We found 46300 price guide item(s) matching your search

Archibald Elliot Haswell-Miller (British. 1887 - 1979). Pastel on canvas. A Scottish town scene. Signed with initials and dated 1923. Provenance: From the collection of Sylvia Percival Prescott, daughter of Archibald and Josephine Haswell-Miller. H.28 W.39cm.

Pastel and watercolour. A street market scene. Probably early twentieth century. Unsigned. In a decorative gilt frame. H.37 W.43 cm.

WILLIAM MASON (1906 - 2002) A GENTLEMAN OF THE ROAD (ORIGINAL PASTEL)

HENRY MOORE (BRITISH, B. 1898 - 1986), 'PROMETHEE SUR LA ROCHER', pastel lithograph, signed and dated 'Moore 50' (lower right), mounted on card, framed and glazed, 34. 5 h x 24.5cm w (image size)

PETER CARL HALLBERG (SWEDISH, 1809 - 1879), 'SWEDISH LANDSCAPE', pastel on card, signed 'Hallberg' (lower left), in an ornate Scandinavian gilt frame, 19.5cm h x 54.5cm w (unframed) and 42cm h x 76cm w (framed)

Charlie Bears Isabelle Collection Patsy panda bear, SJ 4408, Autumn 2009, LE 187/250, designed by Isabelle Lee, pale pastel amethyst and winter white mohair, swing label certificate, Near Mint to Mint, 12"/30cm.

Charlie Bears Minty Isabelle Collection panda bear, 2012, SJ 5046, LE 191/500, designed by Isabelle Lee, pastel green and darker green mohair, with swing label certificate, Near Mint to Mint, 10"/27cm.

Framed pastel boat scene

L.M. Shand, framed and glazed pastel study depicting stag

L.M. Shand, framed and glazed pastel study depicting elephant

Margarita Kerimova - Sokolova, pastel study seascape, monogrammed

Thea Doniach 1907-1986, pastel study of a landscape with mountainous background, signed and dated '65, unframed

A gilt framed pastel study depicting lady seated in a chair

THREE BOXES OF USED AND UNUSED ART SUPPLIES, to include unused Windsor & Newton tube and pan painting boxes, Reeves soft pastel set, Inscribe pastel set, Daler Rowney watercolour set, Pentel watercolour tube set, Daler Rowney gouache starter set, Reeves watercolour tube set, Windsor & Newton drawing inks, various sealed packs of crayons and pastels etc, assorted brushes and unused sketch pads, Daler Rowney artists carry box with partially used paints and brushes, boxed unused Chatsworth easel box, boxed Magenti table display easel etc (3 boxes)

A SMALL QUANTITY OF DECORATIVE PICTURES, to include a highland scene with deer signed Roger Lee, watercolour on paper, approximate size35cm x 46cm, a winter landscape at sunset by Frank Halliday, watercolour on paper, a pastel view of the Grand Canal in Venice by Deborah Hodgson, together with other Pictures by Hodgson depicting views around Sutton Coldfield, a view of a church in Boldmere by Eric Cook, a naive rural scene with sheep initialed RBE, three indistinctly signed collage pictures etc

Frederick Hines (fl.1875-1920, British), watercolour and pastel, Two sensitively painted rural scenes with figures, signed, framed, mounted, and under glass, measuring 27cm x 37cm, & 47cm x 57cm overall

