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A framed and oval mounted pastel painting titled The Valley- Evening Light, signed R.M.M. (Richard M. Mather) 1984.

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Moulin Rouge". Medium: Original color lithograph, after the drawing. Date: Composed 1891. Printed 1927. Dimensions: Overall size: 10 1/8 x 7 13/16 in. (257 x 198 mm).Lot Note(s): Stamped lower right; stamped verso. Edition of 200. Cream wove paper. Printed to the edge of the sheet. Fine impression; some colors are extremely vibrant and appear to be hand-applied. Very good to fine condition. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Rare. The lithograph is after the preliminary Moulin Rouge drawing that Bonnard executed early in 1891 in pencil, crayon, ink, watercolor, and pastel, currently in a private collection. He subsequently created, later in 1891, the finished drawing in pastel and charcoal, currently in the collection of the J. Paul Getty Museum. This print was authorized by Bonnard, printed under the immediate supervision of Charles Terrasse (Bonnard’s nephew) by D. Jacomet & Cie, Paris, and published by Henri Floury, Paris Image copyright © Artists Rights Society (ARS), New York/ADAGP, Paris. [29361-1-600]

A Leonard Squirrell etching print of Wolseys Gate in Ipswich and a pastel of Blickling Hall, both framed and glazed

English School (18th/19th century) A set of nine watercolour landscapes depicting castle ruins, country villages, and country landscapes, framed, together with a pair of pencil and pastel portraits of the children of George and Georgina Chetwynd, Georgina was later Lady Chetwynd, and a copper coal scuttle (qty)

A large framed & glazed oil painting of a horses head & a framed & glazed pastel of a Terrier dog swimming - both signed but indistinct (70cm x 81cm & 54cm x 44cm) (Collect only)

AMANDA VESEY (b. 1939) 'Dog (red) 2019' Charcoal & pastel on Indian paper,35 x 28 cms Guide £900Amanda VeseyBorn in 1939, trained at Salisbury School of Art and Chelsea College of Art. At Chelsea Vesey was taught by Shelia Fell, Julian Trevelyan and Jack Smith and given great encouragement by Prunella Clough. Her work was shown in the Young Comporaries Exhibition 1959. In addition to painting she has written and illustrated several award winning children’s books. Vesey’s work is sought after by private and corporate collectors.Solo shows include: Yellow Sky, 2014, The Art Stable; Art First, 2001, 2006, 2009; East West, 1996, and mixed shows: Another World, Deutsche Bank, curated Tracey Emin; Towards Night, 2016, Towner Art Gallery; Small is Beautiful, 2010, Flowers; Summers Lease, 2009, Eagle Gallery; Starting a Collection, 2003, 2001, 1999, Art First.

CATHERINE GOODMAN (b. 1961) 'Beehive' Pastel on paper, 56 x 75.5 cms Guide £4,500Catherine GoodmanArtist, educator and the Founding Artistic Director of the Royal Drawing School, which she co-established with HRH The Prince of Wales in 2000. Born in 1961, Goodman trained at Camberwell School of Arts & Crafts and at the Royal Academy Schools. She is represented by Marlborough Fine Art. Her numerous solo exhibitions include Portraits from Life at the National Portrait Gallery in 2014, Eve at Hauser & Wirth Somerset, following five months as Artist in Residence at the gallery, in 2018, and Marlborough Gallery New York in 2019.Her paintings are held in private and public collections including the National Portrait Gallery, the Fitzwilliam Museum Cambridge and the Royal Collection Trust. In 1987 she won the Royal Academy Gold Medal, and First Prize in the BP Portrait Award in 2002. She was appointed a Trustee of The National Gallery in 2019.

AMY SHUCKBURGH (b.1977) 'Liquid Core, 2018' Oil on paper, 70 x 50 cms Guide £650Amy ShuckburghBorn in 1977, creates distinctive landscapes, still life, portraits and figurative work. She uses pencil, pastel, oil and collage, working intuitively as well as from life. Trained at L’Ecole des Beaux Arts in Paris, the St Ives School in Cornwall, The Royal Drawing School and the Slade School of Fine Art, in London. She has a Degree in English Literature from Leeds University and a Masters Degree in Curating from Goldsmiths College, London. Won the 2019 Heatherley’s Award for Drawing.An exhibition of her motherhood paintings last year celebrated the stresses and pleasures of mothering. Jacqueline Rose, author of Mothers: An Essay on Love and Cruelty, writes: ‘Amy Shuckburgh’s delicate yet bold and vivid images of motherhood manage to evoke a portrait for our time that avoids the twin pitfalls of idealisation and punishment.’Amy divides her time between London and Cornwall, where she has family roots, and a recent solo show in London of her Cornish work focused on her emotional response to the coastal landscape, and her interest in the layered narratives that places conceal.

