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Lot 223
A George IV silver caddy spoon, Birmingham 1826, 8.3cm long, a pair of silver sugar tongs by Peter, Anne and William Bateman, a small shell-shaped silver ash tray and two other small silver items, combined weight 2.53ozt, 78.7g CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Lot 239
A Dutch silver caddy spoon with import marks for London 1919, by Berthold Hermann Muller, with windmill finial, the bowl embossed with a sailing boat, 8.5cm long, and a small German silver souvenir spoon, combined weight 0.92ozt, 28.6g CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Lot 36
Three items of Carlton Ware comprised of a chamberstick, 10cm high, a two handled bowl with registration no. 716292, 33.5cm long, and a tea caddy (lid lacking), 13.5cm high CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Lot 359
An Edwardian Sheraton style satinwood veneered breakfront display cabinet, the whole with painted decoration in Neoclassical style with reserves of figures in gardens, floral and foliate swags, and ribbons, caddy top over a single astragal glazed door enclosing two shelves, lined in pale blue watered silk, a pair of small decorative urns mount to the corners of the top surface, raised on square section tapering legs and spade feet and shaped apron, with key, 125 by 36.5 by 175.5cm high.
Lot 305
19th/20th century Japanese black lacquer tea caddy, hinged cover revealing twin tin lidded tea canisters, exterior with gilt decoration depicting pagodas, figures in gardens, raised on gilt dragon head feet. 22cm long 18cm wide 12cm highThe lacquer tea caddy is in excellent condition however, one of the metal canisters is badly dented and split along the upper edges
Lot 226
A Chinese ivory tea caddy, 19th century, of rectangular form on bun feet, finely carved with figures in a landscape with buildings, bridges, trees and rivers, in shaped panels within further foliate decorated reserves, all enclosed with a key fret border, the red velvet-lined interior fitted with three floral decorated enamel canisters, 24.6cm wide14.4cm deep14.3cm high清十九世纪 象牙雕人物山水图盖盒Condition report: Part of the front panel needs to be glued to the sides, splits and signs of glue to all sides, top panel with splits and losses, chips and cracks to edges and corners, all panels slightly warped. Surface scratches.Velvet interior slightly worn and loose, faded in parts, minor scratches and rubbing to the enamel counters.
Lot 219
ENAMELLED EXPORT SILVER TEA CADDY 20TH CENTURY of four-lobed tapered bulbous form, decorated with enamelled 'Four Gentleman Flowers', including prunus, orchid, bamboo, and chrysanthemum in cartouches reserved on intricate swirly ground, the domed lid adorned with raised bosses and further enamelled in green to the sides (Dimensions: 16cm high; 417g) (Qty: 1)(16cm high; 417g)Qty: (1)
Lot 165
A Gold-lacquer natsume (tea caddy) and coverBy Moriya Shotei (1890-1972), Showa era (1926-1989), mid-20th centuryEmbellished in iro-e togidashi maki-e, gold and silver takamaki-e and mura-nashiji details with an all-over design of clumps of assorted flowering nadeshiko (pinks), signed on the underside of the box with a red seal Shotei saku (Made by Shotei); with a wood tomobako storage box inscribed on the lid Nadeshiko natsume (Natsume with design of pinks), the inside the lid inscribed Senshi Shosai sensei iko (Posthumous design by my master Shosai) and signed Shotei saku with seal Shotei. 7cm x 6.5cm (2¾in x 2½in). (3).Footnotes:Born in Kyoto, Moriya Shotei studied from 1908 with Shirayama Shosai (1853-1923), completing a piece left unfinished at his master's death, and went on to become a regular exhibitor at the Teiten national salon and its successor iterations from 1929 until 1942 as well as showing at the Golden Gate International Exposition in San Francisco (1939-1940). He held a one-man exhibition at Tokyo Art Club in 1961 and in his later years was much involved in chanoyu, making tea caddies and writing-boxes. Judging from the more experimental style of the works he submitted to national exhibitions mid-century, this miniature, conservative piece probably dates from later in his career.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 167
A Black-lacquer natsume (tea caddy) and coverBy Takano Shozan (1889-1976), Showa era (1926-1989), mid-20th centuryThe glossy black-lacquered ground decorated in gold and iroe takamaki-e with long narrow strips of tied brocade, the design extending over the sides, the interior of rich nashiji, signed on the base in red Shozan; with a wood tomobako storage box inscribed Noshi maki-e natsume (Maki-e tea caddy with the design of celebratory paper decoration) with seal Nushi Shozan saku in (Made by the lacquerer Shozan) together with a tomonuno with the same seal. 7.4cm x 7.3cm (2 7/8in x 2 7/8in). (4).Footnotes:A native of Kumamoto in Kyushu, Takano Shozan graduated from Tokyo School of Art in 1916 and studied maki-e under Shirayama Shosai (1853-1923); he also learned the art of applying clear lacquer to wood or bamboo from Hashimoto Ichizo II (1856-1924) and is best known for his work in this combination of materials. He exhibited regularly at the Teiten, Shinbunten, and other official national exhibitions from 1927 to 1957 and in 1955 was among the very first artists to be named a Living National Treasure; from 1963 he served as President of the Nihon Shitsugeikai (Japan Lacquer Association).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 128
A wood okimono group of five men and a dragonBy Hokyudo Itsumin, Edo period (1615-1868) or Meiji era (1868-1912), mid-late 19th centuryComprising a startled man seated in front of a tray from which a large dragon emerges from a bamboo vessel resting on it, another vessel containing ash, a kettle, a bowl, and a tea caddy on the ground, the creature's writhing body enveloping the other four men cowering in fear; signed beneath the tray with chiselled characters Hokyudo Itsumin to. 5cm x 11cm (2in x 4¼in).For further information on this lot please visit Bonhams.com
Lot 145
Y A George III mahogany, chequer strung and gilt metal mounted tea caddy, circa 1790, of rectangular form, the domed and hinged cover with scrolled handle; the body with mask mounts, a cartouche escutcheon and raised on foliate bracket feet, the interior enclosing three subsidiary caddies with bone knops, 16cm high, 24cm wide, 12cm deep; with a Victorian burr walnut and abalone inlaid writing box, with green fabric and leatherette lined fitted interior, 11cm high, 25cm wide
