士們則身著淡色的精美禮服。 來源：英國古玩交易。 品相：狀況極好，有輕微磨損、劃痕、汙漬，以及顏料有小磨損。木框有磨損、使用痕跡和淺劃痕。顏色仍然很清晰。 尺寸：總44.3 x 38.7 釐米, 畫面37.5 x 31.8 釐米玻璃裝框，硬木框，如意形金屬掛鈎。 拍賣結果比較： 形制：相近 拍賣：倫敦佳士得，2001年4月5日，lot 206 價格：GBP 7,638（相當於今日EUR 14,000） 描述：十八世紀末期George Stubbs款中國出口鏡畫 專家評論：比較相近的主題和顏色。請注意尺寸(63 x 49.5毫米)。 拍賣結果比較： 形制：相近 拍賣：倫敦佳士得，1999年4月28日，lot 56 價格：GBP 2,760（相當於今日EUR 5,300） 描述：十八世紀末期鏡畫 專家評論：比較相近的主題和顏色。請注意尺寸(25 x 19毫米)。

AN IMPERIAL BEIJING ENAMEL CUP STAND, KANGXI YUZHI MARK AND OF THE PERIOD (1662-1722)China, c. 1700-1722. Of sixteen-lobed form, the body of heavily cast copper alloy and with the rims finely gilt. Exquisitely painted in bright enamels, the interior with eight phoenixes radiating from the central raised stand with kuilong decoration against a yellow ground. The central recessed ring, added to support a cup, with a half-open peony bloom and furled petals against a turquoise ground, the base similarly painted with radiating and overlapping flower petals, centered by a roundel enclosing a red-enameled four-character mark Kangxi yuzhi and of the period.Provenance: By repute from an old estate in London, United Kingdom. English trade, acquired from the above. Condition: Good condition, commensurate with age, presenting remarkably well with crisp colors and a subtle luster overall. Old wear and a dense crackling to the enamels, as well as minor warping, dents and nicks to the metal fittings, exactly as expected from this type of ware. Small areas of verdigris, the inner edges and corners of the well with minor yet distinct areas of calcification, indicating the piece may have been used as a jardiniere for some time. Obvious nicks and losses, no restoration or repair of any kind.Weight: 744.3 g Dimensions: Diameter 21.6 cmThe sides painted on the interior with petals against a turquoise ground and on the exterior with colorful kuilong against a yellow ground, the galleried rim with blue foliate scroll against a white ground.The rich color palette and the delicacy of the multi-colored design employed to decorate this exquisite cup stand demonstrate the superb craftsmanship of the Imperial Palace Workshops in Beijing, the Zaobanchu, and the extraordinary skill of their painters. The technique of enameling on metal was originally introduced to the Chinese craftsmen in the Guangzhou area by French Jesuit missionaries in 1684, following the lifting of restrictions at Chinese ports. Being a port city, these artisans were the first to be exposed to wares from Europe and initially developed the skills to replicate these imports. Enamored with the range of vivid and pastel tones of both the imported and tributary wares, the Kangxi Emperor recruited enamel artisans from Guangzhou and Jesuit missionaries to work in the Palace and advance the proficiency of the Enamel Workshops. Painted enamel thus became a defining art form of this period, in quality, innovation, and unsurpassed opulence.The appearance of Kangxi yuzhi marks - unframed, inside double circles, as in the case of the current cup stand - on a number of the surviving examples provides an indication of the Emperor's close personal attachment to these pieces. This exquisitely decorated cup stand can probably be dated to the latter years of the Kangxi reign, possibly to the period AD 1700-22, since a fully developed enamel palette has been used to great effect in its painted decoration on a yellow ground, which is found on the majority of enameled metal vessels from this era. The delicately-painted phoenixes are rendered in both pink and blue enamels, of types which were not successfully prepared in the imperial ateliers until around 1700. In fact, this lot can be seen as a celebration of these newly invented enamel colors and the way they could be used to create painterly, but at the same time jewel-like, decoration. A related palette can be found on a small white-ground lobed box, also with a Kangxi yuzhi mark, in the collection of the National Palace Museum, Taipei (see Enamel Ware in the Ming and Qing Dynasties, Taipei, 1999, page 172, no. 82), which also bears a blue Kangxi yuzhi mark. The painting on the current lot is, however, executed with even greater sophistication.Literature comparison: Compare a Beijing enamel plate, also of sixteen-lobed form, with a Kangxi yuzhi mark, and painted with the same design, in the National Palace Museum, Taipei, image number K1E000374N000000000PBA.Also compare an almost exact reproduction of the present cup stand commissioned by the Qianlong Emperor, 22.5 cm diameter, with an enameled four-character Qianlong mark and of the period, from the Qing Court collection and still in Beijing, illustrated in Metal-bodied Enamel Ware: The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2001, pages 212-213, no. 203. The fact that only a few details were slightly reinterpreted to suit the Qianlong Emperor's taste speaks for the timeless beauty of the present cup stand. Furthermore, compare with entry I-15 in Garland of Treasures: Masterpieces of Precious Crafts in the Museum Collection. Auction result comparison: Type: Related Auction: Bonhams Hong Kong, 30 November 2022, lot 27 Price: HKD 885,000 or approx. EUR 107,000 converted at the time of writing Description: A superb and rare imperial Beijing enamel circular dish, Kangxi red enamel yuzhi four-character mark and of the periodExpert remark: Compare the closely related enamel decoration, yellow ground, and Kangxi yuzhi mark. Note the different form, motif, and the significantly smaller size (9.5 cm). Auction result comparison: Type: Related Auction: Christie's Hong Kong, 29 May 2013, lot 2157 Price: HKD 1,230,000 or approx. EUR 186,000 converted and adjusted for inflation at the time of writing Description: A very rare imperial painted-enamel cup and stand, Yongzheng enameled four-character marks and of the periodExpert remark: Compare the related enamel decoration and yellow ground of the cup stand. Note the different form, motif, smaller size (15.2 cm), Yongzheng reign mark, and that the lot also comprises the matching cup.Auction result comparison: Type: Related Auction: Sotheby's Hong Kong, 7 April 2013, lot 3028 Price: HKD 1,840,000 or approx. EUR 278,000 converted and adjusted for inflation at the time of writing Description: A rare imperial enameled gold-bodied cup stand, Qing dynasty, Qianlong / Jiaqing periodExpert remark: This lot is another example of an imperial enameled cup stand, however of later date and unmarked. Note the related size (20.5 cm). The Sotheby's catalog note for this lot states that the Qianlong-marked cup stand in the National Palace Museum (see Literature comparison) is gold-bodied, which is contradicted by the Palace Museum's own publication, stating that the rims of the cup stand are only gilt, e.g. not made from solid gold.“康熙御製”款黃地花式鳳紋折沿杯托中國，約1700-1722年。 來源：據説來自英國倫敦私人收藏；英國古玩交易，購於上述收藏。

