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A Victorian Rosewood Work Box, inlaid with mother of pearl, with caddy top, turned handles and bun feet, 31cm by 23cm by 35cmRight hand escutcheon with loss, some minor veneer splits, writing slope hinges are detached, drawers running freely, doors closing, free from warping, with lock functioning, with benefit from a sympathetic polish
A Collection of George II and George III Silver Serving-Implements, comprising a pair of George II sugar-nips, circa 1750; a marrow-scoop, by Thomas Jackson, London, 1741; two differing pairs of sugar-tongs, one pair of Peter and Ann Bateman; two Fiddle pattern condiment-spoons; two Old English pattern condiment-spoons and a pierced caddy-spoon, total weight 6oz 3dwt, 191gr (9)Sugar tongs slightly misshapen.No other notable condition issues, some general wear and surface scratches.
17th century oak and elm commonwealth chest of drawers. Raised on bracket feet with graduating four deep drawer configuration with brass furniture and escutcheons. The chest with flared caddy top, the sides with recessed fielded panel work. Hand dovetail drawer construction. Measures approx; 88cm x 87cm x 62cm.
English mahogany double fusee verge bracket clock, the 6" brass arched dial signed Robert Henderson, London on a shaped plate beneath twelve o'clock, with matted centre and calendar aperture enclosed by a silvered chapter ring, also with strike/silent subsidiary dial to the arch, within a stepped case surmounted by a caddy top with four pineapple finials and carrying handle, 19.5" high (pendulum and winding key)
English ebonised triple fusee bracket clock of small size, the 5.5" rounded arched dial signed Foster Birchin Lane, London on an arched plate to the matted centre enclosed by a later silvered chapter ring, with strike/silent subsidiary dial to the arch, playing on a nest of eight bells and striking the hours on another, the movement engraved with scrolling foliage, within a later ormolu mounted stepped case surmounted by a caddy top, four urn finials and a carrying handle, 18" high (pendulum)
Fine English ebonised double fusee verge bracket clock, the 7" brass arched dial signed John Pepys on a plate above the silvered chapter ring enclosing a matted centre with false bob pendulum aperture, with calendar date subsidiary dial to the arch, the movement with pull repeat on a set of six graduated bells, with fine foliate engraved back plate and locking pendulum, within a stepped case surmounted by a caddy top and carrying handle, 20" high (pendulum and keys) *This clock has been converted back to a verge escapement ** There is an old label fixed to the bottom inside of the back door inscribed John Pepys, London 1708...
Mahogany double fusee bracket clock, the 7" brass arched dial signed Edmund Martin, London on the silvered chapter ring enclosing a matted centre, with strike/silent dial to the arch, the movement back plate finely engraved with scrolling flowering foliage, within a stepped case surmounted by a caddy top and brass carrying handle, 20" high (pendulum)
Good French black marble and bronze mounted two train mantel clock, the Mougin movement stamped Ate Le Roy...Caen no. 1133, with outside countwheel striking on a bell, the 3.75" cream dial with raised Arabic cabochon numerals, within a stepped case surmounted by a bronze caddy top repousse with foliage, four turned urn finials and a carrying handle, 15.25" high (pendulum and key)
Oak eight day longcase clock, the 10" square brass dial signed JNO Bonsall, Breason on the silvered chapter ring enclosing a matted centre with ringed winding holes and calendar aperture, the case with long beaded moulded door and the hood surmounted by a caddy top with three wooden ball and spike finials, 87" high (pendulum, two weights & keys)
Good Dutch walnut eight day longcase clock with various complications, the 14" rounded arched dial signed Jan Henkels on the wide silvered chapter ring under six o'clock, enclosing a gilded and foliate engraved centre with calendar work and moon phase apertures, also with a subsidiary seconds dial, over a recessed automata featuring windmills, sailing boats and figures fishing before rural painted scenes, the movement striking the hours on one bell, the first quarter past with one stroke on the same bell, the full hour at half past on another bell, also the quarter to the hour on the same bell, the calendar work is automatic for a thirty-one day month needing to be corrected for other months by pushing round the date ring, the large windmill only operates whilst the clock is striking, the case with foliate carved beaded waisted door, fitted with an oval bronze overlaid figural cast lenticle and also inlaid with a vase of flowers and a reserve of musical instruments, the bombé base with a central foliate inlaid reserve enclosed by boxwood lines and the hood surmounted by a wavy moulded foliate carved cornice and caddy top with blind foliate fret carved frieze, 93" high (pendulum, two weights and winding key)
A Chinese crackle glazed blue and white porcelain tea caddy 19th century, rectangular form with a short circular neck and disc stopper, painted with warriors in landscapes, the neck with butterflies and fan spandrels, 5 1/8in. (13cm.) high, with hardwood stand.* Condition: Small glaze chip to one lower corner. Old tape residue to stopper and neck. No other faults - good condition.
Two similar Chinese porcelain blue and white tea caddies probably 19th century, each of rectangular form with relief moulded decoration of dragons, one amidst flowers and leafy scrolls with conforming floral panels to the sides and the shoulder with floral painted decoration, 5in. (12.7cm.) high, the other amidst clouds, the sides with three bats and clouds, painted clouds to the shoulder, 5¼in. (13.25cm.) high, both with hardwood covers and stands. (6)* Condition: Two tiny glaze frits to top edge of the slightly larger caddy. Otherwise good, with just a little glaze scratching and small firing flaws to the necks. The covers and stands probably later.
A 19th century English porcelain chestnut basket, decorated in blue and white, together with a Chinese porcelain tea caddy, decorated in blue and white, af - Chestnut basket - firing crack to the base and chips to the encrusted flowers. Tea caddy - Chip to the neck and lots of chips to the edges
A set of twelve Victorian silver tea spoons with matching caddy spoon, Sheffield 1868, Martin Hall & Co, cased, approximately 235 grams together with a cased silver and mother of pearl fish set and a silver handled fruit set CONDITION REPORT: Mother of pearl handles, one fork chipped, one fork with hairline cracks, all other pieces have surface scratches and wear conversant with use

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81449 item(s)/page