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A framed pastel on paper, surrealist study, unsigned. H.92.5 W.83.5cm

Delphin Enjolras (French, 1857-1945)His portraitsigned 'D.Enjolras' (lower right) pastel 73 x 53cm (28 3/4 x 20 7/8in).For further information on this lot please visit Bonhams.com

A pastel study of three cats, 11" x 16", in silvered frame, and A Rougon, 1988: acrylic on canvas faced board, study of a Siamese cat, 17 1/4" x 12 1/4", in brass frame

LARGE OIL PASTEL AND CHARCOAL 'REQUIEM FOR A YOUNG WOMAN' 1996 signature on verso 136 x 192cm

§ SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) MOONRISE Signed and dated '19, pastel and pencil on brown paper.(27.5cm x 38cm (10.75in x 15in))

JACK KNOX R.S.A., R.S.W., R.G.I. (SCOTTISH 1936-2015) RHODODENDRON ISLAND Signed, signed and dated '81 verso, pastel on paper(22cm x 32.25cm (8.75in x 12.5in))Provenance: The Scottish Gallery, Edinburgh

§ MAUREEN BINNIE (SCOTTISH 1958-) STILL LIFE WITH TUSCAN BOWLS Signed and dated, pastel on paper(98cm x 67cm (38in x 26.25in))Provenance: The Scottish Gallery, Edinburgh

SAPTO HOEDOJO (XX). A portrait study of a young Indonesian woman reading, signed and dated 1948 lower right, pastel on paper, framed and glazed, 47 x 37 cm

(XX). Portrait study of a young child, signed middle to lower right, pastel on canvas, unframed, 53 x 46 cm

An oval gilt framed 19th Century pastel portrait of a young woman, frame size 58 x 69cm.

Fortunino Matania, young man serenading a girl, pastel, 28cm x 35cm, signed, glazed and framed.

R Martin Tomlinson (20thC) pastel "Coniston" in thin wood frame, signed,The picture measures 20 x 29 cm

Alfred WECZERZICK (1864-1952) pastel "Rabbit in snowy landscape at daybreak", signed, framed,The picture measures 22 x 30 cm

CONTINENTAL SCHOOL, pastel "Portrait of Madonna", in ornate gilt frame, 9" x 7"

Veronika Glushkova, "Chuchki", acrylic on canvas, 60 x 40cm, 2019. Oil painting on canvas depicting the four moods of Chuchki. Each person will find reflection of his mood in one or several Chuchki. The colors of the painting range from delicate, pastel colors to austere gray. The main feature of the painting is the use of silver leaf, thanks to which, the work changes its color: silver like glass reflects everything that is around, so the painting fits into absolutely any interior. I made a dark gray color served under the silver leaf; due to this, silver looks deeper in color and enriches its qualities. The color cracks that I created help the picture in harmony with the interior of the room where it will be located. Delivery to the UK £50.

Amanda Hughes, "Women at work", oil pastel on 350g watercolour paper, 56 x 44cm, 2020. Inspired by a love of connection and the bold and bright on the page. I was inspired by Gambians who I heard picnic at the beach their bright buckets loaded with fish, fruit and a desire to eat together. I love the freedom of dressing my Women: the brightness and warm of the colours as they POP against the darkness of their skin. Shipping to the UK £50.

Two pastel studies each depicting a Jewish musician, 27” x 19”, & 24” x 19”, each in gilt frame; & five various wall mirrors, one w.a.f.

A semi-abstract compositionpastel and watercolour on paper149 x 201cmCondition report: Unframed and rolled. With some minor tears to the edges. Size is as listed.

