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Lot 234
AN EBONY TABLE CLOCK18TH CENTURY AND LATERthe brass twin fusee movement with an anchor escapement and striking on a bell, the backplate with scrolling floral engraving, the brass dial with a silvered chapter ring with black Roman hours, fleur-de-lys half hours and Arabic five minutes, the matted centre with a false pendulum, a date dial to the arch, the case with a caddy top, silk backed sound frets and arched side panes, with pendulum38.5cm high ProvenanceFrom a Private Collection, West Yorkshire, formed in the 1970s and 1980s.
Lot 134
A FINE GEORGE II WALNUT KNEEHOLE DESK / DRESSING TABLEC.1730with feather and cross banding, the top with a caddy moulded edge above an arrangement of seven drawers around an arched sliding cupboard, on original Braganza type feet79.6cm high, 84.5cm wide, 47.2cm deepProvenanceRobert Bradley Antiques, Salisbury.
Lot 123
A GEORGE II MAHOGANY KNEEHOLE DESKC.1750-60the caddy moulded edge top with re-entrant front corners, above an arrangement of seven drawers, around a cupboard fitted with a shelf, on bracket feet72.2cm high, 81cm wide, 46.5cm deepProvenanceFrom a Private Collection, West Yorkshire, formed in the 1970s and 1980s.
Lot 483
A GROUP OF SILVER TABLE FLATWARE (14)Comprising; a fiddle, thread and shell pattern caddy spoon, having a scallop form bowl, London 1833, two Old English pattern sauce ladles, London 1803 and probably London 1813, a butter knife, London 1915, a pair of cream ladles, Birmingham 1987 and eight further items, gross combined weight 352 gmsProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Lot 457
THREE ENAMELLED SPOONS (3)Comprising; a Russian caddy spoon, with polychrome decoration and spiral stem, length 10.7cm, bearing indistinct marks, a Russian spoon with polychrome decoration, detailed 84 1881, length 15.7cm and a blue and white enamelled spoon, detailed 925, combined weight 86 gramsProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Lot 146
A PAIR OF WMF PEWTER ART NOUVEAU CANDLESTICKS AND THREE TUDRIC PEWTER PIN TRAYS AFTER A DESIGN BY ARCHIBOLD KNOX (11)The pierced entwined bases of the candlesticks stamped, 28cm high; the pin trays stamped and numbered 01263, including one with planished base, 13cm wide; a brass grass hopper calendar holder and a brass envelope holder, together with a pair of alloy metal knife rests modelled as cats; a pewter caddy spoon with enamel cabochon, stamped English Pewter and a pewter paper knifeProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collectionCondition Report:WMF - marks rubbed (see images) and loss of detail due and plating along with scratches around the bases. Possibly the drip trays and nozzle inserts are later as they are not plated. All other items with scratches marks and wear. One pin tray with hammered finish partly worn. Envelope letter stand with knocks to the base and corners.
Lot 493
TWO SIMILAR SILVER SPOONS AND A SILVER CADDY SPOON (3)The two spoons with pierced floral and foliate decoration to the handles and with spade shaped bowls, having martele decoration, length 14.5cm, London 1927 and 1928, weight 89.7 grams, maker Sibyl Dunlop, the caddy spoon pierced in an Art Nouveau design, with martele decoration, length 8cm, Birmingham 1907, maker probably Sydney & Co, weight 19.7 gramsProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collectionCondition ReportThere are file marks at the back of one of the two similar spoons and heat staining, also a crack where the stem of the spoon has been re-soldered just above the bowl, both spoon handles are slightly pushed over to one side, Overall signs of useage with slight loss of definition to the martele decoration. The spoon without repair has cracking where the handle joins the bowl of the spoon, as a result of being pushed over. The Caddy spoon; hallmark is clear, tarnish spot to the front, the bowl of the spoon has a few fine scratch marks and some wear with loss of definition to the martele decoration
Lot 647
CHRISTMAS INTEREST. A Father Christmas chocolate mould No.6851, 12 x 11cm. Also, a Father Christmas caddy spoon, a celluloid Christmas pudding bookmark etc. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 28
CADDY SPOON. A Victorian silver & mother of pearl caddy spoon with engraved bowl. Birmingham 1895. Length 11.2cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Condition Report: Good, original condition. No issues.
