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A 19th Century mahogany cased mantle clock, the caddy top with pineapple finial flanked by lion mask ring handles raised on brass ogee bracket feet, the twin fusee eight day movement with circular enamel dial and Roman numerals inscribed "Daniel Lambert Knightsbridge 1820", 28.5 cm x 50 cm CONDITION REPORTS Unknown if in working order. The case has top right hand section missing. Various large splits, etc, throughout. The fabric covering the grilles to the sides is worn and threadbare. Key for both the clock and case are missing. Unable to open the front cover. Wear to the enamelled dial and crazing and cracking in places. Wear and tear conducive with age and use. See images for further details.

A Georgian silver caddy spoon in the form of a jockey's cap (by Thomas Willmore, Birmingham 1798), 1.5 cm high, approx 0.3 oz CONDITION REPORTS The peak of the cap is risen slightly and uneven all the way round. Otherwise, tarnish and some light surface scratching. General wear and tear conducive with age and use. See images for further details.

ALDERMASTON POTTERY; a tin glazed earthenware tankard, painted AP mark, height 11.5cm, a Belgian crystalline glaze vase and a Japanese tea caddy (3). CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.

Ω A fine Queen Anne gilt brass mounted ebony table clock with pull-quarter repeat Isaac Papavoine, London, circa 1705-10 The five finned pillar twin fusee movement with verge escapement regulated by short bob pendulum, pull-quarter repeat on a nest of three graduated bells and striking the hour on a further larger bell, the backplate finely engraved with symmetrical leafy scrolls and strapwork around a central crowned male mask within herringbone border, the 7 inch square brass dial with ringed winding holes and herringbone border-engraved shaped false bob aperture signed I Papauoine London to the recessed backing plate and conforming calendar aperture the finely matted centre within applied silvered Roman numeral chapter ring with sword hilt half hour markers and Arabic five minutes to outer track, with delicate pierced steel hands and winged cherub head cast spandrels to angles within herringbone engraved outer border incorporating S/N switch at nine o'clock, in a case with fine twin cherub cast handle to the bell-top superstructure and gilt urn finials, the front with raised mouldings to the glazed dial aperture flanked by scroll cast gilt escutcheon mounts, the sides with conforming rectangular glazed apertures and the rear with door matching the front set within the frame of the case, on complex moulded shallow skirt base with gilt brass claw bun feet, 39.5cm (15.5ins) high excluding handle. Provenance: Private collection, Hampshire (ref. C5); purchased at Louis Taylor and Sons, Stoke-on-Trent, 23rd March 1981 (lot 265) for £2,000 hammer. Isaac Papavoine is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as a French immigrant clockmaker who became a Free Brother of the Clockmakers Company in 1687/8. The only other mention of him in the Company records is a note indicating that he was much in arrears of his subscriptions in 1705/6. Loomes mentions clocks by him signed as being made in Dukes Court, London whilst other examples inscribed Suffolk Street, London are also known. The overall design of the current lot is typical of those made for a very short period during the formative years of the 18th century. The movement and dial are very much rooted in 17th century practice with the engraving to the backplate showing a Continental influence with strapwork and grotesques more typical of Huguenot practice. The case is surmounted by a fully developed bell-top caddy with exuberant handle which combined with a square dial very much dates the clock to around 1700 and 1710- and is of a form favoured by leading London makers such as Christopher Gould and Joseph Windmills (see Barder, Richard C. The Georgian Bracket Clock 1714-1830 for an example by Gould and Dawson, Percy G.; Drover, C.B. and Parkes, D.W. Early English Clocks 484 for a burr walnut clock by Joseph Windmills of related case design).Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites

A rare George III mahogany hour-striking tavern clock The dial signed for Desbois and Wheeler, London, early 19th century The five pillar two train rack and bell striking movement with four-wheel trains and anchor escapement regulated by steel-rod brass-faced lenticular bob pendulum with effective length of approximately 30.5 inches, set on a seatboard behind the 16 inch circular white painted Roman numeral dial inscribed DESBOIS & WHEELER, GRAYS INN PASSAGE to centre and with counterweighted steel spade hands set behind a heavy cast brass convex moulded hinged glazed bezel applied to an ogee moulded wooden surround, the drop-trunk box case with movement access doors inset with sound frets to sides over flame figured panel flanked by shaped ears to throat and concave-topped rectangular caddy-moulded door, the square base terminating with a complex moulded collar over pendulum access flap to underside, 109cm (43ins) high. Daniel Desbois was apprenticed to John Johnson at Grays Inn Passage and took over his business from circa 1790 to 1846, dying two years later in 1848. The partnership between Daniel Desbois and Wheeler is also recorded in Baillie, G.H., Clutton, C. and Ilbert, C.A. BRITTEN'S Old Clocks and Watches and their Makers as working from Grays Inn Passage, London 1803-35.