English School 18th Century-Portrait of a young lady, known as Mrs Wartnaby,:-head and shoulders, with powdered hair and blue eyes, wearing a white satin dress with a blue sash, pastel drawing, 54 x 41cm, together with a small oval pastel portrait of a lady. [2]

A Victorian CB group of five to Major-General Charles Vyvyan Cox, CB. (1819-1903): Most Honourable Order of the Bath Companion's neck badge, 18ct gold and enamel, London 1870, Gwalior Star, Punnair 29th Dec, 1843, 'Lt C V Cox 3rd Bde. Bengal Artillery', Sutlej Medal with Sobraon and Ferozeshuhr clasps 'Lt. C V Cox Horse Artillery', Punjab Medal with Chilianwala and Goojert clasps,'Lieut C V Cox Adt 2nd Bde H Arty' and India Service Medal, 'Lt -Major C V Cox 4th Tp 2nd Bde Bengal Arty', in a red leather case, together with a cased set of three miniatures, Punjab, Gwalior and India Service Medals, Victorian officer's dress sword in scabbard, Victorian ivory handled mameluke in scabbard, tin trunk containing No.1 Dress tunic and trousers with gold sash, sword belt, Ostrich plume in tin case, spurs and accessories, also two Carte de Visite Photographs of Major -General Cox in full No.1 uniform with full medal group and mameluke sword, together with a large pastel portrait of Charles Vyvyan Cox by Robert Faulkner circa 1853, half-length standing with brown wavy hair, blue eyes and mutton-chop sideburns and moustache, wearing Captain's uniform with India Campaign medals and dress sword, 99 x 81cm, and a portrait of his wife Charlotte Elizabeth Cox (daughter of J L Farr of North Cove Hall , Suffolk), three-quarter length standing, wearing pearl and jeweled necklace, a long ivory coloured gown with blue fringe and holding a pet dog, signed and dated 'Dickinson 1871', on porcelain, oval 44 x 30cm, in a mahogany and glazed case.*Notes Charles Vyvyan Cox was born in 1819 in Stockland, Devonshire, the second son of the late Rev. John Cox, rector of Cheddington and Vicar of Stockland-cum-Dalwood and of Martha Rowe. He was educated at King's School, Sherborne and Addiscombe Academy before entering the Bengal Artillery in 1838. Serving as a Subaltern he fought in both the Gwalior Campaign 1843-44 and the Sutlej campaign 1845-46 where he was wounded at the battle of Moodkee. During the Punjab Campaign 1848-49 he served as a Brigade Major of Horse Artillery and was mentioned in dispatches. He became Captain in 1853 and took part in operations in Rawalpindi and Peshawar during the Indian Rebellion of 1857. Promoted to Lieutenant Colonel in 1860 and then Colonel in 1863, he married his wife Charlotte Elizabeth Cox (nee Farr) in 1864, before becoming a Companion of the Bath in 1874. He died in 1903, St George, Hanover Square , London and is buried in Kensal Green Cemetery.

An Isfahan rug:, the ivory cartouche field with a central lozenge pole medallion, all over palmette and foliate scroll designs and pastel blue spandrels, enclosed by a main beige palmette meander border, 175cm x 107cm.

A Joshegan carpet:, the shaded brick red field with a central geometric flowerhead pole medallion and all over floral foliate designs, enclosed by a main pastel blue border with flowering stems, 380cm x 285cm.

A Kashmir rug:, the pastel blue field with a design of flowering trees and shrubs, within a beige foliate design border, 146cm x 107cm.

A Kurdish rug:, the rust field with a geometric design in pastel blue colours, enclosed by a main rose geometric stellar panelled border, 165cm x 123cm.

A pair of 19th Century French carved beech wing frame armchairs:, fully upholstered in pastel blue fabric, on fluted cabriole legs, terminating in scroll feet.

A French carved and decorated beechwood three seat settee and matching armchair:, the backs with shaped and moulded top rails, decorated with foliate scrolls, having trefoil cartouche upholstered panels continuing to the curved arms with foliate scroll terminals and with serpentine and bowed cushion seats, all upholstered in silk damask pastel foliate and anthemion design fabric, having shaped foliate aprons on cabriole legs, terminating in foliate scroll feet, the settee 198cm (6ft 6in) long.

