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JOHN SQUIRE (British, b.1962)Free From Themselves, 2008oil, pencil, and oil pastel on board, accompanied by a letter of provenance, 70.5 x 84cm (27 3/4 x 33in)Footnotes:ProvenanceThe vendor owned the music PR firm 'Hall Or Nothing PR' which oversaw the publicity for The Stone Roses 1995 album 'Second Coming', they also managed PR for John Squire's solo albums and his work as a fine artist. This piece was purchased by the vendor at the artist's 'Noise' Exhibition in London, 2008.John Squire built a prolific music career in the 1980's through to the 2000's; as guitarist and founding member of The Stone Roses, founder of The Seahorses, and releasing two solo albums. Squire created the instantly recognisable album covers for The Stone Roses and Second Coming, the former heavily influenced by the works of Jackson Pollock. The present piece draws inspiration from conversations between strangers overheard in and around Manchester. John Squire used the most thought-provoking words and phrases as a basis for some of his paintings.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Two matching Welsh blankets woven in pastel colours, lavender, pink, yellow and white with geometric designs.220cm x 150cm approx. plus tasselsCondition Report: 1 with loose thread on each side, fringe edging good condition, couple of light stainsOther has a few areas of fraying damage see images
JOSE ROYO (SPANISH B. 1941) - 'Pasion' - a limited deluxe edition catalogue of the artist's work, signed and numbered 27/50, published by Washington Green, 2000, together with the associated unframed pastel portrait by Royo and another Royo catalogue published by Christopher Clark Fine Art. (3)
Arthur Wardle, RI (British, 1864-1949)Wire haired terriers on a staircase; Head study of a wire haired fox terrierpastel the first 41.6 x 31.7cm (16 3/8 x 12 1/2in), the second 27.6 x 21.6cm (10 7/8 x 8 1/2in). (2)Footnotes:ProvenanceSale, Sotheby's, London, Paintings, pastels and watercolours from the studio of Arthur Wardle, 23 November 1994, lot 75 and 155. With John Noott Galleries, Worcestershire, no. 38 and no. 47.For further information on this lot please visit Bonhams.com
Jack Butler Yeats (Irish, 1871-1957)Ballycastle, Co. Mayo, Evening, 1915 signed with monogram (lower right)pastel 25.4 x 35.5cm (10 x 14in).Footnotes:ProvenanceWith Waddington Galleries, London, no. B39040.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Hans Feibusch - Self Portrait, 20th century pastel with chalk, signed with initials and dated 18.2.66, 27cm x 19cm, within a painted wood and hessian frame, together with a lithograph by the same hand.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Greville Irwin - 'Pennine Farm', early 20th century oil on paper, signed recto, titled verso, 51.5cm x 61cm, together with twelve further works by the same hand, including oils on paper and pastel studies.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Ginger Gilmour - Kneeling Fairy holding the Hem of a Lady's Dress, 20th century pencil with stump, 30cm x 21cm, within a gilt frame, together with a pastel drawing by the same hand, 'Lady admiring Lilies'.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Greville Irwin - Female Nude Life Study, early 20th century pastel with chalk, 54cm x 38cm, together with twenty-one similar pastel with chalk studies by the same hand.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Sale Item: PASTEL PICTURE DOG G F NORMAN 77 Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: PASTEL PAINTING ON THE ALERT BY J ROSS Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
EUGÈNE BOUDIN (France, 1824 - 1898)."Dordrecht, La Meuse; Study of an Estuary," 1875.Watercolor and graphite on laid paper.Attached photo certificate of authenticity issued by Manuel Schmit in 2016. Registration number in the Manuel Schmit Fine art archive: B-A.7562.The work will be included in the forthcoming Catalogue Raisonné of Eugène Boudin's works on paper.Signed, dated and located in the lower area.Provenance: Andre Seligmann, New York.Measurements: 22 x 33.5 cm; 39.5 x 50.5 cm (frame).In this work, which is conceived as a sketch, the author captures a view of the city of Dordrech, located in the Low Countries. Boudin captures in the foreground the presence of the canal and in the distance a city that stands out for the presence of windmills, a recurring theme in Impressionist painting, of which Boudin was an admired master. It is worth noting that Boudin made several visits to the city of Dordrech, in which he immortalized urban scenes and seascapes, which were always of his predilection. The 1884 visit was especially prolific, as he made numerous views of the city. The work has a photo certificate of authenticity issued by Manuel Schmit, a scholar who made a catalog raisonné of the artist.Eugène Boudin was one of the first landscape painters of the French school to paint directly in the open air, a plein air, before the Impressionists popularized this practice. He specialized in marine and harbor and coastal views, although on occasion he was also interested in green inland