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Gillean Whitaker (20th Century School) 'The hat stall' pastel and watercolour, signed lower right, 33cm x 50cm

French 18th Century stylepair of pastel oval portraits, unsigned, 27cm x 22cm, in giltwood frames

•Peter Edward Mackenzie Brown N.E.A.C. (b. 1967) - Panorama of The City of Bath from Beechen Cliff, Alexandra Park, signed and dated '98 (1998), oil on canvas, 30" x 72" - ** The preparatory studies for this painting are held with the Building of Bath Museum - ** The artist is a British impressionist painter popularly know as 'Pete The Street' from his practice of working on location in all weathers. He is best known for his depictions of street scenes and landscapes in and around Bath, but also paints scenes in London, Varanasi, Toronto, Canada as well as scenes in Barcelona, Paris and other cities. He works directly from the subject, refusing to use a photographic reference. He graduated in Fine Art from Manchester Polytechnic 1990 and moved to Bath in 1993. He was elected a member of The New English Art Club in 1998 and became its President in 2018; he is also a member of The Royal Society of Portrait Painters, The Royal Institute of Oil Painters, The Pastel Society and an Honorary Member of The Royal Society of British Artists. He has been represented by Messum's in Cork Street, London and also shows regularly at The Bath Victoria Art Gallery. In 2006 he became the first artist in residence at The Savoy Hotel, London and in 2008 won The Prince of Wales Award for portrait drawing. This picture was specially commissioned by The Bath resident Julia Marshman and was advertised in The Bath Chronicle 15th August 2019

19TH CENTURY SCHOOL Portrait of two girls Unsigned pastel and chalk sketch, 72cm x 54cm

Vivika Alexander - Pastel - The Golden Valley, Mendips, signed, framed and glazed, 28cm x 37cm

Jane Lampard - Pastel - Harvest scene, signed, framed and glazed, 40cm x 54.5cm

Vintage Harrod's Silk Scarf hand rolled edges. 32'' square, in delicate pastel colours with blue birds design, on a ground of light and antique gold. In good condition.

Royal Worcester - Fine Quality Hand Painted Collection of Pastel Coloured Shell Vases and Dishes ( 4 ) Pieces In Total. Very Soft Pastels, Green and Pink Various Shapes and Sizes. Dates and Shape Nos as Follows. 1/ Date 1906, Shape No 69. 2/ Date 1890, Shaped No C351. 3/ Date 1905, Shape 172. 4/ Date 1890's. All Pieces are 1st Quality and Mint Condition - Confirm with Photos.

Moorcroft - Modern Tubelined Golbual Shaped Vase - decorated in pastel shades. 'Fowlers Farmyard Pigs' design. Designer Kerry Goodwin. Date 2009, discontinued 2010. Height 4.5" - 11.25 cm. With box. Excellent condition.

(XVIII). English school, oval portrait study of Charles II, unsigned, pastel on paper, framed and glazed, 23 x 17 cm

A VINTAGE PASTEL MINK FUR STOLE, together with a two vintage fur capes and an ivory coney fur coat (4)

(XX). Extensive hilly wooded landscape with farmstead, unsigned, pastel, framed and glazed, 36 x 50 cm

BERNARD ?; Coastal town scene with figures, band, bandstand and boats, indistinctly signed and date 1922 lower right, pastel on paper, framed and glazed, 26 x 42 cm

Shan Egerton (British, b.1948). 'Terraced fields in the Himalayas' pastel, 49cm x 75cm, Sally Hunter Fine Art label verso,. Please see ewbanks.co.uk for condition reports and further images

Classic motorcar scene depicting a racing driver in a green car on a track, pastel on paper, unsigned, framed, 48 x 36.5 cm. Please see ewbanks.co.uk for condition reports and further images

Marjorie Cox (British, 1915-2003), 'Danny' a Rough Collie, signed and dated 1965, pastel, 51cm x 42.5cm. Please see ewbanks.co.uk for condition reports and further images

Kathleen Sylvester Le Clerc Fowle (British, 1903-1992), semi-nude woman sitting on a chair, signed, pastel, 33cm x 27.5cm. Please see ewbanks.co.uk for condition reports and further images

Leslie Goodwin. Abstract, watercolour and pastel, signed, 37cm x 37cm.

