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Lot 506
A George III mahogany tea caddy, the sarcophagus hinged cover with chevron stringing and brass carrying handle, raised on shaped bracket feet16 x 25 x 14cmProvenance: Tanners, Kedington, SuffolkThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref No. 8XJ8TA11
Lot 540
A Chinese export lacquer tea caddy, Qing Dynasty mid 19th century, of octagonal shape with carrying handles, the lid and sides with palace scenes, internally with three removable metal caddies18 x 36 x 25cmProvenance:Old Oaks, Little Horwood, BuckinghamshireTypical scuffs and wear to decoration commensurate with age and use, a crack to the lacquer on the front right-hand corner of the lid, but in overall good condition - see additonal images.
Lot 508
A Meissen part tea and coffee service, circa 1770, finely painted with figures and buildings in harbour/estuary landscapes below gilt strapwork rims, lightly ogee bodies, comprising a coffee pot and cover, teapot (lacking cover), tea caddy and cover, sugar bowl and cover, hot milk jug and cover, slop bowl, canted square dish, oval dish/spoon tray, eight teacups and saucers, blue crossed swords and dot marks The spoon tray with two small rim chips and some rubbing to enamels in well.Octagonal dish with a tiny rim chip close to corner at 7o'clock. Rubbing to enamels.Waste bowl in good condition .Hot milk jug: two small chips to two petals of finial. Jug with small shallow footrim chip.Caddy: tiny chip to tip of one petal on cover.Sugar bowl: some chipping to flower finial. Two tiny footrim chips.Coffee pot: cover with a small shallow chip to flangeTeapot: lacking cover. Shallow chip to footrim of pot.Saucers: with some flaking to gilding on rim. A coupls have a tiny chip to footrim,Cups: in good condition.Gilt border to saucers, teapot and coffee pot match. Other items with a slightly different gilt border.
Lot 520
A Worcester Japan Fan pattern tea set, circa 1770, comprising teapot and cover, oviform tea canister, sugar basin and cover and six teacups and saucers, imitation Oriental script marks to base Sugar bowl: chipping to flower finial. Chip to flange. Caddy lacking cover but in good condition. Teapot: cover finial restored, firing crack beneath. 2 tiny chips to spout and a tiny crack. The saucers without damage but worn to gilding in centres. One teacup with a small shallow rim chip, another with two small stained rim chips.
Lot 770
A George III mahogany tea caddy, of rectangular form applied with a brass swing handle, opening to three compartments, upon ogee bracket feet, 15cm H x 24cm W x 13cm D, a Regency rosewood tea caddy of sarcophagus form, applied ring handles, upon cast brass feet, 17cm H x 19cm W x 12cm D, along with a birch Tunbridge ware glove box, with a watered silk interior, 8cm H x 25cm W x 10cm D (3) (at fault)
Lot 244
A George IV silver spoon with agate handle. Joseph Taylor,Birmingham, 1823. The dessert spoon designed with a rat-tail to reverse of bowl and a faceted, translucent agate handle, 16.8cm long, together with a George IV Queen's pattern silver caddy spoon by the same maker, Birmingham, 1827, also designed with rat-tail to reverse of bowl, 13cm long (2)
Lot 7
A George III silver tea caddy. Pierre Gillois, London, 1782. Of shaped, oval form, the body bright-cut engraved with floral garlands to a hinged cover with flower finial, vacant oval cartouches to front and back, 10.5cm high (inc. finial), 13cm wide, approx. weight 13.4ozt Condition Report: Surface scratches and other blemishes commensurate with age. Hallmarks clear. Deeper scratches to the inside of the lid. Some old solder noted to interior. Some bruising to the insides of the corners/curves of the caddy. Wear and some deeper scratches to the underside of the base. The lock is not functioning and it is without its key. Additional images are available to download via this link: https://we.tl/t-NhUuZwYUNI