Norbert Bisky (1970 Leipzig) (F)'mitgehangen, mitgefangen', Aquarell auf Bütten, 42 cm x 56 cm Blattmaß, signiert, 17.10.02 datiert, betitelt, montiert, Blattecken partiell minimal aufgeworfen, Provenienz: Galerie Michael Schultz (verso Galerieetikett)Norbert Bisky ist für seine eindrucksvollen und kontroversen Werke in der zeitgenössischen Kunstszene bekannt. Geboren am 4. August 1970 in Leipzig, Ostdeutschland, hat Bisky eine bemerkenswerte künstlerische Karriere aufgebaut, die seine persönlichen Erfahrungen sowie die sozialen Umwälzungen in Deutschland reflektiert.Aufgewachsen in der ehemaligen DDR erlebte Bisky die dramatischen Veränderungen mit, die mit dem Fall der Berliner Mauer und der Wiedervereinigung Deutschlands einhergingen. Er konnte nie Gefallen an den Systemen der ehemaligen DDR finden, weshalb er sich entschloss, zum Studium nach Berlin zu gehen. Diese prägenden Erfahrungen haben sein künstlerisches Schaffen maßgeblich beeinflusst. Seine Werke sind oft von einer Mischung aus politischer, sozialer und persönlicher Thematik geprägt.Biskys Bilder zeichnen sich durch eine lebhafte Farbpalette und eine helle, fast pastellfarbene Farbgebung aus. Für ihn war es notwendig, figurativ zu malen, obwohl viele Meinung sind, dass die Figuration tot sei. Ein wiederkehrendes Thema in Biskys Oeuvre sind homoerotische Motive sowie sozialer Realismus. Insbesondere die blonden, cherubenhaften jungen Männer sind zu seinem Markenzeichen geworden.Obwohl Norbert Bisky für seine künstlerischen Beiträge gefeiert wird, sind seine Werke auch Gegenstand leidenschaftlicher Diskussionen und Kontroversen. Dies zeigt seine Fähigkeit, die wichtigen sozialen und politischen Fragen der Zeit aufzugreifen und in seine Kunst zu integrieren, sodass sich der Betrachter nie sicher sein kann, ob es sich um eine alltägliche, spielerische Szene handelt oder ob er Kritik an verdeckter Propaganda betrachtet.Norbert Bisky (1970 Leipzig) (F)'mitgehangen, mitfangen', watercolor on handmade paper, 42 cm x 56 cm sheet dimensions, signed, dated 117.10.02, titled, mounted, leaf corners partially minimally raised, provenance: Galerie Michael Schultz (verso gallery label)Norbert Bisky is known for his impressive and controversial works in the contemporary art scene. Born on August 4, 1970, in Leipzig, East Germany, Bisky has built a remarkable artistic career that reflects his personal experiences and the social upheavals in Germany. Growing up in the former GDR, Bisky witnessed the dramatic changes that accompanied the fall of the Berlin Wall and the reunification of Germany. He never found affinity with the systems of the former GDR, which is why he decided to pursue his studies in Berlin as soon as he could. These formative experiences have significantly influenced his artistic output. His works are often characterized by a blend of political, social, and personal themes. Bisky's paintings are distinguished by a vibrant color palette and a bright, almost pastel-like color scheme. For him, it was necessary to paint figuratively, even though many believed that figuration was obsolete. A recurring theme in Bisky's oeuvre is homoerotic motifs and social realism. In particular, the blond, cherubic young men have become his trademark. Although Norbert Bisky is celebrated for his artistic contributions, his works are also the subject of passionate discussions and controversies. This demonstrates his ability to address important social and political issues of the time and incorporate them into his art, leaving the viewer uncertain whether they are looking at an everyday, playful scene or critiquing concealed propaganda.

Style of Sir Thomas Lawrence, 1769-1830, a study a Laura Anne and Emily Colmady, pastel on paper, 54 x 44cm

AL Bond (late 20th century) - Reclining maiden with doves, pastel on canvas board, signed lower right, 80 x 124cm

Elaine Dodsworth - Days end, pastel, signed lower left, 28 x 38cm

Pollyanna Pickering - Horse study, print; Deborah Thorpe - Peregrine falcon, watercolour; H Daniel - Tiger study, oil; Frank Patton - Horse study, print; and a female nude pastel (5)

19th century English school - Bust portrait of a young lady, pastel, 30 x 24cm

Pam Roberts (Welsh, late 20th century): four impressionistic seascapes, including three acrylic paintings, smallest 'Autumn', 21 by 25.5cm, framed, together with a pastel study. (4)

Paul Mann (British, 20th century): oak trees by a river, signed, watercolour, 27 by 37cm, mounted, glazed and framed, 47 by 55cm, together with Christien (20th century): 'Water Meadows, Flatford', pastel river landscape, signed, 19 by 34cm, glazed and framed, 40 by 44cm. (2)

Unsigned pastel picture depicting a path in a mountainous landscape, 44 by 53.3cm, glazed and framed, 67 by 75cm.

Two Artworks;C.Harbottle Oil on canvas 'Windermere - Bridgeway', unsigned. SuddersOriginal pastel titled 'Days End', signed.