A framed and glazed oval pastel portrait - signed GEORGE HALL 1874

OVAL GILT FRAMED PASTEL - MOTHER & CHILD WITH OIL PAINTING - PORTRAIT OF A GENTLEMAN - 67 CMS X 57 CMS

K Larkman, pastel "Weavers Nest At Sundown, Kenya"

DOMINGO ALVAREZ GOMEZ (SPAIN 1942) 'EL MAR/THE SEA' two female figures standing barefooted on a beach, signed bottom right, pastel on paper, approximate sizes 77cm x 38cm, frame 101cm x 61cm (ARR) (Condition:- bottom corner edges of the frame are chipped with some paint loss)

JOHN WATERHOUSE (BRITISH 1967) 'SPRINGER SPANIEL' a seated portrait of a dog, signed bottom right, pastel on paper, mounted, framed and glazed, approximate size 42cm x 32cm (ARR) (Condition:- small dents to frame)

A BOX AND LOOSE SUNDRY ITEMS, PICTURES etc, to include a distressed writing slope, a 'Chatsworth' 16inch cream wicker hamper, a cluster of uncut amethyst, approximately 21cm, a jam pan, a walking stick, brass dogs head handle and Pollyanna Pickering print, Border Terrier and Dalmatian prints, a Caroline Smedley pastel, 'Harvest Time' 29cm x 43cm, framed and glazed, a H M Wilson, oil on board of horse riders by water, 35cm x 45.5cm etc

CONTEMPORARY SCHOOL, NUDE STUDY pastel on paper image size 55cm x 45cm, overall size 65cm x 53cm Framed and under glass.

Four watercolours, a pastel Coastal landscape and a Heaton Cooper print

A pastel sketch, Celia Lockley, Packhorse Bridge Wasdale, signed, 20 x 31cm, plus frame and glazed

GIANNI VERSACE VERSUS Hemd Gr.: 52. Vintage Stück. Modell aus Seide in Pastellfarben und Schwarz. Barocke Details in Goldfarben, verdeckte Knopfleiste und goldfarbene Knöpfe an Kragen und Ärmel. Flecken vorhanden.| VERSUS GIANNI VERSACE shirt, size 52. Model made of silk in pastel colors and black. Baroque details in gold colors, concealed button placket and gold-colored buttons on the collar and sleeves. Stains present.

Two framed & signed pastel portraits 46x36cm

Figure on Bridge with Castle, pastel, signed bottom right (43cm x 59cm)

Barbara, Female Nude, pastel, initialled bottom right (27cm x 20cm)

Pastel - Horse by C A Sharply - Image size approx: 19cm x 24cm

Pastel by Julie deDebaston - Nude - Image size approx: 40cm x 37cm

Filippo Grispini (active 1826-1905), pastel portrait of a woman in black lace veil, signed lower left, London 1859, in oval mount and unframed (damaged) 64 cm high

Elvic Steele, two still lifes, watercolour and pastel, unframed

Charcoal/pastel on paper, abstract forms, indistinctly signed, 49cm x 65cm, framedGood condition but frame rubbed and glass cracked

(20th Century) A pastel study of a dog, framed under glass, 35 x 24 cm

Michael Haswell - pastel Moonlit Landscape, 26 x 26cm

A Bourne Denby Art Deco Danesby Ware pastel blue globe vase, 20cm

LINDA ROAST 2003: A pastel of a nude, 56cm x 39cm

PAGETT AODA 1966 ISLA: Pastel depicting a pond at the edge of a wood. Framed and glazed 22.5cm x 18.5cm, together with a pastel of a flock of birds over a seascape. Indistinctly signed. Framed and glazed, 33.5cm x 21cm

James Longueville (British, 1942), On the Mud Rotherhithe, signed l.r, pastel, 35cm x 63cm, framed

Elise Savage (British, 20th/21st Century), We Too, signed l.r., titled and dated 2000 verso, pastel, 17 by 23cm; with a seated lady wearing a white hat and dress, signed l..r, pastel, 22 by 18cm, both framed (2). Note: the couple depicted in We Too are Mr and Mrs George Fitzwilliam on the lawn at Milton House, Northamptonshire

Nathalie Picoulet (French, 1968), Le Petit Turban Rouge, signed l.l., pastel, 26 by 25cm, framed

Circle of Alfred Elmore, lady and her maid in an interior, oil on canvas, 50.5 by 40.5cm, unframed, together with four Victorian portraits, one oil on canvas, one pastel, one watercolour and one coloured chalks, all unframed (5)