Lot 264
A set of six George IV silver cream ladles.William Eley & William Fearn, London, 1822. The Old English pattern cream ladles (later) engraved with initials to terminals, 12.7cm long, together with a George IV silver caddy spoon with shell bowl, London, 1827, no maker's mark noted, 9.5cm long; a George IV silver sifting spoon, London, 1823, William Eaton, the bowl pierced with quatrefoil motifs and the handle engraved with crest, 14cm long, and a George III Old English pattern silver mustard spoon, London, 1818, William Eley & William Fearn, 12.7cm long, total weight approx. 6.3ozt (9)
Lot 230
A small group of silver including a George III silver salt cellar. Richard Morton & Co., Sheffield, 1777. Of oval form with blue glass liner, designed with pierced sides and raised on four claw and ball feet, hallmarked shortly after the opening of the Sheffield assay office in 1773, 8.2cm wide; together with: a George V silver tea caddy, Birmingham, 1915, A. & J. Zimmerman, of plain, cylindrical form, with pull-off lid, 8.5cm high, together with: a pair of George V silver salt cellars with blue glass liners, Birmingham, 1916, William Hutton & Sons, with pierced sides and raised on four ball feet; two Egyptian silver ashtrays, 6.7cm dia.; and a pair of George V silver pepper shakers with pierced sides and blue glass liners, Chester, 1920, Haseler & Bill, 6.7cm high, total weighable silver approx. 9.6ozt (8)
Lot 158
Three 19th century silver caddy spoons.Various dates and makers. The group comprising: a George III silver right hand caddy spoon, London, 1807, Josiah Snatt (probably, mark partially visible), the back of the hand with prick dot engraved fingernails, 6.7cm long; an early William IV example with engraved, scalloped bowl and foliate terminal, Birmingham, c.1831, John Bettridge, 9.1cm long; and a shovel-shaped example by Taylor & Perry, London, 1837, 9.9cm long, total weighable silver approx. 0.5ozt (3) Condition Report: Weight excludes Taylor & Perry example (handle filled). Two of the caddy spoons are in good condition commensurate with age and one is in poorer condition. Some minor scratching, bruising and nicking noted to all. Some very small splits noted under 10x magnification between fingers on hand spoon. A ding and a small chip to the end of one finger. Only the 'S' initial of maker's mark visible on hand. The Bettridge example is in good condition. No damage noted. The shovel caddy spoon is a little misshapen and with two small repairs noted to stem. Damage to the handle including several dings, splits and holes. Further images available to download via this link: https://we.tl/t-4zx8rWoM21
Lot 204
A group of silver including a novelty 'jockey cap' caddy spoon. William Neale, Birmingham, 1909. With reeded banding to domed cap and peak, 5.5cm long, together with: a William IV Irish silver sugar shovel, Dublin, 1831, William Cummins, the Fiddle pattern shovel with engraved crest to terminal, 16.5cm long; a set of eight coffee spoons, of golfing interest, with crossed golf stick motifs to handle, Sheffield, 1933, Walker & Hall, 11cm long; a William IV silver salt spoon; a set of six Art Nouveau silver coffee spoons. Birmingham, 1902, William Neale; and four further Georgian and later teaspoons including an Irish example with bright cut decoration to handle, total weight approx. 8.2ozt (a lot)
Lot 55
Two 19th century silver plated entrée dishes.Unmarked.The shaped, rectangular dishes designed with shell and gadrooned borders and engraved with 'pelican in her piety' crest to sides, with foliate scroll loop handles to covers, 24.5 x 31cm, together with various other items of silver plate and metal comprising: a silver plated tea caddy; a pair of silver plated cream/milk jugs; two boxed sets of metal napkin rings and a silver plated mustard (8)Provenance: Property from a UK private collection.
