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Click here to subscribeAn early 19th Century gentleman`s Swiss gold coloured metal and enamel open faced pocket watch, the 45mm white enamelled dial with Arabic numerals, contained in dark blue, pale green and pastel enamelled case with romantic scene to reverse, 50mm diameter (gross weight 59 grammes - slight damage to enamel to reverse of case)
Gloria Jarvis, British fl.1950s- "Mountain Flowers"; pastel, signed, inscribed on the reverse of the frame, 25.5x19cm: Eileen Seyd, British 1908-1976- "The Cross in France"; oil on canvas, signed, bears inscription on the reverse, 36x46cm: Gillian R Perry, British, mid-late 20th century- "Olive Trees, Corfu", 1971; oil on canvas, signed with initials, 40.5x51cm: B M Lago, late 20th century- Flower piece; oil on panel, signed, 51x40.5cm., (4) (may be subject to Droit de Suite)
Colin David Kent RI, British b.1934- "Norfolk Waterway", 2005; watercolour, gouache and mixed media; signed, 44x65cm Provenance: with the Sheen Gallery, according to label attached to the reverse of the frame: Paul MacDermot, British, late 20th/early 21st century- Castle in a mountain landscape; oil on board, signed, 40.5x61cm: Norman Lloyd, Australian 1895-1985- French village river scene; pastel, signed, 31x39cm: Pauline Gould, British, late 20th/early 21st century- "Silver Leafed Poplar Early Morning" and "Silver Leafed Poplars Late Afternoon"; acrylic on paper, a pair, both signed, 34.5x24cm: together with a framed colour reproduction print of a seaside town, (6) (may be subject to Droit de Suite)
Rory McEwen, British 1932-1982- "Tulip Petal #1"; aquatint printed colours, signed, titled, dated 78 and numbered 16/75 in pencil, with blind stamp, 20.5x20.5cm: together with three further aquatints printed in colours by the same hand, one entitled "Tulip Petal #2", two depicting tulips, each signed and numbered in pencil, each bares blind stamp: James Hussey, British b. 1949- "Spring Moon"; screenprint, signed, titled, dated 84 and numbered 163/175, 67x86.5cm: together with three pastel drawings signed Alan Cox and six contemporary prints depicting various scenes by different hands including examples by Peter Gauld, William Ayliffe, A R Neal, Linda Hill and Alyson Hunter, various sizes, (14), (may be subject to Droit de Suite), (unframed)
* Nicholson (John Hobson, 1911-1988). View towards the Calf of Man, watercolour, signed lower right, 19.5 x 40cm (7.75 x 15.75ins), mounted, framed and glazed. John Hobson Nicholson was the grandson of the Manx artist John Miller Nicholson. Although self-taught Nicholson went on to establish himself over the next fifty years as one of the most successful Manx painters. He exhibited regularly both on and off the Island, was elected to membership of the Royal Institute of Painters in Watercolours and the Pastel Society, taught at the Douglas School of Art and worked prolifically as a commercial artist. Nicholson was also a leading member of the Isle of Man Art Society and its President until his death. (1)
Collection of Art Reference Volumes including : 18th.Century Pastel Portraits; The Flower Painters; Collecting English Watercolours; The Royal Watercolour Society; Nineteenth Century Decoration - Art of the Interior; Herkomer, A Victorian Artist. Together with volumes. Formats include Qto., 8vo., Hb. & Pb.
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