Leslie Goodwin. No. 11 Abstract, watercolour and pastel, signed, 37cm x 37cm.

J. Hartham Beeley. Farmstead, pastel, signed, 35cm x 51.5cm.

Zoe Laigneau (20thC). Young woman in flowing dress, pastel, signed, 78cm x 55cm.

Nora Howarth (20thC). Jack Russell Terriers with sticks, pastel, signed, 22.5cm x 29cm.

Nora Howarth (20thC). Jack Russell Terriers begging, pastel, signed, 28cm x 21.5cm.

James Tytler (b1948). Edwardian lady with children and geese, pastel, signed lower right, 27cm x 30cm.

James Tytler (b1948). Promenade by a boating lake, pastel, 21cm x 39cm, and two prints by the artist.

Richard Rockworth (20thC). Nude study, pastel, signed, 35.5cm x 21cmand four other works including Penrose, Peel, Soames, etc. (5).

David Holt, a pastel and wash 'Village on a Hill', framed and glazed, 49cm x 34cm.

Edgar Wills (English fl.1874-1893) pastel, signed and titled verso on worn label, 'The Dyver, Bruges', 33cm x 43cm.

Richard Adams (British, born 1960)Providing the Town signed and dated 'Richard Adams 2018' (centre right)varnished pastel and gouache49.5 x 69.5cm (19 1/2 x 27 3/8in).

David Jones C.H., C.B.E. (British, 1895-1974)Flowers in a tumbler of 1741 inscribed 'Vesontio' (upper left)pencil, watercolour and pastel60.5 x 49cm (23 13/16 x 19 5/16in).Painted circa 1950This lot is subject to the following lot symbols: AR

Richard Adams (British, born 1960)Dog Day signed and dated 'Richard Adams 2019' (upper right)varnished pastel and gouache49.5 x 69.5cm (19 1/2 x 27 3/8in). 

Richard Adams (British, born 1960)The Old Orangery signed and dated 'Richard Adams 2018' (upper right)varnished pastel and gouache49.5 x 69.5cm (19 1/2 x 27 3/8in).

Prunella Clough (British, 1919-1999)Untitled (Four Forms on a Black Background) signed 'Clough' (lower right)pastel65 x 85.5cm (25 9/16 x 33 11/16in).This lot is subject to the following lot symbols: AR 

Bernard Dunstan R.A., R.W.A., N.E.A.C., H.P.S. (British, 1920-2017)Two Nudes signed and dated 'B Dunstan '48' (lower left)pastel43 x 22.5cm (16 15/16 x 8 7/8in).This lot is subject to the following lot symbols: AR  

pastel, oval (Dimensions: 60 x 49 cm)(60 x 49 cm)

Bajn Dyot - two limited edition coloured engravings, antiquarian prints, a pastel of a cat, mixed pictures and two gilt wall mirrors

EDWARD LOXTON KNIGHT, RBA (1905-1993) EDGE OF THE WOOD signed, pastel, 19 x 29cmGood condition

DANIEL GARDNER (1750-1805) PORTRAIT OF MRS SAMUEL SHORE, NEE URITH OFFLEY (1736-1781) OF NORTON HALL pastel, oval, 30 x 25cmUrith Offley, the daughter of Joseph Offley of Norton Hall, Derbyshire married on 15 March 1759 at St Margarets Westminster, Samuel Shore (1738-1828).Another autograph version of the same portrait by Garnder was sold in these 'rooms, 12 June 2015, lot 1081.Mellors & Kirk is grateful for the assistance of Neil Jeffares in the cataloguing of this lot.In apparently very good condition, long undisturbed in the c1930s washline mount and gilt frame

ENGLISH SCHOOL, MID 19TH CENTURY  PORTRAIT OF A LADY AND TWO OFFICERS SAID TO BE OF THE MANNERS FAMILY  pastel, 43.5 x 36.5cmIn apparently good condition, close mounted in reeded gilt frame

Donald Wilkinson (British, 20th century), "Gathering Clouds Above a Lakeland Backdrop", signed and dated 1997, watercolour and pastel. 53 cm x 69 cm (see illustration). ARR CONDITION REPORT: The painting itself is in very good order with no condition issues that we can see. The colours are bright and strong with no discolouration. There are no scratches, tears or marks to the paper. The frame and glazing will be original. The card mount is a little discoloured as is the outer frame but not significantly.

