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E Fortune - Moorland Landscape Scene - pastel, signed lower right, framed & glazed, 15 by 37cms (6 by 14.5ins).

George Willmott - Woodland Glade - pastel, signed lower right, unframed, 36 by 27cms (14 by 10.75ins); together with other pictures and prints.

P Banks (modern British) - St Michael's Mount, Cornwall - signed lower right, pastel, framed & glazed, 29 by 39cms (11.5 by 15.5ins).

C R Broomfield - Study of a Low Flying Spitfire - signed & dated '99 lower right, pastel, framed & glazed, 67 by 49cms (26.5 by 19.25ins).

Joan Hargreaves (modern British) - Farmland Landscape Scene - pastel, signed lower right, framed & glazed, 47 by 32cms (18.5 by 12.5ins).

PETER WALBOURN (1910-2002) British, Hilly Fields SW4 in Spring, pastel, framed and glazed. 27.5 x 19.5 cm.

MICHAEL HASWELL (1931-2020) Reclining Nude, pastel, framed and glazed. 50 x 40 cm.

Shelley China Tea Service, circa 1930's, 'S13134', nineteen pieces, the plates with turquoise centre panels, naturalistic and mountainous borders in pastel colours.

M.L, Intimate Study, pastel, 24.5 x 36cm, signed indistinctly; English School 'River in the Countryside', oil on canvas, signed and dated '56, sepia print, nude female bust, two mirrors. (5)

English School, late 19th century, head and shoulders portrait of Alexander Brodrick, eldest son of Alexander Leslie Melville, inscribed on original label verso, pastel, 51 x 41cm oval. The Leslie-Melvilles were the Earls of Leven. 

JEAN FORDSt. Monans harbour, watercolour and pastel, signed and label to verso, 22.5cm x 32.5cm

Jean de Gale (1935-2016) Homes in mountains, signed pastel, 19cm x 23cm

Michael Flint (Contemporary) Vineyard through Tree's, pastel, 29cm x 22cm

A pair of reproduction prints; Some Scalps from Newmarket; Chasing at Sandown Park, each 27 x 39cm, together with a pastel portrait of a girl 29 x 22cm; a pencil sketch of a lady,28 x 20cm (unframed); a pair of pencil sketches of north African scenes, 13 x 17cm; a watercolour and gouache sketch of seagulls at Bournemouth, 13 x 21cm; a pencil sketch of a lady, 34.5 x 26cm, a pen and ink of a street scene, four various prints and a photograph of a lady taken at Baron Studios (14)

English School, late 19th/early 20th Century, Portrait of a girl in a white and blue dress, pastel, 74 x 53cm.

MARY BROWNING: pastel portrait of "Monty", framed and glazed, 47cm x 37cm

Marion Archer Three Generations, 2021 Charcoal and Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Marion Archer, born in Northumberland, 1946.   Education   She studied Fine Art at Leicester, Canterbury and Ravensbourne. From 1970-1975, she studied Thangka Painting in Northern India. Exhibitions/Awards   Marion's work has been shown at numerous exhibitions in London including the Royal Academy Summer Shows, John Player Portrait Award Exhibition, National Gallery, Mall Galleries, South London Gallery. Her work is held by private collections in New Zealand, USA, Spain and the UK.  

Marion Archer Nude with Orange Headband, 2021 Ink and Pastel Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Marion Archer, born in Northumberland, 1946.   Education   She studied Fine Art at Leicester, Canterbury and Ravensbourne. From 1970-1975, she studied Thangka Painting in Northern India. Exhibitions/Awards   Marion's work has been shown at numerous exhibitions in London including the Royal Academy Summer Shows, John Player Portrait Award Exhibition, National Gallery, Mall Galleries, South London Gallery. Her work is held by private collections in New Zealand, USA, Spain and the UK.  