A fine George III gilt brass mounted mahogany table clock Robert Fleetwood, London, circa 1780 The five pillar twin fusee bell striking movement with verge escapement regulated by lenticular bob pendulum with pivoted beam rise/fall regulation to suspension, trip hour repeat and fine symmetrical foliate rococo scroll engraved backplate, the 7 inch ogee-arch top dial with calendar aperture to the finely matted centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, with pierced steel hands and rococo scroll cast mounts to spandrels with the upper two interrupted by twin subsidiary Strike/Silent and regulation dials flanking signature Rob t Fleetwood, Abchurch Lane, London to arch, the bell top case surmounted with gilt pineapple finial set on a pedestal flanked by fine gilt frets over four further smaller finials and cavetto top mouldings, the front with scroll-pierced and engraved brass upper quadrant frets and fillet inset glazed dial aperture to door flanked by caddy moulded angles, the sides with hinged brass carrying handles above conforming brass fillet inset break-arch side windows, the rear with plain glazed aperture and quadrant frets matching the front, on moulded skirt base with cast ogee bracket feet, 50cm (19.75ins) high overall. Robert Fleetwood is recorded in Britten F.J. Old Clocks and Watches and their Makers as a Liveryman of the Goldsmith s Company who was established at Featherstone Buildings, Holborn, London, in 1760 then 13 Abchurch Lane from 1776; he died in 1789. The unusual shape of the dial of the current lot is reminiscent of the work of the renowned London Partnership of Allam and Clements (see Christie s sale of Important Clocks and Marine Chronometers , King Street, London 20th February 2008, lot 96). Another clock of related design, this time by Eardley Norton, is illustrated in Barder, Richard, C. The GEORGIAN BRACKET CLOCK 1714-1830 on page 110.

A fine George III mahogany bayonet-tube mercury stick barometer with large-scale thermometer Nairne and Blunt, London, circa 1780 The caddy moulded case inset with arched silvered Vernier scale calibrated in barometric inches to the right hand margin opposing weather observations to the left, the upper margin signed in a curve Nairne & Blunt, London and the lower edge decorated with an engraved leafy scroll flanked cavetto-shaped angles, the trunk applied with full-height silvered-scale spirit thermometer calibrated in Fahrenheit with scale divided in degrees annotated 0-110 opposing markers inscribed Freezing, Temprate and Blood Heat, over pierced brass bulb shield and circular base applied with half sphere cistern cover incorporating level adjustment screw to underside, 96.5cm (38ins) high. Provenance: Private collection Hampshire (ref. B14); purchased at Mallams, Oxford, June 1982 for £1,050 hammer. The collaboration between Edward Nairne and his former apprentice Thomas Blunt is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as established in 1774 and lasting until 1793. Edward Nairne was born in 1726 and apprenticed to the celebrated instrument maker, Matthew Loft, in 1741. Latterly he worked from 20 Cornhill and published numerous booklets on navigational, pneumatic and astronomical instruments. In 1776 Nairne devised a marine barometer with a restriction to the bore of the mercury tube which served to dampen the oscillation of the mercury, he was elected Fellow of the Royal Society in 1776 and died 1806. Thomas Blunt was apprenticed to Edward Nairne in 1760 with whom he formed a loose partnership in 1774, perhaps for mutual convenience as his premises were next door to Nairne's at 22 Cornhill. Blunt designed some of the components for the 'New Barometer' devised by the Portuguese Scientist J.H. Magellan for measuring altitude, and latterly became instrument maker to George III. In 1793 he took his son, also named Thomas, into partnership and subsequently relocated to 136 Minories in 1814, he died in 1822. An almost identical instrument to the current lot (signed by Nairne alone) is illustrated in Banfield, Edwin BAROMETERS, Stick or Cistern tube on page 75.

