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Lot 189

20th Century French School. Study of a Naked Girl, Pastel, Indistinctly Signed, 24" x 20".

Lot 154

Continental School (19th century):Portrait of a gentleman in an interior, pastel, H 50 x W 40 cm

Lot 195

Heywood Hardy, A.R.W.S., R.O.I. (British, 1842-1933):Portrait study of an African elephant, pastel, H 33 x W 40 cm. Exhibited: The Grosvenor Gallery Pastel Exhibition 1888, original label verso & further label for James Bourlet & Sons.

Lot 214

Leonard Richmond, R.B.A., R.I., R.O.I., P.S. (British, 1889-1965):Landscape study, pastel, signed lower right & dated 1917, H 35 x W 45 cm. Note: The present picture is a rare, early example of the artist's work, executed during WWI when Richmond served as the Canadian Government war artist.

Lot 1012

A 19th century Continental porcelain clock, Allegorical of the Seasons, with white enamel dial, with Roman numerals, the cartouche shaped case encrusted with flowers and foliage, mounted with four cherubs, Summer with a floral chaplet and garland of flowers, Summer with Wheatsheaf, Autumn with grape chaplet and wine goblet, winter warming his hands on brazier, picked out in colours and pastel tones, 47cm high, c.1880

Lot 1070

William Ellis Barrington Browne (1908-1985)Round the Pointsigned, pastel, 23cm x 28cm

Lot 1088

English School (late 18th/early 19th century)Matlock and the River Derwent, Derbyshirewatercolour, gouache and pastel, 21.5cm x 31.5cm

Lot 562

A pair of 19th century Continental four branch, three light figural candelabra, the arms encrusted with roses, the columns supported by a kneeling maiden, waisted pedestal bases, picked out in pastel tones, 43.5cm high, c.1880

Lot 348

2 modern silver pendants on chains. One with a cut-out heart design, the other with pastel coloured inlay.

Lot 298

Attributed to Theodor Major, winding street scene, pastel, 56cm x 43cm, unsigned, glazed and framed 79cm x 57cm. PROVENANCE - Lot 255 Capes Dunn 27th Nov. 2012.

Lot 301

A gilt frame pastel and pencil drawing, a copy of 'The Ballerina' by Edger Degrs with copy certificate verso, (No26)(1996) 'Le Musee imaginere' Height 98cm x Width 78cm

Lot 305

Sijon Blackwood, 20th century British 'From the Maure Massif' pastel, unsigned, but inscribed and annotated verso 38 x 47cm Bearing label for 'Braberry Ltd' and the artist's own gallery

Lot 468

CUSTIE THOMAS: A MODERNIST ABSTRACT MOBILE of three pastel coloured shapes suspended behind perspex, signed and dated 1985 to the back board

Lot 506

A VICTORIAN PASTEL PORTRAIT OF A BOY, signed 'S. Birch', (probably Sarah Birch)

Lot 304

Circle of John Raphael Smith (1751-1812)PORTRAIT OF RICHARD DOBSON, HALF LENGTH, IN A BLUE COAT;PORTRAIT OF HIS WIFE ELIZABETH (NÉE TEASDALE), HALF LENGTH, IN A WHITE DRESSA pair, pastel, oval18 x 14cm, in original gilt frames (2)

Lot 79

A Framed Pastel Portrait of Military Officer Inscribed M C Nevill

Lot 854

Sir Edward Coley Burne-Jones (1833-1898) pastel and watercolour on buff paper Sketch of Lady Burne-Jones reclining beside a book 23.5 x 35.5in.

Lot 489

A pencil sketch by George Frost depicting a figure in a woodland scene together with a pencil sketch of a dog and pastel drawing of Bruges.

Lot 488

After Henry Mann Livens, pencil and pastel unsigned study of figures

Lot 151

Sheaffer Snorkel Statesman pastel blue fountain pen, 1950s, Sheaffer Imperial cartridge pen and a Sheaffer touchdown fountain pen (3)

Lot 152

Sheaffer Snorkel saratoga pastel green fountain pen, 14 carat gold nib with platinum mask, 1950s, Australia make

Lot 189

Six Poole Pottery 'Shells' circa 1960s, various matte pastel colours, stamped and impressed marks (6)

Lot 484

Orlando Greenwood (1892-1989), Greek Warrior, Athena, pastel, 37cm x 33cm, framed

Lot 486

Sandra Orme (b.1968), nine ladies in summer, pastel, signed and dated 2006, 90cm x 67cm, framed

Lot 503

Mario Avati (1921-2009), puffin, pastel, signed, 18cm x 23cm, framed

Lot 1302

C. Sandon, pair of pastel portraits, portrait of a French army officer and wife, signed and dated 1862, 51cm x 38cm

Lot 510

Manner of Maurice Quentin La Tour, 'Portrait of a Lady, possibly Madame Pompidour', pastel on paper laid on canvas, 64cm x 54cm.