Lot 95
A 19th century Chinese export tea caddy, black ground with gilt landscape scenes, 20.5cms wide; and two 18th century plates, blue and white floral decoration, larger 16.5cms wide (3) Provenance: By direct descent from Lady Enid Doreen Scudamore-Stanhope Browne (1899-1985), daughter of The Hon. Evelyn Theodore Scudamore-Stanhope and Julia Dasha Potter. Condition Report: tea caddy- only one screw to one of the hinges- which will need repair- top heavy rubbing Dish with basketweave border- restorations to foot rim Condition Report Disclaimer
Lot 202
A GEORGIAN SILVER SIFTING SPOON round bowl with dot and cross piercing, monogrammed initials to stem, line border, hallmarked London 1803, by William Eley and William Fearn, together with a George IV caddy spoon, oval bowl, fiddle pattern top, hallmarked London 1826, total weight approx. 1.7 ozt (53 grams) Condition Report : Condition: good, light minor dents, wear and tear to bowls Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 519
A late George III mahogany candle box of tapering rectangular form, height 48cm, a rustic elm seated small stool, width 24cm, a papier mache gilt heightened floral decorated mother of pearl inlaid cake stand with swing loop handle, diameter 27cm, a simple oak candle box, a mahogany chevron strung two division tea canister and a mahogany stationery box with folding lid (6).Additional InformationSections of repair to the tea caddy, a large stain to the top, some of the inlay is missing. The papier mache cake stand has a couple of losses, heavy surface wear and scratches. The elm stool has a tiny split to the top, stud decoration beneath the seat. The mahogany candle box has a section repaired to the back, also a chip lower left, hinges are replaced and the mahogany stationery cabinet is made from something else, it has what should be a tambor section which is now hinged half way to act as the flap.
Lot 515
A 19th century tortoiseshell tea caddy of rectangular form with glazed top, the hinged cover enclosing a silvered liner, length 12cm.Additional InformationThe internal cover has lost much of the veneer, also cracks running through, minor chips to the ivory banding to the interior, the glaze top is slightly loose, also the item is missing its four feet.
Lot 514
A Victorian rosewood and bird's eye maple inlaid tea caddy of sarcophagus form, width 23cm (af), a modern Chinese lacquered rectangular box and cover and a pair of Jockey Club field glasses (af) (3).Additional InformationThe rosewood caddy is lacking the interior and is very badly bleached, also ripples to the veneer, some splits and some losses. The Chinese box has a few scuffs, chips around the corners. The field glasses are badly dented and are very dirty with detritus within the eyepieces.
Lot 358
by William Pugh, Birmingham 1813, shovel shaped with mother of pearl handle, the blade decorated with bright cut basket weave design engravingFootnote: The caddy spoon was used for measuring out loose tea. Traditionally made of silver, they were particularly popular in the 19th century, when tea was an expensive and luxury commodity. The tea itself was stored in elaborate boxes or caddies, and the spoons were designed with short handles and wide, shallow curved bowls to be used with such containers. The short handle enables the spoon to be locked in the tea caddy itself, securing both the spoon and the precious tea. By the turn of the 19th century, caddy spoons were not only becoming more popular, but also more ornate. The sheer number of shapes and styles veered on being works of art as much as being practical tools. The imagination used in the creation of different designs ranged from natural objects such as feathers, leaves, and shells to more imaginative creations such as hands, shovels, and jockey caps, as in these examples. By the turn of the 20th century, the silver caddy spoon and indeed loose tea were becoming less popular following the invention of the tea bag. By the beginning of World War II, silversmiths were finding little demand for these once popular and now highly collectable little pieces of historical flatware.
Lot 365
A group of three antique Victorian wooden boxes to include a Tunbridge ware inlaid box having a domed lid, a square shaped walnut tea caddy decorated with inlaid mother of pearl and abalone atop and a 20th century rectangular casket with black arabesque motifs painted to the outside and hand painted roses to the inside. Measures 13cm x 25cm x 13cm.
Lot 270
A group of three antique boxes to include a wooden tea caddy of sarcophagus form having a diamond shaped escutcheon to the front and sectional interior, a oriental black lacquered trinket box (lid in need of new hinges) and a cast brass box decorated with a Greek temple to the top. Measures 15 cm high x 20 cm wide x 13 cm deep.
Lot 291
A George III mahogany serpentine chest of drawers, circa 1760, the shaped caddy top with moulded edge, above four long graduated drawers, flanked by tablet moulded canted angles, on shaped bracket feet and concealed castors, with original handles, 82cm high, 103cm wide, 62cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Some additional splits to top and sides with dark filler/wax used to help disguise (see images). Old nail repair to splits at back corner of top. Handles and escutcheons appear original but have been removed and re-applied upside-down. This is only noticeable to the top drawer as the filled hole no longer corresponds to the hole in the handle. Due to the thickness of the upper drawer front the handles have been fixed in place using screws. Locks appear original. No key present, all locks are open. Top drawer was originally fitted, it is now lacking its division. Some chips and losses to beading. Some small sections of replacement veneer. Some evidence of old worm to the underside. Small amounts of filler used in places.Some opening between the boards of the drawers, with filler and tape applied to the undersides to help secure in places. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
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81455 item(s)/page