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Hellmut Weissenborn (1898-1982)Dalmation Port, signed, inscribed to an old label verso, charcoal and pastel, 20.5 x 32.5cm

Daphne Clark (Contemporary)The Abbey, Sage Field, Majorca, May 2001, signed, oil on board, 28 x 36cm; and one further by the same hand - 'Hot Summer Terrace, Majorca', pastel, 29 x 30cm (2)The following nine lots (Lots 351-359) to be sold on behalf of Charlbury Refugee Action Group (CRAG).

Terry Logan (British 1938-): 'Autumn Reflections on the River Skirfare', pastel signed, labelled verso 23cm x 24cm; Francine Cross (British Contemporary): 'La Rousse', acrylic signed, labelled verso 57cm x 37cm (2)

Wendy Salt (British 20th century): 'Horse and Bird', pastel signed titled and dated 1993; Wendy Abbott (British 20th century): 'Moorland Landscape' and 'Cloud Study', pair acrylics signed max 20cm x 28cm (3)

λ GRAHAM SUTHERLAND (BRITISH 1903-1980)INTERLOCKING HILLSInk, watercolour, pastel and gouacheSigned and dated 1945 (lower left), further signed, titled, dated 1945 and inscribed to backboard (verso)38.5 x 28.5cm (15 x 11 in.)Provenance:John R. Brown, Esq., Private Collection, Stratford-on-Avon, purchased from the 1946 Bucholz Gallery ExhibitionThence by descent to the present owner Exhibited:New York, Buchholz Gallery, Curt Valentin, Graham Sutherland, February-March 1946, no. 20 Condition Report: Unexamined out of glazed frame. Light surface dirt throughout. Pin holes to the lower left and lower right corners. Foxing scattered throughout. Light spots of bleaching to the lower third of the work. A very small patch of skinning to the centre of the lower edge approx. 1cm. Condition Report Disclaimer

λ FRANK DOBSON (BRITISH 1886-1963)PORTRAIT OF A YOUNG WOMAN Red chalk34.5 x 23.5cm (13½ x 9¼ in.)Provenance:The Artist's EstateGillian Jason Gallery, London Condition Report: Executed on white wove paper. There are a few pastel smudges, possibly original and a couple of light handling creases. Otherwise, the work looks to be in good original condition. Under glass and unexamined out of frame.Condition Report Disclaimer

A Royal Doulton Blue Tit bird group; a Royal Doulton Dickens ware pedestal fruit bowl; a WH Goss Lincoln Imp; a Denby Danesby Ware pastel glazed jug; a Belleek purse shaped vase, 9cm; a Newhall milk jug; a Portmeirion parian jug, 11.5cm; a cranberry bowl; other decorative ceramics and glass

Pictures and Prints - English School (early 20th century), Girl with Dolls, pastel, 49cm x 40cm; Francis Geake, Fingal Bridge, signed, watercolour; English School, Portrait of a Gentleman, signed, watercolour; Victorian prints in gilt oval frames; Continental School, Riverside Village, oil on canvas, 60cm x 130cm, etc, (10)

Pictures and Prints - Munro, RA, Tabby Cat, signed, pastel, 39cm x 29cm; G Ulricks, Cushioned, signed, oil; S Frye, Boxer, signed, oil (3)

* Quilt. An early-mid 19th century quilt, English, a large hand-stitched bedcover, with central square composed of 4 8-pointed stars, enclosed by borders of squares, stars, lozenges, and rectangles, using a variety of printed cotton fabrics in predominantly pastel shades and plain ivory cotton, turquoise ink stamp to one edge 'D. Knowks', light toning, some fabrics degraded with consequent small losses, backed in cream cotton, hand-quilted overall in white cotton thread, butted hem, edges worn, 272 x 259 cm (107 x 102 ins) QTY: (1)

