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An antique Dutch silver tea caddy spoon with hooked handle. Bowl has scalloped rim and a decorative repousse featuring a Dutch scene with a horse & carriage. Hallmarked London 1898, with Samuel Boyce import mark. Reverse of stem has Dutch Lion Rampart 1 mark for .934 fineness and an export key mark. Ornate pierced handle has hook to reverse and winged cherub finial. Approx. 13cm long, bowl approx. 6cm diameter. Total weight approx. 30g.
A 19th Century Chinese enamel decorated dish in famille rose palette decorated with figures picnicing in a landscape with mountains rising in background 21 cm x 13 cm, a Chinese famille rose enamelled square box and cover, yellow ground 8.2 cm x 8 cm x 5.2 cm an engraved brass rectangular lidded box decorated with four toed dragon 19 cm x 12 cm x 7.5 cm high and a turquoise inlaid brass bellied box with embossed decoration and spike finialled lid 8 cm high, a heavy brass circular dish 14 cm, an engraved brass temple type bell on stand 7 cm high, a pewter hip flask of moon form 10 cm high and a pair of Chinese cloisonne decorated table candlesticks, the centre panels decorated with a battle scene 22 cm high, a pair of Chinese brass candlesticks on script type pedestal supports 25 cm high, a bronze temple style inkwell and cover 17 cm high and an engraved Chinese metal tea caddy and cover with floral and foliate decoration 13 cm high
ROYAL DOULTON; a collection of 'Bunnykins' figures including 'Golfer Bunnykins', 'Caddy Bunnykins', 'Prince John Bunnykins' from the Robin Hood Collection, also further figures from the Robin Hood Collection, etc.Additional InformationEach complete with original box, a number of the figures with gilt signatures to the underside. The boxes are a little worn in parts. The figures are in good condition.
AN EARLY 19TH CENTURY LACEWOOD TEA CADDYOf compressed octagonal form, 28cm wide; 16cm highCondition report: The top with an area of discolouration possibly caused by ink. There is also a further similar discolouration to the back, near one of the hinges, which cause suggest it’s part of the timber. Two sections of the cross banding moulding are loose and require repair/restoration. The ‘show wood’ is veneered on to a pine /softwood carcass. Please see additional images on www.bellmans.co.uk.
A 19th century Cantonese lacquered tea caddy, decorated with figures in gardens, the interior with two pewter tea canisters and covers, height 12cm, width 19.5cm, depth 12.5.Additional InformationWear to the gilt detailing throughout. General scuffs here and there but generally ok condition.
An early 18th Century Chinese porcelain 'Kangxi' style 'famille verte' part tea service comprising; teapot, milk jug, tea caddy, side plate, five saucers and one tea bowl, the later with a 'Lingzhi fungus' mark to the base. (B.P. 21% + VAT)All items grubby. All items have some minor paint loss and minor firing flaws. All saucers and tea bowl have frits and chips to rims and loss to gilt. Some also have chips and frits to base. Plate - has two hair cracks and chip to baseTea caddy - lid is cardboard (not original) and faded and stained brown, multiple chips to top rimTeapot - lid badly broken and repaired and has a large chip. Firing flaw to interior. Milk jug - chips and frits to base, gilt rim worn, minor chip to spout, gilt loss to lid
Robert Silver (British b.1955), A ceramic service, 21st century, impressed marks to bases, White stoneware with a grey oxidised glaze, hand-built and thrown, comprising; a teapot and cover, 18.5cm high, a sugar caddy and cover, 14.5cm high, two pouring vessels, 11cm high, 10cm high and three tea/coffee cups, 8.7cm high (7), Note: Robert Silver initially trained as a studio potter (Michael Casson was one of his teachers) and attended the two-year Studio Pottery Course at Harrow College of Art and Technology. He worked at the Govancroft Pottery in Glasgow as studio assistant to the designer Ken Southall and then worked as a freelance Design journalist for 35 years. Silver has since returned to his practical and artistic roots , “..possibly creating the best work of my life. But, then I’m biased.” His current work is aesthetic yet utilitarian; ‘..the result of a marriage between Bernard Leach and Art Deco pottery, creating a kind of Post Industrial, Steam punk pottery’. All pieces are in good condition with no breaks or restoration.
Robert Silver (British b.1955), a ceramic service, 21st century, impressed marks to bases, White stoneware with a blue oxidised glaze, hand-built and thrown, comprising; a teapot and cover, 17.5cm high, a sugar caddy and cover, 13.5cm high, two pouring vessels, 12cm high, 9.5cm high and three espresso cups, 8.7cm high (7), Note: Robert Silver initially trained as a studio potter (Michael Casson was one of his teachers) and attended the two-year Studio Pottery Course at Harrow College of Art and Technology. He worked at the Govancroft Pottery in Glasgow as studio assistant to the designer Ken Southall and then worked as a freelance Design journalist for 35 years. Silver has since returned to his practical and artistic roots , “..possibly creating the best work of my life. But, then I’m biased.” His current work is aesthetic yet utilitarian; ‘..the result of a marriage between Bernard Leach and Art Deco pottery, creating a kind of Post Industrial, Steam punk pottery’. There are minor glaze flaws on the tea/coffee pot, the largest at which approx.1cm across to the side of the body. This occurred during the making process. . Otherwise, all pieces are in good condition with no breaks or restoration.
MISCELLANEOUS SMALL SILVER:- A George V mounted cut-glass, domed circular inkwell, an Edwardian sugar caster, initialled and dated "1909", a bonbon dish, a pepper caster, a late Victorian part-fluted tea caddy, a cream jug, a late Victorian embossed scent flask (in original fitted case) and a Continental snuff box, initialled "JL"; the latter 3.1" (8 cms) long; 22.7 oz weighable silver (8)
A tortoiseshell and bone tea caddy, 20th Century, in the form of a house with a pitched roof, chimney stack, carved bone front door and windows, the roof opening to reveal a fitted interior with two compartments, 18.5cm wide, 13.5cm deep and 20cm high, together with a horn and silver caddy spoonCondition report: Surface scratches, knocks and chips to the shell, wear to the linings of the compartmentsPlease see additional images.
A Regency mahogany tea caddy, of rectangular form with crossbanded satinwood decoration, 31cm wide, 16cm deep, 16cm highCondition report: Small segment of crossbanding missing to top corner, minor surface scratches, commensurate with ageTwo veneer repairs to the corners. Natural splits to the veneer, which has not lifted. Mixing fits and is contemporary which could suggest it is original.41cm wide, 17cm deep, 40cm highLeather in reasonable order. Wear and scuffs in places. Still with some shine and not overly dry or cracked.
A beautiful late 18th century Georgian blonde tortoiseshell serpentine dual-compartment tea caddy. The serpentine shaped front with worked tortoiseshell panelling, ivory lined inner edges and both lined compartments complete with lids. Standing on ball feet. Small inlaid plaque to top, and a silver escutcheon to the lock. Measurements 13cm x 16.5cm. Minor loss to inner lip and minor split to lid - see photographs. Otherwise in good all round condition for age.

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81449 item(s)/page