Antique pastel drawing depicting woodland area with estate house in the background. [67x51cm]

English School, Hampstead Heath, pastel, framed

Ilex Orange Pebble Leather Slouch Shoulder Bag, chrome-tone hardware, attached Ilex bag charm (with original plastic on), zipped fastening to the top and a pocket to the reverse, internally with a logo woven fabric lining, one zipped and two open pockets, detachable shoulder strap, impressed name to the bottom right corner, with dust bag, 32cm by 12cm by 36cm,DVF Diane Von Furstenberg Silk Chiffon Scarf in pastel coloured animal style print, 105cm by 175cm,Jaeger Silk Scarf printed with dragonflies within an orange and blue border, 70cm square(3)Private Collection of a LadyAs new

Robert Nicholls (Contemporary)"Sheep at Askrigg"Signed and dated 1980, pastel, 49cm by 69cm

Robert Nicholls (Contemporary)"The Greets, Askrigg"Signed and dated (19)89, pastel, together with a companion, each 42cm by 67cm (2)

Angus Rands (1922-1985)"Castle Howard"Inscribed and dated 4.1.83 verso, pastel, together with three further works by the same hand to include "A Country Lane in Early Summer", "Helmsley Bank" and A wooded landscape, 39.5cm by 63cm, 34cm by 51.5cm, 36cm by 55.5cm, 35.5cm by 54.5 respectively (4)Provenance: TB & R Jordan, Stockton-on-Tees

Angus Rands (1922-1985)Sheep grazing before a farmSigned, pastel, together with two further landscape studies by the same hand, 39.5cm by 59.5cm, 43cm by 64cm and 44cm by 62.5cm respectively (3)Provenance: TB & R Jordan, Stockton-on-Tees

After Aaminah Snowdon (Contemporary)"Little Scamp"Signed, inscribed and numbered 202/295, limited edition print, together with a 20th century pastel of a border terrier "Kinkie", two signed limited edition prints after Henry Wilkinson, and two further canine prints (6)

Angus Rands (1922-1985)"Near Helmsley"Pastel, together with three further works by the same hand to include "Near Castle Howard", "Near Nunnington" and Village street scene with figures, 28cm by 41.5cm, 44cm by 62.5cm, 45cm by 69.5cm and 42cm by 63.5cm respectively (4)Provenance: TB & R Jordan, Stockton-on-Tees

British School (19th century) Portrait of a young beautyPastel, 34cm dia. (oval)

Robert Nicholls (Contemporary)Lone fisherman in a riverSigned, pastel, 48.5cm by 66cm

Sonia Lawson RA, RWS, RWA (b.1934)Sleeping childSigned, pastel, 21cm by 30.5cm

Kette mit Anhänger750 Gelbgold, punziert, 3 Diamanten im Brillantschliff, gesamt ca. 0,04 ct, Emaillearbeit in Pastellfarben, die Flügel in transluzider Emaille gearbeitet, Länge Kette 41 cm, Länge Anhänger 8,2 cm, Breite 5,2 cm, Gewicht ca. 27,8 gNecklace with elf pendant750 yellow gold, hallmarked, 3 brilliant cut diamonds, total approx. 0,04 ct, enamel work in pastel colours, the wings worked in translucent enamel, length chain 41 cm, length pendant 8,2 cm, width 5,2 cm, weight approx. 27,8 g

GEOFFREY SQUIRE ARSA RSW RGI (SCOTTISH 1923-2012)  SOUTH BEACH ELIE?  Pastel on brown paper, signed upper left, signed and inscribed on label verso, 17.5 x 22.5cm (7 x 9")  Provenance: Delny Goalen Presents in good condition. Not examined out of frame

LENA ALEXANDER (SCOTTISH 1899-1983) STILL LIFE WITH POPPIES  Pastel on buff paper, signed lower left, 53 x 58.5cm (21 x 23") Presents in sound condition. Not examined out of frame

DONALD BAIN (SCOTTISH 1904-1979) ANTIBES LA VIE Gouache and pastel, 57 x 44cm (22.5 x 17.25")  Exhibited: Donald Bain - a Scottish Colourist, Collins Gallery, GlasgEow, 2000 (no.110) William Hardie Gallery Presents in good condition. Minor foxing lower right. Slight yellowing to sheet. Not examined out of frame

THREE TRADITIONAL WELSH WOOL BLANKETS, in pastel plaid patterns, fringe and blanket stitched edges (3)Provenance: private collection Rhondda-Cynon-Taff

‡ RAY DENTON pastel on paper - life drawing, seated nude, signed, 30 x 23cms, PHILIP WATKINS oil on panel - entitled verso, 'Back Lane', signed, signed and dated 2005 verso, 34 x 28cms, and JEAN HARPER watercolour and pencil - entitled 'Evening', signed, 24 x 22cmsProvenance: private collection CardiffComments: Denton and Harper framed and glazed, Watkins framed, all three ready to hang