Mercedes Helnwein Shelia, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence.   Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland.   Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland

Mercedes Helnwein Ruby, 2021 Oil Pastel and Black Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence.   Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland.   Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland

Mercedes Helnwein Linda, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence.   Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland.   Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland

Mercedes Helnwein Pam, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence.   Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland.   Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland

Diana Savostaite I'll Take A Hot Bath, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape.   Exhibition/Awards   Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London).   In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA.   2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting.   Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania   Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK   Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London Condition Report:   Condition Report Disclaimer

Diana Savostaite In the Bedroom, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape.   Exhibition/Awards   Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London).   In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA.   2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting.   Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania   Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK   Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London    

Diana Savostaite Warming Hands, 2021 Watercolour and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape.   Exhibition/Awards   Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London).   In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA.   2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting.   Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania   Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK   Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London    

Flan Flanagan The Magic Dog Levitates Egg, 2021 Pen on Cartridge Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Flan Flanagan is a painter and artist living and working between London and Cornwall, UK. Her work reflects both the everyday and atavistic from her domestic life, imbued with wit, humour and subtle eroticism, and underlined with a dark-edged commentary on life and death.   Education   Flan trained as a sculptor and bronze founder, working as an artist's assistant for 10 years.   Exhibitions   Various group shows including, most recently, the Royal Academy Summer Exhibition, London 2020. Solo show, ""Black Blue, Lemon Red" at The Groucho Club, London January 2020.   About the postcard artwork   Both artworks are studies taken from Flan Flanagan's new series of large oil paintings that conjure with the magical, circus-like qualities of her young whippet. One is a pen drawing, the other a pastel sketch."  

Flan Flanagan Wings of Desire, 2021 Oil Pastel on Watercolour Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Flan Flanagan is a painter and artist living and working between London and Cornwall, UK. Her work reflects both the everyday and atavistic from her domestic life, imbued with wit, humour and subtle eroticism, and underlined with a dark-edged commentary on life and death.   Education   Flan trained as a sculptor and bronze founder, working as an artist's assistant for 10 years.   Exhibitions   Various group shows including, most recently, the Royal Academy Summer Exhibition, London 2020. Solo show, ""Black Blue, Lemon Red" at The Groucho Club, London January 2020.   About the postcard artwork   Both artworks are studies taken from Flan Flanagan's new series of large oil paintings that conjure with the magical, circus-like qualities of her young whippet. One is a pen drawing, the other a pastel sketch."

Sophie Ruigork Self Portrait After A Picnic (Effortlessly Achieve Your Life Path Potential), 2021 Soft Pastels on Pastel Card Signed verso 15 x 10cm (5¾ x 3¾ in.) "Sophie Ruigrok is an artist working in drawing and painting, and is currently exploring sound. She graduated from The Drawing Year at the Royal Drawing School in December 2019, and has since been selected for New Contemporaries 2020. In 2020, she exhibited in London and Amsterdam and took part in a residential programme at ecological co-op, Montemero, in Almería, Spain. Throughout 2021 she will be an artist in residence and community facilitator at Proposition's Studio's Eco-Syntax residency in Derbyshire, UK. Sophie writes art criticism and has contributed to frieze, Apollo, Dazed, Elephant and thisistomorrow.   Exhibitions 2021 The Sunday Painter, London, UK (forthcoming) 2021 Bloomberg New Contemporaries, South London Gallery, London, UK (forthcoming) 2021 The gifts of lockdown, DB Gallery, online: https://www.db-gallery.com/the-gifts-of-lockdown 2020 Pending, San Mei Gallery, London, UK 2020 Onward & Upward: Art in Times of Uncertainty, Droog, Amsterdam, Netherlands 2020 Curated for Covid, online https://www.curatedforcovid.com 2019 The Drawing Year 2018-19, The Royal Drawing School, London, UK 2019 Drawing Year Open Studios, Space, Mare Street, London, UK 2019 Best of the Drawing Year, Christie's, London, UK 2019 Collaborative Drawing - Painting Clubb with 650mAh, Arcade Gallery, London, UK 2019 The Greek Street Art Show, Gallery Maison Bertaux, London, UK   Awards Selected for New Contemporaries, 2020 Trustees Prize, the Royal Drawing School"

Vanessa Mitter Leda and the Swan (Part one), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London.   Education   BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London   Exhibitions/Awards   Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen).   Mitter was a joint winner of the Hackney Wicked Art Prize in 2015.   She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London   About the postcard artworks   Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?  

Vanessa Mitter Leda and the Swan (Part two), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London.   Education   BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London   Exhibitions/Awards   Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen).   Mitter was a joint winner of the Hackney Wicked Art Prize in 2015.   She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London   About the postcard artworks   Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?

Vanessa Mitter Leda and the Swan (Part three), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London.   Education   BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London   Exhibitions/Awards   Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen).   Mitter was a joint winner of the Hackney Wicked Art Prize in 2015.   She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London   About the postcard artworks   Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?