Ω A fine George III mahogany mercury stick barometer with hygrometer Gilbert, Wright and Hooke, London, circa 1800 The caddy moulded and ebony banded case with open triangular pediment and cavetto cornice above hygrometer with independent adjustment for the beard pointer via a brass turn-screw set beneath, over inset silvered Vernier scale calibrated in barometric inches to the right hand margin opposing weather observations to the left, the upper margin signed Gilbert, Wright & Hooke, London, set behind flush hinged glazed door, the trunk with Vernier adjustment square to throat over conforming inset silvered Fahrenheit scale mercury tube thermometer with brass protective cover to the bulb and recording slider to right hand edge behind hinged glazed cover, the rounded base with circular moulded domed cistern cover above brass level adjustment screw to underside, 112cm (44ins) high. Provenance: Private collection Hampshire (ref. B67); purchased from C.E. Hebden, Cambridge, 28h July 1997 for £2,750. The partnership between William Gilbert, Gabriel Wright and Benjamin Hooke Hooke are recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as working from Navigation Warehouse, 148 Leadenhall Street, London 1794-1801.Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites

Ω A George III mahogany mercury stick barometer Cately and Company, London, early 19th century With open triangular pediment above chevron bordered glazed door enclosing rectangular silvered Vernier scale calibrated in barometric inches and with the usual observations to the right opposing Fahrenheit scale spirit thermometer to the left, the upper margin signed Cately & Co. Ship Turnstile, Holborn , the caddy moulded trunk with exposed tube flanked by mahogany veneers with grain set at opposing forty-five degree angles within chevron-strung border, the conforming rounded base with hemispherical cistern cover centred with a turned ivory button, 96.5cm (38ins) high. Provenance: Private collection Hampshire (ref. B1); purchased from Lita Kaye of Lyndhurst, 12th July 1978 for £650 Cat(t)ely and Company are recorded in Banfield, Edwin BAROMETER MAKERS & RETAILERS 1660-1900 as working from 81 Holborn, London, circa 1810-30.Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites

A unique burr walnut, brass, porcelain and glass electric Solar Timepiece Sandra Campbell, Oliver Hood and Karen Wagstaff of the Royal College of Art for Raymond M. Burton, London, 1976 The movement with substantial posted brass chassis enclosing a HORSTMANN Y-MK2 calendar time-switch set beside a rectangular brass control box incorporating six toggle switches and related fuse holders, the centre with an electric motor driving geared motionwork for the hours and minutes flanked by twin horizontal revolving cylinders of coloured glass each enclosing a light source and independently driven by electric motors connected to the control box, the top plate with circular aperture beneath two revolving concentric domes, the inner geared to revolve every hour and made from translucent textured porcelain with overall uneven polychrome colouring incorporating a deep purple line serving as a minute hand, the outer revolving once every twelve hours and finished with marbled polychrome decoration incorporating a gilt fissure design as the hour hand, the whole contained within a caddy-moulded stained burr walnut four-sided brass-framed sleeve cover with each side panel formed as an arch with cast patinated bronze fan clasp inserts applied with gold stars indicating the quarters to the angles, the control box applied with brass plate inscribed DESIGNED AND MADE, FOR, RAYMOND BURTON, BY, SANDRA CAMPBELL, OLIVER HOOD, & KAREN WAGSTAFF, ROYAL COLLEGE OF ART 1976, 28cm (11ins) high; with a detailed file of the clock s construction and instructions for use together with another file of correspondence relating to the development and funding of the project. The current lot was designed and built by three students of the Royal College of Art in 1975-76 after successfully winning the commission from Raymond M. Burton. Of the three students involved Sandra Campbell was responsible for the ceramic elements, Oliver Hood the design and engineering, and Karen Wagstaff the clasp inserts. The timepiece is designed to capture the passing of time through the expression of never ending shifts and change of light. The concentric dome dial elements incorporate subtle hands which allow the time to be read against gold star markers applied to the bronze clasps set into the angles of the case with the twelve o clock position being denoted by two gold stars (in contrast to the other three which each only have one star). The twin light sources are contained within the revolving glass cylinders, each of which is coloured to simulate night to one half of its circumference and day to the other. Each cylinder is programmed to revolve through 180 degrees at dawn and dusk causing the light to change reflecting the passing of night into day and vice-versa. The benefactor of the current lot, Raymond Montague Burton, was born in Leeds on November 3 1917. Raymond was educated at Clifton College and went on to study at Trinity College, Cambridge, and later at Harvard. During the war he was commissioned in the Royal Artillery, serving in India and Ceylon and rising to the rank of major. In the last phase of his business career he served as joint chairman and president of Burton, which continued to expand with acquisitions of fashion brands such as Evans and Dorothy Perkins and eventually, after the family withdrew from hands-on management, became part of the Arcadia group. In 1981 he retired to concentrate on philanthropic activities which took many forms both in Yorkshire, where he made his home and established a model farm, and further afield in projects such as the founding of the Shaarei Shalom Synagogue in St Petersburg. His support for York University included a long-standing sponsorship of its concert series and culminated in the opening in 2003 of the Raymond Burton Library for Humanities Research (though he was characteristically reluctant to see his name attached), which received his own scholarly collection of Yorkshire-related books, manuscripts and playbills from the 18th and 19th centuries. He also contributed to the York Civic Trust, the Company of the Staple (a York-based livery guild which he helped to re-establish), the Kew at Castle Howard Arboretum project, and the Ryedale music festival which at his request and under his sponsorship staged a spectacular performance of Beethoven s Ninth Symphony in York Minster to celebrate the Queen s Golden Jubilee in 2002. A man of great vitality and wide-ranging enthusiasms, he collected silver and fine furniture and was a lifelong car buff, having enjoyed international rallying with his brother Arnold in the 1950s; he owned Bentleys and Ferraris, and declared himself pleased with a small MG in his sprightly mid-eighties. Raymond Burton was appointed CBE for his charitable work in 1995 and died in 2011.

