We found 47537 price guide item(s) matching your search
There are 47537 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
47537 item(s)/page
Lot 80
Red Trees and House - A Clarice Cliff Leda shape side plate circa 1930 with a central stylised landscape in red, green and black with black and red banding, Fantasque mark, width 17cm. Condition - No chips, cracks or restoration. [A 1929 Fantasque pattern, popular for three years. This ‘cottage in a landscape’ is now synonymous with the name of Clarice Cliff and consists of a country cottage half hidden by highly stylised trees and a ‘bubble’ bush with small clouds wafting overhead. Known in orange, red, pastel, blue and yellow colourways. DM]
Lot 85
Rudyard - A large Clarice Cliff Daffodil shape jug circa 1933 hand decorated with a stylised tree landscape in tonal green, blue and pink with tonal blue and green banding, Bizarre mark, height 17.5cm. Condition - Professional hairline restoration from the rim. [This beautifully modelled curvy shaped jug is from the custom designed Daffodil range from 1930 and is here seen in the 1933 Rudyard pattern, the pastel coloured version of Honolulu. Both colourways were introduced in 1933 as part of the Fantasque range. The Daffodil shape range was originally issued in a soft pink glaze called Damask Rose, then in many of Clarice’s patterns including Fantasque landscapes. Ref. ‘Taking Tea with Clarice Cliff’ by Leonard Griffin, p. 107. DM]
Lot 87
Blue Autumn - A large Clarice Cliff conical jug circa 1931 hand decorated with a tree and cottage landscape with orange banding, FANTASQUE and Bizarre mark, height 16.5cm. Condition - No cracks or restoration, small frit to the tip of the spout and a few minor paint scratches. [Probably the second most popular Autumn colourway after red, of the many colour sets produced in this pattern. The pattern consists of sinuous trees, bushes and a small cottage. Numerous colourways were named after dominant foliage including blue, red, orange, yellow, green, pastel (1930-34); ‘matchings’ were made until 1940. Ref. ‘Clarice Cliff The Art of Bizarre’ by Leonard Griffin p. 205. A black version (1930-34) is also known, as is a silver version on a platinum glaze (1935) sometimes with a man carrying a rucksack walking near the tree! Ref. ‘Comprehensively Clarice Cliff’ by Greg Slater and Jonathan Brough p. 228. DM]
Lot 103
Pastel Melon - A Clarice Cliff shape 515 bowl circa 1931 hand decorated with a continuous frieze of abstract fruit in pastel shades with blue banding, FANTASQUE and Bizarre mark, height 12.5cm. Condition - Small hairline to the rim, frits to the upper rim and a number of chips to the stepped fins.
Lot 106
Melon - A Clarice Cliff conical tea cup and saucer circa 1932 hand decorated with abstract geometric fruit within yellow, black and orange banding, Bizarre mark. Condition - No chips, cracks or restoration, minor paint scuffs. [A 1930 Fantasque pattern comprising geometric-styled fruit interspersed with a contour line effect. Orange, red, green, blue and pastel colourways are also known. DM]
Lot 158
Ophelia - A Clarice Cliff dinner plate circa 1936 transfer printed and painted with a large Aesthetic style vase of flowers in brown sepia line picked out in tonal oxide pastel colours over a celadon ground, printed name and script signature together with a series of hand painted glaze colour codes in black, width 25.5cm. Condition - No chips, cracks or restoration.
Lot 200
Marguerite - A Clarice Cliff teapot and cover circa 1931/32 of swollen ovoid form with a domed cover relief moulded with large blooms and buds and a conforming moulded loop handle picked out in pastel green, pink and yellow over a tonal pink Delecia style ground, large script signature, height 13cm. Condition - Small hairline to the inside lip of the cover.
Lot 729
Emma Twigger, late 20th/early 21st century- "The Past Still Speaks"; acrylic, egg tempera on paper, 29x27cm: Garry Calderwood- "A Wee Dram before Bedtime"; pastel: Richard Kitson, late 20th/early 21st century- "My Yorkshire"; watercolour: June Lloyd, late 20th/early 21st century- "Mad Cows and Englishmen"; mixed media and collage: Nicola Hamilton, late 20th/early 21st century- "Belfast"; acrylic, wax and charcoal: Phillomena Allen, late 20th/early 21st century- "The London Underground"; acrylic on paper: James Leighton, late 20th/early 21st century- "Info Freak"; oil and acrylic on paper: John Caldwell, late 20th/early 21st century- "Saturday Afternoon in Guildford"; pastel: David Eland, late 20th/early 21st century- "People on Pavement"; oil on paper, (9). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
Lot 730
Pat Lambshire, late 20th/early 21st century- "Still life"; gouache , pastel and collage, 33.5x33cm: June Lloyd- Jones- "Asters"; oil on canvas board, signed with monogram: June Lloyd-Jones- "Sweetpeas"; oil on canvas board, signed: Lynn Breeze- "I Made a Birthday Card"; pen and black ink and watercolour, two, in shared mount and frame, signed twice in pencil: Lynn Breeze- "Black Drop"; pen and black ink and watercolour, two, in shared mount and frame, signed twice in pencil: Lynn Breeze- "I Made Flowers"; pen and black ink and watercolour, signed in pencil: Ann Carol Sutherland- "All The Summer Isles"; gouache and collage, signed and dated 1984 in pencil. Provenance: with The Mercury Gallery, London, according to label attached to the reverse of the frame: Laura de la Mare- "Still Life with Mackerel on a Plate"; gouache and acrylic on paper, all the above artists late 20th/early 21st century, (9). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
Lot 734
Claire Baines, late 20th/early 21st century- "Summer Landscape"; oil on canvas laid down on board, 70x90cm: Catherine Goodman, late 20th/early 21st century- "Combtoux Alps"; gouache: Jim Pattison, late 20th/early 21st century- "Billia Goo"; mixed technique on paper, signed titled and dated 88: Bernard Myers- "Table by the Window"; pastel, signed: Jill Jones, late 20th/early 21st century- "June is Busting Out All Over"; mixed media on board: Rosemary Clarke-Smith, late 20th/early 21st century- "Old Bedsteads"; black felt-tipped pen and watercolour, signed in pencil. Provenance: The Court Gallery, East Mosley, Surrey, according to label attached to the reverse of the frame: Annabel Hewitt- "Science 7"; mixed technique on paper, signed and titled, (7). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
Lot 745
John Leech 1817-1864- "Inspecting the Volunteers"; pen and black ink and watercolour, 11.5x16.5cm. Provenance: with The Squire Gallery, London, according to label attached to he reverse of the frame: John Garside b.1887- "The Shadow Line Joseph Conrad Wayfarer's Library J M Dent & Sons Ltd"; gouache and watercolour, signed, original artwork for book dust jacket design, 26x19.5cm: Modern British School, mid 20th century- Two blue fish; pastel, 24x23.2cm: Jay Swallow, late 20th century- "The Specialists"; acrylic on blue paper, signed in pencil, 25.5x35cm., (4)
Lot 938
Lots 938-962: A collection of Chanel & Hermes 1980's/1990's from the wardrobe of a South German Lady. Two Chanel jackets; a black wool collarless jacket with pastel coloured flex & metallic gold thread, sequinned edges, detachable floral corsage, chain weighted hem with a co-ordinating sleeveless round neck top with two front pockets, labelled, size 38, together with a black & white wool & alpaca jacket with zip fastening, two breast pockets, chain weighted hem, labelled, size 42, (3).
Loading...-
47537 item(s)/page