JOHN ERNEST BREUN (1862-1921), Portrait of a young girl pastel, signed and dated upper right, in gilt moulded Oxford style frame, inscribed to the reverse: 'Kathleen Houson, 1901, Exhibited Royal Academy 1902...'

JOSEPH GILARDONI (1882-1961), A mounted huntsman pastel on paper, signed lower right, 45cm high x 59.5cm wide

Manner of Rolinda Sharples (1793-1838) - Pastel - Portrait of a gentleman, 24cm x 19cm, gilt-framed, behind glass

Howard Watson (British, 1930-2015), composition in orange and blue, indistinctly titled, signed and dated 2002 verso with artist biography, pastel, 67 by 47cm, framed

A Minton dessert service, circa 1920's, comprising eleven trumpet footed coupes with everted bowls and separate stands, burnished strapwork gilt decoration, ivory and pastel blue glazed ground, printed maker's marks and J. Mc D&S Co, No.16700, 9cm high (22) (s.d)

French School, mid 19th century, portrait of a young lady, bust length wearing a blue shawl, pearl hair ornament and blue bow tie, pastel on canvas, 43 by 31cm, unframed

A Minton majolica jardiniere, 1870, bell form, modelled in high relief with floral garlands on a trellis ground, above acanthus lappets, glazed in pastel colour, impressed marks, 28cm high

A 19th Century Paris porcelain desk inkstand, of Rococo design in the form of a seated dog on a shell on a raised scroll base, pastel pink and blue glaze, gilt detailing, 25cm wide

British School (20th Century)portrait of a young ladysigned 'G. R. R' (lower left)pastel on paper59 x 47cm

Six various folios / folders of works by M M STOKES including nude portrait studies and still life studies, various other still life and figural studies, landscapes, country houses, etc, various mediums including watercolour, mixed media, pen and ink, pastel, charcoal, etc CONDITION REPORTS Approx 350 individual works

A 16" string of freshwater pearls dyed in pastel tones, with a 925 silver fish hook clasp with pierced detail. Retired Jewellery makers stock.

