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Lot 70
Pair of Staffordshire dogs, modelled as seated King Charles Spaniels, 27cm; Staffordshire clock group; Staffordshire spill vase group; Staffordshire cottage pastel burner; fairing groups; set of four graduating jugs, pale blue ground, shallow relief panels of Royal Coat of Arms, Lions, and dog with snake,; pair of late Chinese blue and white dishes.
Lot 1730
A collection of 20th century watercolours, prints and greetings cards, to include: N. F. Dawe - Woodland scene in watercolour, signed lower left, 29 x 44 cm, framed and glazed; M. Bain - pastel of trees; A quantity of watercolours on loose sheets and pages from sketchbooks, mostly of farm and equestrian subjects with rural landscapes, some signed A. Jowitt; T. B. Cato - A watercolour woodland scene, unframed; with a group of cropped calendar prints after William Heath Robinson
Lot 56
JOSÉ PEDRO CROFT - NASC. 1957, Untitled, fluorescent acrylic paint and dry pastel on paper, signed and dated 2001. Notes: it was part of the retrospective exhibition "José Pedro Croft 1979-2002 : retrospectiva = retrospective", held at the Centro Cultural de Belém, and is reproduced in the respective catalogue, p. 145., Dim. - 176 x 140 cm
Lot 215
Five early 20th Century views of Constantinople Crayon pastel on paper Four indistinctly-signed and titled to the verso, including dates of 1923 and 1924, a signature and the job role of former Turkish Consul-General in France. One bearing embossed stamp to the top right corner. Framed by the renowned early publisher of Ottoman postcards, Max Fruchtermann, at Yüksekkaldirim in Istanbul. Largest 16cm x 23cm Postage for this lot is available to the UK for £32.50
Lot 281
Margaret WARDMAN (XX-XXI) St Ives Pastel with graphite Signed and dated '89 25cm x 38cm, 37.5cm x 50.5cm framed Shipping is available from £32.50 to a UK Mainland address. Margaret Wardman (née Shuttleworth) Margret Wardman (1922–2020), born, West Riding of Yorkshire, studied Fine Art at Bradford and Leeds Colleges of Art during WW11. In wartime, she also specialised in weaving at the Ministry of Pensions Hospital, Occupational Therapy Department, Eden Hall, Edinburgh, Scotland. Followed by an appointment at Pinderfields Hospital in Wakefield as an Occupational Therapist whilst fitting in three summers farming in Warwickshire and Worcestershire drawing subject matter for the painting Harvest Group. Post war, teaching art in schools in Accrington and Manchester. Through the strong, professional interconnections with artists in the North of England and its principal art galleries and museums, Margret’s paintings and drawings of the 1940’s and 50’s saw her visual language and modernist, artistic style grow in confidence and maturity. Her paintings were shown and regularly highlighted in reviews in group exhibitions such as the ‘Yorkshire Artists Exhibition’, the Annual West Riding Artists Exhibition’ and ‘Artists with North Country Associations’ at Bradford, Leeds, Manchester and Wakefield City Art Galleries. Painting and family life ran parallel, expecting the first of three children, sketching subject matter for the oil painting, Buck’s Mills whilst on holiday in Devon. Involvement with Otley and Ilkley arts Clubs at that time provided further opportunities to exhibit and develop her talent. The family’s civil engineering business brought about a move and a period of four decades living on the Somerset levels. There a new focus for drawing and recording the architectural specialisms of the level’s historic, Dutch style houses emerged along with commissions for illustrations for local businesses. A more personal, intimate, domestic subject matter flowed through her flower studies integrated with her gardens. Margaret’s later paintings, she settled in Cornwall from 2006, rediscover her own pictorial language and formative experiences. As Barbara Hepworth noted in 1939-40, ‘the deep connectivity with the Cornish landscape and the Yorkshire Moors’ meant, for Margaret, her continued exploration of modernism and strong pictorial form - planar space, structure, composition, line, painted mark with colour which the earlier canvases had produced.
