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Lot 4057
Attributed to Louis Magnes (French, nineteenth century), oval portrait of King Louis Philippe I of France, pastel, signed indistinctly in pencil to right, framed and glazed, 22 x 16cm, with another oval pastel portrait by the same hand, depicting an officer with moustache, framed and glazed, bearing label to reverse of frame: 'J. W. Vokins, 14 and 16 Great Portland Street', 22 x 16cm. (2)
Lot 4103
William Hyde (British, 1859-1925), collection of artworks, to include: landscape with castle and fishing vessel to foreground, sepia wash on board, 29 x 23.5cm, two wash and pastel on board rural scenes, sample size 29 x 22cm, engraving depicting landscape with trees to foreground, 10.5 x 14cm, ink and pen landscape with figures to foreground, 24 x 32cm, with two additional prints by the artist. (7)
Lot 4151A
Eighteenth-century British School, family portrait, pastel, 59 x 48cm, in its contemporary gilt hollow frame.Condition Report: Generally good condition overall, taking age into account. Some limited surface dirt and marking. There is a limited degree of fading, but no more colour loss than might normally be expected of a picture of this age and the main photography conveys an accurate idea of this. There is some consistent wear and indentation around the edges of the sheet, potentially as a result of framing, but the main area of the image is unaffected by this.
Lot 122
Danny Byrne 'JUST COOLING' - oil - signed - 9.5" x 7.5" in a 16" x 14" frame (no glass) - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: Danny has become a highly successful painter and has received many prestigious awards. He is known for his portraits which have been exhibited in all of the major London art exhibitions. These include the Royal Academy, Royal Portrait Society, Royal Institute of Oil Painters, Royal Pastel Society and the Royal Society of Watercolour Artists. He has also exhibited at the Royal Academy Bristol and since 2000, has been a regular exhibitor with the Holburne Art Gallery and Museum, Bath. He has been a member of the Society of Equestrian Artists for over 20 years and won ‘Best Painting in Exhibition’, 2011.
Lot 134
Danny Byrne 'HENGISTBURY HEAD' - oil on board - signed - Framed local scene of popular tourist spot, taken from Stanpit Marsh - 12" x 7.5" in a 18.25" x 14.5" frame (no glass) - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: Danny has become a highly successful painter and has received many prestigious awards. He is known for his portraits which have been exhibited in all of the major London art exhibitions. These include the Royal Academy, Royal Portrait Society, Royal Institute of Oil Painters, Royal Pastel Society and the Royal Society of Watercolour Artists. He has also exhibited at the Royal Academy Bristol and since 2000, has been a regular exhibitor with the Holburne Art Gallery and Museum, Bath. He has been a member of the Society of Equestrian Artists for over 20 years and won ‘Best Painting in Exhibition’, 2011.
Lot 28
Susan Kerrigan-Harris 'LANDSCAPE' - signed - 6.5" x 4.5" in a 11.25" x 9.25" frame - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: Sue Kerrigan-Harris is a professional soft pastel artist and art teacher based in the New Forest. She has had a varied career beginning with designing jewellery as a teenager, then as a glass blower, broadcasting engineer and teacher. Her work as a private English and Maths tutor led her to discover that she is dyslexic which probably accounts for the fact the she likes to paint with both hands or swap from time to time. She works exclusively in soft pastel working on commission of children, adults, pets and horses.
Lot 29
John Challenor - 'WINTER'S EVE, BOSCOMBE BEACH' - pencil on pastel paper - signed - 8.25" x 11.5" in a 14.25" x 17.75" frame - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: John Challenor's home for the last 36 years has been in Ringwood just outside the New Forest. After working for 33 years for the same company he decided to take voluntary redundancy and live more modestly being better than working! He's a self-taught artist working mainly in graphite, pencil pastel, ink and coloured posters who decided at 70 years young to start promoting and selling his artwork!
