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A GEORGE III SILVER TEA CADDY maker WS, London 1792, rectangular with concave corners and hinged domed cover, bright-cut engraved with Vitruvian scroll and floral swags. 13.5cm wide, 11.4 troy ounces

A GEORGE III INLAID MAHOGANY TEA CADDY rectangular, inlaid with shells, the lid with Greek Key borders, the interior with three vacant sections. 24.5cm wide

A 19TH CENTURY FRUITWOOD TEA CADDY, IN THE FORM OF A MELON the exterior with four equally spaced vertical chanels, the top with a stalk, with a key. 12cm highOld loss to the lid at the rear. Original hinge and escutcheon. Nice colour and generally in good condition, commensurate with age.

A GEORGE III INLAID MAHOGANY TEA CADDY AND AN EARLY 19TH CENTURY MAHOGANY WRITING BOX the caddy rectangular, the interior with two vacant sections, 19.5cm wide; the table desk with hinged slant-front and turned feet, 31cm wide. (2)

A hallmarked silver easel watch holder, Birmingham 1914 containing a lady's silver-cased fob watch and a hallmarked silver vesta case, Birmingham 1901 and a circa 1900 silver-plated tea caddy with ornate lid.

A late 18th century octagonal oak tea caddy with unusual division and Anglesey kite-shaped bone escutcheon 

An interesting selection of 24 pieces to include:a Myott Son & Co pottery jug in High Art Deco style (18 cm high);two blue-and-white jugs and a Willow pattern tea caddy;a pair of Devonware-style vases (25 cm high) and one other vase (30 cm high).(Two boxes)

A group of three:1. a mid-18th century mahogany tea caddy with swan-neck handle, shaped brass escutcheon and bracket feet (now minus interior, converted to a jewellery box), 2. a fine quality walnut box, the hinged cover with parquetry and star veneered decoration; 3. a 19th century walnut and Tunbridge-ware banded two-division tea caddy. 

Silver-plated items to include:a pair of late 19th/early 20th century silver-plated entrée dishes;a further oval entrée dish;four late 19th century teapots;a late 19th/early 20th century silver-plated tea caddy with hinged lid and pineapple finial.

A Victorian rosewood veneered Toilet Case, with the retailer's label, 'Gale & Lawday, Liverpool & London Bazaar, The Largest Fancy and Toy Bazaar in Liverpool, 75 Lord Street', silver-plated bottle lids and reversible mirror, W 30.5 cm x H 17 cm x D 23 cm, together with a rectangular Tea Caddy, W 30 cm x H 17 cm x D 15 cm (2)

An early 20thC Indian star tortoise Tea Caddy, the hinged cover opening to a parquetry inlaid interior, W 15 cm H 13.5 cm x D 27 cm.

A Victorian burr walnut canted rectangular Tea Caddy, inside revealing two lidded compartments and cut glass mixing bowl, raised on plinth base, W 33.5 cm x H 18.5 cm x D 18 cm.

A Victorian mother of pearl inlaid rosewood Tea Caddy, with two hinged lidded compartments and etched mixing bowl, W 35 cm x H 17.5 cm x D 17.5 cm.

A 19thC Chinese export black lacquered Tea Caddy, with gilt dragon and foliate decoration, the four sides and hinged lid all with central panels depicting buildings and figures in wooded landscapes, metal two section interior with lift off lids, ivory knobs, 21.5cm wide, together with a similar Sewing Box, 28cm wide (2).  DEFRA Ivory Act submission ref: DZAY5B7K and N6ZJZMQP.

A Late 19thC rosewood inlaid Tea Caddy, hinged lid enclosing a pair of cut glass decanter with stoppers, a pair of small cut glass decanters and a cut glass mixing bowl, W 31 cm x H 15 cm x D 15 cm.

