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A FRAMED AND GLAZED WATERCOLOUR / PASTEL ENTITLED PLOUGHING THE LAND SIGNED GEORGE SOPER LOWER RIGHT - H 29 CM H 36 CM

CURRO GONZÁLEZ (Seville, 1960)."Embrace", 2004.Pastel on canvas.Presents a label from the Galería Distrito 4, Madrid.Sizes: 150 x 150 cm; 154 x 154 cm (frame).Pastel on canvas in which the artist uses a very expressive aesthetic language. This characteristic is due to the composition, whose perspective is presented to the spectator like a fish's eye, focusing on the centre and distorting the dimensions of the exterior areas.Curro González made his solo debut in 1982 in Seville (he had already exhibited in a group exhibition in 1981), and the following year he received a grant from the Ministry of Culture, followed by others from the Caja de Ahorros San Fernando de Sevilla (1984), the University of Valencia at the Martínez Garricabeitia Biennial (1992), the Pollock-Krasner Foundation in New York (1998), the Endesa de Artes Plásticas (2011) and the residency grant at the Cité Internationale des Arts in Paris, awarded by the Institut Français (2013). Throughout his career, Curro González has participated in major art fairs and group exhibitions held in art centres, museums and galleries in Spain, Germany, France, the United Kingdom, Argentina, the Philippines and the United States, among other countries. He has also held solo exhibitions in important galleries throughout Spain (Fúcares in Madrid, Ciento y Fúcares in Barcelona, Fernando Latorre in Zaragoza, etc.), as well as in Lisbon, Cologne and Manila. In recent years he has had solo exhibitions at the CAAC in Seville (2010), the Pablo Gallery in Manila (2011), the DAGC in the same city (2012), the Ad Hoc in Vigo (2012) and the Rafael Ortiz in Seville (2013). González is represented in the Museo Nacional Centro de Arte Reina Sofía, the Stadtbücherei in Stuttgart, the Centro Andaluz de Arte Contemporáneo, the Museo de Bellas Artes de Álava, the Artium in Vitoria, the Guggenheim, and the collections of the Banco de España, Banco Exterior de España, CAC Málaga, and Goldman Sach Int, among many other public and private institutions.

Andrew Salgado (Canadian b.1982) Male Nude Amongst Flowers, signed lower left-centre, dated 2018, oil pastel on paper, measurements 75 x 57 cm (SH), frame 85 x 67 cm

Averil Gilkes PS (British b.1945) Still Life with Jug and Cups, signed lower left, pen, acrylic and pastel, mixed media, measurements 21 x 26 cm, frame 42 x 47 cm

A quantity of various decorative china to include Staffordshire type dogs, pastel burner, pair of copper candlesticks, art deco decorated chamber pot and carved wooden figure

Margaret Glass, pastel study "Evening at Debach" and another

* CHRISTINE MACARTHUR RSW RGI (SCOTTISH b. 1953), THUNDERY DAY PEARS pastel on paper, signed, titled label verso image size 36.5cm x 36.5cm, overall size 56.5cmx. 56.5cm Framed and under glass. Note: Christine McArthur was born in Kirkintilloch, near Glasgow in 1953 and studied at The Glasgow School of Art between 1971 and 1976, which included a post-diploma year. After graduating she taught and produced book illustrations until the demand for her work enabled her to paint full time. Her early work was primarily in oil and she became well known for her large scale still life paintings on canvas. In the late 1980s she began to work in oil pastel and watercolour. Christine McArthur was awarded Scottish Education Department travelling scholarships in 1975 and 1976 and was elected a member of the Royal Glasgow Institute of the Fine Arts in 1990. In 1995 she was elected a member of the Royal Scottish Society of Painters in Watercolour. In 1997 John Lewis commissioned four large murals – each 6ft x 15ft - for the Glasgow store in 1999. In 2002 she received a commission from John Lewis for murals for the extension to their Peter Jones store, Sloane Square, London. In 2009 she resigned from the RGI and the RSW.

