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Good English mahogany double fusee bracket clock, the 7" brass arched dial and movement back plate signed Thomas Chandler, London, the silvered dial with Roman and Arabic numerals enclosing a calendar chapter ring, also with strike/silent dial to the arch, within a stepped case surmounted by a caddy top, four pineapple finials and a brass carrying handle, 20" high, (pendulum and door key) ** With later anchor escapement
Good English rosewood and ormolu mounted double fusee bracket clock, the 5" silvered dial and movement back plate both signed Adams, 36 Lombard St., London, with locking pendulum and striking on a bell, within a stepped case clad with ormolu embossed decoration and faux bricked sides, surmounted by a fluted ormolu caddy top with raising carrying handle, 12" high (pendulum and door key)
Good English mahogany double fusee gothic bracket clock with bracket, the 8" printed arched dial signed Clem.t Gowland, Bishop Wearmouth, Sunderland, with strike/silent and fast/slow subsidiary dials to the arch and with a foliate engraved dial plate, the movement with pull repeat playing on a nest of eight graduated bells and striking on a large gong within a gothic printed arched stepped case with gadrooned plinth, cluster columns and surmounted by a square stepped caddy top and turned finials, 26" high (pendulum and keys)
Good English light oak triple fusee chiming gothic clock, the 7.5" silvered chapter ring signed J.W. Benson, 25 Old Bond St, London enclosing a geometric and foliate engraved centre, the movement of two weeks duration playing on a nest of eight bells and striking on a large gong, within a gothic carved pillared stepped case surmounted by a stepped caddy top and turned finial, 27" high (pendulum and keys)
English ebonised triple fusee boardroom style mantel clock, the 7.5" silvered dial and movement back plate both signed Payne & Co, 163, New Bond Street, London, 3010, the movement striking on four small gongs and one larger, within a stepped case with foliate gilt mounts and swags, surmounted by a caddy top and five decorative urn finials, 27.5" high (pendulum and door keys)
Good English ebonised double fusee verge bracket clock, the 7" brass arched dial signed Thos Hunter, London to a silvered arched plate to the matted centre with calendar aperture, with strike/silent dial to the arch, the movement with pull repeat and foliate engraved back plate, within a stepped case with wavy outline door, surmounted by four pineapple finials, caddy top and carrying handle, 20.5" high (pendulum and door key)
Interesting English ebonised double fusee musical bracket clock, the 7" silvered chapter ring signed A.M. Cressener, London enclosing a matted centre with false bob pendulum aperture, ringed winding holes and calendar aperture, the arch fitted with a silvered calendar chapter ring enclosing a moon phase aperture within a foliate engraved mask, flanked by subsidiary seconds and strike/silent dials, the movement back plate engraved with scrolling foliage and also signed A.M. Cressener, London, the movement with pull repeat playing on a nest of six bells and striking on another, within a stepped case surmounted by a caddy top, four brass finials and a carrying handle, 21.5" high (pendulum and keys)
English ebonised double fusee verge bracket clock, the 7" brass arched dial signed Fra. Mayhew, Papham on an arched silvered plate to the matted centre with false bob pendulum and calendar apertures, also with strike/silent dial to the arch, the movement with pull repeat and engraved scrolling foliage to the back plate, within a stepped case surmounted by a caddy top and carrying handle, 20.5" high (pendulum and winding key)
English mahogany double fusee bracket clock, the 7" silvered arched dial signed Percival, Woolwich to the centre over a calendar aperture, with strike/silent dial to the arch, the movement striking on a bell and with foliate engraved back plate, within a stepped case surmounted by a caddy top, four foliate finials and a carrying handle, 19.5" high (pendulum and keys)
Good and attractive French ormolu and champleve two train mantel clock, the movement back plate stamped CHles Mt, no. 22665, striking on a bell, the 3" decorative champleve dial within a stepped case surmounted by a caddy top and five turned disc finials, 13.75" high (pendulum, key and velvet lined wooden base)
Mahogany eight day longcase clock, the 12" brass arched dial signed Robert Craig on the foliate engraved brass arch over a silvered engraved calendar and moon phase aperture with Arabic and Roman numeral chapter rings, the principal silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long beaded edged rounded arched door and the hood surmounted by a shortened caddy top with two brass ball and spike finials, 92" high (pendulum, two weights and keys)