Lot 186
An 18th century Dutch silver caster. Casper Janszonius (active 1723-1770),Haarlem, c.1750. Probably converted from a tea caddy, the campana-shaped body raised on a square foot with canted corners and decorated with bells and garlands around the shoulder, the pierced cover with an elongated, knopped finial, 15.5cm high, approx. weight 4.5ozt Footnotes: cf: For a similar example please see: Lot 396, Sotheby's, 18th September 2007, European Collections: Paintings, Ceramics, Glass, Furniture and other Works of Art https://www.sothebys.com/en/auctions/ecatalogue/2007/european-collections-paintings-ceramics-glass-furniture-and-other-works-of-art-am1028/lot.396.html
Lot 1242
A 19th century tortoiseshell tea caddy, bowfronted and raised on four brass ball feet with two lidded interior compartments with ivory fillets. Height 14 cm, width 18 cm, depth 12 cm. NOTE: This item has been assigned an ivory exemption certificate number SV6ZFP8S. (see illustration).The rear panel on the top has some damage to the very edge and there is some slight rippling to it. The left-hand panel has a tiny chip at the front corner. Looking at the rear of the caddy, the lower band on the lid is completely missing and the metal stringing between the tortoiseshell panels is lifting slightly. Internally the ivory liners to the lid have a chip to the top which is approximately 1 cm in length and there is also another dent to the bottom and these parts are generally discoloured. The right-hand internal lid has a chip which has been repaired to the left-hand side and to the right-hand lid there is some slight rippling to the veneer on the front right-hand corner. Internally the silvered sections are completely disintegrated.
Lot 1243
A 19th century tortoiseshell and ivory tea caddy, with two interior compartments and raised on short wooden feet. Height 12 cm, width 17 cm, depth 10 cm. NOTE: This item has been assigned an ivory exemption certificate number W74TE3R3.The metal stringing to the lid is coming away at the top right-hand corner and to the rear left-hand side there is a crack running for approximately 7 cm from left towards the centre. The front of the caddy has a small chip to the veneer on the bottom right-hand side and both feet have lost the tortoiseshell entirely. The right-hand side has three repairs, and the left-hand side is generally in good order. On the rear of the caddy the hinges have been repaired particularly the one to the left-hand side where the veneer is lifting. Both rear feet have losses to the tortoiseshell. Internally the caddy is in good order showing some signs of age-related wear and tear but nothing untoward.
Lot 1244
A 19th tortoiseshell and ivory strung octagonal tea caddy, with two interior lidded compartments and raised on short ball silver plated feet. Height including carrying finial 13.5 cm, width 13.5 cm, depth 9 cm. NOTE: This item has been assigned an ivory exemption certificate number NSEM5XK1.On the top of the caddy the central tortoiseshell veneer is lifting towards the rear and to the front edge. Generally the caddy shows some age-related wear but nothing majorly untoward. The hinge works as it should. Internally the left-hand lid has losses to the front and rear sections and the right-hand one has a small chip to the top left-hand side and the top right-hand side. Internally the silver sections are degraded. The black liners around the rims are also missing to the front and towards the right-hand side, there is also some cracking to these sections on the lid.
Lot 1096
A pair of silver scallop shell caddy spoons, Birmingham, 9.5cm. long, together with a sugar sifting spoon, London, maker's mark GMJ, 15cm. long, and a pair of Victorian silver sugar tongs, Birmingham, maker's mark SS, 9cm. long, and a pair of silver sugar spades, London, maker's mark GMJ, 13.2cm. long, a Victorian silver fish knife maker's mark JATS, 13.5cm. long, and a pair of decorative silver spoons. Sheffield, maker's mark AB, 15.4cm. long, 6.4 tr.oz. (9)
Lot 1309
A novelty Tunbridge Ware style tea caddy fashioned as a house, 20th century, the front painted with panelled door below fan light and surrounded by nine sash windows amid foliage, the sides and back with sash windows, all bellow a tiled roof and two chimney stacks, interior with voided roof over two lids, adapted, 21cm. at widest.