* Russell (John, 1745-1806). Portrait of a lady, traditionally identified as Miss Boddington, 1791, pastel, three-quarter length portrait of a lady seated, half-profile to left, her right arm resting on a table beside a silver ink well, an open book in her left hand, wearing a white gown and grey-spotted white shawl, and an elaborate lace-trimmed bonnet, her head apparel and dress adorned with matching pale blue silk bows, against scarlet drapery revealing a distant vista of parkland, signed and dated upper left 'J. Russell R.A. / 1791', 90.5 x 69.7 cm (35 5/8 x 27 1/2 ins), gilt frame, glazed (107.5 x 87.3 cm) QTY: (1)NOTE:Provenance: Believed to be by descent until Mr and Mrs Michael Truell, Somerset, by circa 1957, hence by family descent to the present owner.Literature: N. Jeffares, Dictionary of Pastellists Before 1800, on-line edition: J.64.1192.An impressive work by Britain's foremost pastellist, demonstrating Russell's extraordinary facility for the challenging medium of pastels. The artist is known for his mastery of texture, sympathetic treatment of his subjects, and grasp of complex composition. By the time this work was painted the artist had already been working for three years as Crayon Painter to King George III, an appointment which completed his meteoric rise to fame.

* Bussy (Simon, 1870-1954). Lac de Molveno, Tyrol, no. 1, circa 1910, colour pastel on board, signed lower left, some light surface dirt, mount aperture 19.2 x 15.3 cm (7 1/2 x 6 ins), framed, contemporary blue crayon number 6 to verso, and printed address label of the Carfax Gallery, LondonQTY: (1)NOTE:Exhibited: Pastels by Simon Bussy, Carfax Gallery, London, June 1913, catalogue number 6.

A Susie Cooper Studio Ware jug, pattern M.72, ovoid form, painted with stylised orchid flowers in pastel colours on a cream ground, and a Susie Cooper tea set for two, printed with stars in rust, highlighted in gilt, comprising teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed and painted factory marks, 17.5cm. high (10)

'Cherry' a Clarice Cliff Bizarre bowl, 'Pastel Melon' a Clarice Cliff Fantasque Bizarre plate and 'Kew' a large Clarice Cliff Bizarre platter, painted in colours printed factory mark, 21.5cm. diam. (3) Provenance Clarice Cliff Christies South Kensington, 22nd November 1996, lot 312.

'Pastel Autumn' a pair of Clarice Cliff Bizarre 269 vases, painted in colours between pink bands, printed factory marks, 15cm. high, (2)

CAMPBELL SMITH (SCOTTISH b.1951) FLORAL STILL LIFE  Pastel, signed lower right, 40 x 28cm Condition Report:Available upon request

CAMPBELL SMITH (SCOTTISH b.1951) ROCKING DEVA  Chalk/pastel, signed lower left, dated (19)89, 81 x 83cm Condition Report:Please refer to images. Signs of water damage, tears and holes, the paper is warping considerably and this is out of the frame.

EARLY 19THC PASTEL PORTRAIT OF A LADY BY CANDLELIGHT IN ANTIQUE GILT FRAME

Michael Bowman (British, b.1943),"Church And Bar, St. Just, Cornwall",Oil pastel on board,Signed lower left,27.5cm x 36.5cm,Framed and glazed,With a portrait of a young lady, oil on panel, unsigned, 15cm x 12.5cm, framed (at fault) (2)

PAUL BIRKBECK [1939-2019]. Cabin at Night. pastel on paper. 39 x 53 cm - framed. Provenance: The artist's family; Private collection, UK. See lot 129 for a brief CV. [very good condition - unexamined out of frame]. Buyers premium of 20% + vat is payable.

ROBERT CLATWORTHY R.A. [1928-2015]. Head, 1997. acrylic & pastel on thick paper; signed. 38 x 28 cm - frame 48 x 38 cm. Provenance: the artist; private collection, UK. See lot 60 for a brief CV. [very good condition - the paper has a slightly rough texture in the extreme corners, but this is not thought to be damage, but in line with the artist's working methods - unexamined out of frame]. Buyers premium 20% + vat payable..

