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Lot 1655
A fine George V silver-gilt tea caddy, William Comyns, London 1914, in the Queen Anne style, hexagonal form with relief embossed lobed screw cap and gadrooned base, with original engraved cartouche, 15cm, 10ozNo damage or repair, gilding still bright, screw-cap working, cartouche has original engraved initials GG, 1 small dent on base, hallmarks clear
Lot 252
An early 19th century tortoiseshell and silver inlaid tea caddy, with silver crest inset to the lid, original inner lids and silver ball feet, 17.5cm x 11cm, height 14cmGenerally in very good visual condition, small piece of the silver wire inlay missing from just under the lock, a small repaired chip on one side of the tortoiseshell and a crack just below the hinge on the back
Lot 13
A cased set of six George V silver teaspoons, with pointed terminals, hallmarked by Roberts & Belk, Sheffield, 1925, weight approx. 52.8 grams (1.69ozt), together with three different silver handled spreading knives, a Birmingham silver napkin ring by John Rose (approx. 19.6 grams), and a silver plated caddy spoon. Further details: tarnishing and general wear. Provenance: an ex member of the Royal Household
Lot 979
TWO BOXES AND LOOSE CERAMICS, to include Royal Albert 'Moss Rose' cake plate, teacup and saucer 'Memory Lane', a coffee cup and saucer pattern no. 4788, studio pottery bud vases, Grimwades 'Fairy Castle' trinket plate, vintage oriental rose medallion plate, vintage oriental fold out accordion book with watercolour paintings of flowers, blue and white oriental tea caddy marked on the base, Royal Doulton stoneware 'Lambeth' teapot and stand, and covered jar, Shorter & Son Ltd. twin serving plate etc. (2 boxes + loose), (sd/af)
Lot 915
A GROUP OF WOODEN BOXES, comprising a tea caddy of rectangular form, with bone escutcheon, paper lining inside the lid and central division, width 19cm x height 12cm x depth 11cm, a small box of simple architectural form with lift off cover, a possibly Asian box raised on four legs, with split hinged cover, and a small set of two small over two larger drawers (4) (Condition Report: generally ok, some veneer loss, chips, knocks and small losses)
Lot 251
A large Louis XIV style ormolu, brass and tortoiseshell Boulle style mantel clock in the Baroque taste - 19th century, in the manner of Martinot of Paris, the eight day movement striking the half hours on a bell, with key, fronted by a cast brass dial decorated in bas relief with a cherub mask, an angel and beast heads amidst foliate Arabesques, the chapter ring with black and white enamel Roman cushion numerals, above an arcaded architectural panel, the caddy top case with scrolling foliate decoration in the manner of Andre Charles Boulle, eight flame finials and caryatid and acanthus leaf mounts, on toupie feet, 62cm high.* In good condition overall, with some minor faults – a handsome looking clock in good order overall and it hasn’t been over-cleaned or over-restored in the past. The clock runs and strikes correctly when catalogued, although we have not checked the time keeping. No damage to enamel numerals. The brass inlays are virtually intact – there is just one small loss to the foliate cartouche to the lower right side of the case. There is also some lifting to this cartouche and the other three similar cartouches to the top and bottom of the case sides. The brass edging is lifting to the front left of the case top, just above the main arch. Two small losses from the tortoiseshell to the centre of the foliate cartouche to the top of the left side of the case. There is a gilt bronze bar missing from the lower left of the case (from below the brass inlaid foliate cartouche). See photo attached.
Lot 204
ink on paper, monogrammed, titled label verso mounted, framed and under glass image size 20cm x 27cm, overall size 36cm x 44cm Exhibition label verso: 1 - 15 September (2018), The Torrance Gallery, Edinburgh Note: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
Lot 606
A George IV brass-inlaid mahogany bracket clock, c. 1820-30,Thomas Hunt, London, the reeded caddy top with gilt-brass pineapple finial above a 71/2 inch convex dial with Roman numerals signed "Thos. Hunt Tottenham Ct. Rd" within a case with inlaid brass decoration and fitted with gilt-metal cornucopiae ring handles, on reeded ball feet, the eight day movement with engraved backplate and pendulum en suite striking on a bell (wear and chips to dial, lacking key). 53cm by 30cm by 16cm
Lot 12
A quantity of Newcastle silver Flatware, including two table spoons by John Walton, one Old English pattern, 1720, the other fiddle, 1829, both initialled, other teaspoons, a caddy spoon etc., together with an Irish silver dessert spoon, Michael Homer, Dublin c. 1770's, a George III silver toddy ladle with whale bone handle etc., weighable silver 8.7ozt (a lot)
Lot 51
A William IV silver Caddy Spoon, by Francis Powell, hallmarked London 1819, fiddle pattern with shell bowl, 9.2cm long, together with a cased set of silver teaspoons, Sheffield 1966, a silver spoon and pusher, Birmingham 1946, a small circular silver bon bon dish, hallmarked Chester, date letter worn etc., weighable silver 5ozt (a lot)
Lot 85
19th century inlaid wooden toilet mirror, of shield form, about three drawers centre drawer with bone escutcheon, together with walnut domed box and a mahogany sarcophagus tea caddy, upon four bun feet and with ivory escutcheonThis item has been registered for sale under Section 10 of the APHA Ivory Act Condition Report: Mirror H62cmIvory Act - Submission reference: J496TL6D
Lot 671
Richard Houton Oversly Green (Warwickshire) - An 18th Century long case clock with brass and silvered dial with Roman and Arabic numerals, fitted with a brass eight day movement, pierced spandrels, subsiduary date aperture and seconds dial, the case with caddy hood, plain trunk door and a box base
Lot 56
A George III Satinwood Tea Caddy, with marquetry pilasters and moth and shell patera, together with A Quantity of Georgian and Later Table Spoons and Tea Spoons, 334gr, a Mary Gregory cranberry glass bud vase, on gilt metal base, a similar cranberry single flute epergne and other glass (one tray)
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81455 item(s)/page