Lot 99
A BOXED DIE CAST CORGI TOYS DIE CAST FORD CONSUL CORTINA SUPER ESTATE CAR, reference 440, dark blue body with brown and cream side panels, overall very good condition, with golfer with a bent club, caddy and bag, with its original box and internal packaging, stand with some tears and all has an old dusty appearance, outer box slightly crushed and distorted, pen mark 7/11 to one end panel
Lot 186
A VICTORIAN INLAID EBONISED FUSEE DROP-DIAL WALL TIMEPIECEJOHN HARRIS, TRURO, CIRCA 1850The four pillar single fusee movement with anchor escapement regulated by lenticular bob pendulum, the 12 inch circular cream painted Roman numeral dial inscribed JOHN HARRIS, TRURO to centre, with blued steel spade hands set behind hinged bevel-glazed caddy moulded cast brass bezel incorporating canted fillet to interior, applied to a conforming ebonised turned wood surround secured via pegs to the rear box case incorporating door to right hand side, short drop trunk fronted with leafy trail inlay to fascia over hinged pendulum access flap to the curved underside, (dial finish restored).41cm (16ins) high, 37cm (14.5ins) wide, 14cm (5.5ins) deep. Provenance:A Private International Collection. John Harris is recorded in Loomes, Brian Clockmakers & Watchmakers of the World, Volume 2 as working in Truro, Cornwall in 1847. Condition Report: Movement is in working condition but would benefit from a gentle clean/service; there is no visible evidence of alteration or noticeable replacements. Dial has been restored but most likely replicating the signature to the original. There are some very slight cracks near the dial feet attachment points as well as slight wear around the winding holes and a couple of other very slight surface blemishes. The case has a crack to the wooden dial surround at two o'clock (simple glue repair required), The lower rear edge of the case has a shallow recess to the backboard (from a previous brass hanging plate being attached) - there is some slight veneer wear/cracking around this point as well as to the leading edge of the left-hand side towards the front corner. Case is missing one securing peg and another is non-matching, otherwise faults to the case are very muck limited to minor shrinkage, bumps, scuffs, wear and other age-related blemishes.Timepiece has a pendulum and a winder (no case key required). Condition Report Disclaimer
Lot 137
Y A FRENCH LOUIS XV ORMOLU MOUNTED BOULLE BRACKET CLOCK WITH WALL BRACKET EN SUITEBACQUET, PARIS, CIRC 1750The twin going barrel outside countwheel bell striking movement with five tapered baluster pillars pinned through the backplate signed Bacquet AParis to lower margin, with later anchor escapement regulated by lenticular bob pendulum, the 10 inch circular twelve-piece cartouche numeral dial with concentric trellis bordered rococo cartouche cast centre within chapter ring with blue-on-white Roman hour numerals within rococo borders and every minute numbered to the outer track, with blued steel hand over small enamel pendant panel inscribed BACQUET, the cut brass and brown shell marquetry decorated case with surmount cast as a robed putto releasing a bird seated over a gadroon panel-cast caddy to the concave-sided superstructure veneered with leafy scroll decoration and applied with foliate mounts to angles, over rococo scroll decorated leaf cast arched cornice centred with a palmette, the front with brass-framed arched glazed door enclosing marquetry decorated floor and back panel to interior and incorporating cast panel featuring a Classical muse with attendants to apron, the surround decorated with leafy scrolls within line border, the sides with recessed arched windows within leaf cast surrounds over hipped swollen base sections, on leafy scroll cast feet with foliate apron between; set on original ogee-shaped wall bracket with concave upstand set back on the table over repeating arch motif and floral trail decorated marquetry to fascia flanked by female masks to angles, terminating with a rococo scroll cast pendant mount to base.The clock 84cm (33ins) high; the clock on wall bracket 114cm (44.5ins) high, 43cm (17ins) wide, 21.5cm (8.5ins) deep. Provenance: The Estate of a deceased Gentleman; purchased from Pelham Galleries, London, July 1966. Although he doesn't appear to be recorded in the usual sources, from extant examples, a clockmaker with the name Jean Bacquet is known to have been working in Paris during the middle years of the 18th century. Condition Report: As catalogued the movement has been converted from verge pendulum escapement to anchor hence all wheelwork above the centre