A pastel drawing of a military      , framed and glazed, hunting prints and other pictures

FRANCIS ROBERT WEST (C.1749 - 1809)Half-length portrait, of Mrs Fulke Greville, (c.1724-1789) née Frances Macartney, Black chalk with red pastel highlights on paper, 22.5 cm diameter Contained in a George III carved and giltwood frame with sanded gilt insertProvenance: the sitter, and by descent to her daughter Frances Anne (1748-1818) who married John, later 1st Baron Crewe (1742-1829); John, 2nd Baron Crewe (1772-1835); Hungerford, 3rd Baron Crewe FSA (1812-1893) who died unmarried, his heir being his sister whose son; Robert Offley Ashburton Milnes (later Crewe-Milnes) (1858-1945), 2nd Baron Haughton, Viceroy of Ireland, succeeded to the estates of his maternal uncle and was created Earl of Crewe (1895) and Marquess of Crewe (1911) and by descent to his youngest daughter Mary Evelyn Hungerford Crewe-Milnes, Duchess of Roxburghe (1915-2014), from whose estate acquired by the present ownerFrances Macartney (1727?-1789), one of the finest female Irish poets of the eighteenth century, was the fifth surviving child of James Macartney (1692-1770) MP for Longford and Granard, and Catherine Coote (d. 1731), niece of the 1st Earl of Bellamont. Her father, co-heir of the earls of Longford, inherited half of the Longford estate around Aungier Street in Dublin. Beautiful, and spirited (with Sarah Lennox she was celebrated in Horace Walpole’s 1746 poem, The Beauties), Frances was known for her witty verses and was part of the fast set revolving round Henry Fox. In 1747 she met Fulke Greville (1717-1806), of Wilbury in Wiltshire (more recently home to Miranda Iveagh), then one of the most accomplished young men in society and they eloped on 26 January 1748. Their daughter, Frances Anne (later, after her marriage to John Crewe, a famous Whig hostess and mistress of Sheridan) was christened on 28 November that year. After her marriage Frances ‘confined her writing to satirical and occasional ephemera for the amusement of the fashionable world, but her growing fame piqued her husband, who had assigned her to “the shade”, and she hid her work from him with the exception of her famous poem, the Ode to Indifference, written either in 1756 or in 1757 in Italy’ (Oxford, DNB). The poem, a critique of the cult of sensibility was extraordinary popular indeed, it ‘became as celebrated as Thomas Gray's Elegy’ (ibid). She also started, but never completed, a novel. Frances Greville's god-daughter, the novelist Frances Burney, described her as ‘pedantic, sarcastic, and supercilious’, and capable of alarming ‘the timid and braving the bold, to whom she allowed no quarter’. Hester Thrale, meanwhile, wrote to Dr Johnson that she had ‘a commanding manner & loud voice’ and ‘is said to have formed her manner upon yours’ (Letters of Samuel Johnson, 2.262) – this was not meant as a compliment.With the breakdown of her marriage, exacerbated by the husband’s chronic gambling, Frances moved home to Ireland from 1783 to 1788, under the protection of the Lennox sisters, the Duchess of Leinster and Lady Louisa Conolly (friends from childhood), and her cousins the Longfords of Pakenham Hall (now Tullynally). By 1788 the couple finally separated and she took a house in London where she died on 30 July the following year.Eldest son of Robert West, the influential Dublin artist and teacher, Francis Robert West’s style is distinctive and always charming, although his work is noticeably rare. His conversation pieces are neatly and accurately portrayed in black charcoal, often with a touch of red highlighting. Virtually all of his surviving works are in oval or circular format and he exhibited chalk portraits such as this at the Society of Artists’ shows in Dublin’s William Street.

A mid 20th century Eastern style rug in pastel tones of blue, ivory, terracotta and green by decorwool, New Zealand. 230cm x 170cm

John Mackie, Study of a Golfer, pastel, signed lower right, 29cm by 18.5cm, in glazed frame.

