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Silver, comprising; a pair of Scottish fiddle pattern sauce ladles, Glasgow 1861, a sugar sifting spoon, with engraved bright cut decoration, London 1787, a caddy spoon, the handle formed as The Prince of Wales's plumes, with motto Ich Dien, Sheffield 1981 and a babies pusher, combined weight 160 gms.
Silver, comprising; a pair of Scottish fiddle pattern sauce ladles, Glasgow 1861, a sugar sifting spoon, with engraved bright cut decoration, London 1787, a caddy spoon, the handle formed as The Prince of Wales's plumes, with motto Ich Dien, Sheffield 1981 and a babies pusher, combined weight 160 gms.
A MAHOGANY CASED BRACKET CLOCK, late 19th century, the twin fusee movement striking on a bell, 7"" brass dial with Roman and Arabic numerals, mock pendulum and calendar aperture, the case with caddy top and brass pineapple finials, stop fluted quarter columns, pierced brass sound panels, raised on brass lion paw feet, 12"" x 20"" (Illustrated)
AN EARLY GEORGIAN EBONISED BRACKET CLOCK, signed Robert Sly, King St, Westminster, the twin fusee five pillar movement with verge escapement striking the hours on a bell, the engraved back plate with signature, 7 3/4"" square brass dial with Roman and Arabic numerals, matted centre with calendar aperture and mock pendulum, strike/silent selection, signature to dial, the case with caddy top having brass loop handle and turned finials, moulded base and bracket feet, 16 1/2"" high (Illustrated)
A CHINOISERIE LONGCASE CLOCK, the eight day movement with anchor escapement striking on a bell, 12"" arched brass dial with Roman and Arabic numerals, matted centre with secondary dial, bears the signature Thomas Shipley, engraved eagle to silvered boss in arch, the case featuring garden scenes with figures on a black ground, with caddy top on engaged columns, arched door with lenticle, panel base and bracket feet, 89"" high (Illustrated)
AN OAK LONGCASE CLOCK by George Thatcher, Cransbrook, the four posted movement with anchor escapement striking on a bell, 11"" arched brass dial with Roman and Arabic numerals, seconds dial and calendar aperture, the matted centre with punched decoration and engraved with a pair of doves flanking a basket of fruit, sunburst to the arch, the hood with caddy moulded top, pierced fret banding and brass finials on turned columns, panelled door with lenticle, panel base on plinth, 91 1/2"" high (Illustrated)
Tray of assorted mainly china items to include continental gilt and floral teapot on stand with matching lidded sucrier, various lustre decorated tankards, small Sunderland pottery lustre baluster jug, lustre Welsh costumes oval lidded tea caddy, other floral tea ware, boxed butter knife, plated coffee bean spoons etc.
Tray of assorted mainly china items to include continental gilt and floral teapot on stand with matching lidded sucrier, various lustre decorated tankards, small Sunderland pottery lustre baluster jug, lustre Welsh costumes oval lidded tea caddy, other floral tea ware, boxed butter knife, plated coffee bean spoons etc.
A Victorian Tunbridge parquetry inlaid twin lock caddy on gilt ball and claw feet, sold together with a Victorian walnut casket with applied brass embellishments, an Edwardian mahogany with lightwood interior, having two compartments, each with lift up base flaps for secret papers, also included in lot a Russian lacquer box with pastoral scene to lid, signed. (4)
A Victorian Tunbridge parquetry inlaid twin lock caddy on gilt ball and claw feet, sold together with a Victorian walnut casket with applied brass embellishments, an Edwardian mahogany with lightwood interior, having two compartments, each with lift up base flaps for secret papers, also included in lot a Russian lacquer box with pastoral scene to lid, signed. (4)
Eardley Norton: a George III mahogany and brass mounted striking and musical bracket clock, the dial with foliate, scroll and flowerhead spandrels to the silvered roman and arabic chapter ring, the matted centre with date aperture, ornate pierced hands, the arch with silvered subsidiary dials for strike/not strike and chime/not chime and music section for tunes (March, Minuet, Song, Cotillion, March, Dance) centred by a recessed nameplate signed Eardley Norton London 2074, six pillar movement with triple fusee movement and verge escapement, hour strike on bell and music on thirteen bells with fifteen hammers, 5 1/4in. cylinder, two full repeat levers, the backplate engraved with leaves and scrolls around a cartouche signed Eardley Norton London, also numbered 2074 in top right corner, engraved securing brackets, the case with leaf and urn finial on fluted supports (damaged), caddy top flanked by four vase pattern finials, pierced brass foliate fretwork sides with material backing, brass handles, arched glazed front door with fretwork detail, fluted canted corners with brass detail, brass lined plinth base on brass bracket feet, 21in. high (not including detached finial and support). Eardley Norton is listed as working at Clerkenwell between 1762 and 1794. He was a member of the Clockmakers Company and had a reputation for making complex timepieces, sometimes with musical and astronomical movements for the export market. PROVENANCE Purchased by the vendor's grandfather William Strang, 1st Baron Strang (1893-1978) whilst Charge d'affaires at the British Embassy in Moscow 1930-1933. Thence by descent.
William Anthony, Truro: a mid 18th Century black lacquered longcase clock, the brass roman dial with arabic outer numerals, subsidiary seconds dial and date aperture to the matted centre, name boss to the arch, foliate spandrels, two train movement with anchor escapement, the case with caddy top, turned finials, glazed arched door flanked by columns, arched waist door, panel base on later raised skirting, the whole covered in chinoiserie designs, 92in. high, with weights and pendulum.
Richard Smith, Newport: a mahogany longcase clock, the arched brass dial with silvered roman chapter ring with outer arabic numerals, subsidiary seconds dial and date aperture to the matted centre, name boss to arch, two train movement with anchor escapement, case with caddy top above an arched door flanked by fluted columns with brass slips, shaped and moulded waist door flanked by fluted quadrants, panelled base on bracket feet, with weights.
A Victorian burr walnut and ebonised desk stand, the letter compartment with domed lid above cut glass inkwells, the base fitted with a drawer, 12 1/4in; a Victorian birdseye maple veneered rosewood and mother-of-pearl inlaid tea caddy, rectangular, the interior with two tea canisters and later glass bowl, 12in. wide; and a 19th Century mahogany and banded tea caddy, rectangular with later fitted interior and brass paw feet, 11in. wide. (3)

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81449 item(s)/page