A SWEDISH SILK EMBROIDERED PANEL, early 19th century, designed and worked by Countess Margaret Charlotte Lewenhaupt, nee Rothkirk (1792-1857), in pastel shades, centred by Actaeon and Artemis(?) with hunting dog, painted features, on a "bracket" issuing from a pair of terms and pendant from slender cornucopia and flower frilled urns over a further pair of cornucopia and a bird of prey, 27" x 24 34", framed and glazed Provenance: By descent through the female line of the family (Est. plus 21% premium inc. VAT)

English School, 19th Century, A portrait of Henrietta Herbert, indistinctly signed and dated '1850' (lower left) and bears a plaque with sitter's name (to frame), pastel, 31 x 23cm.Illustrated

French School, 18th Century A portrait of a lady in a white dress, with a blue shawl, holding a rabbit, pastel, 58 x 48cm.

English School, 20th Century, Three seated women, pastel, gouache and ink on board, 33 x 34cm.

Clark G Mitchell (American, b. 1951) Napa Valley, Mustard, signed and dated 'Clark Mitchell 1993' (lower left) and bears Jessel Gallery label (verso), pastel, 25 x 39cm, together with a certificate of authenticity.

Jacqueline Morreau (American, 1929-2016), Self Portrait, signed 'J Morreau' (lower left), charcoal and pastel, 76 x 55cm.Illustrated

A pastel, "Cocker Brows", 20 cm x 28 cm, a watercolour by Sally Rigby, 1986, another by Grace Harrow and a watercolour of an Italian Piazza.

ROY STRINGFELLOW, signed pastel "Talland Bay", 18.5" x 25"

Liebermann, MaxBerlin 1847 - 1935Untitled. 1907. Pastel on vellum. 10.5 x 17.5cm. Signed lower left: M Liebermann. Framed. The authenticity of the work has been confirmed by e-mail from Dr. Margreet Nouwen, Berlin, 24th October 2019.Provenance:- Private collection, London (according to consigner)- Private collection North Rhine-Westphalia- Private collection North Rhine-Westphalia. Explanations to the CatalogueMax Liebermann Germany Munich Secession Modern Art 1900s Figure / Figures Works on paper Pastel Zoological gardenLiebermann, MaxBerlin 1847 - 1935Ohne Titel. 1907. Pastell auf Velin. 10,5 x 17,5cm. Signiert unten links: M Liebermann. Rahmen. Zu dem Werk liegt eine Bestätigung der Authentizität per E-Mail von Frau Dr. Margreet Nouwen, Berlin, vom 24. Oktober 2019 vor.Provenienz:- Privatsammlung, London (lt. Einlieferer)- Privatsammlung Nordrhein-Westfalen- Privatsammlung Nordrhein-WestfalenFrau Dr. Nouwen ergänzt in ihrer Bestätigung das Folgende zu diesem Werk: "Dargestellt ist sehr wahrscheinlich die "Allee de la Liberté" in Cannes (Heute "Allee de la Liberté Charles de Gaulle"). Diese breite Promenade am Hafen mit ihren vielen Platanen, Kiosks und Bänken dürfte Liebermann gefallen haben, da sie - auch zu seinen Lebzeiten - von vielen Leuten frequentiert wird.Liebermann hat die Skizze vermutlich vor Ort gezeichnet während seines vierwöchigen Aufenthalts (zusammen mit seiner Frau Martha und ihrer gemeinsamen Tochter Käthe) an der französischen Rivièra im Frühjahr 1907. Vom Ende Februar bis Ende März besuchte die kleine Familie zunächst Cannes, später auch Mentone und Monaco. Ich datiere die Skizze also auf Feb./März 1907, auch wegen des mediterranen Frühjahrslichtes und der noch kahlen Baumäste.". Erläuterungen zum KatalogMax Liebermann Deutschland Impressionismus Berliner Sezession Münchner Sezession Moderne Kunst Unikate 1900er Figur / Figuren Papierarbeit Pastell Tiergarten- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premium