Lot 42
SILVER SPOONS. A George IV, Scottish silver toddy ladle by Andrew Wilkie, with R. Morton, Edinburgh 1824. Also, a Victorian fiddle pattern caddy spoon, an Irish silver rat-tail dessert spoon, stamped R.W. & M. West, Dublin 1790 & a Georgian silver dessert spoon. Gross weight approx. 122g. (3.9 t. oz.). Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 640
CADDY SPOONS. Three brass caddy spoons & a copper advertising spoon for T. & R. Williamson Ltd., Ripon. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 151
Victorian figured walnut workbox, Tunbridge ware and mother-of-peal inlay, fitted interior, width 28cm; French maple rosewood banded glove box, inlaid with ivory cartouch, fall front, 29cm wide; George III mahogany and marquetry tea caddy, lacking interior.Ivory Act 2018 Registration Reference for French glove box: N55DFMD8 Qty: 3
Lot 576
F.R. & S., London an ebonised Georgian chiming bracket clock the eight-day duration, triple-fusee movement having a verge escapement, fully engraved backplate and chiming the quarters on a nest of 10 bells and the hour on a further bell with the shaped seven-inch silvered brass dial having a raised silvered chapter ring engraved with black Roman numerals, the centre having a date aperture and engraved decoration, with the arch having two subsidiary dials for Chime/Not Chime and tune selection Lass of the Hill/A Minuet/A Song/An Air, with a silvered plaque set between engraved F.R & S., London, the ebonised case with ormolu mounts to the canted sides, surmounted by a caddy top with five cast finials and all standing on cast foliate feet, height 62cm.
Lot 311
A George III Japanned and pen worked tea caddy, circa 1800; the hinged cover, front, back and sides decorated throughout with Egyptian motifs, including sphinges, a crocodile, representations of Horus, Apis and statuary; with a metal swing handle at each end; the interior with twin subsidiary covers with turned bone handles; 15cm high, 29cm wide
Lot 583
A large Victorian ebonised chiming bracket clock the eight-day duration, triple-fusee movement having an anchor escapement and striking the hours on a gong and the quarters on a nest of ten bells, the backplate fully engraved with foliate decoration, the eight-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, matted dial centre and blued steel hands, the arch with two subsidiary dials for Chime/Silent and Cambridge Chimes/Chime on Eight Bells,the ebonised case with gilt-brass inset foliate friezes, finials to the four corners, side frets and a full repousse basket to the caddy top, surmounted by a cast-brass handle, height 50cm/58cm handle down/up.
Lot 568
A French Victorian red tortoiseshell and brass boulle bracket clock the eight-day duration movement striking the hours and half-hours on a gong with the round brass dial having black Roman numerals to the applied plaques and blued steel hands, the boulle red tortoiseshell case with brass inlaid decoration having a glazed front door and rococo ormolu mounts to the front with the caddy top surmounted by a gilt-brass figure depicting a cupid firing an arrow, height 47cm.
Lot 582
Paul Rimbault, Soho, London, a chiming ebonised bracket clock the eight-day duration, triple-fusee movement, now with an anchor escapement, chiming the quarters on a nest of ten bells and the hour on a further bell and having a fully engraved backplate with foliate decoration, the seven-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals, the centre engraved Paul Rimbault, Denmark Street, Soho, London, 1771, with cast-brass c-scroll spandrels, the arch with a later selection for Whittington Chimes, Eight Bell Chimes, 10 Bell Chimes, Strike/Silent, the stepped ebonised case with gilt-brass caryatid mounts to the canted corners, gilt-brass pineapple finials to the four corners and surmounted by a caddy top with brass handle, height 53cm.Biography: Paul Rimbault is recorded as working in Denmark Street, Soho, London from before 1770 until at least 1785.With alterations.
Lot 561
Junghans, an oak mantel clock the eight-day duration movement striking on a gong and stamped Junghans, with the arched brass dial having applied brass spandrels and stylised Arabic numerals, the oak case with fluted flat columns, applied carved mouldings and surmounted by a caddy top with gadrooned finial, height 50cm.
Lot 286
A Regency painted maple tea caddy, circa 1815; of bombe sarcophagus form, decorated overall with flowers, foliage and butterflies; each end with a ring handle and a repousse metal backplate, on spherical feet; the interior further decorated and with twin subsidiary covers; 17cm high, 24cm wide; and a French walnut jewellery casket, 19th century, 9cm high, 21cm wide
Lot 337
A Staunton pattern ebony and boxwood weighted chess set, probably by F.H.Ayers, circa 1900; one rook and one knight of each colour bearing the impressed red crown mark, the kings 8cm, the pawns 4cm high;with an associated Victorian boulle work tea caddy, late 19th century; with cut brass and tortoiseshell foliate marquetry overall and twin conforming subsidiary covers within, 12cm high, 24.5cm wide
Lot 579
Thomas Delasalle, London a Georgian mahogany bracket clock the eight-day duration, double-fusee movement having an anchor escapement and striking the hours on a bell, the backplate fully engraved with foliate decoration, the eight-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, the centre with date aperture, engraved decoration and signed with the makers name Thos. Delasalle, London, with cast-brass c-scroll spandrels, the arch with a dial for Strike/Silent, the mahogany case with inset brass fretwork and with the caddy top having four cast pineapple finials and surmounted by a brass handle, standing on brass bracket feet, height 55cms including handle.Notes: Thomas De la Salle is recorded as working at St. Catherine's Stairs, London from before 1799 until at least 1824.