wheel of the going train has been replaced. The backcock may be original but modified to accept and spring suspension. The strike train appears al original. The mechanism has been maintained in working hence is in relatively clean condition and will tick and strike. The backplate some historic punch marks around the pivot holes to close wear; the pivots themselves seem reasonably tight and there is only slight pinion wear evident. The dial has visible hairline cracks to the I and XI numerals, the II numeral has a touched-in edge chip issuing a few hairlines and the IX cartouche has been restored (in a creamy colour compared to the others); the remaining numerals appear free from visible damage. The minute hand is missing and the pendant enamel signature panel is damaged (and has crudely applied filling). The dial casting itself is in good condition with relatively strong gilding. The case is generally presentable but has received cosmetic restoration including some pinning/re-securing of the brass and localised filling to tortoiseshell/other. The sides of the superstructure may well have been applied with mounts to the rear edge (no longer present) and a scallop-shell motif within the marquetry to both sides are now filler. The sides and front are generally very good with only a few small localised repairs/pinning; the rear door has some shrinkage but the marquetry is in sound condition. The bracket has had some work to reset brass marquetry towards the upper margin causing some noticeable rippling to the brass, there is loss to the marquetry to the cavetto moulding upstand (applied to the table), otherwise faults are limited to smaller localised repairs. The mounts are generally good and clean retaining much of their gilding and appear to have also received a coat of yellow lacquer.Clock has pendulum (bob currently detached) but no case key or winder. Condition Report Disclaimer
Lot 189
A DUTCH WALNUT AND FLORAL MARQUETRY MONTH DURATION LONGCASE CLOCK WITH MOONPHASE AND ALARMJAN GOBELS, AMSTERDAM, THIRD QUARTER OF THE 18th CENTURYThe five pillar rack striking movement with five- wheel trains and pin-wheel deadbeat escapement regulated by seconds pendulum, the strike train sounding the hours in the Dutch manner both at the hour then again on the half hour on a smaller bell, the right hand side of the plates applied with a transverse alarm mechanism incorporating verge-type crownwheel engaging with a pallet arbor fitted with a T-shaped hammer for sounding on the larger hour bell positioned above the plates, the 13 inch brass break-arch dial with alarm setting disc, subsidiary seconds dial, calendar aperture and ringed winding holes to the scroll engraved matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes beyond the outer minute track and signed Jan Gobels, Amsterdam to lower margin, with scroll-pierced steel hands and cast figural 'four seasons' spandrels to angles within a herringbone engraved outer border, beneath arch incorporating rolling moonphase engraved with age of the moon to the edge of the disc set behind a pair of scroll-engraved lunettes to lower margin beneath a herringbone border to the arch, the case with carved giltwood Atlas and trumpeting nymph figural finials set on the bell-shaped caddy superstructure inlaid with floral trails, over break-arch cornice centred with a foliate carved crest and with blind fret frieze over integral three-quarter columns applied to the foliate trail inlaid hinged glazed dial aperture, the sides with break-arch scroll-pieced sound frets within conforming borders and quarter columns set against bargeboards at the rear, the trunk with leaf decorated concave throat moulding over break-arch caddy moulded door inlaid with urn set on a pedestal issuing flowering foliate around a central lenticle, with scroll detailed edge mouldings and butterflies to upper quadrants within a chevron band flanked by canted angles decorated with foliate trails, the sides further inlaid with urns issuing bird inhabited foliage, the ogee-shaped plinth base with cavetto cop mouldings, canted angles and overall conforming floral marquetry decoration, on inlaid cavetto skirt base with lions paw front feet.255cm (100.5ins) high excluding finials, 290cm (114ins) high overall; 57cm (22.5ins) wide, 32cm (12.5ins) deep. Jan Gobels is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Amsterdam in 1767. Condition Report: Movement is in relatively clean condition and appears to be in working order with no visible evidence of alteration or noticeable replacements. The escapement may be a slightly later 'upgrade' however