Lot 99
Barry Peckham 'FOREST' - oil on canvas - signed - 8" x 8" - PROVENANCE: Donated to and sold on behalf of Macmillan Caring Locally, Canvas for the Mac - the full hammer price will be going to the charity - About the Artist: Barry Peckham was born in the New Forest where he still lives and works. He is a member of the Royal Institute of Oil Painters, the Society of Equestrian Artists and a member of the Royal Society of Marine Artists. He mainly works in oils and watercolours, occasionally in pastel. His favourite subjects include landscape, marine, equine and wildlife, with most of his paintings being produced outdoors with the final touches made in the studio
Lot 6543
Stephen Gregory (Northern British 1951-): Milton Keynes Industrial Study, pastel unsigned c.1977-1982, 39cm x 28cmNotes: Artist and teacher who trained at Newcastle University and Manchester Polytechnic and showed in group and solo exhibitions in north of England and in London. Artist-in-residence in Milton Keynes, 1977-79, and in the next two years was a part-time lecturer at Sheffield Polytechnic. From 1982 he held a series of positions as a community art worker, including Northampton, Cheshire and Nottingham. Department of the Environment, Manchester Polytechnic, Open University and Milton Keynes Development Corporation hold his works.
Lot 453
Expressionismus - - Albert Mueller. (1884 Schwandorf - 1963 Bremen). 6 Arbeiten. Mit 5 Pastellkreidezeichnungen und 1 Lithographie, je auf Velin. Blattmaße von 56,5 x 43 cm bis 23 x 30,5 cm. 4 Arbeiten je signiert, 1 Arbeit datiert. - Einige Arbeiten an den Ecken mit Fehlstellen und Materialverlust bzw. kleinen Einstichlöchlein als Spur der ehemaligen Montierung. Partiell mit bestoßenen Kanten und Griff- und Knickspuren. 1 Arbeit mit Riss, dieser verso hinterlegt. Insgesamt in noch gutem Zustand und mit kräftigen Farben. Mit gegenständlichen Darstellungen, überwiegend Portraits. Provenienz: Aus dem Nachlass des Künstlers. 6 works. With 5 pastel chalk drawings and 1 lithograph, each on wove paper. 4 works each signed, 1 work dated. - Some works at the corners with missing parts and loss of material or small puncture holes as traces of the former mounting. Partially with bumped edges and traces of handling and creasing. 1 work with tear, this backed on the verso. Overall still in good condition and with strong colours. With figurative depictions, predominantly portraits. - From the estate of the artist.
Lot 452
Expressionismus - - Albert Mueller. (1884 Schwandorf - 1963 Bremen). 4 Arbeiten. 3 Arbeiten je Pastellkreide und 1 Arbeit Aquarell, je auf Velin bzw. Malerkarton. Blattmaße von 26,8 x 37,5 cm bis 36,6 x 50 cm. 2 Arbeiten je signiert und ortsbezeichnet "Stuttgart". 4 Arbeiten je unter Passepartout montiert. - 2 Arbeiten verso mit leichten Braunfleckchen. Vereinzelt mit wenig merklichen Fleckchen und 1 Arbeit mit einer leichten Knickspur und dortigem kaum merklichen Farbabrieb. Insgesamt in gutem Zustand und mit leuchtenden Farben. Mit Landschaftsdarstellungen. Provenienz: Aus dem Nachlass des Künstlers. 4 works. 3 works each in pastel crayon and 1 work in watercolour, each on wove paper (papier vélin) or cardboard. 2 works each signed and inscribed "Stuttgart". 4 works each mounted under passepartout. - 2 works with slight brown spots on verso. Isolated with little noticeable stains and 1 work with a slight crease and there hardly noticeable colour abrasion. Overall in good condition and with bright colours. - From the estate of the artist.
Lot 391
Ernst Oppler. (1867 Hannover - 1929 Berlin). Ballett-Tänzerinnen. Pastell auf Vélin. 30 x 43 cm. Signiert. Unter Passepartout montiert und unter Glas gerahmt. - Vereinzelt mit unscheinbarem Abrieb. Verso mit blassbraunen Flecken, unwesentlichen Anschmutzungen und Spuren früherer Montierung. Anmutige und zugleich dynamische Komposition mit vielfältiger und stimmiger Palette. Der deutsche Impressionist Ernst Oppler studierte Malerei an der Münchener Kunstakademie, u.a. bei Ludwig von Löfftz. Nach Aufenthalten in London und Holland war er ab 1905 in Berlin tätig und trat der dortigen Secession um Max Liebermann bei. Ab 1909 entwickelte Oppler eine Leidenschaft für die Ballett- und Theaterbühnen und wurde fortan zu einem wichtigen Chronist des Bühnentanzes im frühen 20. Jahrhundert. Die vorliegende Zeichnung zeugt von Opplers scharfer Beobachtungsgabe und seinem sensiblen Farbempfinden. Pastel on vélin. Signed. Mounted under mat and framed under glass. - Occasional inconspicuous abrasion. Verso with pale brown spots, insignificant soiling and traces of previous mounting. Graceful and at the same time dynamic composition with a varied and harmonious palette. - The German Impressionist Ernst Oppler studied painting at the Munich Art Academy, among others under Ludwig von Löfftz. After stays in London and Holland, he worked in Berlin from 1905 and joined the Secession around Max Liebermann. From 1909 Oppler developed a passion for ballet and theatre stages and from then on became an important chronicler of stage dance in the early 20th century. The present drawing bears witness to Oppler's keen power of observation and his delicate sense of colour.
