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Francesc Galí (Barcelona, 1880 - 1965)"Clarinetista" (Clarinetist)Charcoal drawing on paper with a touch of pastel. Signed. 23,5 x 21 cm.

Josep Maria Vidal-Quadras i Villavecchia (Barcelona 1891 - 1977)"Retoque de labios" (Retouching lips)Pastel, watercolour and charcoal on paper. Signed. 35,5 x 23 cm.

Robert Turnbull - Alnwick Castle, pastel, signed, 25 x 34cms, in a contemporary wooden frame.

Edwin Ernest Morgan R.M.S. - "Flowers and Sunlight", signed, titled verso to artist's label, pastel, 45 x 35cms, in period gilt frame.

Walter Holmes - Cullercoats, pastel, signed lower right, 35 x 53cms, in a wooden frame.

Daniel Munro - Portrait of a Victorian Lady, signed and dated 1854, pastel, 59 x 47cms, in a heavy oval gilt frame.

Graham Roberts - Chestnut Horse and Foal, signed and dated '94, titled indistinctly, pastel, 22 x 27cms, in passe-partout, unframed.

Walter Herbert Allcott (1880-1951) - Pastel - Kenilworth Castle, signed W.H. Allcott and dated '1932' lower left, 25.5cm x 37cm, framed and glazed

Tom Robertson, pastel, landscape, with windmill, 11ins x 13ins

Pastel, portrait of a child, 18ins x 15.5ins

Ken SYMONDS (1927-2010)Sienna From The Olive GrovePastelSigned. Further signed inscribed and dated 1989 and with a Pastel Society Mall Gallery label all to verso45x63cm

Elvic Steele (1920-1997)Portrait of Esther Granger and a portrait of a gentlemanpastel on paper38 x 27cm and 44.5 x 29cm

Coastal Townsigned 'M Pemberton' (lower right)gouache and pastel on paper38 x 57cmGenerally, the surface of the picture is stable. Significant dirt on the surface of the glaze. Pin marks in the corners.  

Rognon de la Fleche [pseudonym of Lady Cara Harris] (1865-1931) The Sky is Full of Ladies, Provenance: Michael Parkin Gallery 1990, pastel on paper 44 x 42cm

Paul Horton (b. 1958) Pastel Painting, House With Trees signed bottom right, measures 13'' x 7.5''. Mounted Framed and Glazed, overall size 24'' x 18''.

pastel on cardboard60 x 45 cm signed lower left: A. Muzii

charcoal and pastel on card53.5 x 70 cm

charcoal and pastel on card58 x 82 cmsigned lower right: A. Stefanori

pastel on card100.5 x 69 cm signed lower left: E Gola On the back: stamps and tagÊSocietˆ per le belle arti ed esposizione permanente;Êon the frame, cardÊMostra retrospettiva delle opere di Emilio Gola alla Galleria Milano, dicembre MCMXXIX. PROVENANCE Gobbi Collection, Milan; private collection, Milan. EXHIBITIONS Galleria Milano,ÊMostra retrospettiva delle opere diÊEmilio Gola, December 1929; Milan, Permanente,ÊEmilio Gola 1851 - 1923, March - April 1956. LITERATUREEdited by R. Taccani, Emilio Gola 1851 - 1923 , Milan 1956, p. 82, n. 28.

pastel on card24 x 32 cmsigned lower left: Edoardo Gioja - Rome LITERATURER. Mammucari, M. Berri, "I XXV"Êdella Campagna Romana. Guida per il Collezionista, RomaÊ2000, p. 77.

Anita de Caro (1909-1998), geometric abstract composition, watercolour and pastel, signed, 9" x 22".

Henry Bernard Chalon (1770-1849) A study of three Dogs, pastel, signed and dated 1799, 10.75" x 16" along with two others by the same hand, both studies of dogs, 6.75" x 10.75", signed and dated and 6.25" x 12.5". (3).

Andrew Southall (b. 1947) Australian, an abstract monochrome composition, pastel, signed in pencil and dated '88, 31" x 22".

Andrew Southall (b. 1947) Australian, an abstract colourful composition, pastel, signed in pencil and dated '88, 29" x 39.5".

After F X Winterhalter, an early Victorian oval pastel portrait of a young woman in blue dress and pink shawl, 29" x 24", in gilt frame

A pastel portrait of a young man together with antique carved wood panel of Galleon ships and early 20th Century illustration from a children's book, unsigned.

Pastel Sketch Portrait of a Young Girl French School 1919 (indistinct signature)

Elan Robertson, mid 20th century English school, 'The Blue Ball', signed with monogram, pastel, 44cm x 28cm.