A French gilt brass carriage clock Retailed by Payne and Company, London, third quarter of the 19th century The eight-day two train gong striking movement with silvered platform lever escapement incorporating split bimetallic balance and backplate engraved with retailer s signature Payne & Co., 163 New Bond Street, London to lower margin, the rectangular white enamel Roman numeral dial with blued steel moon hands and indistinct repeat signature to lower margin, the bevel glazed one-piece gilt brass caddy moulded case with hinged carrying handle and cavetto moulded skirt base, 13.5cm (5.25ins) high excluding handle; with original tooled red leather covered outer travelling case. The firm of Payne and Company was founded by William Payne who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1820-40, other sources suggest that he worked from 1811 until 1856 with the firm continuing to trade as Payne and Company until around 1875.

A French gilt brass petite sonnerie striking carriage clock with push-button repeat Unsigned, Paris, circa 1900 The eight-day two train movement ting-tang striking the quarters on two gongs and sounding the hour on the larger of the two, with replaced platform lever escapement, the circular blue on white enamel Arabic numeral dial with pierced steel hands set within engine-turned gilt mask, the bevel glazed case with hinged scroll handle over cavetto cornice, reeded frieze and caddy moulded uprights, on conforming base incorporating squat bracket feet, the underside with strike selection lever, 15cm (6ins) high excluding handle.

A French gilt and silvered brass carriage clock The movement possibly by Brunelot, late 19th century The eight-day two train gong striking movement with silvered platform lever escapement incorporating split bimetallic balance and backplate stamped with the letter B within a circle to lower left hand corner, the rectangular white enamel Roman numeral dial with blued steel moon hands and Arabic five minutes to outer track, the unusual bevel-glazed case of corniche type fitted with generous tied floral-bud chased silvered hinged carrying handle over standing semi-naked female figures to the caddy-moulded angles and elaborate leafy paw feet, 15cm (6ins) high excluding handle. See Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their History and development page 434 regarding the suggestion of the possible maker of the movement of the current lot.

A French gilt brass four-glass mantel clock Japy Freres, Paris, circa 1900 The circular eight-day bell striking movement with visible Brocot type escapement incorporating jewelled pallets set within the recessed gilt dial centre and regulated by mercury capsule pendulum with rate adjustment to suspension, the backplate stamped with JAPY FRERES, MED. D HONNEUR. roundel over number 25934 6.4, the dial with recessed gilt centre within circular white enamel Arabic numeral chapter ring, blued steel hands and milled bezel, the bevel-glazed case with caddy moulded uprights to angles, on conforming cavetto moulded skirt base incorporating bracket feet, 33cm, (13ins) high.