Lot 365
Amanda Faulkner, British b.1953 - Untitled, 1987; pastel, chalk and charcoal on paper, signed and dated lower right 'Amanda Faulkner 1987', 31 x 56 cm (ARR) Provenance: with Lynne Stern Associates, London; Flowers East Gallery, London, no.AFG 7824, (according to the labels attached to the reverse)
Lot 70
Nadia Benois, Russian 1896-1975 - Theatre scene, 1927-28; watercolour and pastel on paper, signed and dated lower right 'N Benois 1927-28?', 44.5 x 36 cm Provenance: The Valenza Gallery, London, To: Lady Bonham Carter, 17 Radnor Place, W1 (according to the label attached to the reverse of the frame) Note: Benois was a ballet and opera costume and set designer in London. She collaborated with Ballet Rambert, and later worked with the Royal Ballet on productions of ballets by Pyotr Iiyich Tchaikovsky. Lady Bonham Carter was a founding member of the Ballet Rambert in 1926, and remained on the board for nearly 50 years. It is Britain's oldest dance company.
Lot 14
Chris Neale (Welsh 20th/21st century) "Tyn-y-Maes" Signed, titled on artist's label verso, pastel.38.5cm x 40.5cm (15.25in x 16in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition. There is a small spot of mould in the upper left-hand corner of the drawing. The drawing is ornately framed and glazed. The frame has some minor knocks and marks commensurate with age.
Lot 29
Derek Wilkinson (British 1929-2001) "Stockport" Signed and dated 1968, pastel.47cm x 61.5cm (18.5in x 24.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition with no obvious faults to report. There is some rippling across the sheet. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 34
Tom Brown (British 1933-2017) "The Knife Grinder" Signed, pastel.38cm x 53.5cm (15in x 21in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some scuffs and knocks.
Lot 38
Brian Shields (Braaq) (British 1951-1997) Figures in an industrial city landscape Signed and dated '78, pastel.20.5cm x 23cm (8in x 9in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The original metal frame has some minor scuffs and knocks commensurate with age.
Lot 107
* PAT DOUTHWAITE (SCOTTISH 1939 - 2002),UNTITLEDpastel on paper, signed and dated '79image size 64cm x 50cm, overall size 85cm x 69cm Mounted, framed and under glass.Provenance: The Corrymella Scott Gallery.Note: "She should no longer be seen as an exotic maverick but acknowledged as one of the true originals of Scottish art." A concluding comment on Pat Douthwaite’s 1993 solo exhibition, made by The Scotsman’s art critic Edward Gage. The ‘maverick’ label is often attached to Douthwaite to encompass a variety of the artist’s more striking traits: her troubled personality, the restless, nomadic lifestyle that took her across the world in search of subjects and meaning and her complete disregard for anything that did not further the development of her artwork, despite it making her a difficult figure to manage and work with. A good example is an incident in which she broke into a house and stole back one of her paintings from a buyer whom she did not consider worthy of owning her work. This demanding, uncompromising commitment and all-encompassing focus on her work paid off. She developed and sustained a distinctive, signature style characterised by raw feeling and idiosyncratic lines. Douthwaite was fascinated by historical heroines including Greek deities, Mary Queen of Scots and the aviator Amy Johnson and often depicted them as well as herself. Her images of women remain the most powerful and popular of her works, truly encapsulating the pain and suffering women can experience and endure. This exploration of suffering means there is a violence in the work, yet Douthwaite often manages to retain fun, playful touches in their execution. Born in Glasgow in 1934, Douthwaite’s first exposure to creative expression was in the form of dance classes at the dancing school run by Margaret Morris, the bohemian partner of the Scottish Colourist John Duncan Fergusson. She eventually discontinued dancing and decided, aged twenty-four and with no artistic training, to become a painter. Douthwaite showed her work to Fergusson, who recognised her talent and encouraged her endeavours, though he suggested she avoid art school, as he had done. Thus, both Morris and Fergusson had a major impact on Douthwaite’s creative endeavours. Douthwaite’s ever-present wanderlust quickly took over and she left Glasgow to join an artistic community within William Crozier’s house in East Anglia. An informal artistic training in itself, she was surrounded by fellow artists including Robert Colquhoun, Robert MacBryde and Crozier himself. In her lifetime, her work was recognised and championed by key figures in the Scottish art world; including Richard Demarco, who mounted her first major exhibition in Scotland in 1967; Douglas Hall, the former Director of the Scottish National Gallery of Modern Art and the artist and critic Edward Gage. Following her death, her popularity continues to increase as ever more collectors are drawn to her distinctive, expressive style and tales of her mysterious, maverick personality. The prestigious Scottish Gallery (Edinburgh) have long promoted Pat Douthwaite's work and her most recent solo show "Pat Douthwaite, On The Edge" was staged by the gallery between 4th and 27th February 2021.