Michael Cook (Hallowed Art, Melbourne, Derbyshire)Just Before Dawnsigned, dated '12, acrylic and oil pastel on handmade Nepalese paper, 30cm x 60cm; anotherThree Heads of Foolssigned, dated '15, prints mounted as one, each 19cm x 14cm (2)

A COLLECTION OF ARCOPAL CUPS AND SAUCERS IN PASTEL SHADES

HENRI GERVEX (1852-1929) "Mairi Frances Mackenzie" a portrait study, head and shoulders, pastel, oval signed lower left, inscribed on gilt plaque to the giltwood and gesso frame 65 cm x 53 cm CONDITION REPORTS Frame measures 92cm x 72cm. It is an orignal and signed to lower left. See images for more details.

ROBERT NICHOLLS "Sheep in hilly landscape", pastel, signed and date '84 lower right, 45cm x 72cm

EARLY 20TH CENTURY ENGLISH SCHOOL "Jack Russell Terrier" a portrait study, head only, oval, pastel, unsigned 23 cm x 18 cm CONDITION REPORTS Some foxing type marks to the background, however, this might be part of the patchy nature of pastel. Also some to the ears. There are some minor losses to the frame. General wear and tear conducive with age and use. See images for more detail.

JOHN MACKIE (b.1953), Street Scene, pastel, signed and dated (19)75, 15" x 20 1/4", ebonised frame, together with a print "The Frenchman", signed in pencil and dated 20(08), unframed (2) (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Very good

A PAIR OF CANTON ENAMEL SAUCER DISHES centrally painted in pastel colours with figures in extensive mountainous river landscape with prunus, within a flower painted yellow border, the bases painted in blue with a dragon within a pink and yellow border similarly painted with three dragons, 8 1/4" diameter (Illustrated) (Est. plus 21% premium inc. VAT)1. Fisherman example has 1cm hairline and mis-fire at 12.30 top2. Figure in room, has a D shaped crack to outer rim at 10both have wear and scratches but nothing serious commensurate with age

A FRAMED AND GLAZED WATERCOLOUR DEPICTING A GALLEON AT SEA, TOGETHER WITH A PASTEL OF A COASTAL SCENE AND A PRINT OF THE GOLDEN HINDE SHIP (3)

Tom Merrifield - Dancer, charcoal and pastel, signed in pencil recto, exhibition catalogue verso, 92cm x 47cm, within a painted frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

British School - Oval Half Length Portrait of a Gentleman wearing a Blue Coat, 19th century watercolour with pencil and pastel, indistinctly signed, 23.5cm x 18.5cm, within a Hogarth style frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

George Sheringham - Theatrical Scene with Harlequin and Pierrot, early 20th century pastel with coloured chalks, signed, 31cm x 36cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Two Coalport pastel burners, comprising: 'The Mansion House, York' and 'Mulberry Hall', each approx. 15cms high; together with a Royal Worcester Millennium Commemorative circular bowl and vase; and a silver mounted crystal comport. (5)

Unframed pastel, figure before trees, bearing artist stamp, 24ins x 30ins , unframedPlease see additional photos

Clarice Cliff Bizarre Fantasque ' Pastel Autumn ' pattern preserve pot and cover, 3.5ins high together with another of Lily pattern, 4.25ins highSome minor loss to paint but otherwise in good condition

Charcoal and pastel, estuary scene with a steam tug, signed with initials B.J.E. ? , 17.5ins x 26.25ins, in ebonised frame

19th Century pastel portrait of a lady wearing a lace bonnet, inscribed verso ' Presumed to be a portrait of Eleanor Ann Taylor ', 14.5ins x 11.5ins approximately, oval gilt framed

Bernard Sickert, pastel drawing, landscape with cattle grazing, signed, 10ins x 17ins approximately, gilt framed

Marjorie Cox, signed pastel, portraits of a dog, cat and cockerel, 21ins x 17.5ins

J. Ganes, pastel, head and shoulder portrait of a lady in a blue gown, oval mounted, signed, dated 1925, 11ins x 9ins

Pastel landscape, circular building overlooking a waterfall, unsigned, in a swept gilt frame, 22.5ins x 28ins, bearing label verso