Lot 6517
Barry De More (Northern British 1948-2023): 'Austrian Man' in Straw Hat, pastel signed and dated '87, titled verso 52cm x 37cmProvenance: direct from the family of the artist Notes: a Yorkshire Artist and Associate Member of Dean Clough Studio Artists, De More's works have been exhibited in galleries such as The Stirling Smith Art Gallery and The Whitaker Museum
Lot 9081
English School (Mid 20th Century): Portrait of a Lady, pastel indistinctly signed and dated 1946; Philip Harris (British 20th Century): 'River Lane', artist proof etching with aquatint signed and titled in pencil together with two prints , two photographs and an original oil in one box max 45cm x 60cm
Lot 122
* JOEL KIRK (BRITISH b. 1948), TIGER oil on canvas, signedunframedoverall size 76cm x 101cm Note: Joel Kirk is a British painter working in a Photorealist style. He travels the world, making initial studies of his subjects, in pastel and watercolor, before transferring them to larger canvases in his studio. Born in Dorking, United Kingdom, Kirk attended the Southend College of Art before beginning his career as a commercial artist, producing images for publishing houses and postage stamps. His realist techniques are comparable to those used by artists such as Julie Bell and Timothy Barr. Kirk often raises money for Wildlife foundations, including the Born Free Foundation and the Dian Fossey Gorilla Fund. Kirk lives and works in Dorset, United Kingdom.
Lot 52
* ANNE GORDON DA (SCOTTISH 1941 - 2005), TIREE pastel on paper, signed, titled label versomounted, framed and under glass image size 21cm x 20cm, overall size 44cm x 43cm Label verso: The Rowan Gallery, Drymen.Note: Anne Gordon was born in Glasgow where she studied at Glasgow School of Art. She had many solo exhibitions and showed work in most of the major annual public Scottish exhibitions. She exhibited in London, New York, San Francisco, Hong Kong, and has been represented by Duncan Miller Fine Art (London) at 20th Century Art Fairs at the Royal College of Art, plus Art '94 and '95 at the Business Design Centre, London. Numerous awards include The Lauder Award in 1986 and 1987. Anne found the subject matter for her paintings from travels to Turkey, Tobago, Italy and the Scottish islands. Over many years she enjoyed great success with her sympathetic and colourful impressions of landscapes in Scotland and the Mediterranean.
Lot 104
* CALLUM INNES (SCOTTISH b. 1962), UNTITLED pastel and charcoal on paper, signed and dated '84 framed and under glassimage size 87cm x 57cm, overall size 87cm x 63cmProvenance: Acquired by the vendor directly from the artist circa 1984. Private Glasgow collection.Note: Artist and teacher, born and lived in Edinburgh, who studied in Aberdeen. Innes’ early canvases were figurative. Then he painted abstract works tending towards Minimalism, although he still saw his pictures “as having a figurative element”. Was included in the British Art Show, 1990; Kunst Europa – Kunstverein Freiburg, Germany, and Artisti Invitatial Premio Internationale, Milan, Rome, London and America, 1991; and New Voices, a British Council Exhibition, Brussels, 1992. Innes’ solo shows included Frith Street Gallery from 1990; Jan Turner Gallery, Los Angeles, 1990; Gallery Patrick de Brock, Belgium, 1991; ICA, 1992; and Scottish National Gallery of Modern Art, Edinburgh, 1992–3. Won the NatWest Art Prize, 1998, and Jerwood Painting Prize, 2002. In 2005 Tate St Ives held an exhibition, Resonance, which included a range of works from Innes’s Exposed Paintings series that the gallery had commissioned. Innes was then teaching in the fine art school at Glasgow School of Art.