Klaus Fußmann (Geb. 1938 Velbert/Rheinland. Ansässig in Berlin und Gelting)"Garten mit Malven, Sonnenhut und Gladiolen". OriginaltitelExpressives, flächig komponiertes und leuchtend farbiges Gartenstillleben, das zu den repräsentativen Arbeiten seines Oeuvres zählt. Fußmann, ausgebildet 1957-1966 an der Folkwang-Schule in Essen und Hochschule für Bildende Künste in Berlin, erhielt 1972 den Villa Romana-Preis und stellte im selben Jahr in der Neuen Nationalgalerie in Berlin aus, wodurch er einem breiterem Kunstpublikum bekannt wurde. 1974-2005 wirkte er als Professor an der Hochschule der Künste in Berlin. Nach zahlreichen Einzelausstellungen wurde sein Oeuvre anlässlich des 70. und 80. Geburtstags in umfassenden Werkschauen gezeigt, u. a. im Schleswig-Holsteinischen Landesmuseum für Kunst und Kulturgeschichte im Schloss Gottorf und im Museum Barberini in Potsdam. Zentrale Motive seiner Gemälde, Aquarelle und Grafiken sind außer der schleswig-holsteinischen Landschaft insbesondere Frühlings- und Sommerblumen sowie Ausschnitte aus seinem Garten in Gelting von oft intensiver Farbigkeit. Pastell/Bütten. R. u. sign. u. dat. 1995. 75 cm x 76,2 cm. Rahmen.Die Arbeit gehört zu den von Prof. Dr. Klaus Fußmann auf seiner Website in der Bildergalerie präsentierten Werken.Provenienz: Aus dem Nachlass einer nordrhein-westfälischen Privatsammlung.Pastel on laid paper. Signed and dated 1995.

Janice Walton (British)  Untitled - Still life with a vase and a bowl 1999 Oil on canvas Signed at bottom left Framed 56 x 64cm (22" x 25") Janice Walton is a Devon based artist, trained at Dundee's Duncan of Jordanston College and at Edinburgh Art College. Her unique style has developed over the years, rich in atmosphere, merging imagination with reality. The work encapsulated in this website covers her up to the minute portrait / figurative, scenic, seascape, wildlife and commissions portfolio.Her commissions include a large six panel installation at the Burgh Island Hotel in Devon, a wonderful Art Deco Hotel. The Wildlife gallery is drawn from her South African experiences in game parks, where she spends part of the year painting and sketching. Her life and portrait work has evolved the human form using line supported by colour. The result is a fragmented image held together with accurate observation and true perspective. Janice's scenic and seascape work embraces new techniques and styles using oil on canvas and pastel on glass paper. Walton's work continues to "push the boundaries" as her work aims to create a vision beyond realism. We hope you enjoy the experience of visiting this website.