A Framed Pastel, "Lawn Market, Edinburgh", by Walter Holmes, 53x35cms

A Large Framed Pastel of Cardiff Castle, by W Holmes, 52x34cms

UNSIGNED 19TH CENTURY charcoal portrait - a bearded gentleman, 50 x 42cms, and BURBRIDGE? pastel drawing - a seated girl, signed, 57 x 37cms

David Blackburn (1939-2016)/Untitled/signed and dated 1981/pastel, 69cm x 51cm CONDITION REPORT: In good original condition, mounted and framedARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Starr Dodd (1870-1944)/Neaera/pastel, 39cm x 9.5cm/in an oak mount and glazed frame/artist's label verso CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Four Halcyon Days dishes and enamel box from the Hermitage Collection, Harrods 2001 teddy bear, Mr. McGregor doll, Pirelli calendar and a pastel of a dog

Two Royal Copenhagen vases, one decorated with a swallow and irises, pattern no. 2676/271, 11.5cm high, the other decorated with white sweet peas, pattern no. 2668/2037, 15cm high; Victorian cottage pastel burner and another, spill vase in the form of a castle, 9.5cm and 11cm high; Staffordshire spill vase, 12.5cm high; miniature Doyal Doulton figure "Chloe", M29, 7.5cm high; another miniature Continental porcelain figure of a lady and a Continental circular salt with onion flower decoration.  (8).

Hazel Nagl (Scottish B.1953). Bay of Menton, Riviera (France). Watercolour and pastel. 21cm x 21cm. Signed, inscribed verso.

English School - Portrait of a Woman, head and shoulders in a blue dress with gold earrings, signed with initials GF and dated 1846, pastel, 63 x 52cm Slipped somewhat in the frame; good condition, frame slightly damaged

British School, 1897 - Portrait of a Woman, head and shoulders in a grey dress and blue ribbon, signed with monogram MM  (or TMM) and dated 25.11.'97, pastel, oval, 42 x 33.5cm Good condition

Eugene Chapleau, pastel drawing, harbour scene with a boat to the foreground, 14ins x 17ins approximately, framed

Pastel portrait of a man wearing a turban, another of an elderly lady, pencil drawing, portrait of a seated lady and a caricature watercolour of an alpine rifleman

Pastel drawing, study of an angry cat, indistinctly signed, 21ins x 14.5ins, framed

Stephen Lambert, Limited Edition etching, beached sailing boat, a pastel study of a clown and a quantity of other prints

TWO ANTIQUE PASTEL PORTRAITS OF HENRY DAVIES B.1792 D. 1841 AND HIS WIFE MARY ANNE DAVIES D. 1841 OF THE GARTH MONMOUTH, UNSIGNED 34 X 39.5CM

Stanisław CHOMICZEWSKI, 1949- Current, pastel landscape drawing on paper, 82 x 62cm.

A Georgian gilt framed pastel portrait of a lady wearing a bonnet. 64 x 54cm

Build-a-Bear - 5 bears to include a pastel rainbow cat wearing a Moana outfit with a detachable starfish to the wrist. A pale pink bear with heart shaped nose, wearing a wedding style dress with a fine tulle layer on the front that has some damage, also wears satin slipper style shoes. A brown bear wearing a Batgirl dress with cape, black booties and a black eye mask. A Reindeer wearing black trousers, a winter style jumper and matching hat. The Grinch wearing green shoes and a Santa outfit. Some bears may be scented and all bears appear in very good condition. (this does not constitute a guarantee).

Build-a-Bear - 5 bears to include a brown bear wearing a Harry Potter Gryffindor hooded cape, scarf, black boots and carrying a Nimbus 2001 broomstick. A Harry Potter Hedwig Owl. A pastel rainbow cat wearing Honey Girl marked shoes, white t-shirt, black sequin jacket and ruffle like skirt. Daisy bunny wearing a t-shirt, tutu skirt, and fluffy slippers, this bear does show some signs of wear with a small hole in one leg. Anna from Frozen, wearing a rainbow hued outfit and shoes. Some bears may be scented, and apart from the condition highlighted above, all bears appear to be in good to excellent condition. (this does not constitute a guarantee).