An Amphora Art Pottery vase, circa 1900, bottle form with a wrythen extended neck, the body with four protruding openings, painted with Glasgow Rose panels in yellow, green and pink on a pastel yellow ground, impressed marks and No.3963, 41cm high

A pair of Compton Pottery bookends, moulded image of St George & Dragon, pastel coloured on shield shaped backgrounds, faint date 194(?) on the reverse, height 17cm (2)

Holly Mills Gemini, 2021 Oil Pastel on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) London based artist Holly Mills (b. 1990) creates small scale, tactile paintings that manifest an off-kilter world of floods, storms, fuzzy heads and empty rooms filled with clouds of speech. These visceral works react to both lived experience and text whilst utilising various media including watercolour, collage, egg tempera, oil transfer and gesso. Repetitive motifs form part of an alt-language that evokes both the physical and emotional experience of place: the top of a head morphs into a hill, the sun is a tuft of grass/ a thought/ an exclamation. Exploration of materials is an important part of the process for Mills. Keeping an element of vulnerable uncertainty in the act of making allows for an openness that feels closer to truth. Holly graduated from at Camberwell College of Arts in 2012 and The Royal Drawing School (the Drawing Year) in 2018. Recent exhibitions include; The First Swing of the Bat, Gallery 46, London; Trinity Buoy Wharf Drawing Prize, Multiple Locations, UK; The Pictionary Individual, Real Pain Fine Arts, Los Angeles; The best of the Drawing Year, Christie's, London; Tickle Torture, BEERS, London. Upcoming group shows include Under Bat Hill (June), W139, Amsterdam; Amongst the Chaos (July),155a gallery, London.  

Holly Mills Lake (Pink), 2021 Acrylic, Soft Pastel, Egg Tempera on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) London based artist Holly Mills (b. 1990) creates small scale, tactile paintings that manifest an off-kilter world of floods, storms, fuzzy heads and empty rooms filled with clouds of speech. These visceral works react to both lived experience and text whilst utilising various media including watercolour, collage, egg tempera, oil transfer and gesso. Repetitive motifs form part of an alt-language that evokes both the physical and emotional experience of place: the top of a head morphs into a hill, the sun is a tuft of grass/ a thought/ an exclamation. Exploration of materials is an important part of the process for Mills. Keeping an element of vulnerable uncertainty in the act of making allows for an openness that feels closer to truth. Holly graduated from at Camberwell College of Arts in 2012 and The Royal Drawing School (the Drawing Year) in 2018. Recent exhibitions include; The First Swing of the Bat, Gallery 46, London; Trinity Buoy Wharf Drawing Prize, Multiple Locations, UK; The Pictionary Individual, Real Pain Fine Arts, Los Angeles; The best of the Drawing Year, Christie's, London; Tickle Torture, BEERS, London. Upcoming group shows include Under Bat Hill (June), W139, Amsterdam; Amongst the Chaos (July),155a gallery, London.  

Henry Jabbour For All the Beauty There May Be, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Born in Beirut, Henry Jabbour graduated from New York Academy of Art where he obtained a Master of Fine Art in Painting and Printmaking. Jabbour's artistic process embraces both the familiar and the unexpected, combining close study and observation with memory and intuition. This approach creates vastly beguiling paintings, distant yet familiar, as though entering a half-remembered room and lingering in the masterfully curated atmosphere. His work looks to subvert the specific in search of the universal. Each piece is a quest beyond the facade of appearance, attempting to connect the vulnerability, fragility and impermanence of the individual with a sense of common and shared humanity.   Education Master of Fine Arts (Painting and Printmaking), New York Academy of Art Diploma in Drawing and Painting, Leith School of Art PhD, The University of Sydney Bachelor of Science, The American University of Beirut   Exhibitions 2021 'In Reverentia', Campden Gallery, Chipping Campden, England 2020 'Traces Remain', Pontone Gallery, London, England 2019 'A Life More Human', Union Gallery, Edinburgh, Scotland 2017 'Markings', Galerie Alice Mogabgab, Beirut, Lebanon 'This Life to Me', Union Gallery, Edinburgh, Scotland 'Empreintes', La Reine Blanche Scene des Arts et des Sciences, Paris, France Awards Scottish Arts Club Award, Society of Scottish Artists/Visual Arts Scotland, Royal Scottish Academy, Edinburgh (2020) Elected member of the Royal Society of British Artists (2020) The Davison Award for Oil Painting, Royal Society of British Artists,London (2019) The Winsor and Newton Painting Award, Royal Society of British Artists, London (2019) The Schminke Award, The Pastel Society, London (2019) The PaintBox Award, The Society of Scottish Artists, Royal Scottish Academy, Edinburgh, Scotland (2019) Frank Herring Award, The Pastel Society, London (2018) The Michael Harding Award, The Royal Society of British Artists, London (2017) Artists and Illustrators Award, The Pastel Society, London (2016) Elected Professional member of Visual Art Scotland (2016) Eliza Clifford Prize for outstanding work by a mature student, Leith School of Art, Edinburgh, Scotland (2012) Gallery Representation Pontone Gallery - London About the postcard artworks These works were created from memory in response to imagined imagery of self, landscape and colours that are imprinted in me from my youth. They reconnect me with the warmth and openness of the Mediterranean.  