Dix, Otto1891 Untermhaus/Gera - 1969 SingenFischerkneipe. 1922. Watercolour, india ink and pastel on vellum, perforated along the edges. 37 x 48.5cm. Signed, dated and inscribed lower right: DIX 22, 187. Verso collection stamp (Lugt. 1376a). Framed. The information in the Pfäffle Catalogue Raisonné is taken from the Lempertz auction catalogue. There the sheet was probably not framed. Hence the deviating information in the Catalogue Raisonné.Provenance: - Collection Dr. Heinrich Stinnes, Hamburg (stamp, Lugt. 1376a)- Kunsthaus Lempertz, Cologne 1976, auct. 556, lot 178, ill.- Kunsthaus Lempertz, Cologne 1978, auct. 568, lot 194, w/o ill.- Private collection North Rhine-Westphalia (since 1978)Exhibitions:- Kronprinzenpalais, Berlin 1924Literature:- Pfäffle, Suse: Otto Dix - Werkverzeichnis der Aquarelle und Gouachen, Stuttgart 1991, cat.rais.-no. A 1922/156 (here deviating information: measurement: 36 x 46cm; inscription lower right: DIX 2/18). Explanations to the CatalogueOtto Dix Germany Modern Art 1920s Bar Scene Works on paper Mixed media Figure / FiguresDix, Otto1891 Untermhaus/Gera - 1969 SingenFischerkneipe. 1922. Aquarell, Tusche und Pastell auf Velin, an den Kanten perforiert. 37 x 48,5cm. Signiert, datiert und bezeichnet unten rechts: DIX 22, 187. Verso Sammlungsstempel (Lugt. 1376a). Rahmen. Die Angaben im Werkverzeichnis Pfäffle sind dem Auktionskatalog von Lempertz entnommen. Hier lag das Blatt wohl nicht ausgerahmt vor. Daher ergeben sich die abweichenden Hinweise im Werkverzeichnis.Provenienz: - Sammlung Dr. Heinrich Stinnes, Hamburg (Stempel, Lugt. 1376a)- Kunsthaus Lempertz, Köln 1976, Aukt. 556, Los 178, Abb.- Kunsthaus Lempertz, Köln 1978, Aukt. 568, Los 194, o. Abb.- Privatsammlung Nordrhein-Westfalen (ab 1978)Ausstellungen:- Kronprinzenpalais, Berlin 1924Literatur:- Pfäffle, Suse: Otto Dix - Werkverzeichnis der Aquarelle und Gouachen, Stuttgart 1991, WVZ.-Nr. A 1922/156 (hier abweichende Angaben: Maße: 36 x 46cm; Bez. u.r.: DIX 2/18)Otto Dix gehört zu den bedeutendsten deutschen Künstlern des 20. Jahrhunderts und seine neusachlichen Werke aus den 1920er Jahren zu den begehrtesten auf dem internationalen Kunstmarkt. Neben George Grosz und Max Beckmann hat Dix die Stilrichtung der Neuen Sachlichkeit weitestgehend mitgeprägt. Die Kriegserlebnisse des Ersten Weltkriegs werden für Dix Auslöser für seine sozialkritischen Bilder. Die vorliegende Arbeit entstand 1922 - dem Jahr als Otto Dix sein Studium als Meisterschüler von Heinrich Nauen und Wilhelm Herberholz an der Düsseldorfer Kunstakademie aufnahm und sich dort dem Kreis um die Förderin und Galeristin Johanna Ey ("Mutter Ey") anschließt.Das Aquarell zeigt deutlich eine um 1920 vollzogene Hinwendung zur zunehmend realistischen Malweise mit der Dix das Wahrhaftige widergeben möchte, schnörkellos und mit dem Mut zur Darstellung der hässlichen Seite des Menschen und des alltäglichen Lebens, ohne dabei in die Abstraktion zu verfallen, die er stets ablehnt. In schnellen und flüchtigen Strichen skizziert der Künstler eine dichte Kneipenszene. In einer engen Figurenstaffage sieht man links im Bild einen Mann am Tisch sitzend und daneben steht eine Frau. An der Theke sitzt ein Mann mit gesenktem Kopf. Im Hintergrund die Bardame und diverse nicht detailliert ausgeführte Figuren. Die Köpfe der Männer - hoch-rot akzentuiert - geben einen Hinweis darauf, schon länger hier zu sitzen. Obwohl eine Kneipe ein geselliger Ort sein sollte, wirken die Figuren hier im blau-braunen Dunst der Lokalität einsam und allein. Jeder für sich. Man scheint sich nicht für den anderen zu interessieren. Man ist beschäftigt mit sich und dem eigenen Leid. Die gewählte Farbpalette der wässrig ineinander verlaufenden Aquarellfarben verdichtet die Kneipen-Atmosphäre und verstärkt den Eindruck des individuellen Leids, dem man sich als Betrachter nicht entziehen kann. Erläuterungen zum KatalogOtto Dix Deutschland Neue Sachlichkeit Expressionismus Moderne Kunst Unikate 1920er Barszene Papierarbeit Mischtechnik Figur / Figuren- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Styrsky, Jindrich11.08.1899 Cerma - vor 1942Komposition. 1937. Mixed media (paper collage, india ink and pastel (?)) on cardboard. 25 x 20cm. Signed and dated in the depiction lower right: Styrsky 37. Illegibly inscribed beneath the depiction. Framed. For this work a photo expertise of Gladys C. Fabre, Paris, from 25.05.1984 is available.Provenance:- Private collection North Rhine-Westphalia. Explanations to the CatalogueJindrich Styrsky Czech Republic Modern Art 1930s Figure / Figures Collage Mixed media WordStyrsky, Jindrich1899 Dolni Cerma/Österreich-Ungarn - 1942 PragKomposition. 1937. Mischtechnik (Papiercollage, Tusche und Pastell(?)) auf Karton. 25 x 20cm. Signiert und datiert in der Darstellung unten rechts: Styrsky 37. Unterhalb der Darstellung unleserlich bezeichnet. Rahmen. Zu dieser Arbeit liegt eine Fotoexpertise von Gladys C. Fabre, Paris, vom 25.05.1984 vor.Provenienz:- Privatsammlung Nordrhein-Westfalen. Erläuterungen zum KatalogJindrich Styrsky Tschechien Surrealismus Moderne Kunst Unikate 1930er Figur / Figuren Collage Mischtechnik Wort- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premium