Lot 250
* ANTHONY ORME (BRITISH b. 1945), REFLECTIONS OF VENICE pastel on paper, signedmounted, framed and under glassimage size 58cm x 78cm, overall size 105cm x 125cm Note: Anthony Orme was born in Manchester in 1945, to an extensive family of eight. On leaving school, he was apprenticed as a copper plate and steel die hand engraver. To gain this position, he had to prove his artistic ability and produced many sketches at that time to qualify. Later on in life, he decided that the art side of his work had a greater pull and he became a full time, professional painter. Over the years, Anthony pursued his art with passion and determination, which has come to typify this self-belief that a combination of talent, hard-work and a modicum of luck, will in the end, produce a very positive driving force. When not travelling abroad to paint, Anthony works from his Manchester studio producing paintings from live models. His paintings are held in private and corporate collections throughout the UK and abroad.
Lot 213
* JOEL KIRK (BRITISH b. 1948), ATTEMPTED ROBBERY oil on board, signed, titled versoframedimage size 50cm x 70cm, overall size 76cm x 96cm Note: certificate of authenticity accompanies this lot.Note 2: Joel Kirk is a British painter working in a Photorealist style. He travels the world, making initial studies of his subjects, in pastel and watercolor, before transferring them to larger canvases in his studio. Born in Dorking, United Kingdom, Kirk attended the Southend College of Art before beginning his career as a commercial artist, producing images for publishing houses and postage stamps. His realist techniques are comparable to those used by artists such as Julie Bell and Timothy Barr. Kirk often raises money for Wildlife foundations, including the Born Free Foundation and the Dian Fossey Gorilla Fund. Kirk lives and works in Dorset, United Kingdom.
Lot 187
* GEORGE DEVLIN RSW RGI ROI ARWS FRSA (SCOTTISH 1937 - 2014), SUNSET OVER SALUTE pastel on paper, signed, titled label versomounted, framed and under glass image size 22cm x 29cm, overall size 49cm x 56cm Artist's label verso.Note: George Devlin was one of Scotland's most successful 20th century artists with numerous exhibitions in Scotland, throughout the UK and around the world. Corporate collections include: De Beers (South Africa and Switzerland); Robert Fleming Holdings; Dutch Water Board; London Stock Exchange; Arthur Andersen and Co; Scottish Television; Universities of Leicester, Glasgow and Strathclyde, Essex, Dunbartonshire, Argyll and Tayside; Edinburgh City Collection; Royal Bank of Scotland; Clydesdale Bank; Lloyds TSB; Bank of Scotland; J. O. Hambro; Mason Owen; Dunedin Trust Management; Dunfermline Building Society; Argyll Group; Scottish Friendly Society; United Distillers; Teachers Whisky; Edrington Group and Clan Donald Centre; Cunard (QM2), Dunbartonshire Educational Trust. Private collections include: Sir Tim Rice; Sir James Black; Earl Haig; Lord Maclay; Duke of Bedford and numerous collections in the UK and worldwide.
Lot 6
* GEORGE THOMPSON (BRITISH 1934 - 2019), BOYS FISHING oil on board, signed, titled and dated 1995 versoframed and under glassimage size 42cm x 37cm, overall size 60cm x 54cm Note: George Thompson was born in Wigan in 1934. He moved to Chester when he was eleven. He studied fine art (painting) at Chester School of Art and gained an art teacher’s diploma at Liverpool College of Art. He then spent his time teaching painting in Chester and the Wirral. He later moved to West Kirby, overlooking the estuary of the Dee. Here the constantly changing colours, textures and play of light on the water and wet sand, were a constant source of inspiration to him. Every summer he combined a love of travel with a working holiday abroad, especially Venice and Tuscany and more recently in Croatia, Corfu and Ireland. He had one man exhibitions in Australia, Canada, USA and Japan and his paintings are in collections all over the world. He won prizes at the Pastel Society Exhibitions, at the Mall Galleries in London and the National Acrylic Painters Association Exhibition.Condition is good overall, with no visible or known issues.
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