Olivia Strange Watermelon Pancakes, 2021 Sennelier Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Olivia Strange has a multi-disciplinary practice spanning drawing, painting, installation, sculpture and sound/moving image. She makes multimedia installations often using found objects and materials, poetry, sound & video projection. The works are characterized by a layered narrative which explores the queerness of objects through themes of female desire, notions of the 'exotic' and power-play whilst probing the uneasy intersection between fantasy and reality via a feminist gaze.   Education Olivia completed MA Fine Art - Chelsea College of Art (Distinction) - 2016   Exhibitions/Awards   Annka Kulty's Gallery (London), Southwark Park Galleries (online) and Basis Projektraum Frankfurt (upcoming). She has recently been selected for the 2021 cohort of the London Creative Network Artist Development Programme and is one of 12 selected artists for the Ellipsis Prints 2021 commissioning project designed to promote womxn and non-binary artists. Basis Projektraum Frankfurt 2021 Southwark Park Galleries 2020/21 Annka Kultys Gallery 2017 London Creative Network SPACE x Artist Development programme 2021 Ellipsis Prints 2021 commissioning project London Creative Network x SPACE Artist Development Programme 2021 Space Studio Award (shortlist), London, 2016 Vice Chancellor Scholarship 2015- MA Fine Art Chelsea College of Art   About the postcard artwork The three postcards I have presented for International Women's Day each aim to surface queer experience and offer an alternative empowering image of female subjectivity in an eroticized state. Oppressive bodily narratives are criticised via a whimsical and subversive language to refute binary ideals of 'femininity' and womxnhood.      

Angela A'Court From Here To There, 2021 Screenprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."  

Angela A'Court Tokyo Days, 2021 Screenprint on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."  

Angela A'Court Trois Fois, 2021 Mixed Media on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."  

Larissa Lockshin Landscape Sketch, 2021 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Larissa Lockshin is a Canadian-born artist based in Queens, New York. Seeking to challenge the existing associations, categorizations, definitions, and language surrounding art, Larissa Lockshin emphasizes objecthood over image content. Employing printer ink, acrylic, oil sticks, enamel, and chalk, Lockshin creates objects that reach out to the viewer and exist in the liminal space between painting and sculpture. A frustration with the emphasis on performance and conceptual art in her formal education first drove Lockshin to abstraction, and her subsequent work challenges the image's drained value in an oversaturated, digital world. The question of how art can maintain its value as a physical object when most artworks are viewed online impelled Lockshin to create artworks that defy the confines of digital reproduction, countering notions of what painting is through loosely impressionistic, largely unrecognizable forms. Exhibitions Her recent solo and two-person exhibitions include: "Iced Rowanberries", The Newsstand Project, Los Angeles, CA (2020), "Cadmio Limon", curated by Cristina Anglada, Galeria Pelaires, Majorca, Spain (2020), NADA "This is Fair", Melanie Flood Projects (2020), ARCO Lisboa, Galeria Pelaires (2020), ""Mal"" curated by Underground Flower & The Sunroom, Richmond, VA (2020). ""Elephant Heart"" (Solo), Y2K Group, Tribeca, NYC (2019), ""Fashion Club"" (Solo), Thumbelina's, NYC (2019), ""Scarecrow Show"", curated by Abby Lloyd, Dennis Witkin & Hadley Vogel, Watermill, NY (2019), ""Metal Meadow"", Camp Eternal Hell Chamber, NY (2019), Odette, Melanie Flood Projects, Portland, OR (2019), Bad Dream House, American Institute of Thoughts and Feelings, Tucson, AZ (2018); Far Side of the Valley, Albert Baronian, Brussels (2015); Bone Dry, 3434, New York (2016); Close But Not Cigar, Johannes Vogt Gallery, New York (2015).   Recent group exhibitions include: Scarecrow Show, The Green Thumb, Watermill, NY (2019); Metal Meadow, Camp Eternal Hell Chamber, Cobleskill, NY (2019); Exit Soul, Liberal Arts Roxbury, Roxbury, NY (2018); Moondog, East Hampton Shed, New York.   Gallery Representation She is represented by Galerie Baronian/Xippas in Brussels."