Lot 1328

A quantity of limited edition prints, nude drawings, pastel portraits and a folio of 10 London Lithographs

Lot 90

2 pastel pictures of Devon scenes fitted in round frames & signed by artist (unknown)

Lot 1242

British School circa 1890, Portrait of a gentleman, head and shoulders, seated, pastel, mounted, unframed, 58.5cm by 47cm

Lot 1150

A pastel depicting a young girl holding a wreath of flowers, signed and dated 1862

Lot 1203

Claire Eva Burton, two pastel studies of race horses (signed and framed)

Lot 387

Joyce Foljambe, head and shoulders portrait of Bertram Foljambe, the fifth son of the fourth Earl of Liverpool, pastel, signed to the frame and dated 1919, 56cm x 43cm, together with two oval portraits of their children, Ursula Foljambe and Peter Foljambe, each signed, 45cm x 37cm, glazed in gilt frames.

Lot 1003

MHA Horner - Study of a large country house, pastel, signed lower right, 44x65cm

Lot 1097

Assorted pictures and prints, to include pastel drawings

Lot 1

English School, portrait of a Roman soldier, pastel, framed

Lot 18

Frank Hirst, study of a badger, pastel, framed

Lot 27

J. Turner, marine landscape, pastel, framed

Lot 54

A 1940's pastel drawing, Royal Oak, indistinctly signed

Lot 3347

MARY BROWNING (20th.C.) TWO PORTRAIT STUDIES OF DOGS, DIGBY AND PHAROAH, SIGNED PASTEL.

Lot 3348

THREE EARLY 20th.C.WORKS, A PASTEL PORTRAIT OF A YOUNG WOMAN, AN OIL OF A TABLE TOP STILL LIFE AND ANOTHER OF A MAN CHOPPING WOOD.

Lot 222

Bernard Dunstan (British 1920-): Horses in Wooded Parkland, pastel unsigned 20cm x 33cmDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Lot 245

Robert Turnbull (British late 20th century): Dappled Sun, pastel heightened in white signed 57cm x 46.5 cm DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Lot 250

John Mackie (Scottish 1953-): Coastal scene, pastel signed and dated '07, 38cm x 48cmDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Lot 258

Jemima Jane 'Mima' Urquhart (British 1948-): Working Horses, pastel initialled 40cm x 58cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 273

John Mackie (Scottish 1953-): Venice, pastel signed and dated '14, 27cm x 40cmDDS - Artist's resale rights may apply to this lot Condition Report Excellent condition ready to hang. Click here for further images, condition, auction times & delivery costs

Lot 84

John Naylor (British Contemporary): Staffordshire Bull Terrier, pastel signed and dated 2002, 29cm x 26cmDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Lot 96

Richard George Mathews (Canadian 1870-1955): Female Reclining Nude, pastel signed 35cm x 62cmDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Lot 156

Ian Beck, 1900 onwards, Illustration from The Lost Domain, Pastel, Signed, 18 x 25 cms

Lot 296

Barbara Beck (20th Century, American) Mother and Child, pastel on board, 76 x 54cm

Lot 309

Circle of Sir Thomas Lawrence, (1769-1830, British) Portrait of Mrs Waller, pastel and body colour on paper, 34cm.

Lot 276

Circle of Richard Cosway (1742-1821, British) Portrait of a young woman holding her child, circa 1800, pencil, pastel and watercolour on paper, framed in an oval gilt frame, 26 x 21cmBorn in Tiverton, Devon, the son of a schoolmaster, he was initially educated at Blundell's School but allowed to travel to London aged just 12 to take lessons in learning. He won a prize from the Society of Artists in 1754 and by 1760 had established his own business. He exhibited his first works aged just 20 in 1762 and was soon in demand. Such was his success, that still not 30, Cosway was elected one of the founder members of the Royal Academy (he is included in a group portrait of the 1768 founders, though some accounts suggest he was appointed an Academician three years later, in 1771. He painted the future King George IV in 1780 and was appointed Painter to the Prince of Wales[1] in 1785-the only time this title was ever awarded. His subjects included the Prince's first wife, Maria Anne Fitzherbert, and various English and French aristocrats, including Madame du Barry, mistress of King Louis XV of France. Cosway's pupils included Andrew Plimer (1763-1837). From 1995 to 1996, the National Portrait Gallery in London held an exhibition entitled Richard and Maria Cosway: Regency Artists of Taste and Fashion, with 250 works on display. On 18 January 1781, Cosway married the Anglo-Italian artist Maria Hadfield. Maria was a composer, musician and authority on girls' education and was much admired by Thomas Jefferson, who wrote letters to her decrying her marriage to another man and kept an engraving made from one of Cosway's paintings of Maria at Monticello. The Cosways' marriage is thought to be an arranged marriage and later a marriage of convenience due to his being 20 years her senior. Richard was "well known as a libertine and commonly described as resembling a monkey." The film Jefferson in Paris depicts Maria Cosway's romance with Thomas Jefferson and also depicts Richard Cosway as effeminate, something which is not certain historically. Richard realized his wife's talent and helped her to develop it.In 1784, the Cosways moved into Schomberg House, Pall Mall, which became a fashionable salon for London society.[1] In 1791 they moved to a larger house in Stratford Place. However, the marriage did not last, eventually being annulled. In later life, Cosway also suffered from mental disorders and spent some time in various institutions. He died in London in 1821 and was buried at Marylebone New Church. Sir John Soane bought more than 30 objects put up for sale at auction after Cosway's death