A George III silver shell bowl caddy spoon, London 1798, a silver George VI coronation spoon, London 1936 and a set of EPNS coffee spoons,

19th century, the lid with mother of pearl inlay and all over decoration of gold foliate scrolls, width 24cm; a 19th century satinwood tea caddy, the lid with inlaid fan paterae and painted stringing, 10cm wide, and a rosewood and brass mounted tea caddy, width 13cm, both with keys. *Condition: Bettridge box - some contents missing, wear to lining, cracks to paint, lid has a 'smile', no key. Tea caddies - linings and interior lids missing.

Antique Georgian silver tea caddy spoon

2 silver tea caddy spoons

Georgian silver tea caddy spoon

An impressive 18th century brass-bound ebony quarter-repeating table clock with moonphaseClaude Duchesne, LondonThe case surmounted by an inverted caddy top with central finial over a silk-backed pierced soundfret framed by four further finials over an elaborately moulded cornice raised on brass-mounted Tuscan three-quarter columns to each corner framing the long shaped pierced brass-framed sound frets backed in silk to each side, the front and rear doors with similar brass frames, all on a multi-layered moulded base bound in brass to the top and bottom, on substantial brass bun feet. The 8-inch arched brass dial with rare 'Chronos' spandrels depicting a bearded Father Time below a sandglass and pair of wings, framing the silvered Roman and Arabic chapter ring with lozenge half-quarter marks and fleur des lys half-hour markers signed Claudius DuChesne Londini between V and VII, the finely matted centre with ringed winding holes, chamfered and engraved calendar and mock pendulum apertures under intricately pierced blued steel hands, the arch decorated with foliate scrolls and a pair of birds within strapwork enclosing a strike/not strike lever, moonphase (the outer scale marked 1-59) and aperture for setting the phase of the moon. The twin gut fusee movement with five knopped pillars and knife-edge verge escapement, the backplate with extensive floral and strapwork engraving, a partridge in the centre and a beast mask below, framed by a stylised wheatear border. Ticking, striking and repeating with a door key and a winding key. 73cms (28.5ins) highFootnotes:Claude Duchesne was seemingly born around 1670. It is commonly accepted that he lived in Paris, until just after the Revocation of the Edict of Nantes in 1685, at which point he joined many other Huguenot refugees and fled to the U.K. It is uncertain exactly when he arrived, with some putting it as early as 1689. The first concrete evidence of his life in the U.K. is from 1693; not only was he made free of the Clockmaker's Company in this year, he also married Elizabeth Bossu in Stepney. The couple would have at least three children; Claudius, born in 1699, Elizabeth born in 1706, and Anthony, born in 1708, though there are some contemporary reports of the couple having five children at one point. Claudius would eventually become a weaver, and Anthony would become a goldsmith. It is not known what became of Elizabeth. Duchesne became a British citizen in 1711. Duchesne was known to sign his clocks as either 'Claude' or 'Claudius' and 'Duchesne' or 'Du Chesne'. The exact location of his shop is questionable; most clocks give a location of either 'Dean Street, Soho' or 'Long Acre', so it seems likely that he was working in Soho. Wherever he worked, Duchesne appears to have been a highly regarded maker, especially in the construction of musical clocks. An account given by Jane Squire in 1731, notes that she 'understood he had made the musical Part of most of the musical Clocks of Note in Town'. Duchesne set himself apart from other makers of the time by featuring interchangeable music barrels, a style that had last been extensively practiced by William Jourdain in the later 17th century. Both makers also featured twelve bells with multiple, variable hammers and parallel motion music work. This suggests a detailed knowledge of music theory, in addition to the horological skill required to make such clocks. It seems that Duchesne may also have had some acquaintance with George Graham and John Harrison, the latter being introduced to Duchesne by the former. It is thought that Harrison contacted Duchesne in order to obtain the large quantities of brass he, Harrison, needed for his horological experimentations. Claude Duchesne is believed to have died in April 1733, and been buried in St. James, Paddington. His son, Anthony, married Anne Gagnon, and the couple had six children, one of whom, Claude (born in 1735) would go on to be a clockmaker. Duchesne's other known son, Claudius, married Anne, and the couple had four children. One of their children, Elizabeth 'Betty' Duchesne was born in 1724 and was known to be close friends with John, Charles and Sarah Wesley, with John Wesley conducting her funeral in 1776. It is thought that Elizabeth was responsible for gifting a walnut, moon phase eight-day longcase clock, made by her grandfather, to the Wesley's. The clock is reported to have never left Wesley's house, where it remains to this day. A late 19th century account suggests that the clock is the very timepiece that inspired Henry Wadsworth Longfellow to write The Old Clock on the Stairs, though this is not definitive: 'Half-way up the stairs it stands/And points and beckons with its hands.By day its voice is low and light/But in the silent dead of night,Distinct as a passing footstep's fall/It echoes along the vacant hall,Along the ceiling, along the floor/And seems to say, at each chamber-door, --'Forever -- never!/Never -- forever!''Blake, G. (2011) 'A Record of the Death of Claude Duchesne', Antiquarian Horology, Vol. 32 (5), pgs. 730-731.Turner, A. (2014) 'Charles Clay: fashioning timely music', Antiquarian Horology, Vol. 35 (3), pg.933.Betts, J. (2017) Marine Chronometers at Greenwich. Oxford: Oxford University Press. Pg. 143.Blake, G., Wintle, C., Gill, J. (2010) 'Claude Duchesne- Huguenot Clockmaker', Antiquarian Horology, Vol. 32 (1), pgs. 43-51.British Horological Institute (1891) 'Correspondence', The Horological Journal, Vol. 34 (1), pg. 16.Wesley's Chapel & Leysian Mission (2023) Virtual Tour: Wesley's House, Study. Available at: https://www.wesleyschapel.org.uk/your-visit/virtual-tour/ Dawber, E. G. (1898-1899) 'Some Thoughts on Clocks and Their Decoration: Part Two', The Architectural Review Vol. 5, pg. 261.Longfellow, H. (1890) The Poetical Works of Henry Wadsworth Longfellow, with Bibliographical and Critical Notes, Riverside Edition, Boston and New York: Houghton, Mifflin.Ord-Hume, A. W. J. G. (1995) The Musical Clock, Ashbourne: Mayfield Books.For further information on this lot please visit Bonhams.com