AUTÓGRAFOS E DESENHOS [ALBUM AMICORUM].- Século XX (1902-1932), - 1 album without pagination [56] f.; 30x40 cm. Memories album, containing 56 sheets with autographs of public figures of the time, drawings and watercolours by Portuguese artists, poetry, dedications, small musical excerpts, etc. It must have belonged to Francisco Marques de Sousa Viterbo (1845-1910), a polygrapher, historian and archaeologist from Oporto, or his daughter Sofia (signature on f. 1) and features the monogram SV, in silver onlay, on the front cover. We highlight the most significant interventions: autographs of the royal family (King D. Carlos I, Queens D. Amélia, D. Maria Pia, Kings D. Afonso Henriques and D. Manuel I), including a small drawing of a sailboat, by King D. Carlos I (f. 2 ); watercolour by Alfredo Keil (f. 6); two caricatures by Rafael Bordalo Pinheiro and two by Manuel Gustavo Bordalo Pinheiro (f. 7); autographs of actors and actresses, João Rosa, Eduardo Brasão, Rosa Damasceno, Lucinda Simões, etc. (f. 10); autograph and note by Almeida Garrett (f. 11); drawing by Columbano Bordalo Pinheiro (f. 14); drawing by Carlos Reis (f. 17); large drawing by Luigi Manini (f. 23); poem and watercolour by João Vaz (f. 24); musical autograph of Camille Saint-Saëns (f. 29); pastel by José Malhoa (f. 37); autograph of Anatole France (43); large drawing by Veloso Salgado (f. 48); etc., etc. Original full leather binding., unmarked silver, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c)

JEAN PILLEMENT - 1728-1808, Landscape with figures, a grisaille pastel on paper, signed, date traces, Dim. - 50 x 60 cm

JOHN WESLEY CARROLL 1892-1959 AMERICAN PORTRAIT OF LADY PASTEL 58CMS X 44CMS

Sven BERLIN (1911-1999)Early small drawings, Sven & one other artist.A pastel abstract together with three bone studies, one inscribed 'Sven from Valerie' and another pasted onto board, annotated 'Drawing by Valerie Bond 1945'

Sven BERLIN (1911-1999)A small collection of early works. A variety of different media including monoprint, ink drawings and pastel.

A quantity of various prints, maps, photographs, watercolour and pastel drawing, including Jim Fleming; watercolour 'Posing for the Pen', Mike Hatjoullis; linocut 'Fantasy' and Kev Stafford; coloured print 'Lost in the City', etc (9).

A selection of drawings, prints and mixed media pictures, to include prints of fish by Kev Stafford, a watercolour by George Drought 'Sheep and Rock', a pastel drawing by Val Gerath 'Almost Heaven', all framed and glazed (15).

STEVE DES LANDES (born 1962); oil pastel, nude on chair in interior scene, signed 'S. des Landes' and dated '89 lower right, approx 34 x 21.2cm, inscribed verso 'To Charles, Have a very happy birthday and may your 50th year be a year of new promise and beginnings - from Steve + Terri xxx' and dated 'Sat May 12th', framed and glazed, and textured oil on card, abstract landscape, mounted on hand painted patterned thick card mount, image size approx 24.3 x 18.4cm, overall 32.2 x 26.7cm, inscribed verso 'Happy Birthday Felicity, Lots of love Steve xxx' and dated 1992, unframed (2). † CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit

A collection of art materials including brushes,pastel pencils and paper etc.