Larissa Lockshin Girl Asleep on the Sofa, 2021 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Larissa Lockshin is a Canadian-born artist based in Queens, New York. Seeking to challenge the existing associations, categorizations, definitions, and language surrounding art, Larissa Lockshin emphasizes objecthood over image content. Employing printer ink, acrylic, oil sticks, enamel, and chalk, Lockshin creates objects that reach out to the viewer and exist in the liminal space between painting and sculpture. A frustration with the emphasis on performance and conceptual art in her formal education first drove Lockshin to abstraction, and her subsequent work challenges the image's drained value in an oversaturated, digital world. The question of how art can maintain its value as a physical object when most artworks are viewed online impelled Lockshin to create artworks that defy the confines of digital reproduction, countering notions of what painting is through loosely impressionistic, largely unrecognizable forms. Exhibitions Her recent solo and two-person exhibitions include: "Iced Rowanberries", The Newsstand Project, Los Angeles, CA (2020), "Cadmio Limon", curated by Cristina Anglada, Galeria Pelaires, Majorca, Spain (2020), NADA "This is Fair", Melanie Flood Projects (2020), ARCO Lisboa, Galeria Pelaires (2020), ""Mal"" curated by Underground Flower & The Sunroom, Richmond, VA (2020). ""Elephant Heart"" (Solo), Y2K Group, Tribeca, NYC (2019), ""Fashion Club"" (Solo), Thumbelina's, NYC (2019), ""Scarecrow Show"", curated by Abby Lloyd, Dennis Witkin & Hadley Vogel, Watermill, NY (2019), ""Metal Meadow"", Camp Eternal Hell Chamber, NY (2019), Odette, Melanie Flood Projects, Portland, OR (2019), Bad Dream House, American Institute of Thoughts and Feelings, Tucson, AZ (2018); Far Side of the Valley, Albert Baronian, Brussels (2015); Bone Dry, 3434, New York (2016); Close But Not Cigar, Johannes Vogt Gallery, New York (2015).   Recent group exhibitions include: Scarecrow Show, The Green Thumb, Watermill, NY (2019); Metal Meadow, Camp Eternal Hell Chamber, Cobleskill, NY (2019); Exit Soul, Liberal Arts Roxbury, Roxbury, NY (2018); Moondog, East Hampton Shed, New York.   Gallery Representation She is represented by Galerie Baronian/Xippas in Brussels."

Larissa Lockshin Fruit Plate, 2021 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Larissa Lockshin is a Canadian-born artist based in Queens, New York. Seeking to challenge the existing associations, categorizations, definitions, and language surrounding art, Larissa Lockshin emphasizes objecthood over image content. Employing printer ink, acrylic, oil sticks, enamel, and chalk, Lockshin creates objects that reach out to the viewer and exist in the liminal space between painting and sculpture. A frustration with the emphasis on performance and conceptual art in her formal education first drove Lockshin to abstraction, and her subsequent work challenges the image's drained value in an oversaturated, digital world. The question of how art can maintain its value as a physical object when most artworks are viewed online impelled Lockshin to create artworks that defy the confines of digital reproduction, countering notions of what painting is through loosely impressionistic, largely unrecognizable forms. Exhibitions Her recent solo and two-person exhibitions include: "Iced Rowanberries", The Newsstand Project, Los Angeles, CA (2020), "Cadmio Limon", curated by Cristina Anglada, Galeria Pelaires, Majorca, Spain (2020), NADA "This is Fair", Melanie Flood Projects (2020), ARCO Lisboa, Galeria Pelaires (2020), ""Mal"" curated by Underground Flower & The Sunroom, Richmond, VA (2020). ""Elephant Heart"" (Solo), Y2K Group, Tribeca, NYC (2019), ""Fashion Club"" (Solo), Thumbelina's, NYC (2019), ""Scarecrow Show"", curated by Abby Lloyd, Dennis Witkin & Hadley Vogel, Watermill, NY (2019), ""Metal Meadow"", Camp Eternal Hell Chamber, NY (2019), Odette, Melanie Flood Projects, Portland, OR (2019), Bad Dream House, American Institute of Thoughts and Feelings, Tucson, AZ (2018); Far Side of the Valley, Albert Baronian, Brussels (2015); Bone Dry, 3434, New York (2016); Close But Not Cigar, Johannes Vogt Gallery, New York (2015).   Recent group exhibitions include: Scarecrow Show, The Green Thumb, Watermill, NY (2019); Metal Meadow, Camp Eternal Hell Chamber, Cobleskill, NY (2019); Exit Soul, Liberal Arts Roxbury, Roxbury, NY (2018); Moondog, East Hampton Shed, New York.   Gallery Representation She is represented by Galerie Baronian/Xippas in Brussels."