A walnut veneered table clock, 18th century and laterJacob Massey, LondonThe (re-veneered) caddy topped case surmounted by a floral handle over a moulded cornice and glazed side panels to a moulded base on block feet. The earlier 7.5inch square brass dial framed by an engraved wheatear border enclosing the winged cherub head spandrels and Roman and Arabic chapter ring with matted centre and chamfered and engraved mock pendulum and date apertures, signed in a polished reserve Jacob Mafsy London, below the pierced blued steel hands. The twin gut (now wire) fusee movement with five knopped and finned pillars, knife-edge verge escapement and rack striking on a bell, the floral engraved backplate signed Jacob Mafsy London within a shaped frame and symmetrical pattern of strapwork and scrolls. Ticking with case key. (Case probably later associated). 45cms (17.5ins) highFootnotes:A similar style of striking and chiming (with the striking train being governed by an external rack and the quarter chiming train governed by an internal rack) was used in clocks by both Claude Duchesne and John Bushman. See Dzik, S. and Still, R. (2023) Beneath the Dial: English Clock Pull Repeat Striking 1675-1725. Oxford: Holywell Press, Ltd.For further information on this lot please visit Bonhams.com

A good late 18th century ebonised table clockJustin Vulliamy, LondonThe shallow caddy top case surmounted by a cast brass leaf handle over arched glazed side panels, with glazed front and back doors, both with top quarter frets, the whole on a moulded plinth base and brass bracket feet. The 7.75inch broken-arched dial with silvered Roman and Arabic chapter ring, the matted centre with chamfered date and mock pendulum apertures, all within cast scroll spandrels, the arch with silvered subsidiary Strike/Silent and regulation dials flanking a silvered signature cartouche engraved Just. Vulliamy London, with pierced blued steel hands. The twin gut (now wire) fusee movement with anchor escapement and large lozenge-section ebony rod pendulum, the backplate delicately engraved with a floral and fruit basket motif. Ticking and striking on a bell. 49cms (19ins) highFootnotes:Another clock by Justin Vulliamy with a similar backplate is featured in Dzik, S. (2019) Engraving on English Table Clocks: Art on a Canvas of Brass 1660-1800, Wild Boar Publications, pg. 355 (G4-7).For further information on this lot please visit Bonhams.com

