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Lot 682
DONALD WOOD (1889-1953) PORTRAIT OF A LADY seated half length in a pink dress and pearl necklace, signed and dated 1933, pastel on joined sheets, 75 x 63cm, in the original Art Deco silvered gesso frame ++Having been stored in an outbuilding mildew and condensation forming under the glass has precipitated onto the medium with small splashes, unrestored
Lot 685
EMILY EYRES (EXH 1892-1905) PORTRAIT OF MRS SCOTT-MONCRIEFF AFTER SIR HENRY RAEBURN; PORTRAIT OF A YOUNG LADY CALLED MISS MARY SCHULTZ AFTER ANOTHER a pair, both with signature and inscription on a label on the backboard, pastel, 42 x 55.5cm (2) ++Undisturbed in what are probably the original early 20th c gilt frames. Some mildew on the surface of the medium and on the underside of the glass
Lot 17
MARGUERITE BARRIÈRE-PRÉVOST (1887-1981) - PORTRAIT DE JEUNE FILLE - MONTAGNES ENNEIGEES PORTRAIT Of A YOUNG GIRL SNOWY MOUNTAINS Un pastel et une gouache sur papier, signés en bas à gauche, l’une située Midelt et datée avril 1928. À vue : 33,5 X 26,5 cm (12.5 x 10.5 in.) - À vue : 18,5 x 28,5 cm (7 x 11 in.)
Lot 45
Harry Kernoff RHA (1900-1974) PORTRAIT OF A LADY, 1928 chalk pastel on buff-coloured paper; (1); woodcuts; (2) signed and dated lower left 21 by 15in., 52.5 by 37.5cm. P Also with this lot are two woodcuts by Harry Kernoff, Breacadh an Lae or Dawn, 1929 and Profile of a Man in Shirt and Tie, 1931. Each signed and dated in the lower margin. Folio size of each title: 11.25 by 9in. and 8.5 by 6in., respectively.Breacadh an Lae or Dawn is illustrated in two books, the first, Woodcuts, Harry Kernoff, RHA a limited edition book (220 copies) published in Dublin, 1942 by Cahill and Company Ltd. The second title, Cap with Bells, Woodcuts by Harry Kernoff and Ink Washes by Noel Sheridan, by Coburn Britton, The Dolmen Press, Dublin 1959 (320 copies, illustrated p.26).
Lot 188
Terence P. Flanagan RHA PPRUA (1929-2011) A FLOWERING POST, 1980 charcoal and chalk pastel over pencil with incising signed lower right; titled lower left; inscribed with title on David Hendriks gallery label on reverse 32 by 23in., 80 by 57.5cm. P David Hendriks Gallery, Dublin;The Collection of Jim O`Driscoll SC `T.P. Flanagan`, David Hendriks Gallery, Dublin, 22 November - 20 December, 1980, catalogue no. 14 From 12 - 21 September this year Taylor Galleries, Dublin hosted an exhibition entitled `T.P. Flanagan: Painter of Light and Landscape, an exhibition of selected work by T.P. Flanagan (1929-2011)` to accompanies the launch of Dr. S.B. Kennedy’s newly published monograph on the artist.