TIMOTHY HYMAN RA (b.1946) 'Responding to Norman Foster's Staircase, LSE Library 2010' Pastel on paper, 23 x 15 cms Guide £200 - £700Timothy Hyman RABorn in 1946 and a painter, curator and writer. He trained as a painter at The Slade (1963-7) and was elected RA in 2011. He has had ten London solo exhibitions and was lead curator for the Tate’s Stanley Spencer retrospective. Thames and Hudson have published his monographs on Bonnard and Sienese Painting, as well as The World New Made: Figurative Painting in the Twentieth Century.

E. Anthony Orme (British 1945-) Still life of miners shoes and lamp, signed, dated 1998 on verso, with accompanying certificate of authenticity, pastel.18cm x 28cm (7in x 11in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed.

Mary Yates (British 1891-1974) "Windermere from Red Screes", monogrammed and dated 'October 24 1940', titled on artist's label verso, pastel.25.5cm x 37.5cm (10in x 14.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed.

Steven Bewsher (British 1964-) "Evening Canal, Stockton Heath, Cheshire", signed, titled on verso, pastel.34.5cm x 51.5cm (13.5in x 20.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Bob Richardson (British 1938-) Continental harbour scene, signed, pastel.30cm x 40cm (11.75in x 15.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Reg Gardner (British 1948-) "Manchester Road, Oldham", initialled, titled on verso, pastel.17cm x 24.5cm (6.75in x 9.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Bob Richardson (British 1938-) "The Opera House, Manchester", signed, pastel.42.5cm x 53cm (16.75in x 20.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Tom Brown (British 1933-2017) Backyard scene with children playing, signed, pastel.38cm x 53.5cm (15in x 21in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Christine Slade (British 1943-) "Winter Sun at Flash, Peak District", signed, titled on gallery label - 'Westcliffe Gallery, Norfolk' verso, pastel.31.5cm x 24.5cm (12.5in x 9.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is ornately framed and glazed.

Harold Riley (British 1934-) "St. Peter's Square, Manchester", signed, titled and dated '71, ink, watercolour and pastel.43.5cm x 27cm (17in x 10.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Allan Cownie (Welsh 1927-2015) Seated female nude, signed, pastel.55.5cm x 44cm (21.75in x 17.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some scuffs and knocks.

Mary Yates (British 1891-1974) "Shetland - near Ronas", monogrammed, titled and dated 'August 28, 1935' on artist's label verso, pastel.12cm x 21.5cm (4.75in x 8.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed behind perspex. The frame has some minor scuffs and knocks commensurate with age.

Harold Riley (British 1934-) "Weaste Cinema, Salford", signed and dated '70, pastel.55.5cm x 49.5cm (21.75in x 19.5in)Footnote:* A series of billiard halls were built by Temperance Societies in Salford to keep people out of the pubs. As time passed, they ceased to be billiard halls and many became cinemas as this one did in Weaste.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Mark Whyatt (British 1962-) "Two Sound Machines", signed, titled and dated 1990 on verso, pastel.15cm x 31cm (6in x 12.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Continental School (20th century), Study of a Nude, indistinctly signed, pastel, 41cm x 32cm.

Continental School, 19th century, Young Italian Beauty, pastel, 44cm x 31cm.

A pastel framed picture of a horse, head pose, signed and details of artist verso (local artist, deceased)

Lois Webster FRSA (British), Still Life of Flowers, pastel, signed and dated 1975, approx 52cm x 44xm

Sybil M Dowie (Exh. 1889 - 1922) - Pastel - 'Barques on the Nile', signed with initials and dated 1907 lower left, 17cm x 26cm, framed and glazed

After Paul René Gauguin, Semi Nude Female, pastel, signed P. Gauguin and dated 97, approx 63cm x 95cm

Lona Bradshaw: a framed pastel study of a tabby cat - sold with another pastel study of a named poodle

H.A.F. Musgrave: a gilt framed pastel portrait of a ballerina seated at her dressing table - signed

J*D* Hotchin (20th century) - 'After Rain, Norfolk', signed Hotchin and inscribed on the artist's original label verso, pastel drawing, 5.75" x 12.75" *Exhibited at The Pastel Society 195, Piccadilly, London W1

Pastel portrait of a lady - Daniel Macdonald 1852

Zoe Gilmore, mixed media oil pastel collage, abstract forms, 58cm x 83cm, framedGood condition

Robin Philipson (1916-1992), still life pastel study of strawberries in a bowl, signed to the reverse. H.46 W.50.5cm

Ernest Dewey Albinson (American, 1898-1971). Pastel on paper drawing of a row of houses with two figures outside overshadowed by a large tree. Signed along the lower center. Dewey Albinson studied at the Minneapolis School of Art - now known as MCAD - in 1919, and at the Art Students League of New York.Sight; height: 11 1/2 in x width: 14 3/4 in. Framed; height: 22 1/4 in x width: 25 1/2 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 11 1/2 in x width: 14 3/4 in. Framed; height: 22 1/4 in x width: 25 1/2 in.

