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Lot 329

*SIMON FLETCHER (b. 1948) 'A Beach Chalk' pastel and watercolour on paper, signed and titled in pencil 44.5cm wide x 59cm high

Lot 81

Harold Riley (1934-), pastel on paper depicting two figures walking a dog with a terraced house in the background, 28cm x 15cm

Lot 144

Marjorie C Bates. Two gilt framed pastel drawings, interior scene and a Gothic arch way.

Lot 145

A framed pastel portrait of a Springer spaniel, signed Holloway.

Lot 246

SUSAN POMERY WILKS charcoal / pastel - flock of sheep entitled verso 'Flock', signed, 35.5 x 59cms

Lot 228

DAVID GROSVENOR pastel - Snowdonia landscape Drws-y-Coed, signed, 35 x 46cms

Lot 179

ELERI MILLS paint, charcoal and pastel on paper - study of a pair of shearing shears ('Gwellau'), 25 x 35cms and within the same frame a study of swirling hay and trees in a landscape, signed and dated 1996

Lot 212

ALED PRITCHARD JONES pastel - mountain scene entitled verso 'Snowdon from Pen Y Gwryd', signed with initials, 34 x 51cms

Lot 290

ANN WHALLEY pastel - landscape with sheep, entitled verso on Fountain Gallery, Llandeilo label, 'Dinefwr Castle', 28 x 29cms

Lot 904

20th Century French School. A Coastal Scene, with Trees in the foreground, Pastel, Indistinctly Signed, 19.25" x 13".

Lot 1010

Watercolour of Piece Hall, Halifax, signed Peter G Wood (British, born 1941) together with a pastel of a stonemason (2)

Lot 1002

A pair of pencil sketches of carts, a pair of watercolours by Jamrack, a pastel of Rievaulx Abbey by Richard Marshall and a Russell Flint print (6)

Lot 181

PAULINE EDWARDS. Framed, signed, dated 1987, pastel on paper, portrait of dog 'Mr Patch' the deerhound, in rural landscape, 71cm x 53.5cm. Provenance: This portrait was commissioned by the current owner of their dog 'Mr Patch', who was bred by Anastasia Mary Elizabeth Noble.

Lot 192

GEORGE HOLT (1924 - 2005). Framed, signed, dated 1986 and titled ‘Melting Snow’ verso, watercolour and pastel on paper, snow covered landscape, 46cm x 57.5cm.

Lot 464

Framed, indistinctly signed, pastel on paper, headstudy of a boy, 11.5cm x 16cm.

Lot 265

Hand drawn watercolour of a seated lady "Betty Green aged 72", late 19th Century29x19cm in a rosewood and glazed frame, further prints of Chester, Liverpool, Surrey Institution, pastel portrait of a lady, coloured prints of flowers, watercolour of woodland scene etc. (11)

Lot 11

Eric Gorton (British 20th Century) folder containing approximately eighty drawings and pastels of birdsSubjects to include Kittiwake, Magpies, pastel drawings of landscapes to include mountain scenes, postal scenes etc., Eric Gorton from Westhoughton was assistant curator of the Bolton Art Gallery and Museum.

Lot 245

A pair of Caithness Christmas paperweightsLimited edition no: 1210 of 2000, engraved scenes depicting shepherd and The Three Kings, further Caithness paperweights to include Jubilee Pastel, Moon crystal, pastel and a Ireland Studio of Guernsey paperweight. (6)

Lot 1018

C Langlois jnr (active 1835-1847) - head and shoulders portrait of a girl, pastel, signed and dated lower left 1862, 29x21.5cm

Lot 1033

Circa 1900 school - head and shoulders portrait of a girl, pastel, 19x14.5cm

Lot 288

A collection of ten Goebel figures of birds, each painted in pastel colours of blue, grey and pink, average height 7cm (10)

Lot 540

THREE SIGNED PRINTS BY ALBERT GALAINtogether with a pastel still life by Cumming

Lot 787

*Nockolds (Roy, 1911-1979). Sea Fury, gouache and pastel on paper, showing this historic aircraft in flight, signed lower left, 61 x 40cm (24 x 15.75ins), framed and glazed The original painting for the front cover of Flight, 17 June 1948, a copy of the magazine is included in the lot. (1)

Lot 731

Jay Kirkman - pastel portrait of a horse "Light and Dark" - 89 x 48cm

Lot 795

An early 20th century pair of pastel portraits of young girls - 31 x 25cm

Lot 330

GORDON HALES "Country Lane", pastel, signed and dated 1974 lower left

Lot 271

§ Kay Boyce (British, 20th Century) A la Toilette signed and monogrammed lower left "K Boyce" pastel and pencil on buff paper 37 x 26cm (14 x 10in) Framed. Appears clean and fine.