Othon Coubine (Czech, 1883-1969)Bouquet of lilacs in a vase, 1929Oil on canvas25-3/4 x 21-1/2 inches (65.4 x 54.6 cm)Signed lower right: Coubine PROVENANCE:Galerie Théophile Bríant, Paris;Private collection, Switzerland;Max Müller, Switzerland, acquired from the above, 1930s;Thence by descent to the present owner, 1973.We are grateful to Dr. Rea Michalová, art historian/curator and specialist on the art of Othon Coubine, for his enthusiastic endorsement of the present work and for preparing this thoughtful catalogue essay.Bouquet of lilacs in a vase is an outstanding example of the floral still lifes painted during the 1920s by Otakar Kubín (known in France as Othon Coubine), the most famous and consistent representative of Czech neoclassicism, an art movement known in France as the "retour à l'ordre". The painter's distinctive, lyrical conception of the motif is characterized by a shimmering sense of atmosphere and near-color harmonies that impart a strong emotional vibration to his work. Coubine's attachment to the neo-realist current reflected his personal sensibilities, his response to the post-war atmosphere, and his particular inspiration from the work of French artists Ingres and Corot—all of which combined to earn him considerable fame in France, where he lived permanently from 1912. The abundance of articles and publications written about his work by French and German art historians and critics not long after his arrival in France was a testament to his rapidly growing reputation. The first monograph on Coubine was published in 1922 by the editors of the Italian magazine "Valori plastici" (Plastic Values), which grouped him together with such luminaries as Carlo Carrà, Giorgio Morandi, Arturo Martini, and Gino Severini. Written by Maurice Raynal, a French theorist associated with a group of artists around Galerie de l'Effort Moderne's Léonce Rosenberg, one of the most influential art dealers of the twentieth century, the monograph laid out the philosophy of this group which sought to create a modern, new classicism. Coubine was thus situated directly in the center of this new European movement.The declaration of war [in 1914] dealt a dramatic blow to the artist. He was sent to an internment camp in Bordeaux and, after his release, material misery deprived him of the opportunity to paint in oil. He thus devoted himself during this period to the study of theoretical and philosophical writings at the Bibliothèque Nationale in Paris. In Blaise Pascal's treatise L'Esprit du géometrie ("Spirit of Geometry"), he discovered a justification for his new artistic inclinations. He frequented the Louvre, where he admired the Italian masters of the Quattrocento. It is in his drawings that his transition to classicism is reflected for the first time.The present painting, Bouquet of lilacs in a vase, shows Coubine, in a quest for ideal beauty, "adjusting" nature into configurations that do not naturally occur in it. On a wooden chest of drawers, he placed a simple, undecorated gray-white vase crowned with an expansive arrangement of a beautiful single-species bouquet of lilacs, plants of the olive family, which growing naturally both in France and abundantly in the Czech Republic. Their powerful perfume would doubtless have had an intensely sensory-emotional significance for the artist.Coubine was repeatedly inspired by the enchanting lilacs. For example, the National Gallery, Prague owns Coubine's Bouquet in a vase of 1924, in which the lilacs form a part of a multi-species bouquet; the Moravian Gallery in Brno owns a Bouquet of lilacs which is supplemented by a marigold, the bridal veil and iris.Against a neutral, silvery-gray background (a color tone inspired by the work of Corot), Coubine centrally placed a charming symphony of pastel-purple tones, conjuring the lilac blossoms with an impressionist "staccato," in contrast to the bottle-green heart-shaped leaves. Not only the bouquet itself, but especially the motif of the yellow drapery, which nonchalantly covers the right part of the chest of drawers, expresses the painter's fascination with the "uncanny" in everyday life that permanently surrounds us. HID12701242017

Marc Chagall (French/Russian, 1887-1985)Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960Pastel, oil, India ink, and pencil on paper15-3/4 x 10-7/8 inches (40.0 x 27.6 cm) (sheet)Signed lower right: Marc Chagall PROVENANCE:Private collection, Metairie, Louisiana;Private collection;Private collection, Washington, D.C., acquired circa 2006.This lot is accompanied by a certificate of authenticity from the Comité Marc Chagall, no. 2021020, dated April 12, 2021.Many of Chagall's figural works center on one of his most enduring and endearing themes, couples consumed by love, a result of his own undying love for his first wife, Bella. After marrying in 1915, they remained inseparable under her untimely death in 1944. Despite later remarrying in 1950, Chagall's love for Bella remained immutable and undiminished by his simultaneous affections for his second wife, Vava. Kept alive in his work, Bella's memory served as inspiration for all of his "brides", including the figure in the present work. Here we see Chagall's passion expressed urgently – his feelings rapidly scratched and flicked onto the paper in a flurry of emotion. His use of ink, pastel, and pencil, media that lend themselves to quick work, injects the composition with a sense of immediacy, a rush to capture a fleeting, beautiful memory of his beloved before it flies away like his figures. This haste was present throughout their courtship, as the two met by happenstance through a mutual friend, and it was love at first sight: "I dare not raise my eyes and meet his gaze. His eyes are now greenish-grey, the colors of the sky and water. I'm swimming in them, like in a river." – Bella Rosenfeld"She looks – oh, her eyes! ...Big, high, black! These are my eyes, my soul." – Marc Chagall HID12701242017

Hughes Claude Pissarro (French, b. 1935)Environs d'Evaux-les-Bains (Moulin Rameau)Pastel on paper9-3/4 x 14-1/4 inches (24.8 x 36.2 cm) (sheet)Signed lower right: H. Claude Pissarro. PROVENANCE:Robert Green Fine Arts, Mill Valley, California;Arnold Laub, Esq., Mill Valley, California, acquired from the above, early 1990s;Thence by descent to the present owner, 2013.Lélia Pissarro of Stern Pissarro Gallery has kindly confirmed the authenticity of this work.Gallerist Robert Green was a friend of Pissarro when the artist and his wife were living in the neighboring town of Larkspur, California. HID12701242017