landscapes with animals, such as the cows grazing serenely in this beautiful panorama. He worked both in oil and pastel. His pastel sketches, synthetic and expressive, were widely praised by Baudelaire, and earned him the nickname "king of the skies" from Corot. The son of a dock worker, he began working on steamships as a child, always near the sea, something that would mark his work. However, in 1835 he moved with his family to Le Havre, where his father opened a frame store in which works by Constant Troyon and Jean-François Millet were exhibited. Knowledge of these painters, and also of Isabey and Couture, encouraged the young Boudin in his pictorial vocation. At the age of twenty-two he abandoned his work in commerce to devote himself fully to painting, and the following year he began a journey that would take him to Paris and Flanders. In 1850 he obtained a scholarship that allowed him to settle in the French capital, a city from which he would travel frequently to Normandy and Brittany in search of new coastal landscapes. In Boudin's work, from these early years of his career, a profound influence of the masters of Dutch Baroque landscape painting can be seen. In 1859 he made his debut at the Paris Salon, and in those years he met a very young Monet, whom he influenced to leave caricature and devote himself to landscape painting. From then on, both artists would be united by a great friendship, and in fact they would exhibit together in the first Impressionist exhibition (1874). Already fully established as an artist, in the 1870s Boudin made numerous trips, first to Belgium, the Netherlands and the south of France, and already in the 1890s he would travel regularly to Venice. He continued to exhibit his work at the Parisian Salons, and was awarded a third medal in 1881. He was also awarded a gold medal at the Paris Universal Exposition of 1889, and in 1892 he was made a knight of the French Legion of Honor. Towards the end of his life Boudin returned to the south of France, finally dying in 1898 in his native Deauville. His works are now in the Musée d'Orsay in Paris, the Hermitage in St. Petersburg, the Metropolitan in New York, the Art Institute of Chicago, the National Gallery in London, the Ashmolean Museum in Oxford, the Thyssen-Bornemisza in Madrid, etc.
Susan Isaac, "The Quayside (Wells-next-the-Sea)", oil on canvas, 30 x 30cm, c. 2019. In this view of Wells-next-the-Sea, my eye was drawn from the foreground fishing boat to the distant granary and then along to the pretty Dutch-gabled building off to the right, with its detailing of dormer windows and balcony and prettily coloured rendering. The delicate pastel colours of this building resound around the composition, although a brooding sky underpins the more decadent hues. UK delivery at £25.
This lot will be auctioned on Wednesday, November 10th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 11th.A set of costume design artworks hand-drawn by Academy Award®-winning costume designer James Acheson for the production of Christopher Barry's Doctor Who serial The Mutants.The set comprises multiple sketches on a single sheet of white paper, and a pair of hand-drawn artworks on either side of a piece of brown paper. The sketches are drawn in pencil, and the artworks are rendered in a mixture of charcoal pencil, colouring pencil and oil pastel. Each piece features annotations and is signed by Acheson. The artworks show minimal wear, with slight smudging from time spent in storage. Dimensions (each): 40 cm x 30 cm (16" x 12")Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: £1,000 - 1,500 Ω
This lot will be auctioned on Wednesday, November 10th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 11th.A "Sontaran" costume design hand-painted by Academy Award®-winning costume designer James Acheson for the production of Alan Bromly's Doctor Who serial The Time Warrior.The design is rendered in a mixture of pencil, charcoal pencil, coloured pencil and oil pastel on thick brown paper. There is also a rough sketch of the Sontaran's helmet, and a box in the top-left corner featuring the episode title and names of director Bromly, producer Barry Letts and actor Kevin Lindsay. The design is signed by Acheson and exhibits small pinholes along the top. Dimensions: 40 cm x 30 cm (16" x 12")Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: £1,500 - 2,500 Ω
This lot will be auctioned on Wednesday, November 10th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 11th.A costume design for Broton, a Zygon commander, hand-drawn by Academy Award®-winning costume designer James Acheson for the production of Douglas Camfield's Doctor Who serial Terror of the Zygons.The design is rendered on brown paper in pencil, coloured pencil and oil pastel. It is signed by Acheson and features the production title, director's name, character name and actor's name handwritten in the top-left corner. The design shows minimal wear, with a small crease in the bottom-right corner. Dimensions: 40 cm x 30 cm (16" x 12")Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: £1,500 - 2,500 Ω
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