* ALLY THOMPSON (SCOTTISH 1955 - 2016), UNTITLED pastel on paper, signed image size 74cm x 54cm, overall size 102cm x 80cm Mounted, framed and under glass.

A pastel sketch, Margaret Chapman, nostalgic farmyard, signed, 33 x 25cm, plus frame and glazed

A pastel sketch, Gilles Grid, celebrity supper, signed and attributed, 34 x 60cm

Stanley Dobbin (British 1932-2021): 'Quarry Portland', oil and pastel unsigned, labelled 36cm x 64cmProvenance: from the estate of Stanley Dobbin

Catherine E Inglis (British Contemporary): Springer Spaniel, pastel signed; David Baker (British Contemporary): 'Jasmine' - Ginger Tabby Cat, pastel signed and titled 30cm x 20cm (2)

19thc School, Portrait of a Lady, pastel (67cm x 54cm)

Queen Anne floral decorated Pastel green Tea Set

Franz von Lenbach 1836 Schrobenhausen - 1904 München, Porträt einer jungen Frau im Profil, Kohle- und Pastellzeichnung auf Papier, re. unten signiert und dat. Juli 87, ca. 37 x 27 cm, unter Glas, schwarzer Holzrahmen leicht bestoßenFranz von Lenbach 1836 Schrobenhausen - 1904 Munich, portrait of a young woman in profile, charcoal and pastel drawing on paper, signed right below and dated July 87, approx. 37 x 27cm, under glass, black wooden frame slightly bumped

Frank Samuel Eastman (1878-1964), portrait study of a bearded gentleman, seated half length, wearing a black jacket and waistcoat, pastel, signed and dated 1912, 48.5 cm x 41 cm. Provenance: By descent from the family.

Christine Slade (b. 1943) Norfolk Broad Windmill, pastel, signed and dated 1991, 32cm x 50cm

HAROLD FRANCIS RILEY BL DLitt FRCS (Hon) DFA ATC (born 1934); pastel, 'Salford Street', signed and dated 78 and titled, 23 x 21cm, framed and glazed. (D)Additional InformationImage clean and bright, frame with some scuffs and scratches.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

BRIAN SHIELDS (BRAAQ) (1951-1997) pastel and coloured chalk, unfinished study of a gentleman wearing hat, signed 17.5 x 12cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MACKENZIE THORPE (born 1956); pastel and watercolour on paper, 'Love and a Friend', signed lower right, 109 x 76cm, framed. (D)Additional InformationPostage will not be fulfilled in house. We advise you to speak to MBE. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

JOHN MACKIE (born 1953); pastel, still life study, signed and dated '96, 47 x 58cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

JANINA CEBERTOWICZ (born 1953); pastel, bathing tents, Piraeus Greece, initialled, bears Tib Lane Gallery label verso, 30 x 37cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

ELSIE MARIAN HENDERSON (1880-1967); pastel, 'Tiger Resting', signed lower right, bears Sally Hunter Fine Art Gallery label verso, 20 x 31cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MARK ROWBOTHAM; watercolour and pastel on watercolour paper, a girl sitting on the pier, 'Pier Fishing', signed bottom right, 35 x 25 cm, framed. (D)Additional InformationFrame with light scratches and scuffs, the main image is good with strong colours. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Three framed Watercolours to include trains and ships, an acrylic entitled 'After The Storm', and a pastel landscape, all by John Phillips.

A framed Pastel entitled 'Green Glass' initialed J.M.C., a framed chalk, pastel and charcoal drawing titled 'Steve' June 1994, an Oil on board by Stella Carton-Kelly titled 'Farmer Frank', plus three more portraits by same artist.

von Hofmann, Ludwig - - Ludwig von Hofmann. o.T. (Hanneles Ankunft im Paradies.) Illustrationsentwurf zu Gerhart Hauptmanns "Hanneles Himmelfahrt". Um 1894. Pastell auf braunem Papier. 22,5 x 35 cm. Monogrammiert. Auf Unterlage und unter Passepartout montiert. Im oberen rechten Rand mit kleinen unscheinbaren Einrissen. Wohlerhalten. Untitled. (Hannele's Arrival in Paradise.) Illustration sketch for Gerhart Hauptmann's "Hanneles Himmelfahrt". Around 1894. Pastel on brown paper. Monogrammed. Mounted on backing and under passepartout. - With small inconspicuous tears at upper right margin. Well preserved.