Kenny Scharf (American, b. 1958). Silkscreen in colors on paper titled "Aqua Pollination," 1987, depicting a pastel landscape populated by psychedelic figures. Pencil signed along the lower center; numbered HC 11/15 along the lower left. With a label from Martin Lawrence Limited Editions, Inc.Sight; height: 34 in x width: 38 1/2 in. Framed; height: 37 3/4 in x width: 42 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 34 in x width: 38 1/2 in. Framed; height: 37 3/4 in x width: 42 in.

Emile Friant (French, 1863-1932)Portrait of William Rothenstein signed, inscribed and dated 'a Will/Rothenstein/E. Friant/91' (lower right)pastel51 x 32.5cm (20 1/16 x 12 13/16in).Footnotes:ProvenanceThe estate of the artist.By decent through the Rothenstein family.Private Collection, UK.This sensitive and charming portrait of William Rothenstein was drawn in 1891. Emile Friant would have been twenty-eight and the young Rothenstein only nineteen. Rothenstein had left Bradford Grammar School three years earlier and enrolled at The Slade but travelled to Paris in 1889 to study at the Academie Julian where he would meet Whistler, Degas and Toulouse-Lautrec and share a studio with Charles Conder in Montmartre. By this time Friant, who had studied at the Ecole des Beaux Arts in Nancy and been awarded a scholarship to study under Alexandre Cabanel, had already won numerous prizes at the Paris Salon and been decorated with the ribbon of the French Legion of Honour. Sir William Rothenstein was to become a pillar of the British art scene - a regular exhibitor of portraits and landscapes with the New English Art Club, he is credited as a co-founder of the Carfax Gallery and wrote several books including the first English monograph of Goya's work in 1900. He later became principal of the Royal College of Art and Trustee of the Tate Gallery, receiving a knighthood in 1931. A society figure, the National Portrait Gallery now holds more than 200 Rothenstein portraits of notable figures of his age, and his three-part memoirs Men and Memories features anecdotes about Oscar Wilde, Max Beerbohm, James Whistler, Paul Verlaine, Edgar Degas, and John Singer Sargent.The present portrait has remained in the artist's family since it was conceived and provides an interesting insight into the young artist as he stares confidently at the viewer. Rothenstein was well aware even at this tender age of the power of a good likeness, as was Emile Friant – both artists enjoyed the format and both also produced a number of self-portraits over the years.For further information on this lot please visit Bonhams.com

•WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892-1963) BUACHAILLE ETIVE MHOR Pastel, signed, 36 x 53cm (14 x 20 3/4") T & R Annan & Sons Ltd label verso Condition Report: The pastel and paper appear to be in good condition with no significant issues.

•GEORGE DEVLIN RSW, RGI (SCOTTISH 1937-2014) CHIOGGIA FISH WORKERS Pastel on paper, signed, 21 x 28cm (8 1/4 x 11") Inscribed with title on label verso Condition Report: On close inspection there are some tiny loose particles of pastel that have fallen on to the lower edge of the of the mount window and the paper is very slightly wavy but overall the work is in good condition.

•STANLEY ROYLE (BRITISH 1888-1961) GIRL IN AUTUMN SUNSHINE Pastel, signed and dated 1928, 21 x 24cm (8 1/4 x 9 1/2") Condition Report: Small group of foxing spots lower edge right and one small darker one at top left edge.

•CHARLES OPPENHEIMER RSA, RSW (BRITISH 1875-1961) KIRKCUDBRIGHT FROM SILVERCRAIGS Pastel on paper, 17 x 21.5cm (6 1/2 x 8 1/2") Provenance: Charles Oppenheimer Studio Sale, Thomson Roddick on 15 march 2014 Condition Report: Tiny touches of extraneous in appearance media top edge right of centre, right edge middle and lower left centre of image.