A large 19th century monochrome engraving, "La Madonna Della Sedia", framed, a pastel portrait of Catherine of Aragon, and 3 others (5)

R. Scott, pastel drawing of a cat

Peter Jepson, signed and dated 95, pastel, Horse and groom, 35 x 30cm

Margaret Glass, monogrammed and dated 84 pastel, "Evening Shadows", 27 x 40cm

19th Century English School Watercolour & Pastel: "Cottage interior scene, with Birds Cage," approx. 15cms x 22cms (6" x 8 3/4") in attractive gilt frame. (1)

A cased set of six Spode Copeland coffee cups and saucers in the 'Old Concord' pattern, in six different pastel colours, with gilt rims.

PARKER. A Parker Lucky Curve Pastel/Petit. An American Parker Lucky Curve pen nib, 3. A late 1920's (coral) ebonite, button filled pen. The barrel stamped Geo.S Parker-Pen-Made in USA. Patented.

SHEAFFER. A Sheaffer Statesman fountain pen. Sheaffer wrap-around nib. A pastel green plastic pen c.1935 with snorkel filler. The body stamped Statesman. Fine. $15.50. The body also stamped WA Sheaffer Pen Co. Fort Madison, Iowa USA. Made in the USA. Original Sheaffer box with leaflet.

Early 19th Century English school - Pastel - Half-length portrait of a seated lady wearing white bonnet, holding a notebook, 11.5ins x 8.75ins, in gilt frame with verre eglomise borders