von Hofmann, Ludwig - - Ludwig von Hofmann. o.T. (Hanneles Tod.) Illustrationsentwurf zu Gerhart Hauptmanns "Hanneles Himmelfahrt". Um 1894. Kohle und Pastell auf Papier. 26,7 x 34,2 cm. Signiert. Punktuell auf Unterlage montiert. Untere rechte Ecke mit kl. Materialverlust von Unterlage gelöst. Wohlerhalten. Untitled. (Hanneles Tod.) Illustration sketch for Gerhart Hauptmann's "Hanneles Himmelfahrt". About 1894. charcoal and pastel on paper. Signed. Spot mounted on backing. - Lower right corner with small loss of material detached from backing. Well preserved.

von Hofmann, Ludwig - - Ludwig von Hofmann. Porträt von Gehart Hauptmanns Sohn Benvenuto. Um 1912. Kohle und Pastell auf chamoisfarbenem Papier. 47,5 x 28,5 cm. Monogrammiert. Voll auf Unterlage aufgezogen. In den Rändern mit Rückständen von Montierung. Motiv wohl erhalten. Portrait of Gehart Hauptmann's son Benvenuto. Around 1912. Charcoal and pastel on buff paper. Monogrammed. Fully mounted on backing. - With residues of mounting in the margins. Motif well preserved.

von Hofmann, Ludwig - - Ludwig von Hofmann. o.T. (Drei Engel.) Illustrationsentwurf zu Gerhart Hauptmanns "Hanneles Himmelfahrt". Um 1894. Kohle und Pastell auf Papier. 22 x 17 cm. Punktuell auf Unterlage montiert. Im oberen Rand mit Seidenbordüre. Linker Rand mit Abrisskante. Wohl erhalten. Untitled. (Three angels.) Illustration sketch for Gerhart Hauptmann's "Hanneles Himmelfahrt". Around 1894. Charcoal and pastel on paper. Punctually mounted on backing. - Upper margin with silk border. Left margin with a tear-off edge. Well preserved.

Vietnam - - Restaurantszene in Cholon. 1903. Kohle und Pastell auf grauem Papier. 32,5 x 46 cm. Monogrammiert (AT), datiert und bezeichnet. Unter Passepartout montiert. Cholon ist ein Stadtteil von Ho-Chi-Minh-Stadt (ehemals Saigon) in Vietnam. Er ist durch den Reishandel geprägt und ist geprägt durch eine starke chinesische Gemeinschaft, die sich Ende des Jahrhunderts dort niedergelassen hat. - Im Rand mit fachmännisch restaurierten kleinen Fehlstellen und Einrissen. Insgesamt sehr gut erhalten. Vietnam - Restaurant scene in Cholon. Charcoal and pastel on grey paper. Monogrammed (AT), dated and inscribed. Mounted under passepartout. - Cholon is a district of Ho Chi Minh City (formerly Saigon) in Vietnam. It is dominated by the rice trade and is characterised by a strong Chinese community that settled there at the end of the century. - In margin with expertly restored small missing parts and tears. Overall very well preserved.

von Hofmann, Ludwig - - Ludwig von Hofmann. o.T. (Hanneles Tod.) Illustrationsentwurf zu Gerhart Hauptmanns "Hanneles Himmelfahrt". Um 1894. Kohle und Pastell auf Papier. 26,7 x 34 cm. Signiert. Punktuell auf Unterlage montiert. Untere rechte Ecke mit kl. Einriss. Oberer Blattrand mit kl. Defekten. Wohlerhalten. Untitled. (Hanneles Tod.) Illustration sketch for Gerhart Hauptmann's "Hanneles Himmelfahrt". About 1894. Charcoal and pastel on paper. Signed. Spot mounted on backing. - Lower right corner with small tear. Upper margin with small defects. Well preserved.