there are no spare holes etc so could well be original. The alarm is complete except for rope line and driving weight. Movement is a little dusty hence a precautionary gentle clean service is advised. Dial is in good clean condition with only slight mellowing to finishes and there is no visible evidence of alteration or notable replacements. The seatboard appears original and rests on cheek uprights of the case with no visible evidence of adjustment hence we are of the belief that the movement and dial are original to the case. The case is generally in sound original condition. The finials are intact except for the fingers of one angel which are missing; the wings are currently detached bit present with the clock. There are three holes to the top of the arch moulding suggesting an alternative lower position for the finials or that the clock has other additional finials at some point. There is some lifting to the fretwork in the arch and both hood side frets have been pushed-in a little hence are now bowed with a couple of minor losses. The side panels of the plinth show movement hence opening of the joints to the top edges, there are also some light cracks etc to each. Case otherwise is in very sound original condition with faults very much limited to relatively minor shrinkage, wear, a few age-related bumps and scuffs, some historic consolidation/gluing and other blemishes. The colour is a little dry faded.Clock has pendulum, pair brass-cased weights, crank winding key and a case key. Condition Report Disclaimer
Lot 157
A RARE GEORGE III SMALL SCUMBLED PINE LONGCASE TIMEPIECE WITH ALARMSARJENT, LONDON, CIRCA 1795The four pillar movement with anchor escapement regulated by a lenticular bob pendulum with an effective length of fifteen inches to the going train, set beside a weight-driven alarm mechanism with verge-type crownwheel engaging with a pallet arbor fitted with a T-shaped hammer for sounding on a large bell positioned above the plates, the 8 inch single sheet silvered brass Arabic numeral dial with alarm setting disc to centre and Arabic fifteen minutes to outer track, with pierced steel hands beneath arch engraved SARJENT, Watch Maker, To the Prince of Wales, Jermyn Street, ST' JAMES's, the scumbled pine case grained and painted to resemble mahogany with ogee and cavetto moulded break-arch top over hinged glazed hood door flanked by canted angles and rectangular side windows, the trunk with slender cavetto throat moulding over rectangular ogee-edged door, on plinth base with cavetto top moulding and caddy-moulded skirt.192cm (75.5ins) high, 33cm (13ins) wide, 19cm (7.5ins) deep. Provenance:The Dr. Castle Collection. Purchased from Geoffrey Greetham, Willingham, Cambridge, 26th May 1976 for £440. Joseph Sargent is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working 1794-1820. Other sources indicate that he worked from 106 Jermyn Street up until 1818. The present timepiece would have almost certainly been supplied for 'backstairs use' hence the fairly modest scumbled pine case and provision of a loud alarm mechanism to announce the start of the working day to the household staff.
Lot 135
Y A FRENCH LOUIS XV STYLE GILT BRASS MOUNTED BOULLE BRACKET CLOCK THE MOVEMENT BY VINCENTI ET CIE, PARIS, THIRD QUARTER OF THE 19th CENTURYThe rectangular eight-day gong striking movement with anchor escapement regulated by sunburst mask bob cast pendulum incorporating Brocot type regulation to suspension, the backplate stamped with VINCENTI & CIE, MEDAILLE D'ARGENT, 1855 beneath numbers 1426 and 6 4, the 7 inch circular twelve-piece cartouche numeral dial with rosette cast centre within chapter ring with blue-on-white Roman hour numerals within rococo borders and Arabic five minutes within the outer track, with blued steel hands, the cut brass and brown shell marquetry decorated case with surmount cast as Mercury standing on a lattice-cast caddy to the concave-sided superstructure veneered with leafy scroll decoration and applied with foliate mounts to angles, over generous leaf cast arched cornice centred with a palmette, the front with brass-framed arched glazed door enclosing marquetry decorated floor and back panel to interior and incorporating cast panel featuring an eagle grappling a serpent to apron, the surround decorated with leafy scrolls within line border, the sides with recessed arched windows within leaf cast surrounds over hipped swollen base sections, on leafy scroll cast feet with foliate apron between.62cm (24.5ins) high, 28cm (11ins) wide, 16cm (6.25ins) deep.
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