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Lot 534
Clifford Hall (1904-1973) a solitary figure, signed, charcoal and blue pastel; a study of a lady dressing after Renoir; a 19th century pen and ink drawing depicting figures and a horse in a landscape; an ink wash drawing by M. Legrand depicting ``Rue Ricard`` Callas, Var; a drawing by Harry Rutherford; and a further charcoal tree study (6)
Lot 386
Henry de Buys Roessingh, Dutch 1899-1955- A Scottish marching band drummer; oil on green/blue paper, signed, dated 1943, bears dedication, 46.5x36.5cm: Hal Bevan-Petman, British 1894-1980- Portrait of a naval Officer; pastel, signed and dated 1943 in pencil, bears label for London Picture House, Connaught Place, New Delhi, The Mall, Simla, Darya Gunj, Delhi on the reverse, 36.5x29.5cm: Field Marshall Sir Claude Auchinleck, British 1884-1981- "A Hamlet in Portugal"; gouache, signed with initials and dated '55, bears hand inscribed label on the reverse, 28.5x44cm, (3), (may be subject to Droit de Suite)
Lot 497
Victor Lower, British b.1887- Figure with wheel barrow working; charcoal and pastel on buff, signed, 32x41.5cm, (may be subject to Droit de Suite) Note: Victor Lower was a commercial artist born in Hove, Sussex. He studied for four years at the Brighton School of Art. He exhibited at the Croydon Art Society and published several books on signals, ships and flags. He lived in Merstham, Surrey.
Lot 242
A watercolour of a "Samarewena cat" sleeping in a dog meal box , 49 x 36 cm, Gertrude Hermes, a preparatory study of two cats, signed with the original price of £100 on the reverse, a long ' Bi-Colour cat by, J**Lacey, circular pencil drawing, other pastel drawings of cats by or after, Gertrude Hermes ' 1952 and others, (Various Sizes)
Lot 799
Colin Moss (1914 - 2005), pair of pastel, ink and watercolour studies, the first, of nude female in the bathroom, unframed and mounted, image 15cm wide x 25.5cm high, the second, of her washing her hair in the sink, image 17.5cm wide 23cm high, each signed to bottom right corner and with Colin Moss Studio stamp to verso, (2)
Lot 799
Colin Moss (1914 - 2005), pair of pastel, ink and watercolour studies, the first, of nude female in the bathroom, unframed and mounted, image 15cm wide x 25.5cm high, the second, of her washing her hair in the sink, image 17.5cm wide 23cm high, each signed to bottom right corner and with Colin Moss Studio stamp to verso, (2)
Lot 697
An oil painting on canvas, still life with blue vase containing pink roses, signed bottom right G Cabarie and dated 58, 55 x 46 cm (unframed), an oil painting on canvas of a woodland scene, signed bottom right Ritz-Guy, 46 x 33 cm (unframed) and a pastel study of a cityscape with label verso Rue Des Carmes, pastel, Jean Revie, 37 x 27 cm in white frame
Lot 1976
JAMES HOLLAND (1800-1870) VARIOUS LEAVES OF STUDIES, COMPRISING ARCHITECTURAL, BOAT AND RIVER SCENES AT ROUEN Twenty leaves, one initialled, many inscribed with artist`s notes, fourteen dated (from days in August 1850), various media, mainly pencil, two ink on tracing paper, some with watercolour, pastel, white chalk etc, unframed 18 x 25.5cm and smaller, some cut/irregular shapes Provenance: London, Sothebys, July 29th, 1964, lot 226 ++ Mixed condition; satisfactory overall but some spots, stains etcCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
Lot 2056
•AUSTIN OSMAN SPARE (1886-1956) PORTRAIT OF JOHN TEED (1911-1996) Buste length, wearing a brown suit and blue shirt, signed with initials and inscribed John Teed/ 1935/ AOS/ PXT, pastels 41.5 x 31.5cm. * Teed served in the Indian Army but, upon his return to England, he became an actor and theatre designer. Later, he began working as an antiques dealer in Bradford on Avon and his beloved Italianate house was filled with treasures from a lifetime of collecting. Teed probably became acquainted with Spare through a mutual friendship with the stage designer Edward Carrick (1905-1998). A large collection of Spare`s work was sold privately after Teed`s death, and much of it was acquired by Geoff Rushton (who died in 2004). This portrait benefits from being in the original frame; Spare had a series of pastel portraits framed thus in the early 30s. They have a distinctive wedge-shaped oak moulding and are nearly all the same size. A portrait of John Teed is listed as item 149 in Spare`s 1936 exhibition and it is highly likely the present portrait is that particular work. ++ Some scattered fixing and slight pastel loss on the rightCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
Lot 697
An oil painting on canvas, still life with blue vase containing pink roses, signed bottom right G Cabarie and dated 58, 55 x 46 cm (unframed), an oil painting on canvas of a woodland scene, signed bottom right Ritz-Guy, 46 x 33 cm (unframed) and a pastel study of a cityscape with label verso Rue Des Carmes, pastel, Jean Revie, 37 x 27 cm in white frame
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46300 item(s)/page