H. Hughes Stanton 'Evening Shadows, Dorset', (figure in the foreground) pastel drawing, 'The Pastel Society, London' label to reverse, 23cm x 28cm, gilt framed, mounted, and glazed

*MAXWELL ASHBY ARMFIELD (1882-1972) 'Sketch of Corfe Castle' pastel, 21cm x 21cm Provenance: Private Collection, Wiltshire

*MAXWELL ASHBY ARMFIELD (1882-1972) 'The Harbour - Dubrovnik' monogrammed, titled and dated '67 in pencil lower right, pencil and pastel, 22cm x 21.5cm Provenance: Private Collection, Wiltshire

*MAXWELL ASHBY ARMFIELD (1882-1972) 'Dubrovnik - On The Walls' monogrammed, titled and dated in pencil lower right, pencil and pastel, 23.5cm x 21.5cm Provenance: Private Collection, Wiltshire

*KEITH VAUGHAN (1912-1977) 'Men in a Wood' signed and dated '57 lower right, gouache, wash, pen, ink, pastel, wax crayon on paper, 31.5cm x 26cmProvenance: The Collection of the late Sebastian Walker Belgrave Gallery, LondonPrivate collection, Lennox Gardens London SW1

19TH CENTURY FRENCH SCHOOL pastel laid on canvas - Pastoral landscape with thatched cottage, and a companion, signed with initials FG and dated 4 Sep 67, and Aout 67, 40.5 x 53cms (2)Provenance: Walton Lodge School (Somerset) auction 1971. Private collection, PenarthComments: good overall, in later painted Victorian frames, glazed

‡ VALERIE GANZ pastel - study of two young cello players, signed, 25 x 37cmsProvenance: private collection Powys, consigned via our Cardiff officeComments: framed and glazed

An oil on board portrait of a lady, pastel portrait of a young boy and a print of a baby

A pastel of a cat. Unsigned. Framed and glazed. 37cm x 31.5cm

Stephen Doig: Ian Botham, at full swing with the bat, original pastel drawing artwork, 26.5 x 21cm, signed lower right.

Rowney Paints, paint brushes (boxed), oil pastel, pencil's (boxed), two cushions in a box, WHD paints (boxed). (4)

§ Winifred Nicholson (British 1893-1981) Temple in Greek Landscape and Mountain Scene / Two Greek pastel on cream paper (double-sided) and pastel on green paper, both unframed(30.2cm x 45.5cm (11.8in x 17.8in) and 24.4cm x 34.6cm (9.6in x 13.6in))Provenance: Acquired from the artist by Jake Nicholson and thence by descent to the present owner.

§ Winifred Nicholson (British 1893-1981) Pillar in Greek Landscape / Greek Landscape with Terraces pastel on grey paper and pastel on cream paper, both unframed(30cm x 45.5cm (11.5in x 17.8in) and 35.2cm x 50.6cm (13.8in x 20in))Provenance: Acquired from the artist by Jake Nicholson and thence by descent to the present owner.Footnote: Winifred Nicholson and Greece Winifred Nicholson and her daughter Kate visited Greece for the first time in 1960. They returned for extensive painting trips every year until 1967. Winifred wrote to Jake from Delphi in 1961 explaining something of the country’s attraction for her: ‘The sunshine is very wonderful and the colour of everything is marvellous…The sea is emerald near land and then aquamarine, so transparent you can see golden, gleaming transparencies to the very depths, possibly buried sunken treasure…The hills which look brown bare from the bus, when you tread on them are wild flowers, perfume of honey and thyme, like a carpet – every kind and colour of flowers and all wonderful shapes, clear and definite like everything in Greece.’ (letter of 1 May 1961 quoted in Andrew Nairne and Elizabeth Fisher, Winifred Nicholson: Music of Colour, Kettle’s Yard, Cambridge, 2012, unpaginated). Winifred worked en plein air in Greece, often using bright pastels and crayons to capture the sense of natural beauty and presence of ancient history which she felt there. Works like The Argive Twins Descend (lot XXX) and Agamemnon and Clytemnestra (lot XXX) illustrate her deep interest in Greek mythology, as revealed in a significant yet less well-known strand within her practice.