A Victorian English porcelain dessert service, painted with mostly named British and French views, inscribed variously 'Dover' 'Dieppe' 'Derby' etc, comprising 2 oval plates 28.5cm wide, and 9 plates, apparently unmarked, pattern number 3351 in red 22.5cm diam; and A Continental tea caddy in Meissen style, circa 1900, with pseudo crossed swords mark, 12.5cm high; a Vienna style tea caddy, late 19th century, 12.5cm high and a modern Vista Alegre tea cannister and cover, 11.5cm high Condition Report: Generally good- mild rubbing to gilded margins Condition Report Disclaimer
A George III yew and satinwood inlaid tea caddy, circa 1790, 11cm high, 11cm wide, 9cm deep, an Edwardian walnut box, top with portrait panel indistinctly signed and dated 1917, 10cm high, 21cm wide, and a Chinese export enamel tea pot and a matched pair of metal candlestick table lamps (5) Condition Report: The yew caddy bears the usual very minor marks, knocks and scuffs overall consistent with age and use, and some minor warping to rear panel of the veneer. A handful of small chips and losses to satinwood stringing, with more visible old splits and repairs to interior banding. The underside has some looseness to felt covering, underneath which a small gap possibly a split can be discerned - though it is impossible to tell whether this is a damage or part of the construction without removing the fabric. Overall in perfectly presentable condition. Offered with a listing from Cristopher Buck Antiques. The box bears minor marks, knocks, scuffs and fading (including to medallion) overall, as well as some wear to the ebonised corners. A handful of small and shallow surface dents to back and sides. The tea pot has chips and losses overall as well as a significant dent to one side. Condition Report Disclaimer
A pair of mahogany rectangular tea caddies, 19th century, with brass inlaid escutcheon and on bun 11cm high, 12cm wide, 8cm deep, together with a Regency mahogany and boxwood inlaid sarcophagus tea caddy, circa 1820, 16cm high, 27cm wide, 14cm deep; and a Whitefriars millefiori paperweight ink bottle with stopper, 10cm high Condition Report: Pair- have internal lids- which don't seem to fit (stay in place), both with later black material to inside of lid and to base- linings perished. later screws. just one key. one sits fractionally higher than the other- but the bodies seem to be the same size- this might be the size of the turned feet- some old knocks- veneer lifting between back hinges to reverse of one. larger single caddy- formerly with a metal finial to top- now absent later lining to interior, lacks bowl, lids and bowl surround later, some damages to corners, water (?) or dirt speckling throughout outer surface Inkwell- some scratching and small bruise to surface see extra images Condition Report Disclaimer
A collection of silver flatware to include:George V caddy spoon, hallmarked by Turner & Simpson, Birmingham, 1919Victorian bright cut sugar nippers, by Josiah Simpson, London, 1893 with four teaspoons, dessert fork, button hook (filled)., various dates and makers (Q) 1 bag - weighable silver 3.82 ozt (118.8 grams)
Five pieces of miniature furniture:an oak box settlea small mahogany and chequer strung caddy-topped chestan Edwardian-style mahogany sideboard with galleried back and two panelled doors (22.25cm wide)a 19th century red velour upholstered tub chair on short feet a 19th century style oval mahogany and boxwood strung toilet mirror
An early 20th century cranberry glass and silver overlay tea caddy; the body decorated with two opposing sides of Chinamen picking tea and the other opposing side decorated with flowerheads and scrolling tendrils etc., both the lid and the neck of the caddy with maker's mark J.H.W, assayed Birmingham 1902 (14.5cm high)Condition Report: The vase is a little scratched underneath commensurate with age, conditional overall is generally good. The glass looks OK and silver in good condition. There is a matchhead piece of silver away near the lip at the top.
A good selection of items to include early 19th century sarcophagus-shaped mahogany tea caddy on brass bun-style feet, a tinplate touring car with British racing green coachwork, a walnut bookstand, a late 19th/early 20th century Negretti & Zambra thermometer, miniature scales, a boxed miniature Vitra Design modernist chair from the Miniatures Collection, an early 20th century Chinese circular cloisonné dish decorated with an open-mouthed five-clawed imperial yellow dragon

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81449 item(s)/page