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A NINETEENTH CENTURY FRENCH SCHOOL pastel on canvas - three quarters portrait of a lady in elaborate dress, holding a fan and pearls, her hair dressed up with tiara, unsigned, verso a Parisian art materials stamp and an inscription on an old label to the stretcher 'Princesse Waldburg', 79 x 62cms
A set of six Royal Albert Gossamer tea cups each with matching saucers. Elegant form with gilt banding to handles and unusual marble effect ground. Marked to base 'Royal Albert Bone China England' 'Gossamer' finished in pastel hues of blue, pink, green grey, orange and yellow. Measures 7cm high.
JOHN HASLAM ( -2016); a pastel and crayon of an English harbour scene, 28 x 39cm, framed and glazed, an acrylic on board of an English seaside town with boat in foreground, mountains in background and stormy skies overhead, 31 x 46cm, framed and after John Haslam; a comical print of sailors walking up a gangplank to ship, 19 x 29cm, framed and glazed (3).
Rodolphe Piguet (1840-1915), "La roche du Pendu".Pastel sec sur carton encadré sous verre, sbd et loc et daté en bg et contredaté au dos "Cannes 1903", une étiquette "La roche du Pendu", "Le Rocher" et une étiquette portant la mention "n°73 Ile Ste Marguerite".27x41 cm. Tableaux - EncadrésPaintingsGemäldeArt suisseSwiss ArtSchweizer Kunst
Sean Scully (b.1945)9.2.89pastel on papersigned and dated '9.2.89'57¼ x 76½cm (22 x 30in) Acquired from Galeria Carles Tache in 2002; Private Collection Galeria Carles Taché, Barcelona;The carefully laid blocks of pigment are evocative of Scully’s lifelong oeuvre. The numerous layered application of pastel reveal the artist’s commitment to the physical energy of the process. Richly expressive, the intense palette, blurred edges and geometric structure of '9.2.89’ demonstrates the link of Scully’s pastels to his paintings but the pastels are arguably more vibrant. "The pastels, those big pastels that I make, are very monumental...They have a physicality, but they have the physicality of powder...or chalk, whereas the paintings are shiny, inherently shiny...One doesn't get the sense with a pastel that it has an outer skin, that it has a beginning and an end. It seems, well, it's powder, so one is chasing its outer and inner extremities when one's looking at it, because you don't really know where it starts and where it ends". (Sean Scully quoted in N. Rifkin (ed.), Sean Scully: Twenty years 1976-1995, London, 1995, p.79).
SIR KYFFIN WILLIAMS RA pastel - portrait of a young girl (the late young daughter of the vendor), oval format, signed with initials and dated 1981, 28 x 22.5cmsProvenance: the drawing was commissioned by a well known Anglesey family who knew Sir Kyffin and the subject matter is a family member
Raymond (?) (Contemporary)'Seascape'Oil on board, signed, 40 x 50cm, together with other pictures and prints to include a pastel of Alicante, an antique print 'Laying the Foundation Stone of Edinburgh University 1789', signed print by Miranda Watson 'The Ancient Kurdish City of Hasankey, Turkey', a map of Edinburgh and a map of the Isle of Mull etc (7)

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51364 item(s)/page