Shoichi Hasegawa (Japanese, b. 1929) Splendeurs sous-marines Etching on Moulin de Gue paper Signed and titled in pencil on margins Numbered EA 3/25 Framed  62 x 52cm (24" x 20.2")  Shoichi Hasegawa (Japanese, b 1929) is a contemporary Japanese abstract painter and printmaker. His watercolors, transparent yet dense and symbolically coded, are influenced by Lyrical Abstraction and artists like Mark Rothko and Paul Klee. He employs soft, pastel palettes and layered textures to create works that reflect the laborious process that goes into their making. Born in Yazu, Japan in 1929, Hasegawa studied drawing and painting at the Kokuga Institute in Kyoto, Japan. In 1961, he moved to Paris to work with the British artist Stanley William Hayter at Atelier 17, and began showing work internationally at that time. Today, Hasegawa’s paintings and delicate prints are in the collections of the Bibliothèque nationale in Paris, The Museum of Modern Art in New York, the Victoria and Albert Museum in London, the Norrköpings Museum of Art, and the Museum Fuji in Tokyo. Hasegawa lives and works in Val-d'Oise, France—notably, the same place where the celebrated Impressionist master Claude Monet once lived. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Shoichi Hasegawa (Japanese, b. 1929) Riviere Bleue Etching on Moulin du Gue paper Signed and titled in pencil on margins Numbered 37/110 Framed  62 x 52cm (24" x 20.2")  Shoichi Hasegawa (Japanese, b 1929) is a contemporary Japanese abstract painter and printmaker. His watercolors, transparent yet dense and symbolically coded, are influenced by Lyrical Abstraction and artists like Mark Rothko and Paul Klee. He employs soft, pastel palettes and layered textures to create works that reflect the laborious process that goes into their making. Born in Yazu, Japan in 1929, Hasegawa studied drawing and painting at the Kokuga Institute in Kyoto, Japan. In 1961, he moved to Paris to work with the British artist Stanley William Hayter at Atelier 17, and began showing work internationally at that time. Today, Hasegawa’s paintings and delicate prints are in the collections of the Bibliothèque nationale in Paris, The Museum of Modern Art in New York, the Victoria and Albert Museum in London, the Norrköpings Museum of Art, and the Museum Fuji in Tokyo. Hasegawa lives and works in Val-d'Oise, France—notably, the same place where the celebrated Impressionist master Claude Monet once lived. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Clement McAleer (b.1949) Paths Over A Hillside, 1985 Oil pastel on paper painting Notations to the verso in black pen Framed and glazed 124 x 103cm (48.5" x 40.5") Clement McAleer was born in Co. Tyrone, Northern Ireland. After Foundation Course in Belfast (1971-72) he studied Fine Art at Canterbury College of Art (1972-75) and the Royal College of Art, London (1975-78). He was awarded the J Andrew Lloyd Award for Landscape Painting (RCA) in 1978 before moving to Liverpool where he was a prizewinner in the John Moores Exhibition (XI). He then settled in Liverpool and was based in a studio in the Bluecoat Arts Centre for twenty five years. He kept in regular contact with his home base in Ireland over the years with residencies and holding exhibitions in various parts of the country. In 2003 he then moved  to Belfast where he joined Queen Street Studios (Belfast's oldest established artist's studio group). In 1981 he was awarded a Major Award by the Arts Council of Northern Ireland and in the same year completed a Mural commission for The Royal Liverpool Hospital. Having exhibited extensively in Dublin, Belfast, London and abroad his work has steadily entered public and corporate collections including Irish Museum of Modern Art (Dublin), Ulster Museum (Belfast), Walker Art Gallery (Liverpool), the Arts Councils of Great Britain and Northern Ireland, the European Parliament (Brussels) and Allied Irish Banks. The focus of McAleer’s paintings, primarily landscape; not the particularities of place, but rather the restless, shifting aspects of nature where cloud or water, land or sea transforms themselves atmospherically, one into another. The Irish coast is a dominate source and the memory of it lurks everywhere in the studio. Travels in Europe and America have also inspired a number of works, particularly the series of railway paintings in Italy, Germany and the Netherlands, where a stronger emphasis on structure again entered the work. Sometimes a visible grid is created and then submerged, abstracting each painting, serving also to release it slowly as the sense of ‘being there’ establishes itself. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Gail Lilley (20th Century) Pear at the Lake, 1993 Pastel on paper Signed to front Framed & glazed 28 x 34 cm ( 11 x 13 1/2 ") Gail Lilley is an American artist. The artist's work has been offered at auction multiple times. Painting is not just a hobby for Gail Lilley, but a total job commitment. How does the wife of Peter Lilley, Secretary of State for Social Security, fit her work in with a demanding schedule? She concedes: 'It is tough sometimes but I don't go out to lunches; I have a sandwich at the easel. Peter is very good too and has lived off tomatoes on toast for weeks.' Gail held a one-day exhibition of her 'tablescapes' at 33 St James's Street and, when one reproachful buyer asked why it could not go on for longer, she replied: 'There doesn't seem any point in having a long exhibition since it sells out on the first day.' Still life with garlic, sold at Woolley & Wallis in 2020. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Janice Walton (British)  Untitled - 1999 Oil on canvas Signed at bottom left Framed 55 x 69cm (21.5" x 27") Janice Walton is a Devon based artist, trained at Dundee's Duncan of Jordanston College and at Edinburgh Art College. Her unique style has developed over the years, rich in atmosphere, merging imagination with reality. The work encapsulated in this website covers her up to the minute portrait / figurative, scenic, seascape, wildlife and commissions portfolio.Her commissions include a large six panel installation at the Burgh Island Hotel in Devon, a wonderful Art Deco Hotel. The Wildlife gallery is drawn from her South African experiences in game parks, where she spends part of the year painting and sketching. Her life and portrait work has evolved the human form using line supported by colour. The result is a fragmented image held together with accurate observation and true perspective. Janice's scenic and seascape work embraces new techniques and styles using Oil on canvas and pastel on glass paper. Walton's work continues to "push the boundaries" as her work aims to create a vision beyond realism. We hope you enjoy the experience of visiting this website. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Janice Walton (British)  Untitled -  Still life with two vases and a dish 1999 Oil on canvas Signed at bottom right Framed 75 x 105cm (29.5" x 41") Janice Walton is a Devon based artist, trained at Dundee's Duncan of Jordanston College and at Edinburgh Art College. Her unique style has developed over the years, rich in atmosphere, merging imagination with reality. The work encapsulated in this website covers her up to the minute portrait / figurative, scenic, seascape, wildlife and commissions portfolio.Her commissions include a large six panel installation at the Burgh Island Hotel in Devon, a wonderful Art Deco Hotel. The Wildlife gallery is drawn from her South African experiences in game parks, where she spends part of the year painting and sketching. Her life and portrait work has evolved the human form using line supported by colour. The result is a fragmented image held together with accurate observation and true perspective. Janice's scenic and seascape work embraces new techniques and styles using Oil on canvas and pastel on glass paper. Walton's work continues to "push the boundaries" as her work aims to create a vision beyond realism. We hope you enjoy the experience of visiting this website. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Mixed media drawing in charcoal, ink, and white chalk pastel depicting an abstracted scene of religious figures with a candelabra. Signed by artist in lower right corner in black ink. Mounted to heavy white mat board. Artist: Robert M. GatrellDimensions: 17"W x 13"H