Mary Herbert Day, 2020 Soft Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mary's work is an intuitive exploration of memory and sensation. Working at the intersection of drawing and painting, she creates subtle and enigmatic works which oscillate between the recognised and the unknown. Her current work is a series of small, dream-like pastel drawings formed of a composite of feelings, lived-sensation, unconscious processes and observation.   Education Mary studied art at Goldsmiths College in London, where she developed a fascination with the materiality of the photographic image and it's unreliability as a container of memory, and later at the Royal Drawing School where she re-connected with the physical and unconscious aspects of image making through drawing.  

Mary Herbert Night, 2020 Soft Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mary's work is an intuitive exploration of memory and sensation. Working at the intersection of drawing and painting, she creates subtle and enigmatic works which oscillate between the recognised and the unknown. Her current work is a series of small, dream-like pastel drawings formed of a composite of feelings, lived-sensation, unconscious processes and observation.   Education Mary studied art at Goldsmiths College in London, where she developed a fascination with the materiality of the photographic image and it's unreliability as a container of memory, and later at the Royal Drawing School where she re-connected with the physical and unconscious aspects of image making through drawing.

Susie Hamilton Nurse/1, 2021 Acrylic and Pastel Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) I live and work in east London and make paintings, drawings and prints. My work often depicts figures in urban or natural wildernesses, a desert or a shopping mall for instance. The figures in my paintings are frequently solitary and may seem overwhelmed or challenged by their environments and also by my method of painting which defaces or abstracts them into mysterious, metamorphic shapes. Education: St Martin's School of Art, Byam Shaw School of Art and Birkbeck College, London University where I did a Ph.D in English Literature Exhibitions/Awards: Solo exhibitions include: C-19, Paul Stolper (2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Art Gallery, Hull (2003).   Group shows include: Trinity Buoy Wharf Drawing Prize, London (2020); A Dreadful Day, Paul Stolper, London (2020); Beyond Other Horizons, Iasi Palace of Culture, Romania (2020); Art Car Boot Fair, London (2020, 2019); Drawing Biennale, Drawing Room, London (2019, 20017, 2015); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition, Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Gallery Representation: Paul Stolper Gallery, London About the postcard artworks: These cards depict nurses or doctors in Covid wards and are part of my C-19 series of works, made since last April, of neon-lit wards and figures transformed by masks and visors.    

Susie Hamilton Nurse/2, 2021 Acrylic and Pastel Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I live and work in east London and make paintings, drawings and prints. My work often depicts figures in urban or natural wildernesses, a desert or a shopping mall for instance. The figures in my paintings are frequently solitary and may seem overwhelmed or challenged by their environments and also by my method of painting which defaces or abstracts them into mysterious, metamorphic shapes. Education: St Martin's School of Art, Byam Shaw School of Art and Birkbeck College, London University where I did a Ph.D in English Literature Exhibitions/Awards: Solo exhibitions include: C-19, Paul Stolper (2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Art Gallery, Hull (2003).   Group shows include: Trinity Buoy Wharf Drawing Prize, London (2020); A Dreadful Day, Paul Stolper, London (2020); Beyond Other Horizons, Iasi Palace of Culture, Romania (2020); Art Car Boot Fair, London (2020, 2019); Drawing Biennale, Drawing Room, London (2019, 20017, 2015); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition, Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Gallery Representation: Paul Stolper Gallery, London About the postcard artworks: These cards depict nurses or doctors in Covid wards and are part of my C-19 series of works, made since last April, of neon-lit wards and figures transformed by masks and visors.    

Susie Hamilton Nurse/3, 2021 Pastel and Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) I live and work in east London and make paintings, drawings and prints. My work often depicts figures in urban or natural wildernesses, a desert or a shopping mall for instance. The figures in my paintings are frequently solitary and may seem overwhelmed or challenged by their environments and also by my method of painting which defaces or abstracts them into mysterious, metamorphic shapes. Education: St Martin's School of Art, Byam Shaw School of Art and Birkbeck College, London University where I did a Ph.D in English Literature Exhibitions/Awards: Solo exhibitions include: C-19, Paul Stolper (2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Art Gallery, Hull (2003).   Group shows include: Trinity Buoy Wharf Drawing Prize, London (2020); A Dreadful Day, Paul Stolper, London (2020); Beyond Other Horizons, Iasi Palace of Culture, Romania (2020); Art Car Boot Fair, London (2020, 2019); Drawing Biennale, Drawing Room, London (2019, 20017, 2015); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition, Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Gallery Representation: Paul Stolper Gallery, London About the postcard artworks: These cards depict nurses or doctors in Covid wards and are part of my C-19 series of works, made since last April, of neon-lit wards and figures transformed by masks and visors.    

