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Lot 179
A watercolour and pastel political cartoon depicting Black Rod banging on the door of the Commons chamber, mounted and framed under glass, image size approximately 35 cm x 42.5 cm, originally commissioned for a BBC political programme in the early 1990s and consigned by a former member of the production team
Lot 178
A political cartoon in watercolour and pastel depicting Black Rod approaching the Commons chamber, mounted and framed under glass, image size approximately 35 cm x 42.5 cm originally commissioned for a BBC political programme in the early 1990s and consigned by a former production team member
Lot 139
A Doug HYDE original pastel painting of a red balloon with figure titled verso "Top of the World", image 15" x 20", signed "Doug" lower left and inscribed by the artist "I wish all who see this much happiness, smiles and may it let you drift away to feel on top of the world", contemporary white painted box frame
Lot 76
UNATTRIBUTED (MODERN) WATERCOLOUR DRAWING 'Yew Tree Farm, the Lake District' Signed and dated (20)02, indistinctly signed, titled and dated, 18" x 13 ½" (45.7cm x 34.3cm) Together with EIGHT OTHER WATERCOLOUR DRAWINGS, various subjects and sizes, and a COLOURED PASTEL OF 'ROCKY HOUSE FARM', indistinctly signed, (10)
Lot 469
* CAMPBELL MACKIE (SCOTTISH 1886 - 1952), COTTAGES ON THE COAST watercolour on paper, signed 24.5cm x 50cm Mounted, framed and under glass Note: Thomas Callander Campbell Mackie was born on 17 June 1886 in Helensburgh, near Glasgow. Articled to architect Alexander Nisbet Paterson between 1902 and 1907, he also worked as assistant to William Leiper during these years. From 1904 he was studying at the Glasgow School of Art under Eugene Bourdon, contributing to the School’s magazine Vista in 1908. At the School he was regarded as ‘most promising of architect students, gifted with outstanding imagination of unusual quality and supreme draughtsmanship’. Deemed unfit for military service, he spent the First World War with the Red Cross. By 1920 he was appointed Head of the School of Design at Glasgow School of Art. By now he was chiefly a painter in watercolours, oil and pastel and a lithographer. He died in 1952, two years after his retirement from Glasgow School of Art. Mackie's paintings are distinguished by his "supreme draughtsmanship".
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