19th Century mother-of-pearl inlaid tortoiseshell sarcophagus shaped tea caddy, the hinged cover opening to reveal a lidded two division interior, standing on bun feet, 20.5cm wide Condition: Some minor nibbles and cracks to the corners, the worst being the rear left bottom corner where damage extends approximately 1cm, chip to the interior canister handle - ** General condition consistent with age

19th Century tortoiseshell sarcophagus shaped tea caddy, the hinged cover opening to reveal a lift-off cover enclosing a two division interior, standing on four bone bun feet, 14.5cm wide Condition: Some losses to the base rim, the largest being approximately 2.5cm x 0.75cm, see images - ** General condition consistent with age

George III octagonal tea caddy, the front centre panel having an applied printed reserve, the remaining panels with painted foliate reserves, the hinged cover with a printed reserve amongst foliate decoration, 19cm wide Condition: The front panel has a series of fractures around the lock, there is also fractures around the hinge both to the lid and base, the whole surface has numerous scratches, nicks and staining, some areas of loss (see images) - ** General condition consistent with age

George III Scottish silver 'Jockeys Cap' caddy spoon, hallmarked with the monarch's head and thistle only, 3.75cm diameter Condition: The peak/handle is a little buckled/bent to the edges - ** General condition consistent with age

Victorian silver oval tea caddy having half reeded decoration, makers Walter & John Barnard, London 1883, 13cm wide, 9.7oz approx Condition: A 1cm dent just above the foot rim, a little scratched - ** General condition consistent with age

18th Century porcelain tea caddy of ovoid fluted form, decorated in the Worcester style with polychrome foliate swags, pale blue scale and gilt highlights, the underside with crescent mark, 13.75cm high Condition: Presumably there was a lid now missing - ** General condition consistent with age

PAIR OF VICTORIAN SILVER SHOE BUCKLESmaker Cornelius Desomeaux Saunders & James Francis Hollings Shepherd, Chester 1898-99, 4.5cm wide; along with Art Deco silver caddy spoon, maker W.S.S. & Co., Sheffield 1932, with engraved design to handle; plated butter knife, and mother of pearl handled pocket knife, the weighable silver 32g gross (5)

A continental silver tea caddy/sugar casket of rectangular Bombay form with burred finial, reeded borders and ball feet, 8 x 10 cm

A mid-18th century style Bombay tea caddy with simple paw feet, stamp to base reads 'Goldsmiths and Silversmiths Company', 225g

Various die cast cars and buses, to include Startrite Shoes, Blue Caddy Tea, H J Heinz, etc, (1 box).

Silver compact with crested enamel face, Irish silver caddy spoon and a silver sugar spoon as well as a Chinese hardwood figure We are unable to provide condition reports for this sale.

A NEAR PAIR OF ART DECO WALNUT AND MAHOGANY PEDESTAL CHESTS, Circa 1930's, each with a caddy top, three long drawers and standing on shaped platform bases, (AF), (2). 81cm high, 95cm long, 34cm deep.

An early Victorian hallmarked silver rat tail pattern tea caddy spoon, L. 9.8cm.

An early 19th century brass inlaid rosewood tea caddy with glass mixing bowl, 31 x 15 x 17cm.

A Chinese hand painted porcelain tea caddy and an unusual porcelain dish decorated with butterflies, caddy H. 17cm.

A George III japanned rectangular tea caddy, hinged cover enclosing twin compartments, painted with a naive depiction of Mercury and with figures in the chinoiserie taste, gilt brass ball feet, 19.5cm wide, c.1810

Ceramics and Glass - an Art Deco part tea set; a Rington's blue and white tea caddy; a circular bevelled wall mirror; qty (2 boxes)

A George V silver caddy spoon, Birmingham 1921; another, Sheffield 1973 (2)

INLAID TWO SECTION MAHOGANY TEA CADDY

An American silver ovoid tea caddy by The Sweetser Co., New York ( 14K & Sterling , S ), early 20th century, with a turned wood finial to the lift-off domed cover, the body with four quatrefoil panels in Japanese taste with flowers or blossom, in 14 carat gold borders, 15.3cm (6in) high, 488g (15.7 oz) gross

An early George III shagreen caddy box containing a pair of silver tea caddies and a sugar box by Samuel Taylor, London 1768, the caddies and box of ogee pedestal form, the covers with bird finials, each chased with a figure, an eagle, and urn of flowers and a vacant shield, beneath foliate swags and with C-scrolls beneath, on cast openwork bases conforming, the caddies 13.5cm (5 1/4in) high, the box 14cm (5 1/2in) high, 835g (26.85 oz), the bowfronted shagreen case with a silver lock, hinges, handle and four ball-and-claw feet, maker's mark I.W only to lock, 18cm (7in) high, 31.5cm (12 1/2in) long See Grimwade 3696-3699 for possibly the unregistered mark I.W for John Weldring or James Wiburd and noted on teacaddy-casket mounts of 1765.