Susie Hamilton Nurse/4, 2021 Acrylic, Pastel and Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) I live and work in east London and make paintings, drawings and prints. My work often depicts figures in urban or natural wildernesses, a desert or a shopping mall for instance. The figures in my paintings are frequently solitary and may seem overwhelmed or challenged by their environments and also by my method of painting which defaces or abstracts them into mysterious, metamorphic shapes. Education: St Martin's School of Art, Byam Shaw School of Art and Birkbeck College, London University where I did a Ph.D in English Literature Exhibitions/Awards: Solo exhibitions include: C-19, Paul Stolper (2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Art Gallery, Hull (2003).   Group shows include: Trinity Buoy Wharf Drawing Prize, London (2020); A Dreadful Day, Paul Stolper, London (2020); Beyond Other Horizons, Iasi Palace of Culture, Romania (2020); Art Car Boot Fair, London (2020, 2019); Drawing Biennale, Drawing Room, London (2019, 20017, 2015); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition, Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Gallery Representation: Paul Stolper Gallery, London About the postcard artworks: These cards depict nurses or doctors in Covid wards and are part of my C-19 series of works, made since last April, of neon-lit wards and figures transformed by masks and visors.    

Florence Hutchings Dining Room Chair I, 2021 Oil Paint, Ink, Oil Pastel and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Florence Hutchings (b. 1996) originally from Kent now lives and works in London.   Education:   Florence graduated with a first class honours from The Slade School of Fine Art, where she also won the Lynn Painter's Stainers Scholarship during her studies.   Exhibitions/Awards:   Florence has had three solo shows in the past two years and has exhibited her work widely throughout the UK and abroad. The largest show of her work was in 2019 at the Saatchi Gallery where eight large scale paintings were displayed in an exhibition titled Kaleidoscope. The paintings from that show remain part of Charles Saatchi's collection. Florence has taken part in a few residences too, her most recent being in September 2019 in LA, which resulted in a show of the work at the Cabin. Florence's work revolves around the poetry of the everyday, taking elements of her life whether it be the studio, the clothes rail in her bedroom or even the toilet in the bathroom. Florence depicts these objects into almost abstract forms giving them the life and vitality that she sees in them. Her work is extremely textured and layered, this occurs due to the constant repainting in almost all of her works, collage also plays a vital role in this process.   Slade School of Fine Art Scholarships Lynn Painter's Stainers Prize 2016-2019   Residency's The Cabin, LA, September 2019 Plop, London, June 2018   Exhibitions   Solo Shows Union Gallery- The Place I call Home, August 2020 Beers London- The Poetry of the Everyday, August 2019 Delphian Gallery- Seating Arrangement, September 2019   Two Person Shows Setareh Gallery - The Space Between, December 2020-Jan 2021 Beers London- A Kindred Spirit, Feb-March 2020 The Cabin LA- Florence Hutchings and Danny Romeril, Sept-Oct 2019 The Halpern Gallery- Objects in Translation, June 2019   Other Exhibitions Saatchi Gallery - Antisocial Isolation, October 2020 Mall Galleries- FBA Future, Jan 2020 Delphian x Guts, November 2019 Delphian Gallery- Divergent Motion, Nov 2019 Guts Gallery Opening, May 2019 Slade Degree Show, May 2019 Saatchi Gallery - Kaleidoscope, March-June 2019 Beers London -Works on paper, December 2018 New Arts Project- Places and Faces, July 2018 Take Courage Gallery- Numerous and Often Varied, May 2018 5th Base Gallery- Juice, Feb 2018 The Chopping Block Gallery- Pretty Hot Pink, December 2017 The Crypt Gallery- All's Well, Nov 2017 The Chopping Block Gallery- Do I Beg This Slender Inch, Oct 2017 Doomed Gallery- Mud, Feb 2017 Geddes Gallery- Magical Offspring, June 2016   About the postcard artworks:   These three pieces for AOAP are all based on chairs i've been surrounded by recently, depicted in a variety of media. Working on this small scale was definitely a challenge, for them to work there was a constant process of painting out and painting back in to resolve the end images of the works. "  

