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A Walnut Eight Day Longcase Clock, the case with caddy top pediment, brass stop-fluted columns, side glazed viewing windows, later inlay to the hood, moulded trunk door with later inlaid D shape floral and bird inlay, re-built plinth with inlay and upon bracket shaped feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with date aperture below 12, oval shaped silvered plaque bearing inscription Edw Newton, Grantham, centre seconds hand, the arch with silvered disc depicting Father Time, five pillar movement with anchor escapement and rack striking on a bell, 248cm high (dial possibly associated to the movement) See illustration
A Meissen Hexagonal Tea Caddy and Cover, circa 1728, decorated in the manner of Johann Ehrenfried Stadler, the compressed baluster body moulded with recessed panels, painted in puce, iron red, yellow, green and Böttger lustre with a Chinaman wearing a broad rimmed hat and fishing, chinoiserie flowers, rockwork, birds and insects, the cover with peonies in puce with blue centres, chocolate brown line rims, 10.2cm high See illustration. Provenance: The Wolfe Collection, Bonhams, Important Meissen and Related Porcelains, 17 June 1998, lot 47. Wolfe Inventory No.77
A Russian Imperial Silver and Enamel Mounted Rosewood Architectural Three-Division Tea Caddy, Pavel Sazikov, late 19th century, of stepped form, the main lid centred with a dome of coloured enamel work within silver strapwork punctuated by four six-limbed star bosses, within silver strapwork and angle studs, initialled KC, birch lined interior, flanked by smaller compartments with silver "roofed" lids, further conforming decoration to the front, back and sides, the angled frieze with guttae detail, on silver and blue enamel decorated bun feet, various marks, including those of Kostroma, 7cm by 21cm by 11.5cm See illustration
A Group of Five Georgian Caddy Spoons, various makers, including a stained ivory-handled shovel type, engraved with a pineapple motif, by Cox & Bettridge, Birmingham 1807, and an example with a pierced rounded rectangular bowl; and A George III Mother-of-Pearl Handled Folding Fork, circa 1800, duty head and lion passant marks only, 13.5cm long (6)
A Victorian papier mache tea caddy of rectangular form, slightly domed cover, inlaid with mother of pearl and painted and gilt with flowers, the interior fitted with two compartments flanking an aperture for faul, raised on flattened bun feet, 13" wide (damages), together with a Britannic metal melon shaped coffee pot with domed cover and scroll handle, 10" high.
A late Victorian George III style bracket clock, with brass carrying handle to the cherub, cornucopia and scroll cast caddy top, with flaming torch finial to each corner above the arched glazed door enclosing the arched brass dial with eight bell and Cambridge chimes, advance and retard mechanisms, silvered brass dial with Roman numerals and triple fusee movement, flanked by carrying handles, pierced grilles and all raised on short scroll feet. Width 14 ins, height including handle 26 ins.
A late 17th century walnut and floral marquetry longcase clock, By Andrew Broun, Edinburgh, the anchor escapement striking the hours on a bell, the caddy top hood with foliate pierced frieze and column uprights enclosing a matted brass and silvered dial with 'boyes and crowne' spandrels, the roman dial with subsidiary arabic chapters, calendar aperture, seconds dial and ringed winding holes, the trunk door with glazed pendulum aperture, on apron base with later short cabriole legs, 235cm high
A George III oak longcase clock with thirty hour movement striking on a bell, the brass dial with Roman numerals framing a matt centre with single hand, date aperture and boss inscribed 'Avenell Farnham', cornered with pierced foliate spandrels, the case with caddy top above an arched trunk door on plain base, height approx 220cm (alterations and faults).
A pair of reproduction slip top spoons, by Jones and Son, London 1928, 15.25cm; a silver vesta case, Birmingham 1901, a child's spoon, Birmingham 1921, a silver cigar case holder, London 1923; a Danish metalwares caddy spoon; a Norwegian metalwares and red enamel spoon; two small metalwares boxes, two wine labels, a chick pin cushion and a base metal posy holder (13)
A mid 19th century Jennens & Bettridge tea caddy, the domed rectangular lid and the waisted sides of the sarcophagus shape inlaid with mother of pearl and painted with flowers, 35.5cm (14in) wide. Provenance: The second Lady Mallowan, by descent, late of 22 Cresswell Place, the London mews home of Agatha Christie

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81449 item(s)/page