§ Winifred Nicholson (British 1893-1981) Rainbow Over the Sea pastel on paper(41cm x 55.8cm (16.15in x 22in))Provenance: Acquired from the artist by Jake Nicholson and thence by descent to the present owner.

§ Winifred Nicholson (British 1893-1981) Flowering Tree / Donkeys at a Well / Branch with Flowers pastel on cream paper / pastel on cream paper / inscribed (lower left), crayon on cream paper respectively, all unframed(36.8cm x 49.4cm (14.5in x 19.5in); 35.3cm x 50.6cm (13.8in x 22 in) and 37.8cm x 50.4cm (14.75in x 19.75in))Provenance: Acquired from the artist by Jake Nicholson and thence by descent to the present owner.

Large pastel painting of a beach scene with figures, by Albert Duplock, Devon artist

KISHI EIKO (born 1948); 'Pentagon', a stoneware box and cover decorated with inlaid small applications of various pastel coloured clays to form an intricate mosaic-like pattern of radiating lines, height 15.5cm, maximum diameter 20cm, with signed wooden box.Additional InformationShort firing crack to one inside corner and to edge of cover otherwise appears good with no further signs of faults, damage or restorations. This has been checked under UV

A pair of large 19th century pastel portraits, each of a finely dressed lady, in gilt oval frames, approximately, 85 cm x 57 cm.

Nel Whatmore (Contemporary)"Long, Tall, Sally"Signed, pastel, 61cm by 58cm

Robert Dutton (Contemporary)"Woodland near Parga, Greece"Signed, inscribed to artist's label verso, pastel, 45cm by 59cmProvenance: Chantry House Gallery, Ripley

Enrico Castro (b.1938) Argentinian "Flat Racing Study XXI""Flat Racing Study XVI"Signed, pastel, 24cm by 31.5cm (2)Provenance: The Tryon Gallery Ltd., London

Colin Fraser (b.1956)"The Blue Table"Pastel, 48cm by 73.5cm

Terry Duffy (b.1948)"Basque"Signed and inscribed verso, pastel, together with a further work by Cara Lannon, "Winter Sky - Cornwall", 24cm by 27cm and 26cm by 25.5cm respectively (2)

Angela Stones (1914-1995)Portrait of a ladySigned, pencil, together with a pastel study "The Land Girl", by Alfred Page, 25cm by 19.5cm and 30cm by 25cm respectively (2)

Art Deco mirror housed in a black leaded glass frame crowned with an abstract floral motif comprised of pastel pink and blue glass. The lower triangular edge of the mirror has been damaged.Height: 19 1/4 in x width: 8 3/4 in.

John Bratby (1928 - 1992), crayon/pastel drawing, white leather and lace, signed and dated 22nd Feb 1990, 54cm x 37cm, framedSeveral light creases but no tears or foxing

Lena L. Duncan Alexander (British, 1899-1983), still life with vase of flowers (1954). Pastel on paper. Signed and dated lower left. Framed and glazed. Image size 51 x 65cm.

Mary Louise Coulouris (American-British, 1939-2011), three paintings with Scottish West Lothian subjects, to include: 'The Bridges', oil on canvas, 30 x 40cm; 'August, West Lothian', oil on canvas, framed, 25 x 30.5cm; 'Miners' Demonstration, West Lothian, 1980s', watercolour and pastel on paper, unframed. 75 x 55.5cm. (3)Provenance: from a relative of the artist. Mary Louise Coulouris worked in a range of media during her prolific career, with studios in London (1962-1976), Scotland (1976-1999) and Hydra, Greece (2000-2011). Of partly Greek heritage, born in New York and growing up in Hampstead, she trained at Chelsea College of Art in the late 1950s and then Slade to 1960, specialising in printmaking under the tutorship of Anthony Gross and William Coldstream. Alongside her work in printmaking sit watercolour still lives and oil and acrylic works on canvas and board showing Scottish landscapes and cityscapes. Coulouris exhibited widely in her lifetime and examples of her work can be found in major public and private collections.