A good second quarter of the 18th century walnut table clockof small size.William Webster, LondonSurmounted by an unusual knopped brass handle on an inverted caddy framed by a deeply moulded cornice over glazed arched side windows to a moulded base and block feet. The 4.75 inch arched brass dial signed Willm Webster London in the strike/silent subsidiary with tulip shaped pointer over the silvered Roman and Arabic chapter ring with floating lozenge half hour markers, the matted centre with chamfered date and mock pendulum apertures under elaborately pierced blued steel hands. The twin gut fusee movement with five knopped and ringed pillars and knife-edge verge escapement, sounding the hours on a bell and repeating the quarters on six bells and hammers, the backplate intricately engraved with floral strapwork, a winged figure sprouting from the central flower and a bird in each corner. Ticking and striking with a door key. 35cms (13.5ins) highFootnotes:Provenance: The collection of Charles Smith, Topsham.For further information on this lot please visit Bonhams.com

A fine late 18th century mahogany longcase clock with maintaining power, deadbeat escapement and 'three parts in two' strikingJohn Smith, YorkThe tall hood with stepped caddy surmounted by three ball-and-spire finials on pedestals over a bold cornice and glazed panels raised on tall carved Doric freestanding columns, the trunk door with shaped top and moulded edge over a plain panelled base on a moulded edge and bracket feet. The 12 inch arched brass dial with subsidiary date ring flanked by addorsed dolphin mounts and urn-and-scroll spandrels, the silvered Roman and Arabic chapter ring signed between 25 and 35 Jno. Smith, York framing the matted centre and large subsidiary seconds, with good pierced blued steel hands. The weight driven movement united by four knopped pillars, the going train with bolt-and-shutter maintaining power activated via a brass wheel mounted on the rear of the backplate with dependent cord, the strike train striking the hours and quarters on a vertical nest of three bells. 2.74m (9ft( high).This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine mid 18th century gilt metal mounted burr walnut table clockRobert Higgs, LondonThe stepped caddy top with substantial brass centre section, flanked by five ball-and-spire finials over a concave cornice supported by a well-cast Caryatid mount to each of the canted corners, terminating in a stepped brass base on cast block feet, the sides with shaped sound frets within brass frames. The seven inch arched brass dial with large date subsidiary over twin smaller subsidiaries for regulation (marked Adelantar and Atrafar) and strike/silent (Tocar/Silencio), the silvered Roman and Arabic chapter ring framing the finely matted centre carrying the shaped signature plaque, with fine blued steel hands. The movement with substantial plates united by six knopped pillars, pivotted verge escapement with rise-and-fall regulation, rack striking on a bell with trip repeat. Ticking, striking, together with a door key. 57cms (22.5ins) high.Footnotes:Provenance:Anthony Woodburn.For further information on this lot please visit Bonhams.com

A good late 17th century ebony table clockDaniel Quare, LondonThe case with typical turned handle on S-scroll uprights on ball pommels over a caddy with four applied mounts, the sides with rectangular glazed panels to a moulded plinth and replaced block feet. The 6.5 inch square dial with winged cherubs heads spandrels framing the silvered Roman and Arabic chapter ring with fancy half hour markers and inner quarter track, the finely matted centre with ringed winding squares and decorated apertures for date and mock pendulum, signed between VII and V, with blued steel hands. The twin gut fusee movement with six knopped and ringed pillars, pivoted verge escapement, the striking train with rack strike on a bell (quarter repeat train now removed). The backplate with single line border framing a symmetrical pattern of interlaced foliate scrolls centred by the signature in a wheatear border 39cms (15.5ins) high. This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Rosewood and Boxwood Strung Tea Caddy 19th century rosewood and boxwood strung tea caddy of sarcophagus form, raised on two front bun feet30cm wideMissing escutcheon and two back feet, no lids for interior compartments, no key.