A 19th century amboyna and ebony strung tea caddy, 4 3/4" square

A silver, shell moulded caddy spoon by Douglas Pell and a silver tea spoon, together with a small open-face silver pocket watch. (AF)

Various George III silver, comprising feather shaped caddy spoon, 9cm wide, three various napkin rings, a pair of sugar bows, fiddle back pattern, 1865, (4).

A silver six division Toast Rack, three various Sweetmeat Dishes and a Victorian silver Caddy Spoon.

An early 19th century birds eye maple sarcophagus shape Tea Caddy with gilt metal ring handles and paw feet, the interior fitted with two covered containers, 10" (26cms) wide.

A Victorian rosewood and brass inlaid Box, a Victorian box containing two glass scent bottles, a tea caddy, an agate box and a crucifix.

A Ringtons blue and white Vase decorated with northern landmarks, 8" (20cms) high; a Ringtons blue and white Tea Caddy, four other Ringtons items, and a Worcester blush ivory Jar and Cover.

German walnut and glazed retailer's cabinet, having a beaded caddy style top with plate glass cover over two bevelled glass doors opening to a single shelf, raised on tapered square section legs, Bremmen retailer's label on the reverse, width 142cm, depth 41cm, height 101cm

A silver caddy spoon in the form of a jockey's cap, Francis Howard, Sheffield 1986, length 5.2cm.

19th and early 20th century brassware, Indian, Japanese trinket boxes, two cartoon books, caddy spoons etc

A brass tea caddy desk set with inkwell, two easel stand brass frames, trivet, weights, pistol, etc (one box)

An early 19th century, large mahogany sarcophagus tea caddy with contents raised on squat ball feet

A burr walnut, Regency tea caddy on bun feet, ring handles to sides (1)

Georgian inlaid tea caddy

A small burr walnut tea caddy

A VICTORIAN TYPE MAHOGANY TEA CADDY WITH GLASS INSERT

AN ANTIQUE TEA CADDY TOGETHER WITH A WATERCOLOUR BOX

A SMALL TEA CADDY A/F TOGETHER WITH A DESK TOP CHEST OF THREE DRAWS

Wooden tea caddy box and other small wooden box containing jewellery

A CASED SET OF SIX MODERN SHEFFIELD SILVER COFFEE SPOONS. A cased set of tenattractive chased silver plated tea spoons and a matching sugar tongs. An octagonal silver platedtea caddy. A silver napkin ring. Two silver plated dishes. A plated salt top. Plated nutcracker.Grape scissor. Two tea strainers. A small bright cut plated bowl and a collection of eight varioustable ornaments in the form of cockerels, pheasants and dogs. (a lot)

A pair and four Dutch fancy spoons the cast decorated handles with man o' war ship terminals, ovoid bowls with rat tail; together with three caddy spoons with nautical theme, import marks for Chester and a larger caddy spoon, pierced detail to bowl, ship to terminal (6) Longest: 21cm, Weight: 10.4oz

An Edwardian silver mounted tortoiseshell small tea caddy Martin Hall and Co. Sheffield 1913, of canted rectangular form, angular looped handle, the body with applied silver scroll and palmette decoration and large foliate escutcheon, interior with small lid Width: 11cm

A Victorian four piece batchelors tea service HH, London 1864, comprising teapot, water pot, milk jug and sugar bowl, all of circular form, a band of bright cut engraved flower heads and leaves, blank cartouche, leaf clasped S scroll handles, scroll spout to teapot and water pot; together with an apparently unmarked caddy spoon (5) Height of teapot: 11.5cm, weight (all in): 28.1oz

An early Victorian tea caddy Robinson, Edkins & Aston, Birmingham 1841, of bombe form with scroll details to corners, with four flower head cartouches, initials engraved to cartouche, raised on four bracket feet Height: 12cm, weight: 7.9oz

19th Century brass bound walnut tea caddy. rosewood box, carved Eastern box and small trinket box