MARY GEORGINA WADE WILSONOchil hills from Bantaskine, chalk and pastel, signed and label to verso, 34cm x 54cm

MAURICE FIELD (1905-1988). Three works by the artist, interior scene with figures, unsigned oil on board, framed and glazed, 9 x 9 cm, a beach scene with two children, unsigned, pastel on paper, framed and glazed,, 12 x 12 cm, and an interior scene with the artists wife knitting, unsigned, pastel on paper, framed and glazed, 26 x 29 cm, all with the studio stamp verso (3)

STEVENSON. Sheep and lambs resting by a tree, farm buildings in background, signed and dated 1987 lower right, pastel on paper, framed and glazed, 38 x 52 cm

A group of various watercolours, Chinese School pictures and coloured pastels, including Arthur Spencer Roberts (1920 - 1997), a coloured pastel, Canadian otter 1957 , signed, 40cm x 52cm, mounted, Audrey Macleod (born 1936), watercolour, signed and mounted, 34cm x 57cm, Donald Hughes (1881 - 1970), watercolour, Bristol docks, signed and mounted, 24cm x 36cm, etc

Olivier DEBRE (1920-1999)SANS TITRE, 1994 Pastel gras signé, dédicacé et daté sur la page de garde d'un ouvrage 38 x 28 cmThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Laura Knight, RA, RWS (British, 1877-1970)Windy landscape pastel, pen and watercoloursigned and dated 'Laura Knight 1963' (lower right)49.2 x 67cm (19 3/8 x 26 3/8in).Footnotes:ProvenanceAnon. sale, Sotheby's, London, 4 March 1987, lot 160.Private collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Hayter (1800-c.1891)Portrait of Mrs Angerstein (née Mary Ann Nettleship) and her husband Mr William Angerstein of Weeting Hall, Norfolk, each seated in a chair, signed and dated 1844 and 1845 respectively, pastel, 46 x 31cm (2) A Cotswold Estate

Greek schoolAn imaginary scene in the manner of Mark Chagall, signed, mixed media, 32 x 69cmVertical scratch/scuff to left near edge. Paint surface has ‘droplet’ marks throughout, unsure if intentional by artist.Chalk pastel, watercolour, pencil, gouache on a brown coloured paper.

Edward William Cooke (1811-1880)Beached sailing vessels at low tide, signed 'E.W. Cooke R.A.' and dated 1868, pastel, 23 x 33.5cm

Follower of John Russell (1745-1806)Bust length portrait of a lady wearing a pearl necklace and blue ribbon, pastel, 46 x 36cm

Estella Louisa M. Canziani (1887-1964)Classical female by a brazier, pastel, 28 x 21cm; and Jonathan Fookes - 'Vision of Carthage', watercolour, 17 x 27cm (2)A collection of paintings from Woodleys House, near Woodstock. For 141 years to January 2023 the much loved home to four generations of a branch of the Ponsonby family.

Edward Taylor (1828-1906)Portrait of Ashley Ponsonby, pastel, 44 x 32cm, oval; another similar portrait, pastel, signed, in ribbon crested frame; and another - The Hon. Mrs Dora Ponsonby, 44 x 34cm (3)A collection of paintings from Woodleys House, near Woodstock. For 141 years to January 2023 the much loved home to four generations of a branch of the Ponsonby family.

Circle of Albert Goodwin (1845-1932)Landscape with distant town at sunset, faintly signed with monogram 'AG' (?) lower left and dated 'Dec. C. 1889', pastel, 32.5 x 43cm

Jean Reddaway (20th century)View of the Foreign Office from St. James' Park, signed, pastel, 38 x 47.5cm; another watercolour by the same hand - Statues by railings; and one further watercolour, unsigned (3)

A FINE NEEDLEWORK CARPET of 19th century design, the pale beige ground worked with numerous pastel shaded multi-coloured floral motifs and roundels, within black ground floral rectangular panelled border, 538cm x 355cmProvenance: From the Chateau de Magnanne, Loire Valley, France.Property of the Marquis de Magnanne.Bt. Duke's, 11th June 2015, lot 762.