Two 19th Century Tea Caddies Early 19th century mahogany demi lune tea caddy with shell marquetry inlay and stringing to the lid with a fluted edge, enclosing an original metal liner. Plus a mahogany and satinwood strung sarcophagus form tea caddy, brass shield escutcheon on four bun feetShell inlay: 13cm tall. Sarcophagus: 18.5cm wide

A Victorian silver caddy, A Victorian silver caddy, hallmarks worn, London, 1872, gross weight 6.26ozt.

A WOODEN APPLE TEA CADDY. 4.5ins high.

A REPLICA WOODEN HOUSE TEA CADDY. 8.5ins high.

A GEORGE III SATINWOOD TEA CADDY inlaid with stringings and bandings and with oval handle to lid, 15cm high x 30cm wide x 15cm deep, the fitted interior with two removable compartments and glass bowlProvenance: The Estate of the late John Rollo Somerset-Paddon, formerly of Chalk Newton House, Maiden Newton, Dorset, thence by descent.

A SMALL GEORGE III MAHOGANY CHEST OF DRAWERS with caddy top, fitted four long graduated drawers with knob handles, on bracket feet, 81cm high x 78cm wide x 41cm deepProvenance: The Estate of the late John Rollo Somerset-Paddon, formerly of Chalk Newton House, Maiden Newton, Dorset, thence by descent.

Set of six George V silver fish knives, Sheffield 1913, together with a Victorian caddy spoon, apostle sugar tongs, etc. 372g approx

Royal Copenhagen - 'Blue Flower' tea caddy and leaf dish, together with a collection of 'Blue Fluted Plain' porcelain leaf dishes, tea wares, etc

A Regency mahogany sarcophagus tea caddy, 17 x 35 x 17cm

A Regency burr yew wood sarcophagus tea caddy, with boxwood stringing, and fitted with a pair of removable caddies and later cut glass mixing bowl 16 x 30 x 15cm

An 18th century silver soup ladle, together with a Scottish and an Irish silver spoon and a continental metalwares silver tea caddy spoon 7.3ozt gross (4)

A Victorian silver sugar caster (maker WC), together with a continental silver (stamped 830) strawberry and pomegranate, 15.7ozt gross, along with a white metal bunch of grapes, decorative stand with putto column, oval mirror and hinged caddy

A George III mahogany tea caddy; together with a 19th-century kingwood scent bottle box

A silver neck glass decanter, a tea caddy of miniature chest form, claret jug, pair of decanters, angle lamp, a Royal Doulton Sherbrooke pattern 8 setting dinner service, etcThe ginger jar with some pitting to the glaze and slight scuffing to exterior - commensurate with age and use.

Victorian walnut marquetry domed tea caddy, 15cm x 25cm x 14cm, with a Victorian rosewood sewing box, enclosing fitted silk compartments, and a 19th century mahogany tea caddy.  (3)

George III tea caddy, with painted panel of children to the top, opening to reveal pine lined compartments, above shell paterae to the front and floral roundel to each side, 13cm x 24.5cm x 13cm.

An antique sarcophagus shaped wooden tea caddy with bun feet and brass escutcheon. 2 interior lidded compartments. Approx. 22cm x 13cm x 14cm.

A large collection of 20th century souvenir caddy spoons, contained within two collector's cabinets.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A 19th century brass and tortoiseshell boulle work box with hinged lid, width 11.5cm (re-lined interior), together with an early 20th century brass oval tea caddy, width 13cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A late George III mahogany oval tea caddy, the hinged lid with an inlaid fan reserve, width 14.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

INLAID WALNUT BOX AND TWO OTHERS comprising a mahogany caddy and another boxwalnut box 30cm wideQty: 3

VICTORIAN MAHOGANY TEA CADDY AND SILVER PLATED KNIVES AND FORKS with serpentine formed lid and with bone key escutcheons, along with a cased set of six silver plated fruit knives and forks in a fitted case