A SECESSIONIST JARDINIERE STAND decorated with stylised rose and foliate decoration in matt pastel glazes, stamped 5648 to underside, 81cm high Condition Report: Available upon request

The Connor Brothers (British)Threesomes (Unique) Acrylic and oil pastel, 2021, on canvas, a unique commission, exclusively produced by the artists in aid of The Big Issue, 1150 x 800 x 60mm (45 1/4 x 31 1/2 x 2 3/8in)(overall)Footnotes:Please note this lot is sold in aid of The Big Issue, UK.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

In Fine Contemporary French Armorial Bindings Manuscripts: Recuel de tous les actes concernant les Ducs & des Grands d'Espagne. Depuis l'an 900 jusqu'en 1660, Vols. II & III only (ex. ?) Lg. 4to c. 327 and 391ff respectively. Bound  in contemporary mottled calf, triple gilt fillet borders, profusely gilt spine in panels, mor. labels, with armorials on each cover. As manuscripts, w.a.f. The arms embossed on each cover are those of Gabriel Bernard, comte de Rieux (1687-1745), a member of the Parlement de Paris and from 1727 president of the Chambre des Comptes. In this capacity he presumably needed works such as these, reproducing the decrees associated with the peerage of France. In his fine pastel portrait by Maurice Quentin de la Tour, now in the Getty Center, Los Angeles, he is shown wearing his official robes, seated in his library; on the table beside him repose two volumes very similar in appearance to those now on offer.

Pastel Portrait of a Royal Air Force Volunteer Reserve Medical Officer, showing the officer in service dress tunic with visible collar badges. Pastel on board. Unclear signature to the lower corner. Housed in a black wooden frame. Measures 42 x 52 ½ cms.

A Denby Floral Pastel jug, in relief with a flower, 23.5cm high; another; others similar (5)

A Denby Floral Pastel Blue jug, in releif with foxgloves, 21cm high; another, 26cm high; a Pastel Blue ovoid vase, 14.5cm high; a Regent Pastel jug, in relief with corn, 20cm high; others with Pussy Willow (7)

Pastel, Walter Holmes, Framwellgate Bridge, Durham

Pastel, Walter Holmes, Framwellgate Bridge, Durham

English school (19th century),Portrait of a lady in a blue bonnet,Pastel and pencil on paper,Unsigned,60cm x 50cm,Framed and glazed

A Wedgwood pastel part tea service, 20th century, each piece with pastel body in shades of blue, green, yellow and puce, with beaded gilt rims and parcel gilt handles, comprising: fifteen teacups, fifteen saucers, fifteen side plates, a sandwich plate, a hot water jug and cover and a sucrier, each piece with printed maker's mark and painted pattern number to base (Qty)

Three limited edition Coalport figures of ladies in pastel coloured dresses, English rose Collection: 1997, Lady Sylvia, no. 271; 1999, Admired Miranda, no. 675; 1996, Blue Moon, no. 696, with original boxes, up to 24.5cm high

Manner of Hugh Douglas Hamilton/Portrait of Louisa/daughter of Richard 3rd Viscount Molesworth/pastel, 24.5cm x 19.5cm/Note: Married 1st Wm 1st Lord Ponsonby of Imokilly and 2nd William 4th Earl Fitzwilliam CONDITION REPORT: Pastel, in v good condition, frame distressed

After Sir Peter Lely/Portrait of Sir Robert Jenkinson 1st Bart of Walcot Co. Ox and Hawkesbury Co. Glouc, MP for Oxfordshire/pastel, 51cm x 34cm and/After Michael Dahl/Sir Robert Banks Jenkinson 4th Bart of Walcot Co. Ox and Hawkesbury Co. Glouc, MP for Oxfordshire 1717-27/pastel, 31cm x 24.5cm

*Peggy Somerville (1918-1975) pastel - The Carmague, 27cm x 37cm, framedProvenance: The Lorna and Gordon Turner Collection & Studio stamp June 1975Condition report: The glass has since been broken and needs replacing.

Percy Harland Fisher (1867-1944) pastel - a boy and a horse, 34cm x 26cm, in glazed frame

*Peggy Somerville (1918-1975) pastel - The Mill at Westleton, in glazed gilt frame, 11.5cm x 16.5cmProvenance: David Messum

Hercules Brabazon Brabazon (1821-1906) pencil and pastel on tinted paper – Clouds over a Landscape, initialled, in glazed gilt frame, 8cm x 13cmProvenance: Chris Beetles Ltd. London, 4th March 2015Condition report: Excellent ready to hang condition.

Eileen Cooper (b.1953) watercolour, ink and pastel - Dove 2016, signed, in glazed frame, 28.5cm x 38cmProvenance: Caroline Wiseman, 31st May 2016Condition report: The image is in excellent condition, the frame has a couple of scuffs, particularly on the left side, see image.

A Czechoslovakian Art Deco convex gilt brooch with blue satin-glass stones, 68mm diameter; another with green stones; another with pastel coloured stones, 50mm, with one large and one small matching dress clip; and six others.