Pictures & Prints - an Oskar Davidsen Sandwich price list; pair of humorous dog caricatures; Jessica Holm, Cottage view, pastel, signed, dated 2007; photographs; A R Blundell, Nelsons Column, signed, etching etc, assorted sizes (14)

English School 19th CenturyStudy of rosesPastel40.2 x 30.6cm; 15¾ x 12in

James Thomas Linnell (1820-1905)Trees by a sandy pathPastel26.1 x 34.5cm; 10¼ x 13½inProvenance:D. Colman Dunn, the artist's granddaughter;Heather Newman, GloucestershireExhibited:Salt Lake City, Salt Lake Art Centre, October 1964, no.43;London, Maas Gallery (according to label)

Hercules Brabazon Brabazon (1821-1906)View of a church, Altdorf, near Lake LucerneSigned with initials HBB (lower right)Pastel over pencil17.7 x 21.2cm; 7 x 8¼inProvenance:Private Collection, WiltshireExhibited:London, The Pastel Society, no.2

Daniel Gardner (1750-1805)Portrait of a lady, wearing a pink dress, white fur-lined cloak and white headdressPastel and gouache, oval22.8 x 18.7cm; 9 x 7¼in

A mid 19th century pastel portrait on an unknown gentleman, 19" x 14", in gilt frame

§ Sarah Bee (British b.1951) Flower Heads, 2004, signed lower right, pastel, measurements 41 x 31 cm, frame 66 x 55 cmThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

19thC School. Mother and child walking on a moor, pastel, initialled and dated '97, 32cm x 55cm.

* Hamilton (Hugh Douglas, circa 1739-1808). Portrait of a Boy, 1772, oval head and shoulders pastel portrait on paper, half-profile to right, of an auburn-haired young boy wearing a black coat with lace-edged white collar, signed and dated lower right, 23 x 18.5 cm (9 x 7 1/4 ins), gilt moulded frame (28.7 x 24 cm)QTY: (1)

* Weissenborn (Helmut, 1898-1992). Beach Scene, circa 1950s, coloured pastel on paper, a beach scene with bathing huts and figures, signed lower right, mount aperture 24.5 x 32.6 (9 5/8 x 12 7/8 ins) framed and glazed, with artist's handwritten label to verso with address of 15 Calnricarde Gardens, W."., and price of 8 guineas, (48.5 x 52.5 cm), together with seven other 20th century British watercolours, pastels and gouaches by John Harwood, Moored Boats, Reginald Grenville Eves, Pond Lane, Sussex, William Mason, At the Seaside, Arthur E Davies, Sand and Sails, Blakeney, Arthur Bell Foster, Granite Quarry, Ribblesdale, Ernest Boyce Uden, Collecting the Wood, and C.W. Taylor, Cow Barn, all but one signed, all framed and glazedQTY: (7)

AR * Spare (Austin Osman, 1888-1956). Dawn: Procession of the Procarnators, 1955, pastel on paper, depicting a sunset over a landscape, a line of figures carrying flaming torches, signed and dated lower right, sheet size 28.5 x 62.5 cm (11 1/4 x 24 5/8 ins), label with 'No.180' and title in artist's hand to verso, along with previous owner's address label 'Lieu. Col P. Boxer of Malton, Suffolk', framed (38 x 71.5 cm) QTY: (1)NOTE:Exhibited: Archer Gallery, Westbourne Grove, 1955, no. 180. This was Spare's last exhibition held during his lifetime. A copy of the catalogue is in the Sackler Library, Oxford. Procarnate is defined in the Metaphysical Dictionary as 'To go forward into a life one has not experienced as yet'.

A retro vintage late 20th century pastel portrait of a Nigerian Noble in African tribal dress. Signed JP to the corner. Framed and glazed Measures 50cm x 31cm 

Magpie lot of a small amount of dress jewellery, Farthing holder, bone handled pocket knife, QE II Silver Medallion, early pastel tin etc.

Silver plated oval entree dish, Staffordshire pastel burner and other items.

Mary-Anne Stevens- pastel female nudes, label verso, glazed frame, 49 x 29cm

Pastel study of a seated Gaisha girl reading amongst flowers, unsigned, framed and glazed

Pastel of figures on a moonlit beach, signed and dated 1976.