DOMINGO ALVAREZ GOMEZ (SPAIN 1942) 'ANTES DEL RECITAL / BEFORE THE RECITAL', a study of a female ballet dancer putting on her shoes before a performance, signed bottom left, pastel on paper, approximate sizes - image 18cm x 32cm frame 39cm x 53cm, Condition: small bumps to corner edges of the frame (artist resale rights apply)

VALERIE SIMMS (BRITISH 1965) 'EYES BRIGHT', a portrait study of a cheetah, signed bottom right, pastel on paper, approximate sizes - image 39cm x 39cm frame 79cm x 79cm, Condition: bottom left corner edge of the frame is chipped (artist resale rights apply)

FOUR BOXES AND LOOSE CERAMICS, GLASS AND SUNDRY HOME WARES, to include a thirteen piece pink and gilt bone china part tea set, French Arcopal pastel glass cups and saucers, a Kilner clip top storage jar, an as new in packaging men's lambs wool jumper, a green single fitted bed sheet in packaging, a clear contemporary glass vase height 70.5cm, etc (4 boxes + loose) (sd)

Edwardian School, pastel, Head of a classical beauty, 31 x 36cm

Roberto Arana pastel Los Allas and two pictures Mexican figures

Tardler pastel blue trees

SUE CAMPION RBA (B1994) 'Evening Light near Arenes', pastel, 37cm x 42cm, signed, framed label verso. (Subject to ARR - see Buyers Conditions)

WILLIAM HASKELL COFFIN (AMERICAN 1878-1941)Young Beauty with Corsage,pastel on paper60 x 44 cm (23 5/8 x 17 3/8 in.) [sight]framed dimensions: 70 x 57.7 cm (27 1/2 x 22 3/4 in.)signed lower right

ATTRIBUTED TO MAX LIEBERMANN (GERMAN 1847-1935)Garden near Noordwijk (Holland),pastel on paper35 x 41 cm (13 3/4 x 16 1/4 in.)framed dimensions: 54 x 60 cm (21 1/4 x 23 5/8 in.)signed lower left-handside cornerPROVENANCESotheby's, Tel Aviv, 4 October 1993, lot 12 as by Max LiebermannRELATED LITERATUREDes Meisters Gemalde, (Gustav Pauli, Max Liebermann, Stuttgart and Leipzig) 1911, p. 208 similar work illustrated

YUTAKA YOSHINAGA (JAPANESE B. 1948)Untitled,pastel on washi paper89.5 x 61 cm (35 1/4 x 24 in.)framed dimensions: 127.5 x 94.5 cm (50 1/4 x 37 1/4 in.)

ILYA GLAZUNOV (RUSSIAN 1930-2017)Romani Woman,pastel on board70 x 50 cm (27 1/2 x 19 3/4 in.)framed dimensions: 88.5 x 68.5 cm (34 7/8 x 27 in.)signed and titled on versoPROVENANCEGekkoso Gallery, Tokyo (label on backing board and frame.)

RICHARD S. MOSELEY (BRITISH 1843-1914)Pair of Hunting Dogs,1895pastel on paperdiameter: 30 cm (11 3/4 in.)framed dimensions: 51 x 51 cm (20 1/8 x 20 1/8 in.)each signed and dated along lower edge

A GROUP OF FIVE CONTEMPORARY WORKS, VARIOUS ARTISTS (20TH CENTURY)People and Faces,various datespastel, watercolor and pencil on sketchbook paper45.5 x 61 cm (17 7/8 x 24 in.) [each approx.]unframed, loosevarious signaturesPROVENANCEPrivate Brooklyn Heights collection

A GROUP OF TWO CONTEMPORARY WORKS ON PAPER, 20TH CENTURY ARTISTScomprising a) 20TH CENTURY ARTIST, Nude Bathers, charcoal and pastel on paper, 30.5 x 46 cm (12 x 18 1/8 in.), unframed, signed lower rightb) 20TH CENTURY ARTIST, Boxing Match, 1928, ink and brush on paper, mounted on thick paper, 47 x 33 cm (18 1/2 x 13 in.), matte dimensions: 56 x 41.5 cm (22 x 16 3/8 in.), signed and dated upper right

Poole Pastel Tea Set

Richard Wawro (Scottish 1952-2006) 'Ukrainian singers with orchestra', pastel and crayon, framed under glass and inscribed verso, 55 x 37cm