Lot 236
* VINCENT RATTRAY (SCOTTISH 1954 - 2000),THE CARD PLAYERpastel on paper, signed and dated '89image size 62cm x 48cm, overall size 83cm x 68cm Mounted, framed and under glass.Note: Rattray was born in 1954 in Dundee and died in 2000 and his love for the city was amply illustrated through his multitude of paintings of local scenes. His style was totally unique, taking freely from cubism, surrealism and expressionism where it helped him to portray Dundee’s patchwork architecture and the eccentric characters he knew. Rattray graduated from Duncan of Jordanstone in 1987 with first-class honours and he was the recipient of the Royal Scottish Academy’s Maclaine Watters Prize.
Lot 92
* PAT DOUTHWAITE (SCOTTISH 1939 - 2002),UNTITLED pastel on paper, signed and dated '87image size 84cm x 60cm, overall size 106cm x 82cm Mounted, framed and under glass.Provenance: The Corrymella Scott Gallery.Note: "She should no longer be seen as an exotic maverick but acknowledged as one of the true originals of Scottish art." A concluding comment on Pat Douthwaite’s 1993 solo exhibition, made by The Scotsman’s art critic Edward Gage. The ‘maverick’ label is often attached to Douthwaite to encompass a variety of the artist’s more striking traits: her troubled personality, the restless, nomadic lifestyle that took her across the world in search of subjects and meaning and her complete disregard for anything that did not further the development of her artwork, despite it making her a difficult figure to manage and work with. A good example is an incident in which she broke into a house and stole back one of her paintings from a buyer whom she did not consider worthy of owning her work. This demanding, uncompromising commitment and all-encompassing focus on her work paid off. She developed and sustained a distinctive, signature style characterised by raw feeling and idiosyncratic lines. Douthwaite was fascinated by historical heroines including Greek deities, Mary Queen of Scots and the aviator Amy Johnson and often depicted them as well as herself. Her images of women remain the most powerful and popular of her works, truly encapsulating the pain and suffering women can experience and endure. This exploration of suffering means there is a violence in the work, yet Douthwaite often manages to retain fun, playful touches in their execution. Born in Glasgow in 1934, Douthwaite’s first exposure to creative expression was in the form of dance classes at the dancing school run by Margaret Morris, the bohemian partner of the Scottish Colourist John Duncan Fergusson. She eventually discontinued dancing and decided, aged twenty-four and with no artistic training, to become a painter. Douthwaite showed her work to Fergusson, who recognised her talent and encouraged her endeavours, though he suggested she avoid art school, as he had done. Thus, both Morris and Fergusson had a major impact on Douthwaite’s creative endeavours. Douthwaite’s ever-present wanderlust quickly took over and she left Glasgow to join an artistic community within William Crozier’s house in East Anglia. An informal artistic training in itself, she was surrounded by fellow artists including Robert Colquhoun, Robert MacBryde and Crozier himself. In her lifetime, her work was recognised and championed by key figures in the Scottish art world; including Richard Demarco, who mounted her first major exhibition in Scotland in 1967; Douglas Hall, the former Director of the Scottish National Gallery of Modern Art and the artist and critic Edward Gage. Following her death, her popularity continues to increase as ever more collectors are drawn to her distinctive, expressive style and tales of her mysterious, maverick personality. The prestigious Scottish Gallery (Edinburgh) have long promoted Pat Douthwaite's work and her most recent solo show "Pat Douthwaite, On The Edge" was staged by the gallery between 4th and 27th February 2021.
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