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A pair of Royal Dux models of a Shepherd and Shepherdess, modelled with he playing a pipe besides a dog and she supported by a staff beside two goats, each in pastel tones and gilt shot enamels, pink triangular pad mark, numbered '1168' and '1169', each 36cm high (shepherdess at fault) (shepherd restored)
A large Czechoslovakian elephant in the Royal Dux style, modelled with a figure upon a caparisoned elephant, in pastel colourways with gilt shot enamels, unmarked, 34cm high (at fault) For condition information please view this lot on our website HERE.Please note: We do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view at trevanion.com once a request has been submitted.Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
Three Royal Dux figures comprising: a girl collecting water above a large half clam shell, pink triangular pad marks, numbered '1047', 23.5cm high, a dancing couple, pink triangular pad marks, numbered '27 25', 27cm high, and a young girl sowing seed, pink triangular pad marks, numbered '2276', 28cm high, each in pastel tones and gilt shot enamels (3) For condition information please view this lot on our website HERE.Please note: We do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view at trevanion.com once a request has been submitted.Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
A Royal Dux model of a boy pulling a bullock, in pastel tones and gilt shot enamels, pink triangular pad mark, numbered '1494', 30cm wide, with a matching Royal Dux model of girl pulling a goat, pink triangular pad mark, numbered '1493', 28cm wide (2) For condition information please view this lot on our website HERE.Please note: We do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view at trevanion.com once a request has been submitted.Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
A Royal Dux figure of a water carrier, modelled kneeling, in pastel, gilt shot enamels and on plinth base, pink triangle mark to base and numbered '604', 21.5cm high (restored) with three Carlton Ware, green glazed leaf shaped dishes, numbered '2156' and '2336', largest 29.5cm wide (at fault) (4)
Michael Cadman, Beer Hackett, a signed and titled watercolour, dated 1991, 34.5 x 48.5cm, another, Conservatory, 36 x 53cm; Mabel F Wickham, Old Quarry and Windmill, Portland, signed watercolour, 35.5 x 58.5cm, two other works by the same artist and Philippa Colby ARCA, Still Life, signed pastel on blue paper, 23 x 31cm, (6).
MARCEL PIC (ACTIVE LATE 19TH CENTURY); pastel, chalk and charcoal, caricature of a huntsman on horseback featuring fox to lower section, signed and dated 1894 lower right, 42.5 x 30.5cm, framed and glazed (frame af).Additional InformationA 6.5cm tear central left, further similar tear central right, greenness to the paper, some spotting etc, framed heavily worn.
FLORENCE HUMPHREY HOLLAND; pastel portrait depicting W.H. Gray, Esq, signed lower right, 57 x 47cm, bears the Pastel Society Exhibition label verso, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
GRAND-CARTERET, JEAN ALBERT (1903-1954), signed and dated '38 l.l.,portrait of a lady with a bare-chested body, possibly the American actressCarole Lombard, pastel 91 x 64 cm.GRAND-CARTERET, JEAN ALBERT (1903-1954), ges. en gedat. '38 l.o., portret van dame met ontbloot bovenlijf, mogelijk de Amerikaanse actrice Carole Lombard, pastel 91 x 64 cm.
JAMES MARSHALL HESELDIN (1887-1969), various pictures comprising of three Cornish watercolour studies of fishing villages, signed to bottom edge (one with obvious staining), together with a watercolour study of a boat, attribution to James Heseldin verso, largest size approximately 30cm x 23cm, smallest 17cm x 20cm, 'Gunards Head' a Cornish coastal landscape, no visible signature, attribution by artist's grandson verso, watercolour on paper, mounted, framed and glazed, approximate size 34cm x 49cm (Condition:- some staining visible, noticeable to sea and sky), three mixed media studies of Cornish waterside village scenes, unsigned but bare the Heseldin blindstamp from his Studio Sale of 1998, all framed, largest approximately 34cm, a bridge over a Cornish stream, signature set into the mount, artist biography verso, watercolour on paper, mounted, framed and glazed, size approximately 32cm x 42cm and three pastel studies of Cornish or Devon coastal landscapes, unsigned but with blindstamps from The Studio Auction of 1998, all framed, largest size approximately 36cm x 27cm, smallest size approximately 25cm x 33cm (12)
Samuel Colman (1832 - 1920) American. Estate stamped lower right. Titled: "Figures in a European Landscape". Medium: Pastel Provenance: Estate of the Artist. Overall: 18 3/4 x 21 1/4 in. Sight: 10 1/2 x 13 1/2 in. Samuel Colman (1832 - 1920) was active/lived in New York, California, Maine. Samuel Colman is known for Landscape, animal, genre and botanical painting. A significant landscape painter of the second generation of Hudson River School painters, Samuel Colman traveled widely and eventually went far beyond the Hudson River for subject matter. He created many large canvases of European, United States, Canadian, and Mexican subjects, especially scenes along the Hudson River and the White Mountains of New Hampshire. He also traveled to North Africa in the 1870s, and one of his most impressive works, The Moorish Mosque of Sidi Halou, Tlemcen, Algeria (1875) is in the Edna Barnes Solomon collection of the New York Public Library. He was a full member of the National Academy of Design and lived long enough to see attention to his work eclipsed by that given to modernism. He was a key person in establishing watercolor as an independent medium that was good for more than just sketching.
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46080 item(s)/page