Lot 278

Circle of Richard Cosway (1742-1821, British) Portrait of a young lady holding a bouquet of flowers, circa 1800, pencil, pastel and watercolour on paper, framed in an oval gilt frame, 26 x 21cmBorn in Tiverton, Devon, the son of a schoolmaster, he was initially educated at Blundell's School but allowed to travel to London aged just 12 to take lessons in learning. He won a prize from the Society of Artists in 1754 and by 1760 had established his own business. He exhibited his first works aged just 20 in 1762 and was soon in demand. Such was his success, that still not 30, Cosway was elected one of the founder members of the Royal Academy (he is included in a group portrait of the 1768 founders, though some accounts suggest he was appointed an Academician three years later, in 1771. He painted the future King George IV in 1780 and was appointed Painter to the Prince of Wales[1] in 1785-the only time this title was ever awarded. His subjects included the Prince's first wife, Maria Anne Fitzherbert, and various English and French aristocrats, including Madame du Barry, mistress of King Louis XV of France. Cosway's pupils included Andrew Plimer (1763-1837). From 1995 to 1996, the National Portrait Gallery in London held an exhibition entitled Richard and Maria Cosway: Regency Artists of Taste and Fashion, with 250 works on display. On 18 January 1781, Cosway married the Anglo-Italian artist Maria Hadfield. Maria was a composer, musician and authority on girls' education and was much admired by Thomas Jefferson, who wrote letters to her decrying her marriage to another man and kept an engraving made from one of Cosway's paintings of Maria at Monticello. The Cosways' marriage is thought to be an arranged marriage and later a marriage of convenience due to his being 20 years her senior. Richard was "well known as a libertine and commonly described as resembling a monkey." The film Jefferson in Paris depicts Maria Cosway's romance with Thomas Jefferson and also depicts Richard Cosway as effeminate, something which is not certain historically. Richard realized his wife's talent and helped her to develop it.In 1784, the Cosways moved into Schomberg House, Pall Mall, which became a fashionable salon for London society.[1] In 1791 they moved to a larger house in Stratford Place. However, the marriage did not last, eventually being annulled. In later life, Cosway also suffered from mental disorders and spent some time in various institutions. He died in London in 1821 and was buried at Marylebone New Church. Sir John Soane bought more than 30 objects put up for sale at auction after Cosway's death

Lot 336

The Earl Haig, OBE, DL, ARSA (British 1918-2009), "Grand Canal From San Vio", Pastel, signed, inscribed and dated october '77 (1977), Mainhill Gallery label verso, limed wood and glazed, 235cm x 29.5cm

Lot 3342

Pastel picture, terrier and kitten by Anne Garrett with a wooden frame, 28 x 41cms

Lot 91

Isaac Grünewald, Swedish (1889-1946) Pastel on Artist Board, Still Life. Pencil signed lower right. Good condition. Measures 14-3/4" H, 9-3/4" W; frame measures 19-3/4" H, 15" W. Shipping $145.00 (estimate $900-$1200)

Lot 358

A GILT METAL TABLE LAMP, in the form of a pedestal urn, the base with lion's mask and ring decoration, 38cm high; a brass table lamp of knopped form, on square base, and a pair of glass baluster table lamps, with pastel line painted decoration, and pierced foliate gilt metal bases (4)

Lot 273

Peter LyleHarbour by Moonlightsigned, dated 1943, pastel, 31cm x 26.5cm

Lot 45

An early 20th century French Folk Art moulded plaque, signed CA Morand; E Dickson Ballerinas signed, dated 1950, pastel; another two, portraits; an unsigned watercolour landscape C Coliie, Art Nouveau study signed, watercolour; another, unsigned; four further framed watercolours (11)

Lot 881

Pastel sketch depicting ships on the River Thames, London. Unsigned. Framed and glazed. 21 x 35cm

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