Lot 283

§ Pablo Picasso (Spanish, 1881-1973) "Pour mes chers fiancés" - a signed and inscribed title page of L'Oeuvre Gravé de Picasso, dedicated to the engaged couple, Sylvette David and Tobias Jellinek, who later married in 1956 and with sketches of them dated 20.4.56 upper left and signed in pastel "Picasso" lower centre red and blue pastel on paper 27 x 21½cm (11 x 8in) Provenance: Given by Pablo Picasso to Sylvette David and Tobias Jellinek who later married; thence sold to to Eila Grahame Other Notes: "In 1956 the art periodical, VERVE, had an image of Sylvette on the cover and Sylvette and I were given a copy. We went to see Picasso that day and took the book with us, and asked Picasso if he would sign it for us. He went and found some coloured crayons and wrote the dedication, adding the little sketch of us both. The likeness of Sylvette shows how comfortable he was with producing her image, which he had previously worked with for several months. His drawing of me with my new beard is less of a likeness!" Tobias Jellinek, April 2017. Pablo Picasso had been working on a portrait of Sylvette David, aged 19, as the girl with the pony tail before doing the present cartoon sketch. "Sylvette" is the title of one of Picasso's numerous paintings featuring a young woman with a pony tail. The model for the painting, Lydia Sylvette David, also known later by her married name Lydia Corbett, was a French woman who, during the summer of 1953, worked in a pottery studio near Picasso's studio in Vallauris. Finding her appearance appealing, Picasso created 40 works inspired by her. Sylvette's portrait from 2 May 1954 is one of the last of a long series. Picasso's grandson Olivier Widmaier Picasso told the Chicago Sun-Times in 2004 that Sylvette was also the subject of the monumental "Chicago Picasso" which had been a matter of curiosity since it was unveiled. She was said to have been an inspiration for actress Brigitte Bardot and the Roger Vadim film "And God Created Woman". In 1998 Barron's published "Picasso and the Girl With a Ponytail" by Laurence Anholt - a children's book in which a shy teenager named Sylvette meets Picasso in Vallauris and becomes his model. Lydia Corbett is now an artist in her own right. Galleries exhibiting her work include Fosse Gallery Fine Art, with one exhibition being aptly named 'The Girl With the Ponytail', and the Francis Kyle Gallery. Slight damp staining along the upper right margin. Mounted and framed.

Lot 293

§ Zsuzsi Roboz (Hungarian, 1939-2012) "He Thinks He Is" signed lower left "Roboz" pastel 69 x 99cm (27 x 39in) Provenance: David Messum, 8 Cork Street, London, W1 Exhibited: David Messum, 8 Cork Street, London, W1, Zsuzsi Roboz Exhibition, 2000 (No.14) Condition is fine. Framed.

Lot 296

§ Marjory Watherston (later Mrs Geare) (British, 1881-1969) Portrait of The Hon. William Humble Dudley Ward, son of Viscount Ednam signed on the reverse "Marjory Watherston" pastel, in a gilded frame 39 x 29cm (15 x 11in) Exhibited: The Pastel Society, Piccadilly, London, SW1. Condition appears fine. Under glass in a gilded frame. Old exhibition label to the reverse.

Lot 398

After Frank Miles (Victorian School), a pair of oval portraits of young ladies, coloured prints, in gilt foliate frames (a/f), and another pastel portrait of a lady (a/f), (NC)

Lot 424

Ann Kitchener (20th century), still life fruit and vegetables, pastel, signed,48.5cm by 39cm, together with a colour print of a still life with lilies by the same artist

Lot 348

K CoveBarn Owlsigned, dated, pastel, 33cm x 23cm; others (5)

Lot 5

Joanna DixonGundog, Tinker Huleatt-Jamessigned, pastel;anotherA Pug, signed, pastel (2)

Lot 370

WENDY REEVES - IN THE TROSSACHS, SIGNED, PASTEL, 48CM X 70CM

Lot 165

Original Framed Pastel "Lady on Bike" By Peter Bell (Private Commission)

Lot 1033A

A Royal Douton stoneware tapering cylindrical vase, by Lily Partington, the shoulder applied with tube lined flowerheads and stiff leaves, drip glazed in mottled shades of pastel blue and pink, 18.5cm, pattern number X8726 9466, monogrammed, impressed marks

Lot 1138

A Hammersmith Pottery figure, Buster Boy, modelled by Phoebe Stabler, modelled as an infant astride a quatrefoil outcrop, holding a blanket glazed in merging pastel tones of blue, green and pink, 17cm high, signed and dated 1916 in the maquette

Lot 1191

Margaret J Dulgarn (Bn 1944)Sunny Day, Wenders Ambosigned, dated 2001, pastel, 14.5 x 21.5cm; Haley Harriett (20th century), Meandering stream and Thatched Cottage at Sunset, oil on board, signed, 18.5cm x 29cm (2)

Lot 1663

19th century Continental SchoolFEMALE PORTRAITSA pair, pastel, framed and glazed36 x 28cm

Lot 1496

Pastel drawing, and a watercolour of Leeds village (2).