Henry Jabbour A Generous Heart, 2021 Oil Pastel on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Born in Beirut, Henry Jabbour graduated from New York Academy of Art where he obtained a Master of Fine Art in Painting and Printmaking. Jabbour's artistic process embraces both the familiar and the unexpected, combining close study and observation with memory and intuition. This approach creates vastly beguiling paintings, distant yet familiar, as though entering a half-remembered room and lingering in the masterfully curated atmosphere. His work looks to subvert the specific in search of the universal. Each piece is a quest beyond the facade of appearance, attempting to connect the vulnerability, fragility and impermanence of the individual with a sense of common and shared humanity.   Education Master of Fine Arts (Painting and Printmaking), New York Academy of Art Diploma in Drawing and Painting, Leith School of Art PhD, The University of Sydney Bachelor of Science, The American University of Beirut   Exhibitions 2021 'In Reverentia', Campden Gallery, Chipping Campden, England 2020 'Traces Remain', Pontone Gallery, London, England 2019 'A Life More Human', Union Gallery, Edinburgh, Scotland 2017 'Markings', Galerie Alice Mogabgab, Beirut, Lebanon 'This Life to Me', Union Gallery, Edinburgh, Scotland 'Empreintes', La Reine Blanche Scene des Arts et des Sciences, Paris, France Awards Scottish Arts Club Award, Society of Scottish Artists/Visual Arts Scotland, Royal Scottish Academy, Edinburgh (2020) Elected member of the Royal Society of British Artists (2020) The Davison Award for Oil Painting, Royal Society of British Artists,London (2019) The Winsor and Newton Painting Award, Royal Society of British Artists, London (2019) The Schminke Award, The Pastel Society, London (2019) The PaintBox Award, The Society of Scottish Artists, Royal Scottish Academy, Edinburgh, Scotland (2019) Frank Herring Award, The Pastel Society, London (2018) The Michael Harding Award, The Royal Society of British Artists, London (2017) Artists and Illustrators Award, The Pastel Society, London (2016) Elected Professional member of Visual Art Scotland (2016) Eliza Clifford Prize for outstanding work by a mature student, Leith School of Art, Edinburgh, Scotland (2012) Gallery Representation Pontone Gallery - London About the postcard artworks These works were created from memory in response to imagined imagery of self, landscape and colours that are imprinted in me from my youth. They reconnect me with the warmth and openness of the Mediterranean.  

Willemien Bardawil Rosé Soirée, 2021 Watercolour and Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Willemien is an artist based in London. She has formerly specialised in fashion which is translated through her use of colour and print. She is constantly inspired by the current world around her, yet consistently looks back to art of the past for influence. Her compositions and themes are often influenced by ancient Greek or Roman sculptures and Renaissance and Romantic periods. She reinterprets these classical forms in a playful and feminine way within the modern context of today, focusing on exploring the female form living her most joy. She works primarily in watercolour, ink and pastel to achieve her fluid style, however at times uses acrylic and oil on canvas for larger commissions. Formally she is trained in drawing by the Ruskin school of art in Oxford and Royal drawing school in London, but her very unique aesthetic is entirely self taught.