Florence Hutchings Dining Room Chair II, 2021 Oil Paint, Ink, Oil Pastel and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Florence Hutchings (b. 1996) originally from Kent now lives and works in London.   Education:   Florence graduated with a first class honours from The Slade School of Fine Art, where she also won the Lynn Painter's Stainers Scholarship during her studies.   Exhibitions/Awards:   Florence has had three solo shows in the past two years and has exhibited her work widely throughout the UK and abroad. The largest show of her work was in 2019 at the Saatchi Gallery where eight large scale paintings were displayed in an exhibition titled Kaleidoscope. The paintings from that show remain part of Charles Saatchi's collection. Florence has taken part in a few residences too, her most recent being in September 2019 in LA, which resulted in a show of the work at the Cabin. Florence's work revolves around the poetry of the everyday, taking elements of her life whether it be the studio, the clothes rail in her bedroom or even the toilet in the bathroom. Florence depicts these objects into almost abstract forms giving them the life and vitality that she sees in them. Her work is extremely textured and layered, this occurs due to the constant repainting in almost all of her works, collage also plays a vital role in this process.   Slade School of Fine Art Scholarships Lynn Painter's Stainers Prize 2016-2019   Residency's The Cabin, LA, September 2019 Plop, London, June 2018   Exhibitions   Solo Shows Union Gallery- The Place I call Home, August 2020 Beers London- The Poetry of the Everyday, August 2019 Delphian Gallery- Seating Arrangement, September 2019   Two Person Shows Setareh Gallery - The Space Between, December 2020-Jan 2021 Beers London- A Kindred Spirit, Feb-March 2020 The Cabin LA- Florence Hutchings and Danny Romeril, Sept-Oct 2019 The Halpern Gallery- Objects in Translation, June 2019   Other Exhibitions Saatchi Gallery - Antisocial Isolation, October 2020 Mall Galleries- FBA Future, Jan 2020 Delphian x Guts, November 2019 Delphian Gallery- Divergent Motion, Nov 2019 Guts Gallery Opening, May 2019 Slade Degree Show, May 2019 Saatchi Gallery - Kaleidoscope, March-June 2019 Beers London -Works on paper, December 2018 New Arts Project- Places and Faces, July 2018 Take Courage Gallery- Numerous and Often Varied, May 2018 5th Base Gallery- Juice, Feb 2018 The Chopping Block Gallery- Pretty Hot Pink, December 2017 The Crypt Gallery- All's Well, Nov 2017 The Chopping Block Gallery- Do I Beg This Slender Inch, Oct 2017 Doomed Gallery- Mud, Feb 2017 Geddes Gallery- Magical Offspring, June 2016   About the postcard artworks:   These three pieces for AOAP are all based on chairs i've been surrounded by recently, depicted in a variety of media. Working on this small scale was definitely a challenge, for them to work there was a constant process of painting out and painting back in to resolve the end images of the works. "

Florence Hutchings Dining Room Chair III, 2021 Oil Paint, Ink, Oil Pastel and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Florence Hutchings (b. 1996) originally from Kent now lives and works in London.   Education:   Florence graduated with a first class honours from The Slade School of Fine Art, where she also won the Lynn Painter's Stainers Scholarship during her studies.   Exhibitions/Awards:   Florence has had three solo shows in the past two years and has exhibited her work widely throughout the UK and abroad. The largest show of her work was in 2019 at the Saatchi Gallery where eight large scale paintings were displayed in an exhibition titled Kaleidoscope. The paintings from that show remain part of Charles Saatchi's collection. Florence has taken part in a few residences too, her most recent being in September 2019 in LA, which resulted in a show of the work at the Cabin. Florence's work revolves around the poetry of the everyday, taking elements of her life whether it be the studio, the clothes rail in her bedroom or even the toilet in the bathroom. Florence depicts these objects into almost abstract forms giving them the life and vitality that she sees in them. Her work is extremely textured and layered, this occurs due to the constant repainting in almost all of her works, collage also plays a vital role in this process.   Slade School of Fine Art Scholarships Lynn Painter's Stainers Prize 2016-2019   Residency's The Cabin, LA, September 2019 Plop, London, June 2018   Exhibitions   Solo Shows Union Gallery- The Place I call Home, August 2020 Beers London- The Poetry of the Everyday, August 2019 Delphian Gallery- Seating Arrangement, September 2019   Two Person Shows Setareh Gallery - The Space Between, December 2020-Jan 2021 Beers London- A Kindred Spirit, Feb-March 2020 The Cabin LA- Florence Hutchings and Danny Romeril, Sept-Oct 2019 The Halpern Gallery- Objects in Translation, June 2019   Other Exhibitions Saatchi Gallery - Antisocial Isolation, October 2020 Mall Galleries- FBA Future, Jan 2020 Delphian x Guts, November 2019 Delphian Gallery- Divergent Motion, Nov 2019 Guts Gallery Opening, May 2019 Slade Degree Show, May 2019 Saatchi Gallery - Kaleidoscope, March-June 2019 Beers London -Works on paper, December 2018 New Arts Project- Places and Faces, July 2018 Take Courage Gallery- Numerous and Often Varied, May 2018 5th Base Gallery- Juice, Feb 2018 The Chopping Block Gallery- Pretty Hot Pink, December 2017 The Crypt Gallery- All's Well, Nov 2017 The Chopping Block Gallery- Do I Beg This Slender Inch, Oct 2017 Doomed Gallery- Mud, Feb 2017 Geddes Gallery- Magical Offspring, June 2016   About the postcard artworks:   These three pieces for AOAP are all based on chairs i've been surrounded by recently, depicted in a variety of media. Working on this small scale was definitely a challenge, for them to work there was a constant process of painting out and painting back in to resolve the end images of the works. "