SILVER TEA CADDY ALONG WITH A CIGARETTE BOX AND PEPPER POT the caddy by Walker & HallQty: caddy weight 146g

An early 19th century tortoiseshell tea caddy Of unusual scroll ended sarcophagus rectangular with white metal and ivory stringing, the shallow swept top lid with an applied engraved white metal canted rectangular tablet inscribed 'S.B. Chapton' the front with a corresponding rectangular escutcheon, the divided interior with detachable covers with turned ivory knopped handles, on white metal ball feet, 16cm high, 19.5cm wide, 12cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. 85J86QPC. For further information on this lot please visit Bonhams.com

An early 19th century tortoiseshell tea caddy Of domed rectangular form with white metal and ivory stringing, the panelled rounded top lid with an applied white metal canted rectangular vacant tablet, the front with a corresponding rectangular escutcheon, the divided interior with detachable covers with turned ivory knopped handles, on white metal ball feet, 13.5cm high, 15cm wide, 9cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. NG5S1FNX. For further information on this lot please visit Bonhams.com

A good George III tortoiseshell and silver inlaid and ivory banded canted small tea caddy Of canted rectangular form, the lid with mother of pearl inlaid stellar decoration and white metal scrolling oval ring handle, the front with oval white metal escutcheon above a white metal piqué bow and mother of pearl inlaid swag and pendant suspended white metal vacant shield-shaped cartouche, the interior with wooden floating wooden lid with white metal oval ring handle, 10.5cm high, 10cm wide, 6.8cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. U9D58D1K. This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com

A good George III tortoiseshell and ivory banded tea caddy Of canted rectangular form, the hipped lid white metal oval ring handle, the front with oval white metal escutcheon above a white metal vacant oval with line piqué inlaid border, the divided interior with floating foil covered wooden lid with white metal oval ring handles, 13.5cm high, 15cm wide, 8.8cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. Z1DF5EK1. This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com

A George III mottled tortoiseshell and silver inlaid and ivory banded canted tea caddy Of canted rectangular form, the hipped lid with white metal oval ring handle, the front with shield-shaped white metal escutcheon above a white metal canted rectangular cartouche with engraved monogram 'JEH, the interior with floating foil covered wooden lid with white metal oval ring handles, 13cm, high, 15cm wide, 9.5cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. VBDCSG87. This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com

A good George III satinwood and barbers pole strung banded scroll or quill paper work tea caddy Of canted elongated hexagonal form, the whole with formalised foliate and floral wreath and swagged panelled decoration on a crushed mica background, the lid with white metal scrolling ring handle, the front with white metal teardrop escutcheon, the front and side panels inset with circular coloured prints of ladies, the interior with correspondingly decorated lid with matching handle, 13cm high, 19cm wide, 9.4cm deep For further information on this lot please visit Bonhams.com

A rare George III green stained tortoiseshell and ivory banded tea caddy Of canted rectangular form, the lid centred by a white metal canted rectangular vacant cartouche, the front with corresponding white metal escutcheon, the divided interior with lids with turned ivory knopped handles, 11cm high, 18.5cm wide, 10cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. KGV6E7NL. This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com

An early 19th century blonde tortoiseshell tea caddy Of rectangular form with white metal and ivory stringing, the shallow swept pagoda-top lid with an applied white metal canted rectangular vacant tablet, the front with a corresponding rectangular escutcheon, the divided interior with detachable covers with turned ivory knopped handles, on white metal ball feet, 14.5cmm high, 17.5cm wide, 11cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. VSA78VVE. This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com

A good George III satinwood and barbers pole strung banded scroll or quill paper work tea caddy Of canted elongated hexagonal form, the whole with formalised foliate glazed panelled decoration, the lid with brass scrolling ring handle, the front upper panel with monogram 'MR' above the escutcheon, the lower side panels inset with two circular coloured prints of classical figures, the divided interior with twin floating wooden lids with knopped brass handles, 13cm high, 19cm wide, 10.5cm deep For further information on this lot please visit Bonhams.com