Lot 1517

Gayrau, pastel drawing and 2 oil paintings (3)

Lot 1506

French School (18th century), Portrait of a gentleman, said to be Marshal Turenne, pastel, oval, 43cm x 36cm. Illustrated

Lot 1507

French School (18th century), Portrait of a lady; Portrait of a gentleman, a pair, pastel, each 22cm x 16cm.(2)

Lot 1537

Frederick William George (1889-1971) Landscape; Wooded patch, a pair, pastel, each 26cm x 36cm. (2) DDS

Lot 1561

Gretta Sarfaty (b.1947), Soho Scenes, pastel, signed, inscribed and dated 1993, 36cm x 51cm. DDS

Lot 418

Ray Smith : Study of an angler, pastel, signed, framed.

Lot 313

20th century Continental School, a bride holding bouquet of lilies, pastel on paper, indistinctly signed lower right ?ilca?, 35x25cm

Lot 196

A collection of ten unframed Lewis Evans charcoal studies of female nudes, signed, together with a Paul Herman pastel female nude, signed and others, largest H 92 x W 72cm

Lot 326

A collection of ten unframed items including Lewis Evans charcoal female nudes, other pastel nudes and various prints, largest H 81 x W 61cm

Lot 353

A collection of mainly unframed Elling Reitan prints, limited edition, together with an Elling Reitan book, two unframed Lewis Evans oil on canvas portraits of horses and three Lewis Evans pastel portraits of horses, largest H 100 x W 100cm

Lot 334

LESTER ALVAREZ PASTEL DRAWING ON COLOURED PAPER 1/4 length portrait of Sean Connery in Naval uniform Signed and dated '99 25" x 19" (63.5 x 48.3cm)

Lot 184

Tom Brown (1933-), pastel drawing, cobbled bridge scene, 17cm x 21cm

Lot 310

MARY GEORGINA WADE WILSON (1858 - 1936), A PATH THROUGH THE CORNFIELD, ONICH pastel on paper, signed 34cm x 49.5cm Mounted, framed and under glass

Lot 518

A pair of KPM figurines, late 19th century, on modelled as a lady with cupid at her feet, the other a gentleman in court dress with one knee on a stool, both decorated in pastel tones with gilt highlights, 32cm high. (2)

Lot 583

Molly Bishop (1911-1998): a portrait of a young boy, reportedly from the Buccleuch family, named David, pastel on paper, with wash lines and white painted slip, 36 by 28 cm, together with a pastel of a blue angel, signed Rosenkranz lower right, 47 by 39cm. (2)

Lot 584

A 20th century drawing of female nude figures carrying hoops, with initials J.C.G, 42 by 56cm, together with 'Jean de Gale', a head and shoulder portrait, chalk and pastel, 24 by 16cm, B. Johnson: 'St. Paul's Cathedral, acrylic on paper, signed lower left, 16 by 23cm, and Maurice Moeri: an artist's proof coloured etching of a bird, in tropical coastal scene, titled 'New World', signed Moeri, 20 by 22cm. (4)

Lot 587

Tina Brace: a study of pelicans in flight, watercolour, signed lower left, 19 by 28cm, in oval mount format, together with a pastel of a tree in blossom, initialled E.A, and a pen and crayon landscape with trees, 14 by 38cm. (3)

Lot 591

Attributed to James Smith Morland (1846-1921): rural landscape with mountain beyond, watercolour, signed JS Morland and dated 1912 lower left, 35 by 24cm, together with E Gage: 'Cley Windmill', with boats on the creek, watercolour, signed and dated 1981, and Roy Archer: a country lane, pastel, local artist, all framed. (3)

Lot 3

George E. Marston (1882-1940), A View of Mount Erebus, signed in pencil and dated 1.02.(19)08, pastel, framed. 18.5cm by 25cm. Provenance: From the artist to one of Sir Ernest Shackleton's sisters, thence to Reginald Burford and by descent. The vendor is unaware of which of Shackleton's sisters gave the painting to her father whom, we understand, was the son of an employee working at the lady's building in London in 1941. Note: the official artist of Shackleton's Nimrod (1907-09) and Endurance (1914-17) voyages, Marston was also an author, singer and amateur actor. From his days as a student at the Regent Street Polytechnic, he was a friend of Shackleton's sister Kathleen. He is also believed to have been a friend of another of the explorer's sisters, Helen. Kathleen Shackleton wrote to Marston prior to his departure for the Nimrod expedition in 1907 saying "mind you do your own style of work...don't mind Ernest....he knows nothing about Art". The subject work must have been completed by Marston just prior to his ascent of Mount Erebus in March 1908 as one of a party of six making the first ascent and led by Jameson Adams. The Nimrod expedition famously got within ninety-seven miles of the South Pole and Marston used much of his time to produce works such as this some of which became illustrations for "Aurora Australis", the book commemorating the voyage. Having been engaged again by Shackleton for his ill-fated subsequent Endurance expedition, Marston returned to England from the voyage and became an art teacher at Bedales School in Hampshire, later becoming Director of the Rural Industries Bureau, playing a major role in the national initiative to regenerate small rural-based craft industries.

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