John Luce Lockett (British, 1952-2014), Penny Thoughts, signed l.r., brown and white pastel, 34 by 34cm, framed Note: Artist Resale Rights apply 

Late 20th century, Cut Bank, depicting a farmyard scene with canoes by a river, indistinctly signed lower right, pastel and charcoal on paper, watermark "Arches France" Cut Bank 89 written on the reverse, 76 x 56cm

Horses by a pool, pastel, signed ENS, 26 x 36.5cm; with a study of a boy leading a horse, watercolour, 13 x 21.5cm (2)

French School, Young girl with a dog, pastel on paper, 60 x 49cm. Provenance: L'Hurier, 38 rue Vivienne (label verso)

A pastel child head portrait (stained); an etching of a classical Muse (Clio, the Muse of history), holding a trumpet, 19.5 x 11.5cm; a French pencil cartoon strip dated 1919, and two modern watercolour garden views (5)

MARJORIE COX (1915-2003). 'Judy and Liz', signed lower right and dated 1964, pastel, framed and glazed, 36.5 x 44.5 cm

WILLIAM ARNOLD FOSTER. Watching for German submarines from an airship off the Ulster coast, see inscription verso, signed with monogram and dated 1918 lower left, pastel on paper laid on card, unframed, 47 x 31 cm

CONTINENTAL SCHOOL. Head and shoulder portrait study of a young woman, indistinctly signed and dated 1915 lower right, pastel on paper, framed and glazed, 46 x 38 cm

FRANZÖSISCHER PORTRAITMALER DES ROKOKO Tätig, 2.Hälfte 18. Jh. BILDNIS EINER JUNGEN DAME MIT VOGELKÄFIG Pastellkreide auf chamoisfarbenem Papier. 53 x 43 cm (Sichtmass) (R. 61 x 50 cm) (oval). Part. im unteren Bereich leicht wasserfleckig, Ränder teils leicht besch. Hinter Glas gerahmt. Provenienz: Norddeutsche Privatsammlung. FRENSH PORTRAIT PAINTER OF THE ROCOCO PERIOD Active, 2nd half of the 18th century. PORTRAIT OF A YOUNG LADY WITH A BIRDCAGE Pastel chalk on chamois-colour paper. 53 x 43 cm (visible size) (F. 61 x 50 cm) (oval). Part. slightly waterstained in lower part, edge part. slightly damaged. Framed behind glass. Provenance: North German Private Collection.

19TH CENTURY ENGLISH SCHOOL Cattle and sheep in river landscape, a pair, oil on board, 27.5 x 43cm; and a 19th Century pastel portrait of a gentleman, 50 x 37cm (3)

BRIAN PHILLIPS (b.1939) 'Bog Farm on a Dizzy Day near Tuesday', signed, pastel, 39 x 48cm

Jill Watkins, pastel sketch of nude lady, 67cm x 46cm, framed and glazed.

Jill Watkins, pastel sketch of nude lady, 67cm x 47cm, framed and glazed.