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Style of Robert McGregor (19th/20th century) "The Young Brother"; "A Young Boy Gathering Wood" (previously titled "The Young Caddy")] Both inscribed with their respective titles by a later hand verso, oil on canvas board, 67cm by 32cm (26 1/2in by 12 1/2in), and 75cm by 31.5cm (29 1/2in by 12 1/2in) respectively (2) *Provenance. With Alex Drysdale, Gilders and Framers, 48 Frederick Street, Edinburgh also with the Summa Gallery, 527 Amsterdam Avenue, New York NY 10024 and 125 Montague Street, Brooklyn, New York NY 11201 *Stylistically the works resemble both Robert McGregor and David Fulton (1848-1930). Many of the Scottish artists and English artists of this period were influenced by Bastien-Lepage who painted en plein-air and influenced such important figures as Sir George Clausen (1852-1944)
A Victorian Tortoiseshell Veneered Single Division Tea Caddy, circa 1840], of rectangular "pagoda roof" form, the upswept lid centred by a white metal tablet engraved with initials "EGG", with white metal rectangular key escutcheon, pewter wire stringing throughout, the angles of the box with ivory string, on turned bone sphere feet, 15cm high, 19cm wide (lock and tea compartment lid both missing) See illustration
A Regency Period Tortoiseshell Veneered Two-Division Tea Caddy, circa 1830], of bow fronted octagonal form, the slightly domed lid edged with a string of ivory, and with pewter string lines to brass sphere finial, internally with two compartments with flat lids and small turned ivory knops, the horizontally fluted fascia of the caddy with white metal key escutcheon over a tablet engraved with a griffin head and lion crest, with Latin legends, horn rim and brass sphere feet, 18cm high, 20cm wide
A William IV Tortoiseshell Veneered and Mother of Pearl Inlaid Bow Fronted Two-Division Tea Caddy], with wire stringing, the upswept lid centred by a vacant metal cartouche fronted by leaves, opening to reveal two compartments with tortoiseshell veneered flat lids, turned bone mushroom knops (one detached), the fascia inlaid with an Oriental temple, flowering trees and shrubs, on silvered metal sphere feet, 18cm wide, 13.5cm high
Northwich single finger long case clock with Wright Northwich long case clock with thirty hour movement brass 12in square dial with steel single finger to record hours and secondary dial to record minutes. Oak case with caddy top painted glazed panel quarter turned columns trunk decorated all over with mahogany cross banding. Height 176cm 70in.
A late Victorian silver scent bottle, Birmingham 1890, cylindrical form engraved with trailing ivy, 4.5cm long cased, A pair of mounted ivory knife rests, Birmingham 1909, 8cm long (cased) And a silver caddy Chester 1909, of rectangular section embossed in high relief with country folk merrymaking, 8.5cm high and five assorted hat pins, including two silver examples modelled as a grouse and pheasant, Birmingham 1912, (8)
A George III silver punch ladle, by Hester Bateman, London 1779, of usual form with bead borders and twisted whale bone handle, and a pair of George III silver Old English pattern table spoons, by Peter, Ann & William Bateman, London 1802, later parcel gilt and embossed with foliage, cased, a matching set of four George III silver Old English thread pattern salt spoons by Smith & Fearn, London 1792/3/4. and a late 19th century silver caddy spoon, import hallmarked, Chester 1902 (8)
A George III silver old English pattern caddy spoon, makers mark overstruck, London 1785, with shell bowl, the bright-cut handle with vacant cartouche, a silver fiddle and thread pattern caddy spoon, by Joseph Willmore, Birmingham 1820, and a silver Old English shell pattern caddy spoon, Sheffield 1928 (3)
A George III provincial silver old English pattern caddy spoon, probably George Turner, Exeter circa 1815, with plain circular bowl, the bright-cut handle with vacant cartouche, a silver Old English pattern caddy spoon with shell bowl, by Taylor & Perry, Birmingham 1831, the handle engraved with leaf work and vacant cartouche, and a silver fiddle and shell pattern caddy spoon, (af) (3)
A George III silver scoop shaped caddy spoon, by Joseph Taylor, probably Birmingham 1806, with scroll handle, the bowl engraved with shield cartouche flanked by wreath, monogrammed, a George III silver shovel bowl caddy spoon, by same maker, Birmingham 1802. with tubular ivory handle, the bowl engraved with shield cartouche, monogrammed (2)
An early 20th Century silver and tortoiseshell jewel box, by Adie Bros, Birmingham 1925, oval form on bracket feet, the tortoiseshell cover inlaid with silver floral swags, 14.5cm long; and A silver tea caddy, by W H Wakefield, Birmingham 1902, oval section embossed with stylised swags and floral motifs, 7.5cm high to top of cover (2)
An 18th Century silver shell back mote spoon, Makers mark possibly R.P, circa 1755, monogrammed, 14cm long, A pair of silver fiddle pattern sugar tongs, Newcastle 1813, a silver trefoil pattern caddy spoon, Sheffield 1919, a rare pair of George III Old Sheffield plate sugar tongs, the twisted stems terminating in acorn nips, stamped silver solder, and various silver plated pieces to include a cheese scoop (10)
A pair of Victorian silver pepperettes Deakin & Francis Ltd. Birmingham 1899 of baluster form raised on stepped pedestal feet 3.5" long cased a silver rose bowl A & J Zimmerman Ltd. Birmingham 1919 of circular faceted form scalloped rim and wire lid 6" diameter and a George III silver tea caddy no maker”s mark London 1775 of vase shape with square foot and fluted pedestal embossed floral garland design to body and lappeted scroll handles with acanthus conical fluted lid with foliate finial damaged 7" high approx. 12.5oz together (4)

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81449 item(s)/page