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Lot 95
A collection of silver to include: a George III Scottish fiddle and shell pattern sugar nippers, by Robert Smeaton, Edinburgh, 1817; a plain George IV sugar nippers, by Henry & Charles Day, London, 1821; George III silver shovel shaped caddy spoon, by Joseph Taylor, Birmingham, 1813; a late Victorian cut glass silver mounted mustard pot and cover, by H Matthews, Birmingham, 1897 with associated spoon and a pair of Edwardian silver mounted glass salts, by WH Sparrow, Birmingham, 1903, weighable silver 2.92 ozt (90.8 grams)
Lot 277
A William IV red calf, covered work box, rectangular with a caddy top, the canted top with stamped decoration in the form of anthemia, opening to reveal a fitted interior with a set of 4 mother-of-pearl cotton reels, in the form of flower heads, with a similar pair and another two odd examples, with a a calf-bound pin flannel, another mother-of-pearl pin flannel, a white metal thimble and a nail guard, a mother-of-pearl waxer and a pair of scissors and stiletto and other sewing related items including two 19th century hand decorated thread 'envelopes', a pair of mother-of-pearl silk winders, with a further three, some minor damage and missing some original fittings, 28cm wide x 20.5cm deep x 13cm high, with key (qty)Generally ok, but missing much of the original contents and many items associated.Work box - old patinated scuffs and wear, especially back left corner and with scratches, dents and a 6cm hailine 'tear' down base of left side. Two feet crumpled slightly.Contents - lacking some items, including one original pin flannel and another on the front 'board' (possibly a nail buffer?). Some items chipped, including one cotton reel and one silk winder and one of the pair of silk winders.
Lot 279
A Regency mahogany, sarcophagus form tea caddy, inlaid with boxwood and ebony stringing and lozenge-form motifs with dot and tulip flower terminals, with brass lion's mask and ring handles, raised on a shaped plinth, some minor damage and losses, 32cm wide x 18cm deep x 19.5cm highLacking mixing/sugar bowl. Liners of canisters worn.Damage - including lacking 5cm of ebony stringing on rectangular pad on lid and lower section of left foot.Minor restoration, including apron (5cm on left side of front later), back right foot and small isolated sections of inlay, including stringing on left vertical edge of the front.
Lot 288
A late 17th century ebonised bracket clock by Jacobus Hassenius, LondiniSurmounted by a twin-dolphin handle on the caddy top over a narrow moulded cornice, rectangular glazed apertures to a moulded base and block feet, the 6.5in square brass dial with winged cherubs head spandrels and silvered Roman and Arabic chapter ring, the matted centre with engraved flower spray, the twin-fusee movement with five knopped pillars and engraved back plate, striking on a bell, 31cm high.Jacobus Hessenius was a Russian watchmaker who was made a Free Brother of the Worshipful Company of Clockmakers in 1682-3. It is thought that he returned to Russia in circa 1697, the same year that Peter The Great arrived in London to study the craft of shipbuilding and the latest developments in science and technology, returning to the motherland with an army of experienced craftsmen in tow. There he built a powerful navy, as was his aim to ramp up his empire-building capabilities. Without doubt, Hassenius' experience of working in London would have been highly valuable to the Tsar, more than likely obliging him to return to his homeland.Case: General light wear, signs of age and small repairs including fine split to left end of front door sound hole; splits to lower corner of right hand side; small section of cornice in-filled at the back right side; Fine splits to rear door; fine splits to left hand side. Section of veneer missing from lower right base.Dial: Minor signs of age including very fine cracklure to numerals visible under strong light.Movement: Winds, sets, runs and strikes during inspection - not tested for timekeeping or longevity.
Lot 290
A George III ebonised brass mounted bracket clockThe dial and movement signed Thos W'm Hay, Shrewsbury, the rectangular case with moulded swept caddy top with ball finial and four conforming finials to the corners, the front with foliate pierced sound grills to either side of the arched door, the sides with similar pierced grills below brass carrying handles, the arched brass dial with Slow/Fast subsidiary dial, all set within foliate scrolling spandrels, the brass four pillar twin fusee movement with engraved backplate striking on two bells, with brass bob pendulum, 52.5cm high.Generally good overall with some marks, scratches and wear to the case, especially localised on the front left side where it has been opened for winding and setting. The silk inserts behind the fretwork soundboards may have been replaced. One retaining bolt has been replaced on the right side. No evidence of worm. Movement winds, runs and strikes - not tested for timekeeping or longevity.
Lot 1366
A circular copper money box, initialled 'P', 12cm diameter, a copper cigarette box decorated circular laurels, 8cm high x 12cm wide and a brass tea caddy, 11cm high CONDITION REPORT: There are surface scratches throughout, some deeper ones also. Green oxide deposits present, speckles of white paint to lid of one box, some discolouration and marks also. Slightly misshapen in parts.
Lot 1378
A mahogany tea caddy with brass handle and three-division interior, 26cm x 14cm x 14cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 225
A quantity of silver and white metal including a hinged cuff bangle, QP, Birmingham 1963, a Scottish brooch of Celtic design, Douglas Scott, Edinburgh 2005, a heart-shaped locket, a silver caddy spoon etc./Provenance: The Estate of Anthony J Beeson CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 132
A LARGE ASSORTMENT OF CUTLERY SETS, to include two cased full sets of seven serving spoons, a cased 'E.A Griffith & Son' three piece carving set to include a knife, a knife sharpening steel and a carving fork, a partial set of cased cutlery comprising six forks, six knives, thirteen various sized serving spoons missing one tea spoon, a white metal orange enamel 'Norge' caddy spoon, a white metal enamel Llandudno shoe horn, together with numerous sets of cutlery in boxes
Lot 507
FIFTY ONE LILLIPUT LANE SCULPTURES FROM SOUTH WEST, SOUTH EAST, MIDLANDS, BLAISE HAMLET ETC, mostly boxed and some with deeds, to include Stradling Priory, Spring Gate Cottage (no deeds), two Duckdown Cottage (one no deeds), Wayside Cottage, Fuchsia Cottage, two unboxed and no deeds Ostlers Keep (chips to chimney), Tintagel (no box, deeds and chipped roof), two Little Lupins (one no box), Puffin Row (no deeds), John Barleycorn Cottage (no deeds), The Blue Boar, Bramble Cottage (no deeds), Honeypot Cottage (no deeds), two Tea Caddy Cottage (one no box or deeds), Marigold Meadow, Moreton Manor (no box or deeds), Grantchester Meadows (no box, deeds and one tree very rubbed), Summer Haze (no box, rubbed), two Rustic Root Cottage (one no deeds and tree rubbed), William Shakespeare, Anne Hathaways Cottage (foliage rubbed, no deeds), Anne Hathaways Cottage 1989 (no box or deeds, rubbed), Pennys Post, The Farriers, Circular Cottage from Blaise Hamlet, etc (51) (Condition report: obvious damage where mentioned, most some rubbing)
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81455 item(s)/page