Lot 577
J.C. Jennens, & Son, London a mahogany chiming bracket clock the eight-day duration, triple-fusee movement with anchor escapement and chiming the quarters on a nest of eight bells and striking the hour on a further bell, the backplate fully engraved with foliate decoration, the eight-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, the matted centre with date aperture, 'false-pendulum' aperture and inset silvered strip engraved with the makers name J.C. Jennens & Son, London, with cast-brass c-scroll spandrels, the arch with a dial for Strike/Silent, the mahogany case with inset brass fretwork and with a caddy top surmounted by a brass handle, standing on brass bracket feet, height 58cm including handle.Notes: John Creed Jennens is recorded as working in Birmingham in the early-to-mid 19th century before moving to Clerkenwell, London where he died in 1883 whilst working in partnership with his son John Sydney Jennens who succeeded him.
Lot 12
with a tendril stem, the fan-shaped bowl embossed with a flower & leaves, by Hilliard & Thomason, Birmingham 1852, together with another modern caddy spoon, with a ring handle and a circular bowl, makers mark "IEN", Sheffield 1993; the former spoon 3.1" (8cm) long; 0.74ozt (2). *CR Both with wear, the Victorian example with a repaired stem. Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 5
Fiddle & Thread pattern, both crested to match & by Elizabeth Eaton, the sugar spoon London 1854 & the caddy spoon London 1855; the former 5.6" (14.2cm) long; 1.95ozt (2). *CR Both with general wear & surface scratches but reasonable. Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 7
a 20th century Acorn pattern pickle fork, a scoop & a two-pronged fork, Copenhagen, together with 3 continental butter spreaders, initialled, a British pusher spoon and a caddy spoon, mixed makers & dates; the scoop 7" (17.7cm) long; 5.4ozt (8). *CR All pieces with wear & in mixed conditions, particularly the spreaders. Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 1068
GEORGE UNITE; a late Victorian hallmarked silver caddy spoon, Birmingham 1898, a further silver caddy spoon, silver coffee spoon, silver teaspoon, silver apostle spoon and a small silver fork (approx 3.43ozt/107g), also three silver sheath handled items, two pairs of silver plated sugar tongs and a pair of silver plated cruet spoons.
Lot 88
TWO SILVER SPOONS, the first a George III silver caddy spoon with engraved M initial to the terminal, hallmark for William Eley I & William Fearn, London 1807, the second a late Victorian silver sifter spoon, with twisted neck, engraved leaf detail and initials to the terminal and pierced crimp edge bowl, hallmark for Birmingham 1895, lengths approximately 95 and 100mm, approximate total weight 26 grams, 0.83 ozt
Lot 472
A QUANTITY OF ASSORTED SUNDRY ITEMS ETC, to include a mahogany tea caddy with inlaid shell motif to the lid and front, approximate dimensions H14cm x W23cm x D14cm (lacks key), Pentax and Minolta compact binoculars, teddy bears including a Happy Hug bear dated 1995, a boxed motion sensor wall light, plastic picnic glasses, Glyndebourne branded wine carriers and umbrellas, walking sticks, three pieces of soft luggage, a wall mount for a flat screen television etc
Lot 551
FIVE BOXES AND LOOSE SUNDRY ITEMS, to include a sarcophagus form tea caddy, a brown rotary telephone, a cased boxed Voigtländer Vito Automatic 35mm camera, a cased Voigtländer Vitoret D 35mm camera, twelve chisels, a spirit level marked 'Glass Developments Ltd, Brixton, London SW2', a Wild Heerbrugg technical drawing set, a sewing basket and contents, two mid twentieth century clear plastic candleholders, a Jolly Gentleman moneybox, etc, These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history (5 boxes + loose) (sd)
Lot 34
An 18thC Chinese porcelain powder blue Charger, decorated with overpainted gilt depiction of ornate flower basket, damaged and restuck, Kangxi pictorial mark verso, D 28cm, together with a powder blue Tea Caddy, restored neck and lid, H 13cm, a small Chinese blue and White Dish, finely painted with apocryphal Chenghua six character mark verso, D 12.5cm, and an octagonal Dish, with staple repair, D 16cm, also with a Kraak-style Saucer with Kangxi pictorial mark, D 11.2cm and another blue and white Saucer (6)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
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81455 item(s)/page