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Lot 513
KATE WALTERS; an oil and pastel on paper study of female figures drawn on both sides of the paper, 64 x 47cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 516
FREDERIC WIOLAND (born 1966); two pastel on paper landscape studies, signed and dated 2008, 69 x 49cm, framed and glazed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 101
Bruce Gomez (American, b. 1957). Pastel on paper titled "Untitled (Vertical Landscape)" depicting tall trees partially obscuring a mountain rising in the background. Signed and dated June 1986 along the lower left.Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 30 1/4 in x width: 22 1/4 in. Framed; Height: 39 1/2 in x width: 30 3/4 in.
Lot 48
Jaune Quick-To-See Smith (Salish and Kootenai Tribes of the Flathead Indian Nation, b. 1940). Pastel drawing on paper titled “Black Elk’s Dream (B),” depicting an abstracted scene of a group of brightly colored and patterned animals running uphill, vibrant streaks of color in the background. Signed along the lower left. Titled along the verso. This artwork is one of a series of three. Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 41 1/2 in x width: 29 1/2 in. Framed; Height: 48 in x width: 35 1/2 in.
Lot 49
Jaune Quick-To-See Smith (Salish and Kootenai Tribes of the Flathead Indian Nation, b. 1940). Pastel drawing on paper titled “Black Elk’s Dream (A),” depicting an abstracted scene of a group of running horses, depicted in bright colors and geometric patterns. Signed along the lower left. Titled along the verso. This artwork is from a series of three.Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 41 1/2 in x width: 29 1/2 in. Framed; Height: 48 in x width: 35 1/2 in.
Lot 50
Jaune Quick-To-See Smith (Salish and Kootenai Tribes of the Flathead Indian Nation, b. 1940). Pastel drawing on paper titled “Black Elk’s Dream (C),” depicting an abstracted scene of a line of figures watching a group of leaping animals. Signed along the lower right. Titled along the verso. This artwork is from a series of three.Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 41 1/2 in x width: 29 1/2 in. Framed; Height: 48 in x width: 35 1/2 in.
Lot 66
Byron Bradley (American, 1922-2016). Pastel and watercolor on paper titled "Sawbill Hills" depicting an abstracted undulating landscape. Signed and dated 1957 along the lower right.Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 13 3/4 in x width: 19 3/4 in. Framed; Height: 25 1/4 in x width: 31 1/4 in.
Lot 95
Vu Cao Dam (Vietnamese/French, 1908-2000). Oil painting on canvas titled "Divinite," depicting a woman in pink robes seated in prayer or meditation over a bed of graceful white flowers. Signed along the lower right.Biography: Born in Hanoi in 1908 to a well-to-do family, Vu Cao Dam displayed an early interest in the arts. His father, a well-educated Catholic, brought him up in a home surrounded by traditional Chinese calligraphy and a wide range of cultural influences. In 1926, he began his formal artistic education at the painter Victor Tardieu’s École des Beaux-Arts de l'Indochine, now the Vietnam University of Fine Arts. Tardieu and his instructors taught academic European painting to his students as well as decoration, architecture, anatomy, and sculpture. It was at sculpture that young Vu Cao Dam most excelled, and he joined the newly minted sculpture program at the École des Beaux-Arts, where he created several bronze busts that won him early acclaim.In 1931, following his graduation from the École des Beaux-Arts de l'Indochine, Vu Cao Dam received a scholarship to continue his art education in Paris. He began his Parisian studies at the Cité Internationale Universitaire de Paris. During his first year there, Vu Cao Dam received the prestigious honor of an invitation to display his works in the Exposition Coloniale Internationale. He then continued his studies at the École du Louvre, where he was able to view the works of the great European academic masters he had been trained to emulate. However, he was most compelled by more recent works of the impressionists and post-impressionists, as well as great sculptors such as Auguste Rodin and Alberto Giacometti.Vu Cao Dam’s career took off following the completion of his education. He and fellow Vietnamese expatriate Le Pho, a dear friend with whom he had studied in Hanoi, found success and popularity on the Paris art scene. Vu Cao Dam began sculpting what would become his most famous subject matter: elegant Vietnamese ladies. He continued to paint as well as sculpting, often painting on silk, a form of painting taught at the École des Beaux-Arts de l'Indochine. He also began to put down personal roots in France, marrying and having two children.When World War II broke out, Paris became a dangerous place to live and work; Vu Cao Dam sent his family to the countryside to escape the Nazi-occupied city. However, he stayed in Paris, frantically creating art out of any material available under strict rationing, and bicycling the 100-km distance to see his family whenever he could. During this time, he executed several of what are now seen as his finest works out of terracotta, demonstrating his resourcefulness and commitment to his art.In 1949, plagued by ill health, Vu Cao Dam moved to the south of France with his family, to a villa named Les Heures Claires. The bright, airy atmosphere of southern France had a large impact on his painting, as did the work of his new neighbor, Marc Chagall. His works take on a sunny, pastel air at this point. Throughout the 1950s and into the early 1960s, Vu Cao Dam gained international success, exhibiting throughout France, particularly in Nice, as well as in Sweden, Belgium, and the UK. In the early 1960s, Vu Cao Dam signed an exclusive contract with Wally Findlay Galleries in the United States. This brought his work notoriety in the United States, and there are many fine examples of his work in the United States that originate from this partnership. Vu Cao Dam remained in France for the rest of his life, continuing to create art until his death in 2000.Unframed; Height: 14 in x width: 11 in. Framed; Height: 21 1/2 in x width: 18 1/4 in.
Lot 99
William McWhorter (American, 20th/21st c). Pastel drawing on paper titled "6 Spring '87," depicting a mountainous vista under a cloud-filled sky. Signed along the lower right and titled along the lower left.Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 39 1/2 in x width: 39 1/2 in. Framed; Height: 47 1/2 in x width: 47 in.
Lot 850
Le Thiet Cuong (Vietnamese, b.1962), gouache and pastel on paper, signed and dated '95 lower right, mounted, 76 x 52 cm, framed and glazedArtist's Resale Rights: Please note, the buyer will be subject to pay an additional 4% on top of the hammer price if this lot exceeds €1,000. For more information on Artist Resale Rights please visit: https://www.gov.uk/guidance/artists-resale-right
Lot 1212
Two 20th century Chinese Oriental rugs. The lot including a round rug with floral decorations around the edges on a green pastel background, together with a runner rug with central brown rectangle surrounded by a beige frame on a green edge with floral pattern all round. Runner measures approx. 67cm x 330cm.
Lot 835
GED MITCHELL (BRITISH CONTEMPORARY) 'MINI LANDSCAPE TRIPTYCH IV', a panoramic water landscape with a boat on the shore and dinghies under sail on the water, consisting of three watercolours each signed by the artist, mounted framed and glazed, approximate total size including frame 47cm x 110cm, together with a pastel drawing 'River Aire Leeds', no visible signature, bears an attribution label verso for Selina Thorp, dated 1993, approximate size 31cm x 46cm (2)
Lot 4020
Stanley Dobbin (British 1932-2021): 'Quarry Portland', oil and pastel unsigned, labelled 36cm x 64cm; Stanley Dobbin (British 1932-2021) 'Harbour Port Patrick', artist's proof wood block print signed and titled in pencil 48cm x 58cm (unframed) (2)Provenance: from the estate of Stanley Dobbin
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