Lot 190
Pauline Bewick RHA (b.1935) WOMAN, FOXGLOVE AND TREES, 2003 pastel over ink on tinted wove paper signed, titled and dated lower centre; with Taylor Galleries label on reverse 30.5 by 22.25in., 76.25 by 55.625cm. P Taylor Galleries, Dublin;Where purchased by the present owner `Pauline Bewick`, Taylor Galleries, Dublin, September 2003, catalogue no. 23
![Kathy Prendergast (b.1958) SKY, 1990 pastel on paper signed and dated lower right; titled centre; inscribed [Blue Past"]](http://lot-images.atgmedia.com/SR/10092/2891191/197-2013114195413_468x382.jpg)
Lot 201
Phil Kelly (1950-2010) STREET CORNER, MEXICO, 1992 watercolour over pen and ink with pastel on paper signed and dated lower right; titled verso 22.25 by 28.25in., 55.625 by 70.625cm. L Also with this lot: attractive hardback publication Phil Kelly, 2 Horas y 25 Años, published by Aeroméxico; American Express in 2005. The text details the Irish born artist`s artistic process and his connection to Mexico; his adoptive homeland since 1989. Also included, two exhibition catalogues for solo shows in Mexico, `La Forma de las Cosas que Vendran` (August 1999) and `Babel Descrifrada` (December to March 1996/1997) and postcards for same (5 items total).Phil Kelly was reared in England and was of Irish extraction. He became a Mexican citizen in 1999 and has been described as an Irish Expressionist". He studied Art and Special Education in Bath and travelled in Europe and painted widely after graduation with fellow artist Ann Woods exhibiting in small galleries all the while. At this stage his influences included among others Jack Butler Yeats. His first trip to Mexico was in 1982. It lasted three years and had a dramatic effect on his work. After a time in London he returned in 1989 and married Ruth Munguia, an arts professional who helped manage Kelly`s career. Regular exhibitions of Kelly`s work followed in both Mexico (Museo de Arte Contemporáneo in Mexico City: Babel Descrifada) and London (Westbourne Gallery and The Hay Festival of Literature) in 1996. Both received wide media coverage. The following year The Frederick Gallery in Dublin hosted his first Irish solo show, opened by the Mexican Ambassador to Ireland and other exhibitions followed at Hillsboro Fine Art. Phil Kelly and Seamus Heaney became friends during their careers and Kelly`s illustrations accompanied some of Heaney`s publications in Mexico. Kelly`s oeuvre is dominated by urban scenes from Mexico City. His work can be found in private collections internationally and in The Museum of Modern Art in Mexico City and The Museum of Modern Art of Oaxaca. His work has been widely reproduced in publications in Mexico, Ireland and in the UK. "
Lot 17
Jules Schmalzigaug (1888-1917) Kurhaus en strand te Scheveningen Pastel sur papier Signé en bas à droite Cachet de la succession au dos Pastel op papier Rechts onderaan gesigneerd Een stempel van de successie op de achterkant 28,5 x 31 cm Provenance/Herkomst : Collection privée/Prive Collectie Exposition/tentoonstelling: 1985, Musées royaux des Beaux-Arts, Bruxelles
Lot 218
Pastel and paint portrait of Field Marshal Paul von Hindenburg. A framed and mounted portrait of Paul von Hindenburg in undress single breasted uniform, wearing only the Iron Cross (first class) and the ‘Pour le Merite’. Broken glass has been removed, slight mark on the mount, but otherwise in excellent condition.
Lot 346
Poster for “Trans-Atlantic ZRIII”. From an original pastel drawing, the poster advertises a piece of music written by Welka Olsa to celebrate the delivery of LZ 126 (ZR3-USS Los Angeles) to the USA in 1924, across the Atlantic Ocean. The picture in blue and black pastel, shows ZRIII flying from right to left over a warship. Signed in the lower right “Schulz”. (mounted, framed and glazed (48cm x 36cm)). VGC. For picture See the-saleroom.com
Lot 112
MOSES SOYER PASTEL ON PAPER OF SLEEPING WOMAN Moses Soyer (AMERICAN, 1899-1974) pastel on paper depicting a sleeping woman. Signed lower left with dedication `To Josie` and dated 1964 to lower right. Mounted in gilded wooden frame with matting behind a glass screen. Measures 9 3/8" height x 17 3/8" width + 3 3/4" mat & frame (23.8cm x 44.1cm + 9.5cm).
Lot 72
Meret Oppenheim (1913-1985), Anna Maria LUPO et Roberto LUPOLa ruine est noire (Cadavre exquis), 1971Crayon et pastel sur papierSigné des trois artistes en bas à gauche, signé Meret Oppenheim, daté et titré en bas à droite Pencil and pastel on paperSigned by the 3 artists lower left, signed Meret Oppenheim, dated and titled lower right61,5 x 47,5 cm - 24 1/4 x 18 3/4 in. (à vue) Provenance :Paris, Vente Binoche, 11 juin 1979, lot 92Acquis lors de cette vente par l’actuel propriétaire
Lot 1
ƒRoberto Matta (1911-2002)An outlook into, circa 1950Pastel et crayon sur papierInscriptions indistinctes de l’artiste en basSigné, titré, inscrit «to feel social progress as a personal matter» et numéroté #857 au dosPastel and graphite on paperIndistinctly inscribed along the bottomSigned, titled, inscribed “to feel social progress as a personal matter” and numbered #857 on the reverse25 x 71 cm - 9 7/8 x 28 in. Provenance :Collection Ruth Moskin Fineshriber, New York (acquis auprès de l’artiste dans les années 50)New York, Vente Christie’s, 1er juin 2007, lot 206Collection particulière, Mexico
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