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Karen McIntyre (Scottish Contemporary): Nude Study - Study for Full Circle 11, pastel signed and dated '96, 53cm x 41cmProvenance: from the collection of the late Brian Hill of Bridlington, purchased by Brian Hill from the Edinburgh Gallery 1996 No.3, with exhibition listDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
James Bartholomew RSMA (Contemporary) ''Windy afternoon Polzeath'' Signed and inscribed verso, pastel, together with Philip Gray, ''Voyage of Memories - Queen Elizabeth 2013'', signed, print, 54cm by 101cm and 41cm by 54cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
George Thompson (1934-2019), "Delphi, Greece", signed, titled and dated '01 on verso, pastel, 33 x 49cm, 13 x 19.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. Condition reports are not available for our Interiors Sale
* Morland (Henry Robert, 1716-1797). Girl with a Candle, circa 1765-70, colour pastels on paper, laid down on canvas, 56 x 43.5 cm (22 x 17.1 in) mount aperture, overall size including frame 69 x 57 cm (27 x 22.5 in), contemporary or near-contemporary moulded gilt frame, with single leaf decoration to each corner, 20th century printed label attached to lower edge 'Wright of Derby. Young woman holding a candle-pastel-22 ins. by 17 ins.', old auction stencil to verso 751 NF (Qty: 1)NOTESProvenance: Mrs De Walter Storff; Christie's London, 11 June 1963, lot 66, sold for 6 guineas to Smith; Lady Huntington-Whiteley, Ripple Hall, near Tewkesbury, Gloucestershire (descendant of Stanley Baldwin). The auction stencil to verso identifies this work as a pastel, 22 x 17 inches, by Wright of Derby, A Young Woman holding a Candle, vendor Mrs De Walter Storff, buyer Smith. However, this work has now been confidently attributed to Henry Morland by Neil Jeffares and included in his online archive (www.pastellists.com/Articles/MORLAND.pdf) as attributed to Henry Morland (J.547.1335). A mezzotint version in the same direction by James Watson (1740-1790) after Henry Morland exists in both proof and lettered states in the British Museum (Chaloner Smith 1883, 163; Gordon Goodwin, British Mezzotinters (1904) 193). Another mezzotint version of the painting, with some differences, was published by Philip Dawe (1750-1785) as The Pretty Maid with her Apron before the Candle. Henry Morland exhibited a painting in crayons entitled Servant with a Candle at the Society of Artists in 1765, number 86.
* After Thomas Gainsborough (1727-1788). Head-and-shoulder portrait of Elizabeth Linley, wife of Richard Brinsley Sheridan, circa 1800-1820, coloured pastels on oval paper, signed (somewhat indistinctly) 'Carty' to right margin, 28 x 23 cm (11 x 9 ins), 19th century gilt frame, glazed, inscribed in ink to verso 'purchased July 1948 (Qty: 1)NOTESAn early 19th century copy in pastel after the famous full-length portrait of Mrs Sheridan by Thomas Gainsborough of 1785-86 now in the National Gallery of Art, Washington.
* Besnard (Albert, 1849-1934). Portrait of a Young Woman, colour pastel on paper (possibly laid down on canvas), signed A. Besnard to upper right corner, old, partly legible French customs stamp to lower corner on verso, attractive period black and gilt frame, glazed (Qty: 1)NOTESProvenance: Private Collection, Surrey, England.
ARR * Millais ( Raoul , 1901-1999). The Bull Fight, pastel on paper, depicting a bull charging at a matador, a lady looking on in the background, initialled lower right, 18 x 25.5 cm (7 x 10 in), mounted, framed and glazed, inscribed by the artist on the backboard 'For Jonathan with best wishes from Raoul Millias' (Qty: 1)
Circle of John Russell RA (1745-1806) Portrait of a girl, bust length, in a red cape and black bonnet Pastel 54.7 x 39.6cm; 21½ x 15½in Provenance: Christie's, London, Fine English Drawings and Watercolours, 12 July 1988, lot 144, as John RussellLiterature: Neil Jeffares, "John Russell", Dictionary of pastellists before 1800, online edition, accessed 11/02/2019, no. J.64.37195, as a copy (previously accessed 4/11/2019, no. J.64.3668, as Russell)
* Malcolm (R., 19th century). Low tide, 1877, watercolour on paper, showing fishing boats on a beach, signed and dated lower right, 22 x 33cm (8.75 x 13ins), framed and glazed, together with a collection of watercolours including Duke (F.M., 19th century) . Dorset, watercolour on paper, showing a Dorset coastline, 16 x 29cm (6.25 x 11.5ins), gilt moulded frame, glazed, Morgan (E.E., 20th century). Old Waterloo Bridge, 1925, pastel on paper, signed and dated lower left, 32 x 49cm (12.5 x 19.25ins), framed and glazed, old manuscript label to verso (the artist was a Bronze & Silver Medallist at the Paris Salon), Nibbs, (Richard, Henry, 1816-1893). Harbour scene with boats and figures, E. Lait, On the Thames and other watercolours (Qty: 8)
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