Young woman in an art studio interior with expressive use of pastel colors in the background. Illegible signature in lower left corner. Verso has Ce + Ce handwritten in pencil. Housed in a low-profile brushed aluminum frame. Sight size: 23.5"W x 35.75"H; frame: 24.25"W x 36.25"H x 1"D.

Untitled. Pastel on paper drawing depicting an intimate creek-side forest scene in the impressionist style. Blue matte border with a textured wood frame. Artist signature on Verso. Includes certificate of authenticity signed by artist. Deann Prosia is an American artist based in New Jersey and is known for her works in etching, watercolor, and pastels. Sight size: 9.5"W x 7.5"H; frame: 12.75"W x 10.75"H x 1"D. Artist: Deann Prosia

MANET EDOUARD: (1832-1883) French modernist painter. A good A.N.S., Ed. Manet, to the recto of his personal printed large oblong 12mo Visiting Card, with his printed name to the centre and address at 77 Rue d’Amsterdam at the base, n.p. (Paris?), 26th December 1879, in French. Manet writes, in full, ‘Bon pour un portrait au pastel’ (Translation: ‘Good for a pastel portrait’). Some very light, minor staining and age wear, otherwise VG

Egyptian Late 20th Century A portrait of a lady Coloured pastel and chalk on paper Signed, lower left Certificate attached to reverse Dimensions: (Frame) 21.5 in. (H) x 21 in. (W) (Paper) 19.5 in. (H) x 15.5 in. (W)

Property of a Gentleman J. Hugo (1894 - 1984) A canal scene Signed bottom right Pastel on paper Dimensions: (Paper)25.5x21.25inch (Frame)31.9x27.5inch

Joaquim Sunyer (1874 - 1956) Strolling Musicians Pastel on paper To be sold without reserve Property of a Lady  Provenance: The Reid Gallery Ltd., 23 Cork Street, London Dimensions:

Property of a Lady Hercules Brabazon Brabazon (1821 - 1906) Four pastel drawings of European subject matter [a] Maderia, initialled bottom right [b] A veiled woman [c] A Venetian (?) bridge  [d] An afternoon city view Provenance: Ex-Eden Collection; Abbot & Holder, where acquired by the present ownerDimensions: [a] (Paper) 7 in. (H) x 10.25 in. (W)(Frame) 16.25 in. (H) x 18.5 in. (W)[b] (Paper) 5.25 in. (H) x 5.75 in. (W)(Frame) 12.25 in. (H) x 12.25 in. (W)[c] (Paper) 5.25 in. (H) x 13.75 in. (W)(Frame) 12 in. (H) x 13.75 in. (W)[d] (Paper) 6.25 in. (H) x 8.5 in. (W)(Frame) 13 in. (H) x 14.75 in. (W)